Writers in the Storm

A blog about writing

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The Reluctant Spammer’s Field Guide

How writers end up in Spam Mode (and how to rescue them)

by Lisa Norman

This is part 2 of my posts on author spam. Read part 1 here.

Opening: Observed in the Wild

A client once emailed me in a panic.

She’d finally done it. After weeks of working up the nerve, she’d written a newsletter and sent it out. She’d followed a whole stack of “best practices” she’d read about newsletters. She’d hit send. It was out there.

And now something was wrong.

No one was opening it. No one.

At first she told herself it was probably timing. Then she refreshed again. And again. Still nothing. That’s when she discovered the real problem: no one was getting them. So she called me in to see what was wrong with her website.

Nothing was wrong. Her hosting company had simply flagged the email as spam.

Her crime was simple and painfully human. She’d used the word Free in the subject line, and then she’d committed the even more horrid sin of adding an exclamation point after it. She was genuinely excited to give away that free book and thought her readers would be happy to get it.

Email companies decided she was a spammer and that email went nowhere.

She hadn’t done anything sneaky. She hadn’t bought a list or tried to trick anyone. She’d done what she’d been told worked. What everyone else was doing.

The systems disagreed.

That moment stuck with me because it revealed something uncomfortable and oddly freeing at the same time. Sometimes what feels normal, even encouraged, no longer lands the way we expect. Not because we’re wrong, but because the environment and the technology has changed.

No one sits down at their keyboard thinking, Today I will mildly annoy strangers. And yet… here we are.

Spam happens.

Note: email is still the writer’s most powerful sales tool. I’m not recommending dropping your email list!

Entry One: The Reluctant Spammer

Classification: Common
Disposition: Well-meaning
Primary trait: Surprise

The Reluctant Spammer is not a villain. In fact, most writers who find themselves here are thoughtful, generous people who care deeply about their readers.

What makes someone a reluctant spammer isn’t their intent. Writers don’t set out to become spammers. Spam happens when there’s a gap between readers and the writer.

We mean to invite them to join us, but inbox software is more interested in how much email we’re sending and how much the reader is receiving.

We mean to connect with them, but spam filters see patterns: How many people actually opened that email we sent? Did that reader rush to open the email or drop it into trash without even peeking?

We mean to give readers a gift, but anyone opening their email inbox these days is suspicious.

Being a spammer, in this sense, isn’t a personality flaw. It’s a mode. It’s something writers can slip into without noticing, often by doing exactly what they were taught to do. Collect the reader’s email. Keep all of the good stuff behind a paywall. Keep showing up frequently. Stay visible.

None of that is wrong. But when inboxes are crowded and trust is thin, those same habits can start to register differently on the receiving end.

The key thing to remember is this: spam is behavior, not always intent. You don’t become a spammer. You momentarily enter Spam Mode. And like most modes, it’s situational, reversible, and far more common than we like to admit.

Entry Two: Common Habitats

Reluctant Spammers tend to appear in familiar environments.

You’ll often find them around large giveaways, exciting reader magnets that you can only get to by providing an email address, or signups designed to make joining effortless and instant. These structures didn’t appear out of nowhere. They were built in a time when inboxes were quieter and attention was easier to come by.

They worked. And then the world changed.

What once felt like a friendly open door can now feel, to an inbox, like just one more thing to defend against. The behavior hasn’t changed nearly as much as the context has.

Spam Mode thrives in places where speed and numbers are rewarded more than intention. When we value the number of people on our list more than the connection we have with readers, we’re at risk of slipping into spam mode. I’ve seen writers with thousands of email addresses on their list where the open rate is 20% or less. That’s a lot of emails they’re sending that aren’t helping them.

And once you get a list that big, you’re usually paying to send those wasted emails out. Consequently, it's no wonder writers who’ve done “all the right things” get burned out on email!

Entry Three: Signs You’ve Entered Spam Mode

This is the part where writers sometimes get uncomfortable, so don’t feel picked on or called out. These things happen slowly over time.

Signs of Spam Mode aren’t dramatic. They tend to show up quietly. Open rates slowly slide. Replies dry up. You hesitate before hitting send, even when you like what you’ve written. Your email starts to feel less like a conversation and more like a broadcast.

None of these mean you’ve failed. They mean your connection to your readers has weakened.

And when that connection weakens, the solution usually isn’t sending more emails. It’s clarity, and intent. It’s remembering that those readers wanted to connect with you, but somehow they no longer feel that connection, if they ever did.

Entry Four: Why This Doesn’t Mean You’re Doing It Wrong

This is where many writers turn inward and assume the problem is effort, consistency, or enthusiasm. So they try harder. They send more. They push through the discomfort.

Or they just decide email doesn’t work and they stop altogether.

But Spam Mode isn’t caused by laziness or lack of commitment. Instead, it’s often the result of following advice that prioritized growth instead of relationship.

That advice wasn’t malicious. It was just a little out of context. Good advice for businesses or for growing a big email list is still good advice, but not necessarily for writers looking to connect with their readers.

And contexts expire and change. When email was new and any message from a writer was a delight in the inbox, we could get away with sending emails that were less about connection.

Recognizing that the world has changed is a power move that sets you apart from the hordes of accidental spammers filling people’s inboxes.

Entry Five: How Reluctant Spammers Adapt

Field guides don’t give you all the answers in the form of should and rules. They describe patterns and point out alternatives. So let me offer some alternatives for our accidental spammers.

Writers who step out of Spam Mode often start experimenting with small, human shifts. They let readers sample the work before asking for an email. They use calmer, clearer signup language. By sending fewer emails, they enjoy them more. They allow unsubscribes to be information, not rejection. They even make unsubscribing easy. (Although: making it easy for people to unsubscribe IS an actual rule these days.)

Instead of asking, “How do I get more people?” they begin asking, “Who actually wants to be here?”

That question changes the tone of everything that follows.

Entry Six: Designing for Desire Instead of Capture

Spam Mode is rooted in capture. Real reader connection grows from desire.

In contrast, designing for desire means trusting readers to choose you, not trapping them into staying. It means writing emails that feel like a continuation of your work, not a requirement attached to it. You’re a writer, which means you’re an entertainer. This means your messages to your readers should be entertaining!

This approach doesn’t scale as fast, but it lasts longer. And it feels better on both sides of the inbox.

Final Entry: Good News from the Field

Here’s the most important thing to know.

Real Spammers don’t worry about being spammers. They don’t pause to wonder how their emails land. They don’t write field guides.

Reluctant Spammers do.

If you’ve ever hesitated before hitting send and wondered if your readers would even open it, you’re already doing the most important part. Attention is the beginning of every meaningful change you can make. In a world where there are more bots hitting our inboxes than humans, intentional clarity and connection is something algorithms can't fake, and the one thing humans are desperate to find in that haystack of email.

Spam happens. And writers, being writers, adapt.

What is the one email newsletter that you open immediately every time it hits your inbox. Why?

About Lisa

head shot of smiling Lisa Norman

Lisa Norman's passion has been writing since she could hold a pencil. While that is a cliché, she is unique in that her first novel was written on gum wrappers. As a young woman, she learned to program and discovered she has a talent for helping people and computers learn to work together and play nice. When she's not playing with her daughter, writing, or designing for the web, she can be found wandering the local beaches.

Lisa writes as Deleyna Marr and is the owner of No Stress Writing Academy. She also runs Heart Ally Books, LLC, an indie publishing firm.

Interested in learning more from Lisa? Sign up for her newsletter or check out her school, No Stress Writing Academy, where she teaches social media, organization, technical skills, and marketing for authors!

Her next book, The Work of Joy is now available here.

Top image from depositphotos.

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WITS Team Showcase - Lisa Norman

The Tech Whisperer: Bridging the Gap Between Code and Creativity

When we started these showcase posts, I watched everyone else in awe, feeling a bit like a cat hiding under the bed. I’m comfortable behind the scenes. I like the gears, the plugins, and the invisible architecture that makes an author’s digital world spin. I love the work I do, but I’m not used to having it in the spotlight.

As I watched my teammates peel back the curtain, I realized that while you all know me as the “tech person” here at WITS, that’s only the scaffolding. You might as well know the rest of what I do.

Who I Am

I’m Lisa Norman, though in the writing world I go by Deleyna Marr.

It’s rare for someone to use their college degree, much less one as weird as mine. I have a degree in Creative Writing and Medieval Literature with a minor in Electrical Engineering and Computer Science, as well as another minor in Anthropology with an emphasis on Archaeology.

My parents were NOT impressed with my three-fold degree. I remember my mother saying, “Well, now you can dig ditches.” I laughed and pointed out that at least they’d be perfectly straight with 90-degree angles.

Yeah, she was not impressed.

I was one of the first students to get that Computer Science minor, the whole industry was so new. My school actually didn’t offer it until the year after I graduated, but my advisors said I’d met all the requirements and to list it on my credentials.

Professionally, I’ve continued my multi-faceted approach to life:

Owner of Heart Ally Books, LLC:

An exclusive, independent, collaborative publishing company focused on guiding selected new authors into the marketplace. Translation: I publish books I love, work with authors I adore, and have probably the best job in the world. Seriously, sometimes I have to stop everything else and read a book. That’s my job.

Founder of the No Stress Writing Academy:

A small online school for writers. The goal is for writers to bring their stress-inducing problems to us, and we give them the solution. My amazing instructors walk through the process with each student. So, for example, if a student is stressed by their web presence, they leave with a website. If you’re curious, I offer a free demo class, Marketing 101. I’ve shared a bunch of the material here on WITS. Go, take the class and design a marketing plan that fits your goals.

Recovering Web Dev:

I ran Deleyna’s Dynamic Designs for years, still do, technically, although I’ve reduced my clients by over half during the couple of years, deliberately. The website industry for writers is changing rapidly, and it makes more sense for most of my clients to enjoy the new, easier-to-use platforms than to remain with me. I’m happily transitioning them into spaces where they don’t need me all the time!

The Storyteller:

Theoretically, my number one job is to be a writer. Okay, let’s face it, I’m terrible at this. I was featured on Jaime Buckley’s podcast with the topic of “Confessions of the Nearly Done Author.”

I’ve published two novels (one fantasy, one modern-adventure/paranormal). Both are the first in a series.

I’ve got the trilogy drafted for the fantasy and the next book in the paranormal about half way drafted. In addition, I’m working on a light-hearted sci-fi series called “The Spaceport” with the first 6 books drafted. No, I’m not proud of that! One of my goals this year is to clear my plate of other work and enjoy my creative writing.

I’ve also got two non-fiction books out: Reflections from the Mirror: A Journey into Art, AI, and the Creative Soul and The Work of Joy: Dancing with Creative Fire. You can find my most recent articles on my Substack where you can watch me write. Supporters also get access to Ask Me Anything meetings.

I live on Camano Island in the Pacific Northwest with my husband, grown daughter, and three cats (Rocky, Trapeze, and Ember). I’ve got three kids and three grandkids as well. Apparently, three is some sort of magic number with me.

I’m a woman who believes that the right tool—whether it’s an electric screwdriver, a piece of software, or a well-placed plot point—can change everything.

The Tech-to-Text Pipeline

For a long time, I kept my tech brain and my writer brain in separate rooms. Tech was about software versions, manuscript formatting, and making sure the “buy” button actually worked. Writing was about the Spaceport series and the quiet, internal journey of The Work of Joy.

But recently, the walls between those rooms have crumbled.

I’ve realized that tech isn’t the enemy of creativity; it’s a multiplier, an extension of my own ideas. When an author is terrified of their website or baffled by some publishing platform, their creativity shuts down. It curls up in a corner. My job—my joy—is to handle the “how” so they can get back to the “why.”

How “No Stress” Became My Mission

I’ve seen too many brilliant writers stalled by the mechanics of the industry. That’s why I shifted from just “building sites” to “teaching systems.”

To understand my no-stress journey, you need to understand that I have an autoimmune condition. Me + stress = waking up in a hospital, trying to figure out where I am and how I got there. I once woke up with a stuffed Ewok sitting on my chest. (My friend’s attempt to help me wake up without the terror that often came in those moments. Yes, it worked.)

What’s funny is that I actually love stress-laden situations. I thrive on tech challenges… emotionally. But physically, that path will always end in disaster for me. Quickly. I’ve had to impose a strict no-stress rule on my businesses and my life, simply to survive.

Through the No Stress Writing Academy and Heart Ally Books, I focus on the author's journey. Whether I’m helping a client update a website or helping a writer find the emotional core of their non-fiction, the goal is the same: success without stress.

What I’ve found is that while others may not collapse from stress, it affects their creativity and their success. I love helping stressed-out authors find joyful solutions.

What My Creative Life Looks Like Today

My days are a mix of code and characters. I might spend the morning troubleshooting a client’s website or branding and the afternoon deep in formatting. I once had an intern sit next to me during an average workday. He was stunned at the variety of the challenges that came across my desk: part tech-support, part creative muse, part cheerleader.

The Work of Joy is my most recent book. It came from the heart of my experiences spending years working in the trenches with authors and creatives. Stress and depression can stifle a writer’s spark. Joy can fuel them and give them the power to change the world, not just for themselves, but for all the people their work touches.

A Special Offer for the WITS Community

Because I believe the world needs your stories more than it needs you to be frustrated by your tech, I want to help you clear the digital cobwebs.

I’m giving away 3 classes to people who answer in the comments. You’ll be able to choose from my most popular course: “Awesome Author Website Basics” or my recently updated “It’s a Wonderful Writer’s Life”. The three winners will also receive an ePub copy of The Work of Joy.

To enter, comment below with: “I’m ready for a No-Stress moment” and let me know what the biggest stress in your writing life is.
I’ll pick three winners on Monday morning.

About Lisa Norman

Lisa Norman

Lisa Norman (writing as Deleyna Marr) is the owner of Heart Ally Books and the No Stress Writing Academy. A veteran of the web development world, she now focuses on helping indie authors navigate the technical and professional hurdles of the publishing industry. When she isn’t fixing broken plugins or writing sci-fi, she can be found in her garden on Camano Island or arguing with her three cats about who actually owns the office chair. Find her at Deleyna.com or on Substack.

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Is Your Subconscious Messing with Your Writing Identity?

by Jenny Hansen

In a recent post, I mentioned a moment that shifted how I see goals. I had a productivity instructor say, “When you don’t keep an agreement with yourself, it erodes your self-confidence and the ability to trust yourself and your own word.”

In other words, it's highly expensive to your confidence (including your writing confidence) to break your word to yourself.

What else happens when you don’t complete your goals?

On the surface, nothing happens. The danger to your psyche doesn’t happen on the surface. And it doesn’t happen right away.

But over time, there’s a subtle shift that happens when things repeatedly DON’T get finished.

At first, it’s just descriptive information. It’s you talking to yourself:

  • I didn’t get that project done.
  • I stopped partway through [fill in the blank].
  • I didn’t follow [fill in the blank] all the way to the end.

But over time, something else happens…

That initial description often turns into something negative that you say to yourself. It turns into a conclusion. It often turns into a value judgment and a criticism.

  • This always happens.
  • I can’t seem to follow through on my own work.
  • I don’t trust myself to see things to the end.

What actually changed?

The project itself didn’t change at all. What did change was the meaning attached to it.

“I didn’t finish” describes an experience. But all that self-criticism and value judgements we heap on ourselves? That’s what turns the subconscious into forming an identity.

And once that identity settles in, it quietly starts running the show.

What happens when a missed goal becomes an identity?

I’d like to really examine this, because I’ve been there and watched writing friends go there, and the subconscious is aptly named. It can sneak things into our behavior that we don’t always catch right away.

  • You hesitate to begin things that matter because you don’t trust yourself with the ending.
  • You lower expectations so the disappointment won’t sting as much.
  • You walk away early, not because the project is wrong, but because staying feels risky when past attempts didn’t turn out the way you hoped.
  • You second-guess your talent or your value as a writer.
  • At the first sign of writer's block or story problem, you jump ship to a whole new project.

This type of problem is easy to misdiagnose.

Most writers who experience the problems I listed above will chalk it up to a motivation problem. A time management problem. An inspiration problem.

But when a momentary setback becomes negative self-talk and then an identity. . .that isn’t a motivation problem.

It’s a trust problem. A SELF-trust problem.

If you look closely, most people who think they “can’t follow through” actually do so every day: for other people. They finish things for work, for clients, for obligations that come with external expectations. The struggle I’m describing usually shows up in projects where no one is watching.

When no one is waiting for the work, the motivation has to come from inside.

Reframing it all

Do you see how “I didn’t finish” is a very different story than “I’m bad at finishing things?”

When you say, “I didn’t finish,” there’s room to be curious.

  • What changed?
  • What got heavier or more complicated than expected?
  • What didn’t you know how to do?
  • What kind of support was missing?

When you say, “this is just how I am,” that curiosity disappears.

Curiosity is crack to a writer’s brain. Curiosity is what keeps us moving forward with an idea, a character, a story.

One keeps the door open. The other quietly closes it.

Final Thought

This is the real power of finishing. Completing even one meaningful task or piece of work matters. Why?

Not because it proves anything to anyone else, but because it begins to repair your relationship with yourself.

Yes, you also get a dopamine hit from the finished task. But the real shift of a finished task or project is how you view yourself. Completion doesn’t have to be dramatic to be powerful. It doesn’t even have to be the whole project. It just has to be real and important to you.

And often, the most important thing you resolve by simply doing a creative task isn’t the project itself. It's resolving the story you’ve been carrying around in your subconscious. Finishing creative tasks you've set for yourself helps you let go of those pesky value judgments about what unfinished work says about YOU.

Have you ever experienced this kind of "writer identity crisis?" If not, what does your self-doubt look like? What self-talk messages feel like they sabotage you? Please do share your story in the comments!

About Jenny

By day, Jenny Hansen provides brand storytelling, LinkedIn coaching, and copywriting for accountants and financial services firms. By night, she writes humor, memoir, women’s fiction, and short stories. After 20+ years as a corporate trainer, she’s delighted to sit down while she works.

Find Jenny here at Writers In the Storm, or online on Facebook or Instagram.

Top photo purchased from Depositphotos.

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