Laurie Schnebly Campbell examines the pros and cons of point with clarity and examples. Also, she shows how to tell which POV is best for a scene.

by Lisa Hall-Wilson Life is hard and as writers, we aren’t doing our jobs unless our characters struggle. Am I right? Good fiction isn’t borne out in the comfortable and easy living we might dream about, but in the tension and conflict between characters and/or their own desires. Giving a character a backstory that includes trauma […]

Lisa Hall-Wilson   You don’t know what you don’t know, right? That’s part of what makes writing in deep point of view so hard. I have spent years studying this technique and continue to learn more about it. But if you had a place to start maybe you could get started on your own. But […]

Lisa Hall-Wilson   Deep point of view lets your readers experience story through a virtual reality headset. Readers want to take an emotional journey alongside the main character in every scene. This style puts readers IN the story as much as possible. To achieve this, writers have to avoid summarizing or telling how a character […]