Stefan Emunds demystifies the process of applying psychology to storytelling to enhance your skills and the readers’ experience.

Janice Hardy shares her favorite trick that she uses makes plotting and character development a whole lot easier -- she gives each character a role.

Shirley Jump shows us how to make a book so incredibly compelling, the reader can’t put it down, and must stay up until two in the morning to see how it ends.

First Person POV is not automatically deep POV. Lisa Hall Wilson shows us where first person POV is different from Deep POV.

Keep your readers engaged, happily turning the pages, with a book that is good to the last word. Give them a satisfying ending.