Writers in the Storm

A blog about writing

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Add a Dose of Relatable Dimension to Your Character

by Miffie Seideman

As authors, we know our characters need to be multi-dimensional, with emotions, characteristic traits, backstories, and flaws that speak to our readers. So, we spend countless hours designing characters. A number of great tips can be found in these previous posts for creating characters that are genuine, strong, or stand out.

One additional way to create a relatable character with dimension is to give them a simple trait, quirk, or habit—one that resonates with readers. Just a little something to bring the character off the page and make them memorable.

For example, what quirks, traits, or habits come to mind when you think of these characters?

An often-overlooked approach is to give a character a habit involving socially popular drugs.

Not all drugs require big, bold, and deadly scenes

Think writing about drug habits is all about hard core drugs, overdoses, and addiction?

Think again!

While an overdose scene might get you one page-turning moment, characters with regular habits involving socially popular drugs can make your character pop off the pages and into your readers memory.

Below are 7 tips to help you develop a realistic habit for your own character.

1. Everyday drugs as a prescription to a memorable character

What are “socially popular” or “everyday” drugs? Well, that definition is actively changing these days, but in general, it means typical everyday substances that are tightly woven into the fabric of society and to which the reader will relate, in some fashion, such as:

  • Alcohol
  • Tobacco
  • E-cigarettes or Vaping
  • Caffeine

Did you know about 80% of the US adult population drinks coffee every single day? How’s that for being relatable to your reader? And despite the health hazards, 40 million US adults and another 3 million US mid-high and high schoolers smoke. Over 2.5 million teens use electronic cigarettes (e-cigarettes). I’m not advocating making any kind of smoking look cool to teens, but if your character succumbs, it may evoke memories from your reader’s own experience or struggles.

More recently, with expanding social norms and legal changes in some US states, the growing list of socially popular drugs can be argued (in some places), to also include:

  • Marijuana
  • Psilocybin mushrooms (“Magic mushrooms”)-especially microdoses
  • LSD-in microdoses

From medical to recreational use of marijuana, dispensaries are becoming more commonplace, some even including a courtyard to smoke the “flower” right there. The smell of marijuana is also becoming more prevalent. For example, in a recent stroll through Washington D.C., the aroma of marijuana was very apparent.

The hallucinogens in psilocybin mushrooms and LSD are growing in popularity, especially in tiny (“micro”) doses thought to help depression. These drugs are also part of the new trend of “psychedelic parenting. (You can read more about that here.)

2. A little goes a long way

Subtle habits integrated into your character’s daily life can make them seem more human than fiction. And when your reader is curious as to why the character has that specific habit…ah, now they’re starting to care about your character’s backstory.

So, skip the heroin and fentanyl and consider developing a character that puffs on a cigar or takes sips of his favorite nightly bourbon by the fireplace.

Cigar as a character prop
Photo by Valiant Made on Unsplash

3. Putting the concept to work for you

The transformation to a character with a quirk or habit isn’t very hard and only takes a few simple steps. Just a few details added to the scene can be enough. Too much detail is unnecessary and runs the risk of making an error that is obvious to your reader (unless you have a good working knowledge of that particular habit.)

Simply begin with a scene and play with what habit and how much detail to add, until you get the affect you want.

For example:

  • Step 1: Before

She smirked at him, then turned away.

  • Step 2: Weaving in the character’s habit

She smirked, blowing a plume of smoke into his face, then tapped the dangling ash into his Grey Goose martini, before turning away.

4. Packing a punch

When you look past the smoke (see what I did there?), these few added details have not only enriched the scene, but given the reader a wealth of information about each character, such as:

  • His upscale liquor hints at money
  • Her passive-aggressive behavior towards him hints at their antagonistic relationship

(And she’s either a real jerk or pretty boss, depending on what the reader thinks).

5. Morphing the scene

If you want to alter the underlying message even more, continue to change a few details and reassess the outcome.  

For example, consider how these modifications would change our scenario further:

  • What if her smoke smells skunky- hinting she’s puffing on marijuana?
  • If she reaches across the table to swipe his bourbon and chug it down in one gulp, what does that convey?
  • If he leans in to light her cigarette, what does that say about him? And what does it say about their relationship, if she expects him to? 

6. Putting it all together

This is what our initial starter scene has morphed into:

She fell into the chair, grabbed his bourbon, and downed the dark liquid in a single gulp. Her fingers shook as she fumbled for a cigarette, then leaned toward him, waiting. When his lighter clicked, she tipped her cigarette into the flame and inhaled deeply. Her eyes fixed on his, before she blew a plume of smoke into his face and turned away, smirking.

Now, we have very different characters and dynamics.

7. What to avoid for success

A throwaway habit:

As Larry Brooks wisely said in Story Engineering, don’t just add a quirk, habit, or trait for the sake of adding…well, a quirk, habit, or a trait.

Add it for a reason.

If our character chugs that bourbon, puts the glass down, and we never care about it again, there was no reason to add that to the scene. It’s not nearly as important that our nervous character chugs that bourbon, as why she did. Or why she smokes, in the first place. What happened to bring her to this point in her life?  

When I taught drama to teens, I always asked them to consider their character’s motivation for any particular action, because what the character did and how they did it needed to make sense with who they were.

If your character is always drinking lots and lots of coffee, it needs to be because he has a real need for it. Maybe he works double shifts and is exhausted. Maybe he drank so much as a student, that he needs a lot of caffeine to have any effect. Maybe he has narcolepsy.

But there is a reason.

Avoid Discontinuity

The kind of habit you choose needs to make sense. Otherwise, a character-drug mismatch can frustrate your readers. When deciding how to develop your character’s habit, consider the following:

1. The character’s age

Habits vary greatly by age—not only because of age, but because of the social norms the person was exposed to while growing up. It’s more likely your teen character will be slamming tequila shots than sipping an Old Fashioned. Your grandma isn’t probably playing beer pong (although I know some that do, actually).

2. The personality of your character

Would it have made sense for James Bond to be sipping on Cosmos? Probably not.  

3. The character’s socioeconomic status

Pick something your character can afford as a habit. A $7 drive-through latte is not going to ring true if your character is barely keeping the household finances together…unless her spendy habits are exactly why her credit cards get declined. However, a wealthy wall-street executive might not think twice about ordering $100 shots of DeLeón La Leóna tequila.  

4. Geographic location of your story

Drive-through lattes are a norm in America, but in Buenos Aires, your character’s more likely to be relaxing at a café table, enjoying an espresso. 

5. The historical setting

A little research here can come in handy to make sure the habit you pick fits with the historical timeline of your story. Vaping won’t fit into a story in the 1930’s unless your character is involved in time travel.

Exercise: Now you try it!

It’s time to get a chance to play with your own characters. Take a scene from your manuscript and add a habit to one of your characters using a drug socially popular during the story’s time period. How might the edits change the reader’s perception of your character? Is the scene or character richer and more memorable?

It would be fun to have you share your before and after scene in the comments!

You’re in good company:

Some Famous Examples

If you’re interested in seeing how some well-read authors and screenwriters have used this method to create memorable characters, here’s a list to get you started: 

  • Sherlock Holmes: His habit involved a 7% solution of cocaine, which at the time was considered more socially acceptable and non-addictive.
  • James Bond: How many bartenders roll their eyes at martinis ordered “shaken not stirred?”
  • Cruella De Vil: Honestly, even kids pretend to wave around her cigarette holder. I’m not saying that’s a goal, but definitely memorable.
  • Indiana Jones: Who can forget Marion’s drinking competition in the bar? The said more about her character than any number of words on the page could.
  • Casa Blanca: Rick Blaine loved his smokes and liquor.
  • Sex in the City: Carrie made Cosmos very trendy in real life society.
  • Arrested Development: Lucille Bluth was synonymous with her vodka.
  • Scrubs: J.D. was known for loving appletinis.
  • The Great Gatsby: Upscale cocktail parties and mint juleps lace the pages.
  • Moses Wine - I read my first Moses Wine detective novel in high school. All these many decades later, I still remember what I memorized to get me though final exams: “Moses Wine does hash.”

What scenes would you redo in your work?  Join us in the comments below and share a line or two of your rewritten scene.

About Miffie

Miffie Seideman has been a pharmacist for over 30 years, with a passion for helping others. Her research articles have appeared in several professional pharmacy journals. She blended her passion for pharmacy and her love of writing into THE GRIM READER: Putting Your Characters in Peril (A Pharmacist’s Guide For Authors), which will be released January 2024 by Indiana University Press (Twitter: @iupress) and Dan Crissman (Twitter @DanCrissman). More information can be found HERE   She’s represented by Amy Collins with Talcott Notch Literary Services.  

An avid triathlete, Miffie spends countless hours training in the arid deserts of Arizona, devising new plots for her upcoming fantasy love story. She can be found hanging around her website http://GrimReaders.com offering tips to writers and at Twitter @MiffieSeideman…you know…tweeting. 


Photo credits:

  • Top Photo - Razyph from Getty Photos,
  • Smoker: Unsplash - credit above
  • Espresso with biscotti: Miffie Seideman
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Top Posts from 2022: The WITS Dynamic Dozen

Every year in January, we love digging into the stats and sharing the posts that got the most views and shares the prior year. Often these posts surprise us, and always they delight us.

Here are the "Dynamic Dozen" for 2022

Every single one of these articles wowed us, and it was interesting to see how many were from a long time ago. We found it so interesting, we added the year in parentheses next to each post!

#1 - Five Tips for Writing Tears that Carry Power by Margie Lawson (2019)
#2 - Fresh Writing Sells: Make Hugs Carry Power (also) by Margie Lawson (2019)

(No one explains fresh writing like Margie. Definitely you want to click those posts.)

#3 - What Type of Secret Does Your Character Keep? by Angela Ackerman (2015)

#4 - 9 Writing Productivity Tips I Learned from Knitting by Kris Maze (2022)

The following post is actually an all-time favorite. Susan has a knack for explicitly explaining how to the tension in your story sky-high.

#5 - Sexual Tension: It's all in your head by Susan Squires (2014)

All of us here had a fangirl moment over the next post. (She will be posting with us again this Spring!)

#6 - The Winning Attitude of a Successful Writer by Diana Gabaldon (2022)

Piper Bayard hangs out with Jay Holmes. They open the window for a peek at the world of spies.

#7 - 10 Character Traits of an Espionage Hero by Piper Bayard (2019)

The entire "Book Cover 101" series is amazing and so very helpful. We recommend you run a search and read them all.

#8 - Book Cover 101: How Much Should a Cover Cost? by Melinda VanLone (2020)

The twelve stages in the following post might surprise you.

#9 - Using The 12 Stages of Physical Intimacy To Build Tension In Your Fiction by Jenny Hansen (2018)

Dr. Seideman never disappoints. And her post about Fentanyl is a must-read.

#10 - Including Believable Sensory Details for Unfamiliar Experiences by Dr. Miffie Seideman (2020)

Have you ever had one of your characters change unexpectedly between page 1 and the end? (Read the following post for help!)

#11 - Creating a Bible for Characters and Screenwriting by Ellen Buikema (2020)

We all have those favorite fluffy (useless) words...here's how to catch them early.

#12 - Fix Fluff Words – 14 Fillers for Writers to Avoid by Kris Maze (2022)

Did you catch any posts you'd missed? We did! Please share any other favorites that helped you in 2022 down in the comments!

Many thanks for hanging out here with us at Writers In the Storm! We have an absolutely fantastic time with you.

~ Ellen, Jenny, Kris, Lisa and Lynette

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Writing Science Fiction, part 1

by Ellen Buikema

To get your science fiction story started, ponder the should, might, and heaven forbid, but what if it happened anyway.

Start by asking, “What if?”

The “What if” question drives the Sci-Fi genre.

Science fiction stories have an element of newness, the new thing that is grounded in reality. It’s the difference between sci-fi and fantasy.

Consider monsters. Vampires as mythological creatures are fantasy. But what if a virus makes people need to consume blood to survive? Viruses are real science, so they’re grounded in reality. The viral vamps would be dangerous, real-world creatures.

Asking a “what if” question and answering it with something new will give you a solid foundation for your plot.

Decide upon The Type of Science Fiction

Hard science fiction

  • Hard SF is grounded in scientific laws and understanding. Elements of natural science form a critical part of the plot.
  • Examples: Isaac Asimov’s Foundation series, Nancy Kress’s Beggars in Spain, and Andy Weir's The Martian.

Soft science fiction

  • Soft SF is more concerned with social aspects. The technical details of the fictional universe aren’t essential.
  • Examples: Ursula K. Le Guin's The Left Hand of Darkness, Frank Herbert’s Dune series, and Mary Shelley’s Frankenstein.

A good sci-fi story must feature science in a way that’s essential to the story.

Once you have a big question and your science-fiction type, think about themes that make sense to explore.

10 Possible Themes

Aliens

Alternate reality

  • Explore multiple sides to a story to answer the question. Do different choices lead to better outcomes? Alternate reality offers sci-fi fans play in worlds that exist parallel to ours.
  • Examples:  Haruki Murakami’s 1Q84, David Levithan’s Every Day

Artificial intelligence

  • In fictional stories, A.I., a self-aware computer system capable of thinking on its own, often escapes from the control of its programmers and turns on humanity. Sometimes, while trying to help the lesser beings—us—their efforts do more harm than good.
  • Examples: J. Michael Straczynski and Pete Woods' Terminator Salvation,  (The original author may be Sophia Stewart, who wrote Third Eye, the basics of Terminator as well as The Matrix. Court case is ongoing.), Ray Kurzweil’s The Singularity is Near

Bodily modifications

  • Body modifications in sci-fi vary from superficial to superhuman. They can be mechanical, organic, or both. The modifications might improve the character’s life but sometimes leaves them ruined or dependent upon their mechanical “upgrades.”
  • Examples: acflory’s Miira , Frank Miller’s RoboCop (Steven Grant adapted Frank Miller’s screenplay.)

Brain uploads

  • If your mind is scanned, mapped, and copied into another entity, will it still be you? One possible way to achieve immortality is by uploading a person’s brain into a machine. Science fiction theorizes that enough scientific advancement may lead to immortality.
  • Examples: Dennis E. Taylor’s We Are Legion (We Are Bob) , John C. Wright’s The Golden Age

Psychics

  • Science fiction delves into human evolution and the inner workings as well as limitations of the human brain. Have we unlocked our full potential? If pushed, will people develop abilities that cannot be explained?
  • Examples: Tricia O’Malley’s One Tequila , Jody Houser’s Stranger Things

Robots

  • Robots come in various shapes and sizes; their function is to enhance people’s lives. They sometimes go above and beyond what was originally required. Sci-fi stories also portray self-aware robots, leading to a revolution where people play the weaker beings.
  • Examples:  Isaac Asimov’s I, Robot, Meredith Katz’s, The Cybernetic Tea Shop

Space

  • Space—the final frontier. These words immediately cause me to hear the theme track to the Star Trek TV series. As science fiction often uses technology that doesn’t exist in the story’s timeframe, space is a great setting for new tech.
  • Examples: Andy Weir’s The Martian , James S.A. Corey’s Cibola Burn

Technospeak

  • Technospeak (or technobabble) is any mix of words that sounds like a blending of buzzwords and real science to fit the genre.
  • Examples: Instead of a specific book, I thought it’d be fun to have a technospeak/technobabble generator and found this cool link: https://www.scifiideas.com/technobabble-generator/. Scroll to the bottom for lots of interesting sci-fi random generator ideas like future food names, planet names, alien species …

Time

  • A popular time-related idea is time travel. Could we undo a past mistake or learn what our future self does? An interesting time-related theme is the time loop, where a character must repeat the day over and over until they figure out how to break the cycle.
  • Examples: Adrian Cousins’ The Jason Apsley Series, Shawn Inmon’s Middle Falls Time Travel

A gripping sci-fi story might include a few major themes. Find themes that play well together.

The themes of us vs. them plus exploration can make a fantastic space odyssey book with lots of aliens. Androids and robots can tie together what it means to be human with the risks inherent in technology.

To be continued.

Do you prefer hard science fiction or soft sci-fi? If you decide to write a science fiction novel or graphic novel, what would your “What if” question be? What is your favorite science fiction book?

* * * * * *

About Ellen

Author, speaker, and former teacher, Ellen L. Buikema has written non-fiction for parents and a series of chapter books for children with stories encouraging the development of empathy—sprinkling humor wherever possible. Her Works In Progress are The Hobo Code, YA historical fiction and Crystal Memories, MG Magical Realism/ Sci-Fi.

Find her at https://ellenbuikema.com or on Amazon.

Image by 0fjd125gk87 from Pixabay

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