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	<title>Writing surveillance | Writers In The Storm</title>
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		<title>The Art of Physical Surveillance</title>
		<link>https://writersinthestormblog.com/2017/06/the-art-of-physical-surveillance/</link>
					<comments>https://writersinthestormblog.com/2017/06/the-art-of-physical-surveillance/#comments</comments>
		
		<dc:creator><![CDATA[Guest Blogger]]></dc:creator>
		<pubDate>Mon, 12 Jun 2017 11:02:12 +0000</pubDate>
				<category><![CDATA[Bayard & Holmes]]></category>
		<category><![CDATA[Writing Craft]]></category>
		<category><![CDATA[Piper Bayard]]></category>
		<category><![CDATA[Writers in the Storm]]></category>
		<category><![CDATA[Writing surveillance]]></category>
		<guid isPermaLink="false">https://writersinthestormblog.com/?p=31761</guid>

					<description><![CDATA[<p>Piper Bayard&#160; One of the most commonly used tools in mystery, crime, and spy fiction is physical surveillance. However, it is an art that is not completely understood outside of law enforcement and espionage. As the partner of a 40+ year veteran field operative, I’d like to take you through a few of the basics. [&#8230;]</p>
The post <a href="https://writersinthestormblog.com/2017/06/the-art-of-physical-surveillance/">The Art of Physical Surveillance</a> first appeared on <a href="https://writersinthestormblog.com">Writers In The Storm</a>.]]></description>
		
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