by Anthea Lawson Sharp
Over the years I’ve made enough from selling short fiction on the side to help put my daughter through college, (though novel-writing is still my main income source). I’ve found that shorter works are enjoying a resurgence, and busy readers like having the option to read a smaller morsel before bedtime, or while waiting for an appointment. Think of writing short as providing a fine chocolate truffle as opposed to a full meal.
5 Reasons To Write Short in Today’s Publishing Market
Creative Freedom: Length is no longer a barrier to publishing your work – no need to fit into proscribed boxes about word count. The story can be as long as it needs to be, plus the short format gives the author a chance to explore new ideas or work with spinoff characters without the pressure of completing a full novel.
Loss-leader: By having a less-expensive or free work available, authors can reach a larger reader base. For many authors, running a loss-leader on a shorter work feels more comfortable than deeply discounting or giving away a whole book.
Visibility: For most authors, writing short takes less time, thus providing more titles released during the year. Courtney Milan releases 2 novels a year, and fills in with 2 novellas, for a new release every 3 months.
A Chance to Indie Experiment: Some traditionally published authors are able to start indie-publishing shorter work that’s not controlled by a non-compete clause. Going short can be a great way to test the indie waters. A smaller project is easier to manage during that initial learning curve of self-publishing.
Hybrid Possibilities: In addition to self-publishing, there is a good market for short stories, especially in magazine markets for SF and Fantasy, Mystery, and Literary. Also, keep an eye on calls for submissions for anthologies in various genres.
A Bit about Short Story Word Counts
Counts vary, as do reader expectations. In SF/F, the following are the word counts used to determine categories for the Hugo and Nebula awards:
It’s important to remember that SF/F has a very strong short story heritage. Most magazines - Asimov’s, Analog, SF&F - want word counts between 4-6k. Readers of those publications expect that kind of length.
Super-short lengths can be fun, and there is a magazine market for flash and micro fiction, but readers will be reluctant to pay for a super-short unless you bundle several together into a collection.
More word counts:
Romance readers and publishers, however, are not as comfortable with fiction that falls on the shorter side. The Mammoth Book anthologies require stories from 7,500-12k words, (although the RWA anthology asked for 5-7k word counts). Partially, this is because it’s more challenging to complete a Happily Ever After (HEA) or Happy for Now (HFN) in so few words. Still, it can be done.
How to Write Short
What myths are you carrying around about short stories?
Take a second to think about your own perception of what short stories are and aren’t, and how you might be setting unrealistic expectations for yourself.
What is short fiction?
Simply, it is fiction that is short. Short fiction gives the author a number of opportunities. Not only can a writer complete a project more quickly, you can:
Short stories have patterns like novels do – just shorter. The narrative structure remains the same, but often in a condensed or simpler form. Algis Budrys, in his seminal craft book Write to the Point, lays out the 7 POINT PLOT OUTLINE.
(This is basically the structure of all Western narrative fiction.)
1. A Character
2. In a Setting
3. With a Problem
4. Tries to Solve
5. Fails, and Things Get Worse (4 and 5 repeat multiple times)
6. Climax – at last Succeeds
7. Validation (essential closure)
There are a few exceptions, such as the “story of revelation” or “punchline” model, but, especially in romance, the reader expects the above narrative form.
Quick Short Fiction Tips
Drawbacks of Writing Short
Some authors find that figuring out characters and starting a story is the hardest part of their process. If you are a writer who needs a lot of time at the beginning and tends to do multiple drafts of your first few chapters, writing shorter may be difficult, and nearly as time-consuming as writing a full novel.
Writing short fiction can be so much fun it takes up all your writing time, and your novel languishes. 😉
A large number of magazines are built around short fiction – many of them in the SF/F field, but in mystery and literary as well. If you have fantasy or SF elements, noir/suspense, or even straight contemporary with a bit of a literary twist, submit to these markets! Just don’t tell them you wrote a romance story.
Anthologies like the Mammoth Books publish short romances (generally invite only, although if you had an in, you could probably write something that fit the theme and submit it) or other stand-alone compilations. Watch for calls for anthologies and check out places that list such things. I’ve seen a number of calls for erotic romance anthologies in the last 6 months.
Two fine resources that list open anthologies are http://angiesdesk.blogspot.com/ and The Submission Grinder. There are also the Open Call groups on Facebook that are full of good information. These anthology calls can provide inspiration for the seed of a story, and can be a fun challenge to write for.
Advantages include a lump-sum payment either on acceptance or publication, excellent visibility and wider reach for your writing, and fairly quick reversion (2 months – 2 years).
Disadvantages are long waits on submissions, with the strong likelihood of rejection at the end. Decide how long you want to try and keep a story in circulation before pulling it to self-publish.
When selling to magazines and anthologies, don’t accept less than pro rates. I recommend .06 cents a word or better, unless it’s a charity project, you get the rights back almost immediately, or there’s incredible visibility for you in doing the project. Remember that miniscule payment often means miniscule distribution/readership.
An increasing number of markets are acquiring limited audio rights on short stories for podcasts. Though the majority is still SF/F, they generally are not looking for first rights, which means you can submit already-published stories.
The Indie Route
Self-publishing a short work is a great way to “try out” indie publishing with a more manageable project. Although there’s a steep learning curve if you’ve never gone indie before, there are an increasing number of resources available.
Holiday-themed shorts are BIG. Christmas is the most popular, but other holidays like Valentine’s Day and even Halloween can give your story an extra boost, since readers are actively looking for themed stories around those times.
Advantages include much quicker time to market, ability to plan timing of your releases (filling in between novels to keep up visibility), and ability to bundle your stories into anthologies, which is another great way to increase your inventory of titles. And, of course, having a title you can set to free or .99 cents in order to draw more readers.
Pricing Short Stories
Check out your genre (erotic romance prices are generally higher than regular romance, for example), think about word count, and then experiment. Find what works for you – there’s no one right way. That’s the beauty of going indie.
However you want to approach writing short fiction, I encourage you to take the plunge! You never know what new opportunities await.
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A USA Today bestseller with both her pen names, Anthea writes RITA-nominated historical romance as Anthea Lawson, and award-winning YA Fantasy as Anthea Sharp. She sold her first short story in 2009, and has never looked back. Since then, dozens of her short stories have appeared in anthologies and magazines, including collections from DAW Books, the groundbreaking Future Chronicles, Fiction River, and numerous other publications. Discover more at www.antheasharp.com and www.anthealawson.com
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