First of all, we at Writers in the Storm must let you know that we continue to be blown away by your first lines. Your responses rained tantalizing hooks across pages of comments. Today we are pleased to welcome back Shannon Donnelly with another one of her fantastic writing lessons to help you turn those great first lines into solid, sellable stories with likeable characters from the beginning.
by Shannon Donnelly
If you have a choice, are you going to spend the evening with folks you like—or with people who make you grind your teeth? I’m going to bet on the former. This holds true in a book, too—readers (all of us) want to spend time with folks we like. This is a huge issue in any book—it was one I faced in A Cardros Ruby. Initially, the heroine started off as just too cranky and too hard to like. Now, she had her reasons—and she’s still a little touchy (she’s just seen her brother brought in unconscious, so she can be forgiven for being a little upset)—but I worked hard to make certain she didn’t put folks off.
My own experiences with this had taught me the hard way—the heroine of A Dangerous Compromise is a hard-to-like girl. She eventually redeems herself—or at least shows a good side—but that came too late in the story for many readers, who just didn’t cotton to her. And I can understand that.
If I’m going to pay money and spend my hours with some folks—even fictional folk—I want to have fun. I want to be with people I like. Let’s face it, if your characters aren’t likeable, you’re not going to sell that book. That’s the voice of experience talking.
And, as a reader, I want characters I can root for, characters I can laugh with and cry with, characters with whom I sympathize. I want to spend time with folks I like.
Which brings up the question—what is likeable?
This is where subjective opinion gets into it. Even the most beloved characters have their detractors. And good characters are like people—or they should be. This means not every character will be liked by every reader. However, there are some basic things you can do give a character a better chance of being someone that a reader wants to spend hours with, as in give your characters:
Now this is not to say that all characters must display all these traits—that would be too much for any reader to believe. But pick three or four things. Or even a couple. Demonstrate that your main characters—your protagonists—are likeable. And keep in mind that if a character is going to have to do bad or stupid things in the story, that character needs the reader on his or her side early and to a great degree.
Even give some of these likeable traits to your antagonists. They need to earn the reader’s sympathy, too, if the conflict is going to be strong. After all, even Hannibal Lecter had the admirable traits of being a cultured man—and very, very mad skills (emphasis on the mad there).
Let your readers get to know and like your characters before you start having your characters do terrible things—and then think long and hard about if a reader can forgive that character for breaking up a beautiful friendship by betraying the reader’s trust. If any reader finds the characters too unlikeable, that book is going to be put down.
Think about making sure your character demonstrates he or she is likeable—it’s not enough to tell the reader these things. The character has to be shown doing things that are worthy of the reader—the character must be shown doing things that show off that character’s traits. (And if you’re not sure about this, read Dick Francis, he’s a master at making you like a character in less than a page.)
Above all remember that you’re asking a reader to spend time in your world. Make sure readers want to stay, want to root for your characters, and start to like them. It all starts off with creating characters you really like—and making sure they show up right off doing some admirable things.
How have you made your characters likeable? Are you struggling trying to find a likeable attribute?
Shannon Donnelly’s writing has won numerous awards, including a RITA nomination for Best Regency, the Grand Prize in the "Minute Maid Sensational Romance Writer" contest, judged by Nora Roberts, RWA's Golden Heart, and others. Her writing has repeatedly earned 4½ Star Top Pick reviews from Romantic Times magazine, as well as praise from Booklist and other reviewers, who note: "simply superb"..."wonderfully uplifting"....and "beautifully written."
Riding in on a Burning Tire, the second book in the Mackenzie Solomon, Demon/Warders Urban Fantasy series is just out from Cool Gus Publishing. And her latest Regency romance, The Cardros Ruby, a RWA Golden Heart finalist, is out this May.
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