Worldbuilding in your novel is the egg in your souffle. If it’s well balanced, well-mixed, it makes everything work better.

Writing successfully means you get words on the page. Diana Gabaldon believes the key is understanding how your own brain works, and working WITH it.

The difference between a seasoned writer and a new writer is that the experienced writer knows a rejection doesn't signify the writing was bad.

Every story has a beating heart, a vision that keeps all the working parts focused on what really matters. How can you be sure yours has one?

Laurie Schnebly Campbell compares how you entice trick-or-treaters or turn them away from your house to the opening of your book.