Laurie Schnebly Campbell examines the pros and cons of point with clarity and examples. Also, she shows how to tell which POV is best for a scene.

Lori Freeland Last time I visited Writers in the Storm, we talked about dialogue—what characters say out loud to themselves or to other characters. If you missed that blog, you can find it here at Dive Deep into Dialogue. This time, I want to shift to internal dialogue—what your characters don’t say out loud to […]

Ann Griffin As an indie author, I’ve been reading quite a few indie books lately. I have discovered a lot of fun reads and some great stories. However, I keep tripping over one particular writing error: breaking POV (Point of View.) You seasoned writers with agents and editors who comb through your manuscripts looking for […]

This is a true story:  I looked out my window this morning, as I always do while drinking my breakfast protein shake. In the heavier than usual wind, the prayer flags flapped loudly. Through the narrow gaps of brightly-colored material I saw a profusion of blooming tropical flowers. Behind them, a mermaid sat on her […]

Janice Hardy, @Janice_Hardy Readers experience your novel through the eyes of your narrator. Sometimes this narrative filter is invisible and readers don’t perceive any distance between them and the point-of-view character, such as with a first-person point of view. Other times the filters are obvious and readers feel the space between them and the characters, […]