Laurie Schnebly Campbell examines the pros and cons of point with clarity and examples. Also, she shows how to tell which POV is best for a scene.

Laurie Schnebly Campbell A quick note from your WITS blog mistress: I'm sorry for so many comments not getting posted as soon as we'd like. All four of us were out of town, and no one had internet access. (Two of us thought we would be able to approve comments, but we were wrong.) Everything […]

Laurie Schnebly Campbell You’ve heard of the Myers-Briggs test, right? Maybe even taken it for school or work? Maybe even had one or two or 28 of your characters take it? No worries if you haven’t done any of that -- it’s a pretty simple concept, which goes all the way back to Aristotle. (Actually […]

Laurie Schnebly Campbell Does it speak well for women, or badly, that while the classic Hero’s Journey involves 12 steps, the innovative Heroine’s Journey involves 13? Is that because women take longer to reach their happily ever after? Or does it mean they have more fascinating avenues to explore than men?  Actually, either gender could […]

Laurie Schnebly Campbell What does braiding a book mean? Off the top of my head, that seems like an easy question. Since a braid has three parts, a braided book has -- hmm. Goal / motivation / conflict. A hero / heroine / villain. Emotions / actions / thoughts. Description / dialogue / narrative. A […]