Writers in the Storm

A blog about writing

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Turning Whine into Gold: The Writer's Spirit is Forged in the Fire

by Kathryn Craft

Last week I had to un-friend someone on Facebook for violating my right to pursue happiness.

I can only assume he’s had enough of reading about the growing excitement for my debut novel, coming out in two short months now. Perhaps, after years of trading a time card for money, he can’t relate to what I’ve given up to chase this dream for more than a decade, and how I feel to see it come true. It’s only a book, he may be thinking. What’s the big freaking deal?

I don’t need to explain it to you. You’re a writer.

But under a business promotion for my blog post about a new organizing strategy, sorely needed now that my life has gotten crazy-busy, this man wrote, “Just go get a job!” and “Earn your own money and quit being a leech!”

It’s a head-scratcher. I have always made money from writing-related businesses, paid my taxes, and have never asked for a dime from him. But clearly, I can’t let him write such things on my Facebook feed—even if he is my brother-in-law. I deleted his posts, and as a preventative measure, un-friended.

I did not whine, then or now. I simply defended, with equanimity, a boundary that had already been tested too many times. Because what my brother-in-law doesn’t realize is that he isn’t saying anything new. I’ve heard this before from multiple sources—and one of them is inside my own head.

I’ll admit I’ve fantasized, from time to time, about walking into a corporation and plopping down my resume. They’d fawn over my advanced education and obvious leadership skills and say, “You’re worth $75,000 a year to us. Furthermore, we’d like to pay for your health insurance!”

And then I come to. My first husband worked in the hotel business, and before his suicide I watched his sensitive soul shrivel under ridiculous work conditions beyond his control. His efforts lost all meaning, as did, in the end, the money he earned from them.

I say, go after the work you love. This isn’t simple cheerleading—believe me, the stakes are high. How you spend your time is a vital decision that each person must make for her/himself, and revisit as necessary. If he is unhappy, I hope my brother-in-law does the same.

I got the better of my inner corporate wannabe once and for all in 2010. That year, as a New Year’s Resolution, I said, “What if I simply accept, for the next entire year, that I am on the right path, without second-guessing myself?” A bold decision, you might say, for a novelist who had already racked up almost a hundred rejections.

But you can’t argue with the results. Words meant to burn me grew easier to take as my inner fire grew strong. My husband, who waffled similarly about my contributions to the household, got on board like never before—and, inspired by me, followed his passion and started his own business as a financial consultant. I said less hateful things to myself. Surrounded myself with believers. The next year I got an agent, and within a year after that she sold my debut novel. I just signed the contract for my second.

All storytellers know that change comes about due to external pressures. I’d thank my brother-in-law for his, except that what he offered was too little, too late. His spiteful comments were just little flies landing on my great big world and simply needed to be flicked off.

My spirit had already been forged in the fires of internal and external criticism. Despite my brother-in-law’s advice, turning back isn’t an option. I must live a life that is true to who I am, even if my happiness bothers others—because you know what?

Every single day I am excited to get out of bed and get back to work. That, my friends, is a gift. And once your writer’s spirit has been forged in the fire, it changes substance. You can no longer melt down, no matter how high others turn up the heat. There may be a quick emotional flare-up, and a cooling, but then, from within, will come the glorious re-igniting of passion.

I have long loved Marge Piercy’s brilliant poem “For the Young Who Want To,” which begins:

Talent is what they say
you have after the novel
is published and favorably
reviewed. Beforehand what
you have is a tedious
delusion, a hobby like knitting.

If voices like that haunt your creative life, I urge you to follow the link and read the rest of the poem.

Then get back to writing.

Because in her poem, Piercy concludes:

Work is its own cure. You have to
like it better than being loved.

Mm-hmm.

Work is its own cure because in this scenario, the worker is the one doing the loving. And love is always the greatest reward.

Have you too struggled on your writing journey? Share with us.

AofFgiftcards

About Kathryn

Kathryn Craft’s debut novel, The Art of Falling, will be released through Sourcebooks 0n January 28. If you would like to pre-order her book for holiday giving, she would like to send you one of these specially made cards to stand in for your gift until it ships. To receive your cards, go to her website contact form and send her your mailing address and number of copies ordered. Pre-order links are live at bn.com and amazon.com and through your local indie bookstore.

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It’s All About the Boots: Why We Love Westerns

Today we welcome Anne Cleeland, who gives us some insight on why we can’t seem to get enough of those rugged cowboy heroes.  Anne will give away a copy of her latest book, Daughter of the God-King, to three lucky commenters. 

by Anne Cleeland

There’s no hero like a western hero.  Who can forget Kane in High Noon, who has to abandon his bride so as to save the town from the bad guys?  Or Lonesome Dove’s Gus McCrae, who is still devoted to his long-lost love, despite time, distance, and the pesky little detail that she’s married to someone else?  Linda Lael Miller gave us the brawling McKettrick brothers, Diana Palmer gave us her long, tall Texans, and our own Laura Drake gave us rough and tumble Max Jameson; all larger-than-life and all cut from the same iconic cowboy cloth.

The men in these stories are unabashedly men, doing manly things and wearing tall leather boots. They break horses, save the family ranch, outfox cattle rustlers and are generally too busy building a life with their bare hands to even think about matrimony, until they meet the heroine, and then—while we all smile in anticipation—their unbridled manliness is suddenly tamed.  For some reason this is immensely appealing to the female heart—the idea that she can tame the untameable—and it seems that every western romance has this premise as its basic plot.

I write historical romance, and there is a fundamental difference between the two genres; instead of plucky heroines taming the untamable, the historical heroine is usually re-enacting the Cinderella story; she is a damsel in distress waiting to be swept off her feet by the handsome prince.

Each of these genres has its own appeal, but is there any doubt that the western is uniquely American?  The heroines are hardy pioneers rather than demure gentlewomen, and their setting is rugged, endless frontier—the perfect backdrop for the manly heroes that are so in need of taming.

Can an urban romance give you that same feeling?  Not really; there aren’t a lot of untamed men lurking around the local Starbucks, and there’s nothing rugged about an upscale office building.  Instead, let’s appreciate the code of the West; where men are men, doing what men need to do while the women who love them don’t wait by the hearth, but are busy building their own lives right beside them.

Who are your favorite western heroes, and why?

dkg good cover

About Anne

Anne Cleeland holds a degree in English from UCLA as well as a degree in law from Pepperdine University, and is a member of the California State Bar.  She writes a contemporary mystery series set in New Scotland Yard as well as a historical fiction series set in the Regency period.  A member of Mystery Writers of America and the Historical Novel Society, she lives in California and has four children.  Her website is www.annecleeland.com.

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Book signings Aren’t Dead

By Laura Drake

I’ll say it right up front – I’m a promo-ho.  Hey, successful authorship nowadays all about discoverability and I’m not afraid to  fall on my face to get my name out there.

I wrote and sold a contemporary romance series, Sweet on a Cowboy, set in the world of Professional Bull riding to Grand Central (Hachette). It was a serendipitous match, since GC is very marketing oriented.

I’ve been a huge fan of the sport for years, and connected with a large network of PBR fans even before I wrote the books. They were my ‘peeps’, and I knew I could sell books if could reach them. But Twitter and Facebook will only take you so far.

The long season of Bull Riding culminates in week-long finals in Las Vegas every year. and in conjunction, there is a “PBR Fan Zone” and Marketplace, set up in the parking lot of the Mandalay Bay Resort. Fans flock there to pick up all things PBR.

I thought, why not sell books and sign there? So, with the support of Grand Central and Barnes and Noble , that’s what I did.

Now, I know that unless you’re JK Rowling, or Stephen King, book signings are dead. In fact, I spoke with a B&N employee who told me they had John Freaking GRISHAM come sign in their store, and you know how many people showed up?

Five.  Seriously.

But I’d hoped this would be different. After all, I wasn’t asking people to come to me – fans would be walking by me all day!

I’ll share with you the good, the bad, and what I learned from this experience.

The Good:

me-with-author-laura-drake-at-our-pbr-fan-zone-booth

  • I chose another contemporary western author to share a table with me – the amazing Melissa Cutler. This was good on many levels:
  1. Melissa’s books are steamy; mine tend to be sweeter – there was something for everyone!
  2. Melissa is an extrovert, and possibly a bigger promo ho than I – we worked the crowd!
  3. I had someone to share the expense of the booth.
  4. We discussed writing, the market, and even brainstormed in the few lulls we had.
  5. I made a great new friend
  • I sold a lot more books than at a traditional book signing, though less than I’d hoped. I was surprised to find that fully half the readers I talked to only read books on an e-reader!
  • Magnet Artwork 1
    Great Swag pays off. I had refrigerator magnets that any female bull riding fan would love, with my website on it. Those who read only eBooks had a reminder to download my book when they got home, and hopefully it’ll serve as advertisement to their friends in their home!
  • I met a ton of people, shook hands, told them who I am, and what I write. Even if they didn’t buy my book right then, they may recognize my name later.
  • People were excited to meet the actual author of the books on sale, and to have their books autographed.
  • I attended the most amazing finals ever – and I got to write off the tickets!

The Bad:

  • Being ‘on’ all day is hard. Even when I got over the nerves, I fell into bed every night, exhausted.
  • I was stuck at the booth all day – no lunch breaks, no chance to visit the rest of the Fan Zone and catch the fun stuff. I was WORKING!
  • I’m still recovering from the last foot surgery, and standing most of the day was a real challenge.
  • This was a huge commitment – 5 days, 8 hours a day.

Conclusion:

Book signings CAN still work, if you’re creative, and can find the correct venue, and are willing to work hard.

I’m glad I did it. Would I do it again? Ask me after I recover!

Cover Nothing Sweeter

Laura's next book in her Sweet on a Cowboy series, Nothing Sweeter, is due out in January, and available for preorder here.

It was reviewed by Publishers Weekly!

“The second entry in Drake’s Sweet on a Cowboy series (after The Sweet Spot) is another character-driven contemporary western with more heart than heat. Rancher Max Jameson, stunned by the unexpected death of his father, is determined to keep the family spread in Steamboat Springs, Colo., despite pressure to sell to a greedy neighbor. His brother, Wyatt, tries to help out, though the sibling relationship is strained due to Max’s discomfort with the fact that Wyatt is gay.

Bree Tanner is scarred physically and mentally after being wrongfully convicted of and imprisoned for her ex-boss’s shady financial dealings; now exonerated and free, she decides to start over by helping to raise rodeo bulls on the Jameson ranch.

Max’s tough exterior masks relatable fear, his relationship with Wyatt is handled gracefully, and Bree’s genuine shame about her past makes her sympathetic. While Max and Bree’s romantic relationship is secondary to their internal and interpersonal struggles, complex characters and some fun full-riding scenes balance out the seriousness.”

 

 

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