By Lynette M. Burrows
How do you, as a writer, capture your readers’ hearts and minds? With a spark that grabs the reader. No, that spark is not the first sentence, though it is important. The spark that grabs the reader is an inciting incident that ignites the reader’s imagination. Crafting the right inciting incident is crucial to laying the foundation for a can’t-stop-reading story. To create the best one for your story, you must understand what it is, why it’s a powerful piece of your story, and how to create one.
According to Merriam-Webster Dictionary, to incite means to move to action,stir up,spur on,urge on. So far, so good. But there’s more to what an inciting incident is.
Let’s look at what some writing experts say the inciting incident is.
Kathryn Craft at Writer Unboxed says: “A story exists because something happens in a character’s life—the inciting incident—that upsets her equilibrium and arouses her desire to restore balance.”
According to Sara Letourneau on DIYMFA it’s “the launching pad that thrusts a character into the conflict.”
Janice Hardy on Fiction University says, “The inciting event is the moment when something changes for the protagonist that draws them onto the path that is, or will become, the novel’s plot. If this moment didn’t happen, the story would not have happened.”
No matter which genre of fiction you write, it is a pivotal moment. It is when the protagonist is at the t-junction of her life. There is no continuing on the path she’s been on, at least in her mind there isn’t. She must turn onto an unfamiliar path. If she does not turn onto this path, the rest of the story either doesn’t happen or makes little sense.
The inciting incident often focuses on a smaller issue related to the big conflict of the story. This leads some writers to believe that the inciting incident is minor.
It is not a minor event.
I think Janice Hardy says it best, “If this moment didn’t happen, the story would not have happened.” The right inciting incident deepens the questions in your readers’ minds. It hints at problems to come. Often the protagonist misunderstands the meaning of the moment. Sometimes the reader also misunderstands. Sometimes the reader knows more than the protagonist. Either way, the reader wants to keep reading.
In Star Wars Episode IV: A New Hope, Luke Skywalker is a young man living with his aunt and uncle on their farm. He dreams of a life of adventure, but accepts his uncle’s words that he must work another year on the farm first.
While cleaning a droid his uncle bought, Luke discovers a message from a princess to an Obi Wan Kenobi. It sounds desperately important. So Luke must deliver the message. He leaves the farm in search of Obi Wan.
It is that decision, that search, that takes Luke away from the farm at a crucial moment. It introduces Luke and the viewer to Obi Wan and the Force and the Rebellion. And it makes the viewer understand his choice when Luke returns to the farm and discovers his aunt and uncle are dead. By that time, the viewer must know what happens next.
Note, if Luke hadn’t gone to find Obi Wan, he would have died too. Or Luke could have been in the field and escaped death, but he would never have learned about the Force and the Rebellion. Either way, the rest of the story wouldn’t happen.
An inciting incident usually falls about halfway (10-15%) through the beginning. In a novel that would about the middle of the first act. Why not precisely halfway? It’s important not to force it. For pacing, it needs to fall close to that perfect halfway point. Yet, if the writer forces it, she may skip or cut important reader-character bonding moments.
It takes a lot of skill and the right story for the inciting incident to begin a successful story. This doubles and triples the work your inciting incident must accomplish. Placed in the very first sentences of the story, it also becomes the hook. Hooking a reader isn’t simply a matter of writing a clever sentence or scene. A strong beginning introduces the setting, the main characters, the stakes, and a reason for your reader to relate to your protagonist and her goals.
Placing the inciting incident midway through the beginning is important. That placement gives the writer time to make enough introductions that the reader isn’t confused and can’t stop turning pages.
It doesn’t matter whether you plot the perfect inciting incident before writing or you discover it in one of your re-writes of the story. The best inciting incident is the one that fits your character and your story no matter when you create it.
It may take a little study for you to understand the inciting incident well enough to create the best one for your story. How do you study it? By taking other stories apart. Take a movie or book that you love and divide it by time or by pages into sixths. (I suggest movies because typically they follow structure more rigorously. They also require a shorter time commitment than novels.)
Re-read, or re-watch, the first one or two-sixths and the final one or two-sixths. Look specifically for an inciting incident and how it mirrors the ending. Pretty soon you’ll start noticing inciting incidents in all the movies you watch and books you read and especially the ones you write.
The inciting incident’s job is to be the bridge between the opening scene and the core conflict of the novel. It transitions the protagonist into the main plot by giving them an interesting problem that leads to the bigger issues and themes of the novel.
Most readers don’t know what the parts of a story are. They don’t care about the names we give those parts. But readers are familiar with story structure because it is in nearly every successful story ever written. They expect to come across most, if not all, the parts we writers talk about in the same order that most stories follow. Why? Because they care about story. Just like you.
What are your favorite your movie or book inciting incident?
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Lynette M. Burrows is an author, blogger, creativity advocate, and Yorkie wrangler. She survived moving seventeen times between kindergarten and her high school graduation. This alone makes her uniquely qualified to write an adventure or two.
Her Fellowship Dystopia series takes place in 1961 Fellowship America where autogyros fly and following the rules isn’t optional. It’s a captivating story exploring the power of choice, identity, transformation, and unimagined heroism. Books one and two, My Soul to Keep, and If I Should Die, are available everywhere books are sold online. Book three, And When I Wake, is scheduled to be published in 2024.
Lynette lives in the land of OZ and is a certifiable chocoholic and coffee lover. When she’s not blogging or writing or researching her next book, she avoids housework and plays with her two Yorkshire terriers. You can find Lynette online on Facebook, or Twitter @LynetteMBurrows or on her website.
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