Writers in the Storm

A blog about writing

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The Fear Factor

Welcome to the first Monday of the month, when we are lucky to share in the wisdom of contributing blogger Shannon Donnelly. Her post today will help get you writing this summer, despite your fears.

by Shannon Donnelly

"I'm convinced that fear is at the root of most bad writing. . . . Good writing is often about letting go of fear and affectation." – Stephen King

Fear shows up in a number of ways, and hits each of us differently. It shows up a lot in the only workshops I teach.
•It shows up in excuses (I’m too old, I’m too busy, I won’t try this because I don’t understand).
•It shows up in procrastination (I’ll catch up later, I’ll try the exercises after the class on my own).
•It shows up in perfectionism (I’m awful because I didn’t do this right, I failed, I suck, I’m stupid).
•It shows up in a refusal to try new things (I’ll post this old story bit instead of writing anything new).

And I can see it every single time.

Then we have the brave souls who face their fears, dive in and fall on their faces. I applaud that. Because they’re learning. Which is the point of a workshop. It’s supposed to be a safe place to try things, to experiment. Instead, I see so many writers who are afraid to spread their wings—as if one mistake is going to be a disaster.

Folks—we learn from our mistakes. Go out and make more of them.

I am amazed how many people resist this idea. They want to be praised. That’s not good. That’s not going to help you learn. What does help is the rewrite and the revision and the experiment. Try something new. Write a scene. Then rewrite it from a different viewpoint. Just because. Throw stuff out there. Try something in first person if you’ve never done first person. Or in present tense. Just try it out. Tell yourself that:
a) it doesn’t have to be perfect
b) it doesn’t have to be good
c) it can actually be really awful
Just let it be what it’s going to be.

Then read (aloud so you catch what you’ve really done) what you’ve written and look at what you can learn from what you did. Look at what works. Look at what doesn’t work. Keep the good stuff.

This happens when I cook, too. I’ve made some awful things—I once put too much baking soda into my gingersnaps. They came out Alka-seltzer hockey pucks—hard and fizzy if you chewed on one. Great for your digestion (if you needed it), and not something anyone would eat (not even the horses would go for them, despite the sugar on the outside). Learned a great lesson on baking soda from that one.

Same applies to my writing. I’ve written awful scenes (and I expect I’ll keep doing that). Sometimes the dialogue clunks like a flat tire. I’ve tried first person, third, second, even. Present tense, past tense—it’s all about stretching those writing muscles and trying new things. You don’t know what really works until you’ve tried it.

I’ve written books that are not for everyone (go read the reviews)—sometimes folks hate my character (hey, it’s better than indifference). And I worry about all of it. I still get the nerves going and I still wonder if I’m any good at any this—no amount of praise ever takes that worry away.

The point of this is you’re never going to get over your fear.
Live with it. Know it’s there. Let it flow into you and out of you again and go write anyway. Use the fear—let it keep you sharp. Let go, too, of the affectations that King talks about—which means get out of the way of your characters. Let them tell you their story and stop pushing them into plots that don’t work. Stop being so damn writerly and just get clean words onto the page.

And if you need more good words from Stephen King buy his book On Writing: Memoirs of a Writing Career. Or read more at: http://grammar.about.com/od/advicefromthepros/a/StephenKingWriting.htm

BIO
Shannon Donnelly's writing has won numerous awards, including a RITA nomination for Best Regency, the Grand Prize in the "Minute Maid Sensational Romance Writer" contest, judged by Nora Roberts, RWA's Golden Heart, and others. Her writing has repeatedly earned 4½ Star Top Pick reviews from Romantic Times magazine, as well as praise from Booklist and other reviewers, who note: "simply superb"..."wonderfully uplifting"....and "beautifully written."

Her latest Regency Historical Romance, Paths of Desire, can be found as an ebook, along with her Regency romances, now available from Cool Gus Publishing. She has had novellas published in several anthologies, has had young adult horror stories published, and is the author of several computer games.

Shannon is a regular speaker at writing conferences, and will be speaking at the 2012 RWA  National conference in Anaheim. She gives online workshops and is the author of Story Telling; Story Showing, an ebook that compliments her popular online class Show and Tell: An Interactive Workshop.

She lives in New Mexico with two horses, two donkeys, two dogs, and the one love of her life. Shannon can be found online at sd-writer.com, facebook.com/sdwriter, and twitter/sdwriter.

We've written a lot about fear this year at Writers in the Storm. Laura Drake and Fae Rowen had a throwdown about their fear of not succeeding vs. fear of success. Two weeks ago Laura wrote about letting your characters deal with their worst fears. Now is the time to share yours, if you haven't already. Or if you've discovered more. What fear is holding you back from getting your book published?

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Worse Than a Cliché

Welcome to the last Friday of the month with contributing word wizardess Tiffany Lawson Inman. We look forward to Tiffany's magic to transform mundane writing to the realms of marvelous. And she's donating a three-page edit to a very lucky reader. Respond to her challenge to be entered in the drawing.

by Tiffany Lawson Inman

A. “What is worse than a cliché?” Tiffany asked, with a look of horror.

B. “What is worse than a cliché?” Tiffany’s voice cracked.  Her mouth quivered, pinched, and her eyes flashed wide as if I had tried to force feed her eyeball soup from Indiana Jones and the Temple of Doom.

  • Which one has more power?
  • Which one gave you a better picture of the horror filled facial expression?
  • Which one showed voice?
  • Which one will you remember when you put down the book?

The correct and totally-obvious-answer is, B.

“With a” phrases are equal to, or, yes – worse than a cliché. Think of all the vocal cues, body language, voice, unique style, and action you are holding back from your readers.

EEK!

Within all of the pre-pubbed manuscripts I have edited or critiqued, the ratio of “with a” phrases to manuscript pages was approximately 600 “with a” phrases to 275 manuscript pages.

Gulp.

Note: a few of the phrases included are like, “She hit the snake with a hammer.”  Hmmm…maybe 15 percent of them are friendly uses of the word combo,”with a.”  That leaves 515 unfriendly uses of “with a.”

515 opportunities to make yourselves better writers.

From the handful of pubbed books I looked at, the ratio was more like, 100 with a’s to 350 pages. Much better, right? In fact, these examples were all yanked from pubbed books. (She walked away with a down-turned lip) But that does not give you all the green flag to write a million and two of these into your manuscript!  (With a gleam in her eyes, she stared me down.)

  • …with a glance over my shoulder.
  • …with a quirky smile.
  • …with a hint of distain.
  • …with a sad story in her eyes.
  • …with a roar.
  • …with a howl.
  • …with a dull ache.
  • …with a confused expression.
  • …with a gap-toothed grin.
  • …with a soft laugh.
  • …with a sigh.
  • …with an odd expression.
  • …with a smirk.
  • …with a frown.
  • …with a curtsy.
  • …with a thud.
  • …with a crunch.
  • …with a boom.
  • …with a flare.
  • …with a critical eye.
  • …with a wave.
  • …with a growl.
  • …with a smack.
  • …with a flick of her wrist.
  • …with a cough.
  • …with a sense of purpose.
  • …with a confidence.
  • …with a sickening crunch.

Do they look familiar?  How many do you have?  Use the FIND search in Word and see for yourselves.  Type in: with a

            It’s easy, I promise it won’t hurt. (I called to the writers with a hint of sugar in my tone.)

            Do you need to sit down? Breathe!

Now highlight them.

My challenge for you.  Go in and rewrite.  Get yourself down to between 50 and 100 “with a” phrases in your entire manuscript. Both friendly and unfriendly included in your final count.

Use them sparingly, if at all. And the ones you choose to keep, push yourselves to write them fresh. Kick the basic, plain, unadorned, below average, routine “with a” phrases to the curb.

Another challenge for you: In the comment section below, post a 20-40 word section of your manuscript that includes a “with a” phrase and below it, a fantabulous rewrite.  The rewrite can be more than 40 words.

The author with the best rebirth of a “with a” phrase will get a 3 page edit from me! 

(I flourished the last line of the blog with a virtual-high-kick.) 

Thank you very much for joining me for the last Friday of the month here on WITS! I’ll be checking back throughout the weekend to answer any questions and back on Sunday night to announce the WINNER!

Workshops taught by Tiffany Lawson Inman:

**These courses will be taught at least twice a year. You won’t miss out!**

Follow me on twitter @NakedEditor to see what’s happening and when. New workshops taught every month at Lawson Writer’s Academy !

Want to learn from me in person?  I will be presenting a workshop at Rocky Mountain Fiction Writers Colorado Gold Conference this year. Registration is open!

You can find Tiffany at her website , info-packed-blogs starting back up in late summer 2012.

Tiffany Lawson Inman (NakedEditor) claimed a higher education at Columbia College Chicago. Here, she learned to use body and mind together for action scenes, character emotion, and dramatic story development. She teaches for Lawson Writer’s Academy and presents hands-on-action workshops. As a freelance editor, she provides story analysis and editing services.

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Juggling Chainsaws – Writing Two Books at the Same Time

By Laura Drake

This is so not something I would ever do.

  • I’m a pantster, and a linear writer to boot.
  • I’m organized – anally so.
  • I want to steep in my book, live it, snuggle up and get close to it.
  • I can’t even talk and carry coffee at the same time.

Why would I even attempt it? What made me think I could do this?

Deadlines, that’s what.

I did it to myself. My editor knew I was already writing for another house, so she let me set the deadline for the Biker-chick book. But she dangled a carrot. If I submitted it in “a few months,” she’d give me a 2013 pub slot. Three books out in one year? Oh, the buzz I could get from that! As a debut author, I’m doing everything I can to garner buzz.

So I kind of eased into it. Here’s how:

  1. I’d write a full chapter, then switch books. That helped satisfy my need to ‘be with the book.
  2. I submitted that chapter to my wonderful crit partners, and moved on to the next. As feedback came in, much as it killed me, I didn’t look at it. I just set it aside with the first book.
  3. When I’d submitted the chapter on the second book, I went back and read the crits on the first, and did the edits. That seemed to warm me up for the story, and get me ready to write the next chapter.
  4. Repeat.

What I discovered:

ADVANTAGES:

  • I may not be able to talk on the phone and drive at the same time, but I can do this.
  • Each time I switch books, I fall in love with the book again
  • I’m writing more. I have to!
  • When I’m stuck in one book, by putting it down and picking it up a week later, my brain has usually solved the problem
  • It takes advantage of my discipline and good organization skills
  • It’s satisfying to try something new, and I’m encouraged by my progress

DISADVANTAGES:

  • Whichever book I’m working on, the other is my favorite. I realized this is part of the “Rather have written than to write” syndrome. Gives me something to look forward to, though – like dating two very different men at the same time.
  • I think my crit group is getting whiplash; cowboys one week, biker chick the next.
  • I’m missing the snuggle-time with only one book. That may just be me.
  • I do worry about continuity – it’s harder to see the plot and overarching themes when you’re writing in fits and starts. If you’re a plotter, I don’t think you’ll have this problem

Is my writing better or worse for this? It’s too early to tell – and I’m not sure I’ll be the one to judge that in the end.

But I DO recommend you give it a try!

So how about you? Have you ever tried writing two works at the same time? How did it turn out? Did juggling chainsaws lead to a trip to the ER?

Have I enticed you to attempt it?

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