by Ellen Buikema
In the real world we want to get rid of flaws. But to writers, flaws can be precious jewels, reflecting light on the storyline and all the other characters within.
A flaw for one character may be seen as a strength for another. Greed and dishonesty may be strengths to antagonists, but thought of as flaws to the protagonists in the story.
In a perfect world nothing will go wrong. What fun it that? Flawless characters are boring.
The way characters act, think, and speak weaves into the plot. Character flaws increase the odds that things will go wrong, sometimes horribly wrong, powering up conflicts. Flaws also help to differentiate between characters.
Readers like to see a version of the familiar in characters. Recognize the struggles, see the mistakes made and how the characters deal with the drama.
When a character is overly agreeable and never unreasonable or cranky, they are hard to connect with, to feel for their problems and joy for their successes.
A character’s lack of imperfections makes them unlikeable. Flaws are key to crafting meaningful conflict for our stories.
Keep characters memorable. The hero may be kind, have a great sense of humor, but also have narcolepsy and sing in their sleep. Mixed traits mold the character’s definition. No one will forget the character that breaks into song while snoozing.
Our world is rich in interesting people with diverse, and often troubled backgrounds. Fictional people must be interesting too. Life is messy and the journey filled with speedbumps in the forms of conflict and indecision. A good story will reflect all that.
In fiction, a flaw isn’t always a negative character trait. It can also be a false belief, quirk, fear, or limitation, that is part of the character. A character flaw might be an annoyance or be damaging, to the character who possesses it or to those they encounter.
Any flaw a character possesses can be categorized as minor, major, or tragic. Let’s look at three types of flaws.
This is a flaw that sets apart a character in readers’ minds but doesn’t impact the story in a major way. Examples of a minor flaw include:
Character flaws don’t have to be moral ones.
This flaw impacts the character such that it affects the plot of the story. For example:
Major flaws often represent moral failings, that may cause external, internal, or secondary conflicts that affect the plot.
The tragic flaw that leads to a character’s downfall. Examples of a tragic flaw include:
Tragic flaws are usually moral failings or idiotic tendencies that tie straight into a story’s main conflict. By the story’s climax, a character’s tragic flaw often results in a bad end.
Here are two useful lists of flaws to consider 101 Character Flaws and 70 Interesting Character Flaws for future works.
To develop powerful flaws for your story’s characters, consider their journeys. Think about where your characters’ stories start and where you want them to end. Then create a flaw that will fuel the major internal and/or external conflicts they’ll experience. For example:
When writing your story, consider the different viewpoints. What does each character think their strengths and weaknesses are? Does this influence how they treat others, and in what ways? How do their flaws influence choices they make?
Discovering flaws is a fantastic way to learn more about your characters, assist with the plot, and give you a better sense of your story and where it’s going.
Flaws make your characters relatable and interesting to the readers. Give all your main characters flaws and let the story flow from there.
What character flaws do you find most interesting in the books you’ve written or read? Do you think characters should have combinations of flaws, like major and minor, or minor and tragic? Have you felt empathy for a character with a tragic flaw?
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Author, speaker, and former teacher, Ellen L. Buikema has written non-fiction for parents, and The Adventures of Charlie Chameleon chapter book series with stories encouraging the development of empathy—sprinkling humor wherever possible. Her Works in Progress are The Hobo Code, YA historical fiction and The Crystal Key, MG Magical Realism/ Sci-Fi, a glaze of time travel.
Find her at https://ellenbuikema.com or on Amazon.
Top Image by syaifulptak57 from Pixabay
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A useful post. My protagonist in my fantasy series has a quick temper, but it soon does down. He had a difficult childhood, culminating in him being part of a street gang, and committing a variety of crimes, including the death of another person. As a result, when he falls in love with a priestess of the goddess of life and healing, he hides his feelings because he feels his past makes him unworthy of her.
Ah, yes, the checkered past will come back to get us every time.
Sounds like an interesting story!
I'm happy that the post is useful.
Hi Ellen,
Thank you for the clarification on different types of flaws. I tend to think of them as one group.
Am saving and sharing to my 'Writing Tips' folder. 🙂
Ooh! Awesome.
Hi Kris,
That's interesting. Some people parse the tragic flaw to fatal flaw. To me, they are one in the same. Although, I suppose tragic may not be fatal.
Now I'm being overly analytical. LOL
Well timed as I'm considering character arcs today. Thank you!
Hi Lisa,
I'm happy this will help with character arcs. Excellent!
We need to stop using disabilities and mobility aids/assistive devices and calling them flaws. That is ableist--it's part of the definition of ableism.
I understand you have good intentions, but it's not acceptable.
Thank you so much for your 'Character' series. I'm late to the party but happy I finally arrived. I think flaws - we all have them - are absolutely critical to consider in character development. I looks at human behavior intuitively, though have studied it academically. Your article helps corral some of the intuitions I have, which greatly helps me as a new-to-fiction writer. Thank you for presenting the essentials.