Writers in the Storm

A blog about writing

storm moving across a field
How to Write a Book From Start to Finish in 13 Steps

by Angela Ackerman

Every writer’s journey is unique, but there’s one iconic moment we all experience: the decision to stop thinking about writing a book and actually do it.

And then? Euphoria. Finally, our ideas will live on the page! We imagine characters, plot twists, and future readers clutching our book, unable to put it down.

Of course, this high usually curdles into terror because now we must write the book. And we have zero clue as to how to do it.  

It’s overwhelming; we can see the finish line but have no idea how to get there.

With any big goal, the best way to achieve it is to break it into manageable pieces. A great first step for writing a first book is to map the route, start to finish. Here’s what that might look like.  

1. Choose Your Best Idea

Whether you have hundreds of ideas for a novel, or only a few, you need to settle on a core premise to make sure it's strong enough to build a story around. Using Goal, Motivation, Conflict (GMC) can help you test ideas:

Goal: What your character wants

Motivation: Why your character wants it

Conflict: What stands in their way

These key elements form your core premise, and once you know it, you have your story’s first piece! To dive into this a bit further, here’s a GMC+Stakes worksheet.

Here’s more on brainstorming your story idea.

2. Prewriting

Once you have your story premise, it’s time to plan the people, places, and events. Some writers do a lot of prewriting, brainstorming their characters at depth to understand who they are, what they want and need, and develop their backstory and relationships. They also world build so they can write the story’s reality with authority, and plot/outline story’s events so they have a really good idea of what will happen, and when. Other writers do minimal planning in favor of a discovery draft, where they uncover these things as they write.

Try these tools to help you plan your story.

The level of prewriting you need is a personal choice, but generally the more you know, especially about key characters and their motivations, the easier it can be to write. Very likely you’ll have less big picture revision to do later, but results may vary, as they say. If this is your first time, pay attention to your gut. When your instincts are nudging you to stop planning and start writing, you’ll know.

3. Mental Prep

When you think you’re ready to start writing, take a moment to set yourself up for success. Choose a place to work where everything you need is at hand – notebooks, pens, a computer, noise cancelling headphones or whatever else you might need. Think about when is a good time to write, and if any challenges could make it hard to get words down. This will help you be prepared when life intervenes.

Julie Glover has great additional advice on what you need to write regularly here.

4. Writing

Welcome to the fun zone! This is when you finally get to unleash your creativity, so enjoy every moment of it. Don’t let worries about quality get in your way. This drafting process is about letting go so words can flow. Fixing and refining comes later. If you get stuck, try these tips and keep writing to the finish line.

It’s possible you might hit a point where you doubt yourself and your abilities. If so, know you aren’t alone. All writers feel this way at some point. What’s important is that you push back on these thoughts. Keep writing and trust the process. You’ve got this!

5. Celebrating

After the first draft is written, celebrate! Writing an entire book is a huge undertaking, and you’ve just done it. Take some time to do something special – read, relax, reward yourself for having the persistence to see this through. Celebrating each win is self-care, so indulge.

6. Putting the Manuscript to Bed

You need time and distance from the story so that when it’s time to revise, you see it with fresh eyes. Even if you want to start revising right away, put the manuscript aside for two weeks to a month. 

7. The First Read

After your story has sat for a bit, you’ll want to read it start to finish to get a sense of how it flows, what areas need stronger development, and anything that might need to be reworked. So rather than start revising right away, make notes as you read. This will give you a plan to follow for your first round of revision.

Also, expect to find some cringe-worthy writing. This is a first draft, not a final product, after all. But guaranteed you’ll also find some gems and think, “Whoa, did I write this?” Use those as fuel to inspire you!

8. Revising

This first round is where you fix the big stuff: strengthening characters and their arcs and making sure they and their emotional experiences are relatable so readers will connect to them and their journey. You’ll want to address any plot and pacing issues, look for plot holes or logic issues with your worldbuilding, and things like that. This revision pass isn’t about making the story perfect, just create a story with strong bones. Remember to use your notes from the first read.

Check out this post by Janice Hardy on Revision Maps – Gold!

9. Feedback

Because this story is your baby, it can be hard to be objective about what’s working and what isn’t, so going to others will help you get distanced opinions on how well the story works and might need to be fixed.  

This step should only be taken when you’re mentally ready for it. It’s easy to become emotional and mistake help as criticism, which brings self-doubt to the surface. Find people who are genuine about wanting to help you and don’t be afraid to tell them this is your first experience with critiques. When feedback comes in, remember their goal is to help you strengthen this story, not hurt your feelings.

At this early stage, paying for editorial help may not be the best choice. Workshopping your story via critiques helps you save yourself money by doing as much of the work yourself as you can. Here are six tips for finding a great critique partner.

Wondering when it might be time to outsource to an editor? Read this.

10. Refining

After you’ve had a few people provide feedback, you’ll have more ideas on what needs to be strengthened. Sort through the advice, and take your time, doing as many rounds as you need to get your story and characters to where they need to be.

11. Editing

Once you’ve workshopped your novel and you feel the story is solid, you’ll want to turn your focus to description, dialogue, and language choices. At the sentence level, strengthen your verbs, look for words or actions you may overuse, tighten your writing, deepen symbolism, and make sure your pacing is strong. Look for opportunities to strengthen every word.

These tip sheets & checklists can be a big help.

12. Polishing

When you feel confident about the shape of your story, it's time to polish it up. Proofread for typos, missing words, repeated language, repeats, and make sure everything is consistent. If you changed names, places, or other elements, make sure you've caught any old bits hanging around. Read your story aloud as it will help you find the little things.

13. Final Read

Just as you did with your first read, you’ll want to do a final one, too. By now, you might be sick of this story. If so, take a break before the final read.

If there’s anything that bothers you as you read, make a note of it. You can also ask others to read it as well to get second opinions before you take the next step toward publication.

Before turning to a publishing route, you want to feel confident that this is your best work. At any time, if you need to, go back, revise again, seek out more feedback, or even look into hiring an editor to help you work through a problem. You can also work your way through this Storyteller’s Roadmap if you would like step-by-step help.

Remember, it’s not a race. You’ve got this!

Don’t rush. Strong stories take time, so give yourself the freedom and space to create the best story possible. And remember you aren’t alone in this; help is everywhere. Search this blog for keywords to read articles that can help you. Ask other writers for resources and advice. Chances are, any challenge you encounter is one others have faced, and they’ll have ideas on how to help!

Which of these steps do you struggle with the most? Are there any other steps you'd add to the list?

About Angela

Angela Ackerman is a writing coach, international speaker, and co-author of the bestselling book, The Emotion Thesaurus: A Writer’s Guide to Character Expression, and its many sequels. Available in ten languages, her guides are sourced by US universities, recommended by agents and editors, and are used by novelists, screenwriters, and psychologists around the world.

Angela is also the co-founder of the popular site Writers Helping Writers, as well as One Stop for Writers, a portal to game-changing tools and resources that enable writers to craft powerful fiction. Find her on Facebook, Twitter, and Instagram.

Read More
The Importance of Great Mentors (for You AND Your Books)

by Jenny Hansen

All of us here at Writers In the Storm know that veteran-WITS contributor, Julie Glover, is both funny and wise. She and I were talking about the importance of mentors and she made this observation:

"Being storytellers, we're likely all fans of a good mentor. Where would Harry Potter be without Dumbledore? Wilbur without Charlotte? Peter Parker without Uncle Ben? Cinderella without her fairy godmother?"

She's got a great point. Even though it seems like the mentors always die or disappear in every genre except romance (where they get their own book in the series), we never forget a great mentor. I mean, come on...what would Star Wars be without Obi Wan, or Yoda?

The Mentor's Job

Mentors can be funny or grumpy, male or female, human or not, but their main job is to help get your main character through the hero's journey.

Julie pointed out that even the Hero's Journey, a well-known story structure, includes Mentor as an archetype and Meeting with the Mentor as an important stage of the story.

Joseph Campbell even had a spot in the "all is lost" stage of the hero's journey for the mentor within that he called “The Meeting with the Goddess.” StoryGrid explains this as "the moment in the story when the traditional male heroic figure meets with the other half of his internal being, represented by a powerful female imago. The two sides come together and ally to confront a third party antagonist in the ending payoff."

Memorable Mentors in Film

Many of those books we love have been adapted into films for a broader audience to appreciate. Not all my favorites are on this list from EvidenceBasedMentoring.org, but a lot of them are.

Some of my faves:

  • Harry Potter and Dumbledore (Dumbledore and Luna were my most favorite Harry Potter movie characters)
  • Neo and Morpheus from The Matrix
  • The Karate Kid and Mr. Miyagi
  • Aladdin and the Genie
  • Dead Poet's Society teacher, John Keating (played by Robin Williams)
  • The Fellowship of the Ring and Gandalf
  • James Bond and M (I love that character in the books and the movies)

That linked list above is definitely worth a read!

But what about mentors for your writing?

Whether it's craft, career, or creativity advice, we benefit from being able to tap into personal resources who teach us, challenge or encourage us, and help to keep us (mostly) sane on our author's journey.

I can't even name how many fellow writers, critique group members, and writing chapter members have played this role in my life. Reading my early (horrendous) work, pushing me to write, to be better, to stretch, to "just try" this or that writing teacher. Mentors like this come at various times in our lives and through various means -- conferences, classes, books, videos, podcasts. Most of us have writing friends and influences flung around the globe at this point.

The Writing Teachers

If you are very lucky, alongside your list of writing friends and influencers, you will find some great writing teachers. The best ones are the ones who always teach you something new, even if you have listened to them multiple times. If they push you and inspire you to grow, your perspective will change with you.

Let me give you an example...

Way back in 2004, I heard the amazing Donald Maass speak for the first time. His message then was very similar to what it is now, even though he has refined it more and created new programs. But I didn't understand a word of what he was saying in 2004.

Tension on every page...what?!? I didn't even know what that meant.

It took Margie Lawson and her very visual EDITS system (with its orange for story tension) to help me understand what The Donald told me a decade before.

The people we learn from year after year are the ones who open our minds so thoroughly that we're listening with an upgraded perspective every time we see them.

Searching Out Your Mentors

Some of us didn't get the message that writing was a legitimate hobby much less a profession until far later in life. But most of us can point to a teacher, family member, friend, colleague, coach, or author who inspired us to pursue our goals.

How do you get from "I like to write stuff" to being an author?

Many of you remember the moment when you knew you were or would become a writer. Maybe a teacher praised young-writer-you's skills. Maybe life handed you an experience you needed to pass on. Maybe you endured a trauma you needed to find a voice for.

For most of us, realizing we are writers isn't the hard part. Becoming writers is the hard part.

Learning our craft and persevering when the going gets tough is the hardest part of all.

What I tell new-ish writers.

Start writing.

It seems like an oxymoron, but a lot of new writers talk about their stories but never write them down. You can't utilize your trusted mentors until you do a bit of the work first.

Read blogs like this one.

While you're doing that work, it's nice to have writerly spots where you can go learn valuable craft tips and meet writing friends.

Ask friends who their mentors and teachers are.

If you ask writing friends who inspired them, or taught them valuable skills, they will talk your ear off for a while if you let them. Many (many!) remote resources are available since the pandemic, so you don't even have to leave the house for this.

Final Thoughts

Mentors can and should play a huge part in both your stories and your writing life. Mentors help push you and your characters where you need to go. They add to your writing journey in ways you won't even be able to measure when you look back on it.

Here is an exercise that Julie recommends:

Take a moment to think about who your mentors have been. Make a list, so that you can see who has helped you through the years. Consider their significance in your journey and foster gratitude for how they led you to where you are now.

I was so grateful when I did this. My list was more than two pages long, and that was just the really pivotal people.

I turned around and asked the same questions of my main character and found a ton of new story avenues! Incidentally, my research for this post led me to a bunch of very famous writers and their mentors/muses. I might have to write another article about that.

Who are your favorite mentors, both in fiction (books or movies) and in real life? I'd love to hear about them down in the comments!

About Jenny

By day, Jenny Hansen provides storytelling skills, LinkedIn coaching and copywriting for accountants and financial services firms. By night she writes humor, memoir, women’s fiction, and short stories. After 20 years as a corporate trainer, she’s delighted to sit down while she works.


Top Photo based on purchase from Depositphotos.

Read More
EAT Your Heart Out to Empower Your Website

by Lisa Norman

Search engine optimization (SEO) is making your website attractive to the search engine spiders. When they like you, they crawl all over your website and seize upon the tasty morsels of your content to share with their millions of curious customers.

We want to keep those spiders happy and engaged! But SEO doesn't have to be a mysterious topic.

Any blog post is better than no blog post

Content — even weak content — is going to perform better than no content at all.

A blank page won't rank.

Don't let the word "content" throw you. As an author, your native language is words. Content just means words on the page.

I see authors get caught up in trends and thoughts that their blog needs to look like everyone else's. Here's the good news: your blog should be as unique as your writing.

My other posts have been pointing out the trends in digital reading. Online reading is on the rise. Blog posts, social media posts, short stories — all of this is attracting our time-challenged readers to entertainment that they can skim and enjoy.

Bring on the style!

You have a unique style. Some authors will write beautiful prose in their books, but their blogs are boring. Why? They've mentally decided that a blog must be a certain type of thing. That MUST is where we see problems slipping in. There is no MUST for blogging.

(You may see posts with trends and suggestions for industry leaders. Remember: if you write fiction, you're in the business of entertainment, not in the world of business. Many of those guides will not apply to you.)

When authors are marketing — and any online activity is marketing — it is important that they have fun, or at least tie into their passions. If your latest blog post is boring you, take a break and find the fun.

Let's EAT!

EAT is a fancy term used by SEO specialists. It stands for: Expertise, Authoritativeness, and Trustworthiness. When SEO gurus talk about EAT, they're talking about the quality and credibility of your website. The higher your EAT rank, the more likely you are to rank in search engine results.

Like many other things in life, there isn't a magic button to tell you what your EAT score is. But you'll know it when you see it.

You're reading WITS right now. WITS has a high EAT rank!

Note: As of December 2022, Google has updated these guidelines to E-E-A-T or “Double-E-A-T”. They added a new category: Experience.

Let's break it down:

Experience

How much first-hand or life experience do you bring to the content? As the author of your story, you have more experience with that world than anyone. But you also have experience as an author in the world. Drawing on that real-life experience is powerful.

Expertise

How much does this author know about their topic? For nonfiction, we show this through credentials. In fiction, we show it in our understanding of our story world.

Authoritativeness

In school, we proved we had done our research by citing credible sources. But who is more authoritative when talking about your story world than you, the actual author?

Trustworthiness

We build up trust with our readers by being accurate, honest, and transparent.

A broken website breaks trust. Asking for too much information from visitors breaks trust. It is much easier to break trust than to build it.

You and Your Beautiful Website

It is easy to see these factors in a nonfiction website like WITS. But what about in a fiction website?

These terms take on slightly different connotations for fiction authors. You are absolutely THE most authoritative source on your characters, their backstory, and even the underlying themes of your books.

Do your readers trust you? Are they connected to you and to your story? When they come to your website, are you giving them an entertaining experience?

Here are a few examples of fiction websites where authors are going deep into their story expertise:

Yes, most of those are World Anvil, because that's where I've been hanging out lately. But don't miss Brandon Sanderson's brilliant website with his online library and sample chapters. This works for traditional and indie authors.

These are mostly science fiction and fantasy websites, but the same techniques apply to any genre.

Does this give you ideas for a fresh approach to your author website? Please share any questions or ideas down in the comments!

About Lisa

head shot of smiling Lisa Norman

Lisa Norman's passion has been writing since she could hold a pencil. While that is a cliché, she is unique in that she wrote her first novel on gum wrappers. As a young woman, she learned to program and discovered she has a talent for helping people and computers learn to work together and play nice. When she's not playing with her daughter, writing, or designing for the web, you can find her wandering the local beaches.

Lisa writes as Deleyna Marr and is the owner of Deleyna's Dynamic Designs, a web development company focused on helping writers, and Heart Ally Books, LLC, an indie publishing firm. She teaches for Lawson Writer's Academy.

Interested in learning more from Lisa? Sign up for her newsletter to see upcoming classes!

Top image by Silvia from Pixabay.

Read More

Subscribe to WITS

Recent Posts

Search

WITS Team

Categories

Archives

Copyright © 2026 Writers In The Storm - All Rights Reserved