Writers in the Storm

A blog about writing

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Universal Story Themes – Take It From The Kids

by Ellen Buikema

I was privileged to work in a co-operative preschool for six years that allowed for teacher autonomy. (Bless them.) This was the stage of my career where I learned the “And then what happened?” method of storytelling. These kids were phenomenal writing teachers!

Let me explain...

My classroom consisted of several centers of activity that allowed for maximum creativity, keeping in mind that everyone learns in a different manner. At the Pre-K stage many were full-body learners who really threw themselves into their play, sometimes literally.

Typical centers in this type of classroom are: math, science, art, fine motor, gross motor, housekeeping (which in this school changed themes monthly and was a real eye-opener), reading, and writing.

Often the writing centers consisted of a table with a variety of paper types as well as writing implements. I changed this up a bit to include story writing to be acted in play form at the end of the students’ day.

At a separate desk lay a numbered piece of paper with lines drawn for the students to print their names to the best of their ability. Students were encouraged to ask for help from an adult or other student. A few had good fine motor skills by age five.

After several spots were taken, either my assistant or I sat with the students and wrote either like the wind, trying to keep up with their thoughts or sentence by painful sentence as the children decided what they wanted to say. This is where I began the “And then what happened?” system of drawing a story to its conclusion.

The students needed to identify the characters in their stories, give them names, and find classmates who were willing to act in their plays. If a classmate declined there was to be no pouting, just go on to another friend. The teachers were sometimes asked to act. I have played multiple roles over the years. The oddest of which was playing a dog in a vet’s office. I died in that role.

I still use the method of “And then what happened?” to this day. It proved invaluable during National Novel Writing Month.

 5 Recurring topics in children's writing


Over the years I've seen several common themes in the stories that children have dictated.

The hero

The author of the story is the main protagonist who tends to save either friends, pets, or both. Stories with animals are common, and pets were very important to the young children I’ve worked with. The antagonist in the stories composed by four and five-year-old children is most often a natural phenomenon like hurricanes, tornadoes, or volcanoes. The next likely antagonist is a dangerous animal, either living or extinct. Dinosaurs are awesome antagonists.

Television characters

Whatever cartoons are popular at the time are often used in dictated stories. The children take the same roles as the cartoon characters down to the exact personalities and actions—a good reason to monitor the TV.

At the time my students acted out stories with the characters from Teenage Mutant Ninja Turtles. I only paid peripheral attention to the program until I wrote out the stories. The names of all the turtles are fine, Italian artists. Figuring out how to make the turtle’s sewer in the scene was tricky. The authors eventually opted to use an invisible sewer.

Acting out fears

The main themes displayed for fear were bullying and loss.  A friend moving away was how loss was most frequently expressed. As moving is common and stressful, it makes sense that children would choose this theme to help work through what may be happening to them. In these stories the child moving offered to return and to have their friends come to visit.

Bullying was difficult to cast as no one wanted to be the “bad guy.” So, the bully was often an invisible foe that the characters could see. Interestingly, the teachers were never asked to be the bully.

Vacations

Vacation stories were rarely family vacations. Generally, vacations were taken with friends and favorite stuffed animals substituting as pets. Favorite settings were the beach, Disneyland, Disneyworld, and Legoland.

Not a lot of drama in these stories. Mostly action and short on dialogue.

A day in the life

Doctor and dentist office visits were common themes although these were not always human-on-human. Sometimes animal patients visited animal doctors and dentists and checkups were happy ones. The classroom had a play doctor’s bag and a real stethoscope. Temperature, blood pressure checking and heart monitoring were great fun and would happen spontaneously during the school day, not only during scenes.

Other scenes took place in airports, veterinarian’s office, restaurants, and home.

The only gender stereotyping was for parents. Boys chose to be dads and girls chose to be moms. At one time or another, everyone was a ninja turtle.

Everything you can think of that happens at home eventually finds its way into the classroom.

Check out this link for more information about Creative Drama and Young Children: The Dramatic Learning Connection.

Another form of communication I've tried is through drawing. When children have been unable or unwilling to express their feelings, I've asked them to draw a picture. Later, they would tell me more about it.

Once a child in my Resource Specialist Program (RSP) classroom was having an unusually difficult day. I asked him to stop his math lesson, which was going nowhere for him, and draw what he was feeling. After I saw that picture, I totally understood why he was sullen. The illustration showed a large head with a corona of fire spewing forth. Poor guy had a horrible headache.

This relates directly to writer-illustrators. A picture really can express the equivalent of a few paragraphs of prose. 

Think back to your childhood. What type of stories and plays did you create? Do you have other themes to add to the list? Please share them with us down in the comments!

About Ellen

Author, speaker, and former teacher, Ellen L. Buikema has written non-fiction for parents, Parenting: A Work in Progress, and The Adventures of Charlie Chameleon, a series of chapter books for children with stories encouraging the development of empathy—sprinkling humor wherever possible. Her Works In Progress are, The Hobo Code, YA historical fiction and Crystal Memories, YA fantasy.

Find her at http://ellenbuikema.com or on Amazon.

Top Image by free stock photos from www.picjumbo.com from Pixabay

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A Month of Writing Prompts —Summer Edition

By Kris Maze

Writing a novel can be daunting and writers can get stuck on that first draft. Why not liven up your writing by taking your characters on a Road Trip this summer? By now you may have enjoyed summer plans yourself. Don’t forget to take along your characters, too. If you are having trouble making your characters come alive, giving them a vacation just may do the trick. In this post, you will find 30 writing prompts to help you imagine the characters of your current Work in Progress (WIP) and how they would react.

You may wonder whether spending time on writing prompts is worth your limited Write Time and energy. Wouldn’t writing more on the novel be more productive? Perhaps. But digging deep into what your characters would do in situations outside your book setting can illuminate their actions in your novel.

How these prompts can add life to your current writing project:

  1. Add depth to existing characters by learning how they react in a variety of unexpected situations.
  2. Form interesting details or side stories the enhance your novel.
  3. Flesh out the motivation and psychological profile of your characters as they react and share feelings in a variety of scenarios.
  4. Create smaller pieces of writing that can be used in your Author Business. Think about how you can use what you create while road tripping with your characters.

Some suggestions:

  • Have a character take over your newsletter and share what they did this summer.
  • Add pictures and vignettes to social media posts.
  • Create teasers for book promotion
  • Make these into short stories to use as author giveaways.
  • Add interesting talking points for doing author talks and promotion events.
  • Use the side stories in blog posts or your author website.

Try a few of these writing prompts and see whether it makes a difference in your Work in Progress!

WIP Writing Prompts–Summer Edition

The Gas Station

  1. Fuel Dilemma. Your characters are about to go through the deserts of Nevada and are nearly out of gas. Alas, they are in Oregon where they cannot pump their own fuel and the nearest gas station for 300 miles is closed. Write how each of your characters feels at that moment. what conversation do they have and what do they do next?
  2. Endless Flavor. At a gas station, your characters find a fountain drink machine with ENDLESS FLAVORS and a sign encouraging them to experiment with mixing them together. What would your characters each make?
  3. Maintenance Required. Their car breaks down in a remote town and the only mechanic around is a reliable, elderly woman. Write a conversation between your characters and the mechanic describing what happened to the car and how they will fix it.
  4. Tire Jack. A tire explodes while driving down Route 66. How a person reacts to this unexpected event can reveal a ton about your WIP’s characters. Describe changing a tire in this scene and demonstrate what each character feels with actions only.
  5. Pick your Shotgun Buddy. Your Main Character gets to choose a handful of people to take on this road trip. Who do they pick and describe why they make the cut?
  6. Radio Roulette. Spin the analogue or digital dial and describe what music becomes stuck while your characters are driving in the car. Imagine they have to listen to this type of music (or perhaps just one annoying song?) for the entire trip. How do your characters act and what actions to they take as a result?
  7. Potty Breaks! How does your driver in this scenario feel about stopping for the bathroom? Describe a scene about inconveniences and play on their conflict of interests.
  8. Souvenirs. Are these mementos treasured nostalgic reminders of places they’ve been, or clutter-producing junk? Which unlikely place do your characters buy souvenirs? Who do they buy them for and what is their motivation? Is it a joke or sentimental gift? Serious or sarcastic?
  9. Geo Cache. One of your characters likes treasure hunts and stumbles across a Geo Cache. They each leave a note and a gift that represents them.
  10. Expired? Your characters browse the gas station for snacks and find an item of historical significance randomly on the shelf. What is the item and what do your characters do with it? What happens to them as a result?

The Great Outdoors

  1. Camping Chores. Your characters are camping. Some are excited about being in nature, but some loathe the experience. Assign each of your characters a camping duty and describe the scene, using some dialogue and actions to show how they feel about each job. Use some of these common camping tasks or create your own.
    • Setting up a tent
    • Starting a campfire
    • Planning a hike
    • Packing the car,
  2. Mosquitos! Your camp is overrun by tiny insects! Ants nibble away your characters’ food supplies, tics burrow into their flesh, and various winged insects constantly bite at them. How do your clever characters handle the bug situation without using insecticides or renting a hotel room?
  3. Burn Ban. Your characters want to hold a bonfire, but cannot. They are allowed to float candles in a metal tub of water instead. How do each of your characters react to the candlelight version of this camping classic?
  4. Camp Food. What does each character bring to eat? Does it fit the camping motif? How do they eat it (or not depending on whether they prepared appropriately)? How does each character like their experience?
  5. Nature. Pick a natural structure for your group to visit. A waterfall, geyser, mountain peak or cave structure. Perhaps a flower-filled meadow is their cup of tea. Take us on a sensory walk as you describe what they see and hear. What scents and temperatures do they experience? How does their visit make them feel?
  6. Backpack. What does each character take along for a day trip? Are they adequately prepared? Or do they bring items that don’t make sense? Pick things each character would logically have and include it in a scene that reveals their items.
  7. Unexpected Visitor. It’s late in the night and something goes BUMP in the dark. Who, or what, is it and how do your characters react?
  8. Camp Songs. Each character is asked to share a song. What song does each character pick? Why does it fit their personality and background? Show this in a scene.
  9. Snoring. Someone in the camp is sawing logs at midnight and keeping everyone else awake. Which of your characters is it? How do the others handle the disturbance?
  10. Trying Something New. Each character has to go outside their comfort zone during this trip. What activity does each character try? Are they successful? What do they learn or feel as a result?

The Beach

  1. Sandy Toes. Do your characters love the feel of sand on their feet or despise the dirty stickiness of the entire experience? Describe how each feels, giving them a reason they have to spend the day at the beach, regardless of whether they love or hate it.
  2. Wedding Bells. Two of your characters are suddenly getting hitched, and the beach is the best venue. Who’s tying the knot and what made the beach their go-to venue? Who attends and who officiates? Write a scene and include these details.
  3. Sun or Shade. Which do your characters prefer and why? Make a scene and include the cabanas or beach towels on the wide-open sands.
  4. Suits. Does your character like a 2-piece or prefer to stick to the literal suit and tie? Describe each character’s outfits on their sandy retreat.
  5. Snacks and Refreshments. Part of any good beach day is not having to go far for a bit to eat. What do your characters pack in their cooler? What do they nosh on and what are their preferred beverages?
  6. Water Bodies. Where do your characters prefer to go? A bubbling brook or deep mountain lake? A weedy, secluded pond or the wild, wavy ocean? Which body of water do each of your characters prefer and how does it reflect their personality?
  7. Sunset or Sunrise? What does your character prefer? When faced with a choice, when does your group meet for an event, and why? Write a scene where they are all together at one.
  8. Vendors. A random vendor passes your characters and offers them their goods. This vendor does not sell typical popsicles and bottles of pop. What do they sell and what are your characters willing to purchase?
  9. First Aid. One of your characters gets hurt. What happened and to which character? Is the cause a 3rd degree sunburn caused by an ill planned nap? A jellyfish sting or worse shark attack? Does someone twist an ankle during beach volleyball? Who is the first to respond and how do your characters react? Write a scene around this event.
  10. Picnic. A benevolent stranger leaves a basket of goodies. It is filled with activities for each character to play. What is in the basket for each character and how do they respond?

That is enough fun and games for this edition of Character Vacations, dear writer friends. I hope you are relaxing and reveling in wordsmith adventures this summer. 

If you want to challenge yourself this September to dig deep into your writing process, check out my time management and writing productivity classes. This three-class series is half-off on my website (listed under Productivity Coaching) and we're going to have an amazing time.

Do you use writing prompts? When do you turn to them and which do you find the most helpful? What helps you get more vitality into your Works in Progress? We'd love to hear all about it down in the comments!

About Kris

Kris Maze has worked in education for 25 years and writes for various publications including Practical Advice for Teachers of Heritage Learners of Spanish and award-winning blog Writers in the Storm where she is also a host. You can find her brief horror stories and keep up with her author events at her website.

A recovering grammarian and hopeless wanderer, Kris enjoys reading, playing violin and piano, and spending time outdoors with her family. She also ponders the wisdom of Bob Ross.


Interested in organizing your writing life?

Do you want help examining your priorities and scheduling your writing projects? The online-live 3-class series, Productivity Coaching with Kris, begins September 2021.

During this series, we will refine your writing priorities and create a strategy for achieving a more satisfying flow in your author life. Sign up any time in August to get 50% off this course! Find more information here or contact Kris Maze through her website.

Interested in quick reads?

The first 3 episodes for two of Kris' dystopian YA books are available now on Kindle Vella!

Aurora and Watertown: Aurora, a fishermen's daughter, struggles after causing an accident that harmed her brother. When her father leaves, Aurora's ostentatious rich aunt stays with her. But who is watching over whom? While running their fish shop, Aurora discovers clues to a hidden mythical substance that could change her fate, heal her dying brother, and restore the future of their wharf town. She must find it before the Shipping Merchant's heir, Oden, who follows her for unknown reasons.

https://www.amazon.com/kindle-vella/product/B096QK9FRR

Athena and the Apocolypse: Achieving Broadcasting Greatness is a difficult feat, especially when your metropolis is about to be destroyed by an asteroid called The Horsemen. Follow Athena, AKA Downtown Girl, as she navigates the story of a lifetime, discovers a Secret Food Revolution, and evades entrapment by the mad scientist leading it. As she investigates, using all the cunning talents she can muster, she discovers the keys to her mysterious past, and perhaps open portals a better future.

https://www.amazon.com/kindle-vella/product/B093FFDP6F
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Ten "Not Absurd" Tips for Writing Fiction

by Margie Lawson

This combo-list of not absurd writing tips includes four points from me, and three each from Francine Prose and Barbara Kingsolver. I’ll share the list of ten, then chat about each writing tip.

Writing Tips from Francine Prose

1. Your first sentence (or paragraph) makes a promise that the rest of the story (or novel) will keep.

2. Give your reader a reason to turn every page.

3. Keep a very large trash can beside your desk.

Writing Tips from Barbara Kingsolver

4. Show, don't tell. Everybody knows this rule, and most of us still break it in every first draft. Be ruthless. Throw out the interior monologue.

5. Be relentlessly descriptive. Use details from every sense you own.

6. Don't wait for the muse. She has a lousy work ethic. Writers just write.

Writing Tips from Margie Lawson

7. Make multiple Deep Editing passes.

8. Write fresh!

9. Honor your Controlling Premise.

10. Cadence. Cadence. Cadence.

More About These 10 Tips

Tips from Francine Prose

1. Your first sentence (or paragraph) makes a promise that the rest of the story (or novel) will keep.

Margie’s Ideas: 

I recommend sharing at least a hint about your Story Promise in your opening. Ideally, in your first few paragraphs. That’s the first point in my 20 Point Checklist for Openings in my online course: A Deep Editing Guide to Make Your Openings Pop!

If you follow this rule, your readers will know where your compelling story is going, and they’ll be hooked. They’ll have to keep reading.

Check out a few first lines and paragraphs from Dana Marton.

Deathwatch, Dana Marton, Virtual Immersion Grad, RITA Winner, NYT Bestseller

Kate Bridges thought attending her own funeral would be the hardest part.

Broslin Bride, Dana Marton, Virtual Immersion Grad, RITA Winner, NYT Bestseller

Luanne Mayfair might have killed her boss a little. Fine, a lot. Pretty much all the way. God, that sounded bad. But he was a sleazebag. Honest. The maids at the Mushroom Mile Motel that Earl Cosgrove managed often prayed for lightning to strike the lecherous bastard. Alas, God had seen fit to send Luanne instead.          

Deathblow, Dana Marton, Virtual Immersion Grad, RITA Winner, NYT Bestseller

The worst time for a police cruiser to fly off a bridge was when you were handcuffed in the back. Joe Kessler braced as the Hummer crashed into the cruiser from behind for the final time and sent the brand-new Crown Victoria over the railing.

Two Openings from Harlan Coben

Gone for Good, Harlan Coben

Three days before her death, my mother told me—these weren’t her last words, but they were pretty close—that my brother was still alive.

Shelter, Young Adult, Harlan Coben

I was walking to school, lost in feeling sorry for myselfmy dad was dead, my mom in rehab, my girlfriend missing—when I saw the Bat Lady for the first time.

An Opening from Jaye Wells

Red-Headed Stepchild, Jaye Wells, USA Today Bestseller, 2-time Immersion Grad, Cruise Grad

Digging graves is hell on a manicure, but I was taught good vampires clean up after every meal. So I ignored the chipped onyx polish. I ignored the dirt caked under my nails. I ignored my palms, rubbed raw and blistering. And when a snapping twig announced David’s arrival, I ignored him too.

An Opening from C.J. Box

Savage Run, C.J. Box, NYT Bestseller

On the third day of their honeymoon, infamous environmental activist Stewie Woods and his new bride, Annabel Bellotti, were spiking trees in the forest when a cow exploded and blew them up. Until then, their marriage had been happy.

The backstory on that opening sentence of Savage Run: Chuck had an idea about starting a book with an exploding cow. He didn’t want to lose it, so he named two characters and wrote that first sentence. He wrote the rest of the story three years later.

Review those openings.

Read them OUT LOUD. Hear the cadence-driven power?

See how the authors were strategic with style and structure?

          Power words. Backloading. Rhetorical devices. Run-on-ish sentences.

Humor hits. Details that deepen characterization for a character you’re just meeting.

Make a list of what the reader learns.

Okay. Finish reading the blog, then come back and analyze those openings.

Deal?

You’ll really do it. Right?

2. Give your reader a reason to turn every page.

Margie’s Ideas: 

I want to believe that every writer strives to write by this rule. But I’ve read plenty of first pages of books that did not give me a reason to turn more pages.

I’ll share one of the ways I developed to help writers check for pacing and power:

Create a bullet-point list of what the reader learns on every page. If it’s printed, write what they learned at the bottom of the page. If the reader doesn’t learn an important point or two or three on a page, it would be smart to tighten that page.

Making that list at the bottom of a page works. Try it!

3. Keep a very large trash can beside your desk.

Margie’s Ideas: 

Be willing to kill, mutilate, morph, and tweak your darlings. It may take you two or three passes before you realize you can sacrifice a favorite line or paragraph or passage. Trust me. You’ll make your scene stronger.

Tips from Barbara Kingsolver

4. Show, don't tell. Everybody knows this rule, and most of us still break it in every first draft. Be ruthless. Throw out the interior monologue.

Margie’s Ideas: 

We all know the show-don’t-tell rule. But it’s not really accurate. Sometimes you just tell. Sometimes you just show. Sometimes you show and tell.

Look what Barbara Kingsolver slipped in at the end. Throw out the interior monologue. I’ve read some of BK’s books, and I know she isn’t suggesting that all thoughts and all internalizations should be nixed. She’s saying, MAKE THEM COUNT!

In my scene analysis EDITS System, thoughts (internalizations) are highlighted YELLOW. I differentiate between YAMMERING YELLOW and POWER YELLOW. YAMMERING YELLOW is nixed or turned into POWER YELLOW. Then you know those thoughts are keepers.

5. Be relentlessly descriptive. Use details from every sense you own.

Margie’s Ideas: 

Another not absurd tip we all know. It’s a good reminder to share details, as long as they add something meaningful.

6. Don't wait for the muse. She has a lousy work ethic. Writers just write.

Margie’s Ideas: 

So true. Make a schedule that works for you—and write.

Having trouble with procrastination or other self-defeating behaviors that plague writers? Consider my online course, Defeat Self-Defeating Behaviors. I’m teaching it in January.

Don’t want to wait that long? Grab the lecture packet for DSDB. It’s always available.

Tips from Margie Lawson

7. Make multiple Deep Edit passes.

It takes multiple passes to turn your writing from throw-your-story-on-the-screen to hook-every-reader stellar.

If you’ve taken some of my editing-focused on-line courses or reviewed the Lecture Packets, you know I’m the Queen of Deep Editing.

What is DEEP EDITING?

It’s what’s in those hundreds of pages of lectures in my Big Three courses. It’s what’s in my advanced writing craft courses too. I teach writers how to add psychologically-based power to create a page-turning read.

8. Write fresh!

Avoid clichés. Avoid overused word pairings. Give the reader fresh writing, but not so fresh that the reader trips. Write like I’m sitting next to you. And give the reader a boost with phrases and sentences they’ve never read before.

9. Honor your Controlling Premise.

A CONTROLLING PREMISE is a three to five sentence who’s-doing-what-to-whom and-why-the-reader-cares story summary.

I recommend writing your Controlling Premise and pasting it at the beginning of each chapter. It will keep you focused on your big black story thread.

10. Cadence. Cadence. Cadence.

It’s smart, smart, smart to make your writing cadence driven. Read your work out loud, and keep tweaking each sentence and paragraph until the cadence drives you from the first word to the last.

Wrapping Up

I have a couple dozen more writing rules. I bet you do too.

What not absurd writing tips do you live by? Please click in and say Hi! Or comment on this list. Or share your favorite not absurd writing tip. Post a comment and you could WIN a lecture packet from me! (Including the packet for A Deep Edit Guide to Make Your Openings Pop!)

Note: This new lecture packet is loaded with ideas for how you can make the opening of every scene and every chapter stronger.

We’ll have TWO WINNERS! I’ll draw the TWO WINNERS at 8:00 p.m. Mountain Time on Sunday, August 1st. I’ll post their names on the blog about 8:30 p.m. Mountain Time.

Thanks for dropping by the blog.  Please chime in, so I’ll know you’re here!

About Margie

Margie Lawson left a career in psychology to focus on another passion: helping writers make their stories, characters, and words strong. Using a psychologically-based, deep-editing approach, Margie teaches writers how to bring emotion to the page. Emotion equals power. Power grabs readers and holds onto them until the end. Hundreds of Margie grads have gone on to win awards, find agents, sign with publishers, and hit bestseller lists.

An international presenter, Margie has taught over 150 full-day master classes in the U.S., Canada, Australia, New Zealand, and France, as well as multi-day intensives on cruise ships in the Caribbean. Pre-COVID, she taught 5-day Immersion Master Classes across the U.S. and Canada and in seven cities in Australia too.

COVID Update: Immersion Master Classes are now virtual, taught through Zoom. Virtual Immersion classes are limited to six writers. They're two days long—and as always, writers get one-on-one deep editing with Margie.

She also founded Lawson Writer's Academy, where you’ll find more than 30 instructors teaching online courses through her website. To learn more, and sign up for Margie’s newsletter, visit www.margielawson.com.

Ready for an in-person Immersion Master Class?

They’ll kick back in early in 2022. Want me to come to your town?

Want to build your own Immersion Master Class?

Invite six writing friends. Coordinate dates. We’ll make it happen!

Interested in Immersion Master Classes across the world?

Scotland? London? Melbourne? The Gold Coast? Perth?

Depending on international COVID quarantines, I’ll be there. I have hosts waiting to set dates.

Check out my Dig Deep Webinars!

August Webinar: Game-Changing Power:  Sharing Impact on the POV Character

Lawson Writer’s Academy courses for August

You’ll find courses on action scenes, conspiracy theories, sizzling synopses, social media, essentials of writing, advanced craft, YA characters, and foundational fantasy.

So many ways to strengthen your writing and your writing career. (Link)

My next ‘Get Happy with Margie’ Open House is August 17th. It’s 5:00 – 7:00 p.m. Mountain Time. The link is on my website - just click on the Happy Hour graphic.

Top Photo by Green Chameleon on Unsplash

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