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	Comments on: Emotional Layers: The Gateway to Deep Point of View	</title>
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		<title>
		By: Laura Drake		</title>
		<link>https://writersinthestormblog.com/2018/06/emotional-layers-the-gateway-to-deep-point-of-view/#comment-140393</link>

		<dc:creator><![CDATA[Laura Drake]]></dc:creator>
		<pubDate>Sat, 06 Apr 2019 12:32:17 +0000</pubDate>
		<guid isPermaLink="false">https://writersinthestormblog.com/?p=34095#comment-140393</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://writersinthestormblog.com/2018/06/emotional-layers-the-gateway-to-deep-point-of-view/#comment-140391&quot;&gt;Julia&lt;/a&gt;.

Julia, 

You are the God of your story. You can do anything you want! You pointed out to books that have them - the Epic Fantasy, Name of the Wind is positively chock full of them! That doesn&#039;t make your book bad.

But. Readers today are used to sharp, fast reads. They want an immersive experience. They want to BE your character! Filter words keep them at a distance - keep them from being in the character&#039;s skin.

Here&#039;s an example:

She saw the mess in the living room, and saw how angry he was about it.

See how you&#039;ve showed us what&#039;s going on, like in a movie?

Compared to this:

The couch cushions were torn, the dirt from the potted plant, scattered across the carpet. Sean stood, staring, his face painted with anger.

Okay, that wasn&#039;t great, but see how the second puts you in the room? She is the POV character, so if you mention it, we KNOW it&#039;s because she saw it.

Neither is wrong, but the second brings the reader closer.  See what I mean?
Laura]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://writersinthestormblog.com/2018/06/emotional-layers-the-gateway-to-deep-point-of-view/#comment-140391">Julia</a>.</p>
<p>Julia, </p>
<p>You are the God of your story. You can do anything you want! You pointed out to books that have them - the Epic Fantasy, Name of the Wind is positively chock full of them! That doesn't make your book bad.</p>
<p>But. Readers today are used to sharp, fast reads. They want an immersive experience. They want to BE your character! Filter words keep them at a distance - keep them from being in the character's skin.</p>
<p>Here's an example:</p>
<p>She saw the mess in the living room, and saw how angry he was about it.</p>
<p>See how you've showed us what's going on, like in a movie?</p>
<p>Compared to this:</p>
<p>The couch cushions were torn, the dirt from the potted plant, scattered across the carpet. Sean stood, staring, his face painted with anger.</p>
<p>Okay, that wasn't great, but see how the second puts you in the room? She is the POV character, so if you mention it, we KNOW it's because she saw it.</p>
<p>Neither is wrong, but the second brings the reader closer.  See what I mean?<br />
Laura</p>
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		<title>
		By: Julia		</title>
		<link>https://writersinthestormblog.com/2018/06/emotional-layers-the-gateway-to-deep-point-of-view/#comment-140391</link>

		<dc:creator><![CDATA[Julia]]></dc:creator>
		<pubDate>Fri, 05 Apr 2019 21:23:41 +0000</pubDate>
		<guid isPermaLink="false">https://writersinthestormblog.com/?p=34095#comment-140391</guid>

					<description><![CDATA[Hello. These are some very well explained details about Deep POV, and very helpful article. I think I do understand every part of Deep POV rules now, except one... the &quot;filtering&quot; words. Now, I know what kind of words are the &quot;filters&quot;, and I do understand WHY are they bad choice in Deep POV, but what I don&#039;t understand is the fact that I still see them a lot in the Deep POV novels. You took the example from Divergent, and I couldn&#039;t help but wonder: doesn&#039;t author use &quot;filtering&quot; words in that very example? Tris uses &quot;I say&quot;, &quot;hear&quot;, &quot;sound&quot; and &quot;know&quot;. I&#039;ve heard those are typical &quot;filtering&quot; words and shouldn&#039;t be used in Deep POV in order to avoid distance, yet we see the example in which Tris uses them. This really confuses me. Am I missing something about &quot;filter&quot; words? Are there any specific rules as to when and where we can or can&#039;t use them? Also, I&#039;ve read all Divergent books and I was really captured with writing style nevertheless, it was intimate similarly to The Hunger Games which I absolutely loved. Anyway, I&#039;m sorry if my comment is long or confusing. To sum up my question shortly, why this specific example is allowed to have &quot;filtering&quot; words in it? Is it because it&#039;s Tris&#039;s direct thoughts? Is character&#039;s &quot;voice&quot; allowed to use &quot;filter&quot; words? And if that&#039;s so, then why and when? Thank you.]]></description>
			<content:encoded><![CDATA[<p>Hello. These are some very well explained details about Deep POV, and very helpful article. I think I do understand every part of Deep POV rules now, except one... the "filtering" words. Now, I know what kind of words are the "filters", and I do understand WHY are they bad choice in Deep POV, but what I don't understand is the fact that I still see them a lot in the Deep POV novels. You took the example from Divergent, and I couldn't help but wonder: doesn't author use "filtering" words in that very example? Tris uses "I say", "hear", "sound" and "know". I've heard those are typical "filtering" words and shouldn't be used in Deep POV in order to avoid distance, yet we see the example in which Tris uses them. This really confuses me. Am I missing something about "filter" words? Are there any specific rules as to when and where we can or can't use them? Also, I've read all Divergent books and I was really captured with writing style nevertheless, it was intimate similarly to The Hunger Games which I absolutely loved. Anyway, I'm sorry if my comment is long or confusing. To sum up my question shortly, why this specific example is allowed to have "filtering" words in it? Is it because it's Tris's direct thoughts? Is character's "voice" allowed to use "filter" words? And if that's so, then why and when? Thank you.</p>
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		<title>
		By: How to Use Deep POV for Pacing &#124; Writers In The Storm		</title>
		<link>https://writersinthestormblog.com/2018/06/emotional-layers-the-gateway-to-deep-point-of-view/#comment-135258</link>

		<dc:creator><![CDATA[How to Use Deep POV for Pacing &#124; Writers In The Storm]]></dc:creator>
		<pubDate>Wed, 18 Jul 2018 13:19:10 +0000</pubDate>
		<guid isPermaLink="false">https://writersinthestormblog.com/?p=34095#comment-135258</guid>

					<description><![CDATA[[&#8230;] here because these kinds of choices are more art than pattern. Know the WHY of your scene (read about that here) and the primary emotions powering your character, and then choose the best technique to create the [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] here because these kinds of choices are more art than pattern. Know the WHY of your scene (read about that here) and the primary emotions powering your character, and then choose the best technique to create the [&#8230;]</p>
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		<title>
		By: Pro Analysis: Your First Page &#124; Writers In The Storm		</title>
		<link>https://writersinthestormblog.com/2018/06/emotional-layers-the-gateway-to-deep-point-of-view/#comment-134570</link>

		<dc:creator><![CDATA[Pro Analysis: Your First Page &#124; Writers In The Storm]]></dc:creator>
		<pubDate>Fri, 22 Jun 2018 11:11:21 +0000</pubDate>
		<guid isPermaLink="false">https://writersinthestormblog.com/?p=34095#comment-134570</guid>

					<description><![CDATA[[&#8230;] Layering Emotion of Deep POV&#160; [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] Layering Emotion of Deep POV&nbsp; [&#8230;]</p>
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		<title>
		By: The Body Language Of Love: Beyond Lust And Attraction &#8211; From the Writers in the Storm Blog &#124; Author Don Massenzio		</title>
		<link>https://writersinthestormblog.com/2018/06/emotional-layers-the-gateway-to-deep-point-of-view/#comment-134564</link>

		<dc:creator><![CDATA[The Body Language Of Love: Beyond Lust And Attraction &#8211; From the Writers in the Storm Blog &#124; Author Don Massenzio]]></dc:creator>
		<pubDate>Thu, 21 Jun 2018 20:45:34 +0000</pubDate>
		<guid isPermaLink="false">https://writersinthestormblog.com/?p=34095#comment-134564</guid>

					<description><![CDATA[[&#8230;] Last week at WITS I wrote about writing deep point of view using layers of emotions and I promised this week to share about writing love in deep point of view. If you missed last week’s post, make sure you check it out. [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] Last week at WITS I wrote about writing deep point of view using layers of emotions and I promised this week to share about writing love in deep point of view. If you missed last week’s post, make sure you check it out. [&#8230;]</p>
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		<title>
		By: Readers Want More Than The Body Language Of Love - They Want The Why - Lisa Hall-Wilson		</title>
		<link>https://writersinthestormblog.com/2018/06/emotional-layers-the-gateway-to-deep-point-of-view/#comment-134529</link>

		<dc:creator><![CDATA[Readers Want More Than The Body Language Of Love - They Want The Why - Lisa Hall-Wilson]]></dc:creator>
		<pubDate>Wed, 20 Jun 2018 11:31:49 +0000</pubDate>
		<guid isPermaLink="false">https://writersinthestormblog.com/?p=34095#comment-134529</guid>

					<description><![CDATA[[&#8230;] Last week I visited Writers In The Storm and wrote about writing deep point of view using layers of &#8230; and I promised this week to share about writing love in deep point of view. If you missed last week’s post, make sure you check it out. [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] Last week I visited Writers In The Storm and wrote about writing deep point of view using layers of &#8230; and I promised this week to share about writing love in deep point of view. If you missed last week’s post, make sure you check it out. [&#8230;]</p>
]]></content:encoded>
		
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		<title>
		By: The Real Body Language of Love &#124; Writers In The Storm		</title>
		<link>https://writersinthestormblog.com/2018/06/emotional-layers-the-gateway-to-deep-point-of-view/#comment-134527</link>

		<dc:creator><![CDATA[The Real Body Language of Love &#124; Writers In The Storm]]></dc:creator>
		<pubDate>Wed, 20 Jun 2018 11:01:53 +0000</pubDate>
		<guid isPermaLink="false">https://writersinthestormblog.com/?p=34095#comment-134527</guid>

					<description><![CDATA[[&#8230;] Last week at WITS I wrote about writing deep point of view using layers of emotions and I promised this week to share about writing love in deep point of view. If you missed last week’s post, make sure you check it out. [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] Last week at WITS I wrote about writing deep point of view using layers of emotions and I promised this week to share about writing love in deep point of view. If you missed last week’s post, make sure you check it out. [&#8230;]</p>
]]></content:encoded>
		
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		<title>
		By: Adele Marie		</title>
		<link>https://writersinthestormblog.com/2018/06/emotional-layers-the-gateway-to-deep-point-of-view/#comment-134475</link>

		<dc:creator><![CDATA[Adele Marie]]></dc:creator>
		<pubDate>Mon, 18 Jun 2018 17:57:05 +0000</pubDate>
		<guid isPermaLink="false">https://writersinthestormblog.com/?p=34095#comment-134475</guid>

					<description><![CDATA[Thank you, an article that I can understand about Deep POV. Well written and clear, I can now say I understand it.]]></description>
			<content:encoded><![CDATA[<p>Thank you, an article that I can understand about Deep POV. Well written and clear, I can now say I understand it.</p>
]]></content:encoded>
		
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		<title>
		By: Julie Glover		</title>
		<link>https://writersinthestormblog.com/2018/06/emotional-layers-the-gateway-to-deep-point-of-view/#comment-134442</link>

		<dc:creator><![CDATA[Julie Glover]]></dc:creator>
		<pubDate>Sat, 16 Jun 2018 19:28:30 +0000</pubDate>
		<guid isPermaLink="false">https://writersinthestormblog.com/?p=34095#comment-134442</guid>

					<description><![CDATA[I think of deep POV as seeing through the character&#039;s eyes, but really it&#039;s all those things you mention: primary &#038; secondary emotions, triggers, and behavior. Thanks for sharing the layers, Lisa!]]></description>
			<content:encoded><![CDATA[<p>I think of deep POV as seeing through the character's eyes, but really it's all those things you mention: primary &amp; secondary emotions, triggers, and behavior. Thanks for sharing the layers, Lisa!</p>
]]></content:encoded>
		
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		<title>
		By: Emotional Layers: The Gateway to Deep Point of View &#8211; From the Writers in the Storm Blog &#124; Author Don Massenzio		</title>
		<link>https://writersinthestormblog.com/2018/06/emotional-layers-the-gateway-to-deep-point-of-view/#comment-134409</link>

		<dc:creator><![CDATA[Emotional Layers: The Gateway to Deep Point of View &#8211; From the Writers in the Storm Blog &#124; Author Don Massenzio]]></dc:creator>
		<pubDate>Thu, 14 Jun 2018 11:40:57 +0000</pubDate>
		<guid isPermaLink="false">https://writersinthestormblog.com/?p=34095#comment-134409</guid>

					<description><![CDATA[[&#8230;] Read the rest of this post HERE. [&#8230;]]]></description>
			<content:encoded><![CDATA[<p>[&#8230;] Read the rest of this post HERE. [&#8230;]</p>
]]></content:encoded>
		
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