Writers in the Storm

A blog about writing

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When Life (and Your Writing) Takes A Detour

By Sharla Rae

I don’t usually spill my guts to anyone but my closest friends. I just don’t. But my critique pals here at WITS have been pressing me to share the obstacles I’ve faced in my writing life this past year.

I argued that people don’t want to hear my personal sob stories. I mean, everyone has them, right?

“But that’s the whole point,” Jenny told me. “You aren’t alone in this crazy journey. No one is.” Laura added something like, “Maybe someone else will feel less alone after reading your blog.” And quiet little Fae . . . well, she verbally throws up her fists and is ready to punch out anybody who says anything mean. <g> I can’t tell you how many times she’s invited me to stay at her house when I’m especially blue.

You know how sometimes you’re just chugging happily along and the man or lady upstairs decides you need a few “extra challenges?” This past year has been like that and then some.

If this story sounds like YOUR story, read on...you're not alone.

Life was good. The kids had flown the nest and were doing well in their own careers. I was starting a new book, preparing to update my backlist for e-publishing and trying to decide if I’d send my finished book to publishers or just e-publish it too. My husband and I were looking forward to a river cruise in China.

I was sitting at my computer in California in July, 2011 when my thirty one year-old son called from Fort Worth, Texas. “Mom,” he said.

I heard it in his voice. Something really really bad had happened.

That something turned out to be 10 ½ centimeter mass in his chest. It was sitting over his heart and leaning against his wind pipe, causing severe breathing problems.

Writer or not, there’s no describing that moment. All the old clichés come to mind: lump in my throat, feeling of falling into a dark deep pit, etc etc etc. And they are “all” absolutely true.

48 hours later, I was on a plane to Fort Worth. My husband was on a business trip in Thailand.  My son’s wife was pregnant with their second child and was on bed rest. Everything fell on me.

Forget writing.

Instead, I became nanny to the four-year old, housekeeper and nurse. Between my son’s doctor’s appointments and his biopsy, I drove him to the ER for breathing problems and heart stress.

My husband arrived a little over a week later. He and my son were headed for the cancer center at MD Anderson in Houston when they realized they’d forgotten something and turned the car around. It was a blessing because my daughter-in-law had gone into in labor. My son detoured to the hospital, so happy to be there for the birth of his daughter. An hour later, he was back on the road to Houston.

The diagnosis was 4th stage large B cell lymphoma.

Traveling five hours to and from Ft. Worth was out of the question so we rented an apartment close to the hospital. My husband returned to his job in California and while my daughter-in-law took care of the babies in Fort Worth, I moved to Houston to care my son.

I tried to write, certain it would ease the stress of the dire situation, but our schedule was tight and when I did have time, I was too exhausted to make the effort. Between chemo sessions, there were hospital appointments. Some days we arrived at the hospital at eight in the morning and didn’t return to the apartment until 9 in the evening.

And my son was so sick.

With the exception of a few blogs here at WITS, there’s been no writing.

But the gals here, and even some of you here in the comments, helped bolster me up and kept me going when I began to wonder if my past (real) life was nothing but a pleasant dream.

That’s the thing about writers . . . More than any other professional group, they love and support each other above and beyond the call of duty.

When I felt guilty for wanting be home instead of Houston, my writing pals told me it was okay to want my life back. They also understood that even given the chance to return home and leave my son’s care to a stranger, as a mother I could not.

At the end of January 2012, my son received clinical remission. I returned home and slowly settled back into my life. In April we received news that he'd relapsed. Another small tumor was growing over his heart, this one wrapped halfway around an artery.

I won’t lie. I cried my heart out . . . for him and for myself.

On the first run of chemo, I’d watched him endure hellish tests, violent illness and terrible depression, a side effect of treatments. I just didn’t know if I could do it all over again.

I wanted my life back.
I wanted my writing.
I wanted the best time of my life returned to me.
And of course, I wanted my son free of this horrible body snatcher.

All of these feelings gave me a horrible case of the guilts. At the same time, I could not leave my son to make this journey alone.  He's the bravest man I know, my hero.

We rented a new apartment and he started new chemo treatments in preparation for stem cell replacement. We suffered another blow. The chemo failed to shrink the tumor which meant no stem cell replacement – at least not yet.

After a 20 rounds of radiation, we’re now waiting to hear if he can continue on to stem cell replacement.

Am I writing yet? Yes and no.

I write in my head all the time but haven’t started the new book. I have, however, started updating one of the books from my back list. My daughter types the chapters, making it easy for me to step in and edit or add material. And thanks to my sister, who cared for my son in my place, I managed to attend the RWA National Conference this year. Laura Drake arranged the hotel and all I had to do was fly home and attend.

These gals at WITS have been my angels and, in some respects, so has this blog. And I can’t forget my old critique group in Texas, Lyn Horner and Gloria Cope who have helped me as well as my daughter-in-law in Fort Worth with the babies.

When I do have the time and energy to write that new book, they'll all be there to kick me in the butt and cheer me on.

Thank you, ladies . . . with all my heart.

During the darkest days, when you’re in the middle of one of life’s detours, you'll find friends and a support team in places you never dreamed you’d find them. As I writer I can only hope to one day write such wonderful heroines.

I can never give up, not on my son and not on my writing.

Have you faced obstacles and crises in your life that made you want to give up? What was it that helped you not give up? We'd love to hear your story (if you're able to share) down in the comments.

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Your Plot Moves Too Slowly ~ 5 Tips To Help Improve Your Story's Pacing

Writers In The Storm welcomes back Kara Lennox, a.k.a. Karen Leabo for some more plot-fixing magic. Look for Kara’s writing tips the first Friday of every month. 

This is the sixth in an ongoing series of Plot Fixer blogs by double RITA finalist Kara Lennox.  Here are the links for Parts 1-5:

Part 1 - Your Premise Isn't Compelling
Part 2 - How To Fix a Weak Opening
Part 3 - A Lack of Goals
Part 4 - Is Your Conflict Strong Enough?
Part 5 - Raising The Stakes

by Kara Lennox

Plot Problem #8: Your plot moves too slowly.

This is the complaint you're likely to get from an editor when you simply don't have enough happening. There aren't enough twists and turns. Sometimes you might hear that your plot is too "linear." Just another way of saying, not enough twists and turns, or not enough layers or threads

You can gauge your pacing (and that's what we're talking about, pacing) in a variety of ways.

First, how long are your scenes?

Short scenes make for faster pacing. Long scenes slow down the pace. If you find one scene lasting through several chapters, chances are good your pacing is too slow.

How gray are your pages?

In other words, how much dialogue and action do you have, versus introspection and description? Long, gray paragraphs slow things down.

This is a trick Margie Lawson teaches in her workshop, but I've been doing it for a long time.

  • Buy yourself some highlighters--four different colors, at least.
  • Take a book from your keeper shelf.
  • Highlight backstory, narrative and introspection with one color, description with another color, action with a third color, dialogue with a fourth color. (You don't have to do the whole book, a chapter or two will do.)
  • Ideally, there should be a nice representation of all the colors on every page.
  • Now, perform the same exercise on your own manuscript.

This can be a real eye-opener. The first time you see that you have three straight pages of pink, you'll wonder why you didn't see this before and get straight to editing or cutting.

Another way to analyze your pacing is to make a list of plot points.

Any "event" that propels the story forward. If I were doing this for Janet Evanovich's ONE FOR THE MONEY, it might look like this:

  • Stephanie loses her job
  • Stephanie has dinner with crazy family
  • Stephanie gets job with bail bondsman cousin
  • Stephanie meets Lula
  • Stephanie accepts assignment to bring in Joe Morelli
  • Stephanie goes to boxing place, gets threatened by crazy boxer

How many of this kind of plot point do you have? I think the above list represents only about the first quarter of the book.

Yet another way to jazz up your pacing is to add subplots.

This is particularly important for longer, single-title books. A romance doesn't occur in a vacuum. If the main plot is about a heroine battling evil vampires while falling in love with one of them, maybe she is also dealing with her widowed mother's decision to adopt a child.

The trick, then, is to tie the subplot to the plot, so it doesn't feel stuck on.

In the above example, perhaps the child can provide the heroine some clue, some piece of insight, that will allow her to vanquish her enemy while still keeping hold of the man she loves. People in their twenties and thirties--the age of most of our heroes and heroines--very often have issues with their parents still to work out. They have ex-lovers, siblings, bosses, etc. etc. Mine these relationships for subplots and complexities.

Make a list of your plot points and analyze it. Are there twists and reversals? Is the main character driving the story forward with his/her decisions?

If you haven't yet written the book, this is a good time to brainstorm the twists and turns you might include. This exercise is a tough one, but persevere. You will gain a lot of insight into your story.

What is the most difficult part of plotting for you? Where do you get stuck? Do you have any Plot Fixer tips and tricks of your own?


Kara Lennox
, author of Project Justice series for Harlequin SuperRomance. Kara is an award-winning, bestselling author of more than sixty novels of romance and romantic suspense, for both Harlequin and Random House.

Six titles now available in e-book or print!

Hidden Agenda now available.

Sweet Romance Hard to Resist now available from Harlequin Heartwarming. Also, Callie’s Cowboy is an August release by Karen Leabo from Bantam Loveswept e-books.

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5 Quick Fixes to Make Readers Love Your Villains

Writers In The Storm welcomes back award-winning author and RWA RITA-nominee, Shannon Donnelly.

Today she’s talking to us about villains we love to hate and how to keep them from becoming a cardboard stereotype whose every action is predictable and boring.

By Shannon Donnelly

Nothing marks a writer as a beginner as clearly as the cliché bad guy.

This is the bad guy who is ugly inside and out with no redeeming qualities—this is the “boo-hiss” melodrama mustache twirling villain. And this is an easy fix in any story.

What’s that easy fix? Lots of things can help, but here are five quick fixes:

1. What does this character’s mother love about him or her?

Give every character a mother. In the animated movie Despicable Me, it was funny that the main character (a villain) was largely motivated to please his mother. His opponent—another bad guy—was motivated to please his father. This gave both characters additional dimension and something we all can relate to since we all have parents.

Now the character’s mother may not be someone who bakes apple pie—maybe she’s a bank robber, or she murdered her husband, or she’s otherwise no dang good. But figure out what does she love—and how does she hope her son or daughter turns out better? Maybe she’s proud her daughter is a hit-man? Maybe she thinks her son is just misunderstood? Maybe she thinks tough love will give him a better backbone? Maybe she thinks if she just harps enough at her daughter the girl will marry well?

Parents matter—even to a villain.

2. What does this character love?

We all have our favorites—even if it’s just a kind of ice cream. Alan Ladd in This Gun for Hire earned his way into fame portraying a cold blooded killer—but the killer had a soft spot. He loved cats. He’d look after stray kittens, was kind to them—and he was a sociopath. Because of that one soft spot—that love—he was more than just another guy with a gun.

That’s what you want for your bad guys—find out what they love and show it in the story. Make it important.

3. Why does this character do bad things?

Motivations matter—they really matter for your villains.

It’s not enough that the bad guy wants the heroine for his wife (no matter that she hates him). Why does he want this? Does he really want her money? Is he obsessed with earning her love for another reason? What are the deep, deep roots for what the villain wants?

A villain who just wants to take over the world is dull—it’s been overdone. So give him better reasons. Look at real people—Alexander the Great wanted to take over the world. And his basic reason was to show up his father who’d been good at conquering, too. (See how you get back to parents so easily.)

No one is born bad, so what twisted your villain into someone who does bad things?

4. What would make this character a hero?

Turn the story around and look at it from the villain’s point of view. What actions would make this character a hero?

We’re all heroes in our own story—we do things that may be wrong but at the time we think we have good reasons and they are right actions. Even Hitler thought he was saving Germany and building an empire that would last a thousand years—in his mind, he was restoring his people to greatness (the problem being it was his ideas of “his” people).

Maybe your villain has great reasons for doing what he or she must do—maybe she or he even regrets the need for bad actions. Or maybe your villain has no regrets—what must be done for the good of all must be done. Righteous villains can be really scary people.

5. Give your villain a trait you’d love to have.

Make your villains easy for you to love (makes ‘em easier to write, too). Give them, a trait or traits, you’d love to have.

Maybe your villain is a decisive person, able to make up her mind at once. Maybe your villain is like Cruella de Ville and is a style-monster. Maybe your villain sings opera and keeps songbirds.

Make this trait also matter to the story—Cruella’s obsession with black and white fashion drives the story in 101 Dalmatians.

It’s that kind of love/hate that keeps readers intrigued with any bad guy—and you’ll have a lot more fun writing a villain you’d also love to be.

What kind of villains do YOU love to hate? Who are your favorite villains of all time?

************

About Shannon:

Shannon's writing has repeatedly earned 4½ Star Top Pick reviews from Romantic Times Magazine, as well as praise from Booklist and other reviewers, who note: "simply superb"..."wonderfully uplifting"....and "beautifully written." Her book, Under The Kissing Bough was nominated for a Rita.

Her latest Regency Historical Romance, Paths of Desire, can be found as an ebook, along with her Regency romances, out from Cool Gus Publishing.

Blurb:

NO MAN’S MISTRESS…
She wants a rich lord for a husband—she won’t end like her mother, abandoned and broken.

NO WOMAN’S FOOL…
He wants to prove to his friend she’s the wrong woman—he knows too well the pain of a bad marriage.

WHEN AN ACTRESS CROSSES PATHS WITH AN ADVENTURER IN 1813 LONDON…
The last thing either wants is to fall in love, but when desire leads to a passion that won’t be denied, how can the heart do anything but follow?

Find at Amazon.com
Find at BN.com

DON'T FORGET: Shannon also gives online workshops and is the author of Story Telling; Story Showing, an ebook that compliments her popular online class Show and Tell: An Interactive Workshop.

Find Shannon online at:
Website: www.sd-writer.com
Twitter:
twitter.com/sdwriter
Facebook:  
facebook.com/sdwriter

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