Shirley Jump shows us how to make a book so incredibly compelling, the reader can’t put it down, and must stay up until two in the morning to see how it ends.

First Person POV is not automatically deep POV. Lisa Hall Wilson shows us where first person POV is different from Deep POV.

We’re all human and need down time. We shouldn’t feel guilty or apologize for it. Angela Ackerman helps us relax, feel balanced, and refill our creative wells.

Eldred Bird shares his love of mystery writing and takes a stab at removing the puzzlement of the process and converting the WITS staff to his passion.

Don’t waste words. Every scene is critical. Joseph Lallo shows us how to make scenes important and weave them into a powerful story that matters to readers.