How do you show a non-POV character’s priorities, motives, or thoughts when Deep POV only allows the reader to know what the POV character knows?

What makes a secondary character, and why are they so fun to write? Laurie Schnebly Campbell shows what purpose they serve, and how to write them well.

The second of a two part series, lists the strengths & limitations of each Point of View and offers tips to help writers choose the best one for their story.

Beta readers are passionate readers and valuable resources. But can they replace a developmental editor? Find out the differences between these two roles!

Do you yearn to turn your bite-sized tale into a novel-sized epic story? Here are eight tips to make a little story into a bigger story you're proud of.