Does your book have solid ideas, but no actual story? This post from Janice Hardy shows you how to discover and develop the story within the premise.

Kathleen Baldwin, author of A SCHOOL FOR UNUSUAL GIRLS, makes an unusually strong case for when to use the much-maligned WAS.

Do you logically understand what Deep POV is and still don't feel confident in how to write it? Then this is the post for you!

With a paper (and ink and labor) shortage and supply chain issues, how is an author supposed to cope? Lisa Norman offers SEVEN solutions.

Failure is a key part of your character's growth. What does this mean? And how do you use this to your advantage in your story?