Writers in the Storm

A blog about writing

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5 Reasons to Review Old Conference Notes

by Julie Glover

I'm cleaning my office.

Not that straightening up, mild decluttering we all do from time to time, but that deep dive of purging papers and files we don't need anymore, sorting through office supplies and tossing bad pens, and asking will I ever read that book on my shelf?

As part of Office Cleanse 2020, I discovered a fair amount of story ideas and conference notes written on various pads of paper. I decided to save space, type them up, and keep only the digital versions. And oh, the epiphanies I've had!

Do you have your own pile of conference or workshop notes? Typed or written? Stashed away? It's time to bring them out. Revisit them. Here are five reasons why you should!

1. You don't remember what was said.

Usually, I returned home from the conference, my head filled with information, my heart swelled from seeing and meeting friends, my body exhausted from travel and/or extra stimulation. Sometimes I typed up my notes, other times I didn't. Regardless, a few key points stuck out and got applied to my writing, and the rest got tucked into the back of my mind and a folder in my office. You may have done something similar.

But we spent money and time getting that information. We picked and chose which workshops we attended and received tailored information that could be useful—if only we remembered it.

Take a look back and jog your memory. Let your notes inform and inspire you once again.

2. You have different takeaways.

Much like a book that you read more than once, you take away something a little different when you revisit your old notes.

As I perused my papers, I was struck by points I didn't remember having an impact before. Perhaps I was so caught up in a presenter's Point #4 that I didn't give Point #6 a lot of thought. Or I read the notes then with an emphasis on different words or meanings.

Regardless, this time, I discovered takeaways I hadn't seen before that I can apply to my writing and to my career.

3. You see how far you've come.

One of the struggles of being a creative is always feeling like there's a finish line you've yet to reach. Whatever you achieve, you see a new goal ahead.

In the beginning, you just want to finish that first book. Then you want to place in a contest, get an agent, land a contract, or self-publish the book. Pretty soon, it's the next book, the marketing campaign, film rights, foreign rights, what-have-you. We feel pressured to do The Next Thing, if not from our own selves then from our readers—a nice problem to have, but still a challenge.

It's important to breathe now and then, look back, and feel good about the progress you've made. As I perused my conference notes, it became clearer how far I've actually come. I instinctively use a lot of the writing craft advice.

Feel good about what you have used already and how far you've come.

Image by difisher from Pixabay

4. You made useful notes to yourself.

In one of the conference classes I attended, the speaker had us do a writing exercise to apply what we were learning. My paragraph was meh overall, but it had one fantastic phrase. I scooped that baby up and dropped it into my current work in progress!

But that hasn't been my only find: I've discovered character notes, story ideas, and resources I wanted to check out.

You may have jotted down ideas to yourself that you didn't do enough or anything with. Sift through your notes, and you may find nuggets of writing gold.

5. What didn't apply then applies now.

Some of the advice you soaked up wasn't applicable to you at that time, but now it's what you need. A fair amount of the marketing advice fell into that category for me. I hadn't self-published yet, but now I have.

Not every conference note stood the test of time—for example, Amazon algorithms change—but a surprising amount still holds up. Good writing and good business practices have some core themes that remain the same.

Cull your conferences notes for viewpoints, ideas, and data that works for where you are now in your writing journey and the direction you're moving. ake what you already learned and re-purpose it to today by going through your old conference and workshop notes. You'll never know what treasures you could find until you seek them out.

Have you attended writing conferences or workshops that stood out? Have you done an office cleanse like mine and found a goldmine you'd forgotten about? Please share the wealth down in the comments section!

About Julie

Julie Glover is an award-winning author of mysteries and young adult fiction. She also writes supernatural suspense under the pen name Jules Lynn. Her most recent release is Curse of the Night, book four in the Muse Island series.

When not writing, she collects boots, practices rampant sarcasm, and advocates for good grammar and the addition of the interrobang as a much-needed punctuation mark.

Julie is represented by Louise Fury of The Bent Agency.

Top Image by Pexels from Pixabay.

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Why Storytellers Are The Most Powerful People in the World

Writing is the most powerful of all professions. Everyone needs us. And I do mean everyone. Readers need us to entertain them and transport them from the challenges of their daily lives. Businesses need us to describe what they do in compelling language that helps sell their product or service. Children need stories to help cement their learning and teach them about life. Even the storytellers need the stories and creativity that flow through their veins. Stories provide writers with joy and hope and respite from dreary everyday life things like pandemics.

Stories are good for our mental health and development.

Research has proven that oral storytelling particularly assists with the development of social and emotional abilities, cognitive growth, and language skills in babies. It's why we see so many ads telling us to talk, sing and read to our children. Spoken stories are good for our mental health. (Can anyone say audiobooks?)

Ideas are meaningful and storytellers have power.

Whether it's the Hawaiian hula, which tells a story through dance, or the oral stories that were passed down around the fire, the art of telling stories is a tradition long-honored. The Irish seanchaí were welcomed everywhere and provided room and board for the gift of their stories. The troubadours, or minstrels, of the Middle Ages were honored members of the royal courts. The ancient Greek fabulist, Aesop, is still famous today for his fables.

Interesting read: How stories are told around the world.

Our creativity can be a blessing and a curse (often at the same time), but most of all it is a gift with far-reaching power. Earlier this week, Barbara Linn Probst wrote a post sharing the tangible ways her debut book affected two peoples' lives. One of the people who wrote to her credited the book with saving her life.

Story underlies everything.

Story is always there, underneath everything that resonates and engages with others. Lisa Cron has made a career from helping writers discover the power of story and showing them how to tap into it. She's quoted in this Jerry Jenkins piece, explaining how and why story is the most important element of any story.

What grabs readers isn’t beautiful writing, a rip-roaring plot, or surface drama; what grabs readers is what gives those things their meaning and power: the story itself.

- Lisa Cron

Lisa and Donald Maass said this in an article at Writer Unboxed:

"When it comes to crafting a compelling story, a writer’s most important job is to relentlessly ask 'Why?, the better to drill down to the real reason behind every action the protagonist takes.  After all, isn’t that what we continually do in real life: wonder why things happen, largely so we can figure out what the heck to do about them?"

A sampling of great WITS posts from Lisa Cron:

Storytelling is more important than ever for companies and authorpreneurs.

In the business world, Simon Sinek has made the question of "Why" famous with his TED talk on the subject. Leaders everywhere are "finding their Why" and stuggling to put those concepts into words.

(I highly recommend you spend the five minutes on this video!)

https://www.youtube.com/watch?v=IPYeCltXpxw

There has never been a better time to make a living as a storyteller. Brand-driven storytelling is killing it in the marketplace these days with luminaries like Seth Godin saying, “Marketing is no longer about the stuff that you make, but about the stories that you tell.”

Think about that from a writer's perspective for a moment.

“Marketing is no longer about the stuff that you make, but about the stories that you tell.”

Yes, this applies to our stories, but it also speaks to how we brand ourselves as authorpreneurs. Somewhere in your personal bios, WHY you write or why you write WHAT you write needs to be included. That story forms the basis for how readers will relate to you. I remember the "how I got started writing story" from every author I've ever heard speak, even if I've never read a single book of theirs.

Like everyone else, I'm more likely to pick up an author's books if I like them and their story. Our personal stories help our hard work (aka our books) jump into readers' hands.

Just as Colleen Story's post last week illustrated that our author photo tells a story about us, so does our bio. These quick visuals of us are evaluated in the six-second glance people give anything new on the internet. Yes, you heard me. Six. Seconds. That's all the time we get to make that first impression, so it better be easy to see who we are with a photo, a tagline, a catchy phrase.

Final Thoughts

Remember: stories change lives and minds and buying decisions. This means that you, my storytelling friend, are one of the most powerful beings in the world.

I'll close with this quote from Carmine Gallo, the author of Talk Like TED and The Storyteller's Secret:

“Ideas are the currency of the twenty-first century. In the information age, the knowledge economy, you are only as valuable as your ideas. Story is the means by which we transfer those ideas to one another. Your ability to package your ideas with emotion, context and relevancy is the one skill that will make you more valuable in the next decade. Storytelling is the act of framing an idea as a narrative to inform, illuminate and inspire.”

What are the details that make up your story?

Have you ever spent time thinking about your own personal "Why?" Do you struggle to write your own personal profile, mission statement, tagline, bio in a meaningful way? Share it down in the comments if you want Jenny to give it an edit! (Limit to two paragraphs please.)

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About Jenny

This image has an empty alt attribute; its file name is More-Cowbell-Headshot-300x300.jpg

By day, Jenny provides corporate communications and LinkedIn advice for professional services firms. By night she writes humor, memoir, women’s fiction, and short stories. After 18 years as a corporate trainer, she’s delighted to sit down while she works.

When she’s not at her personal blog, More Cowbell, Jenny can be found on Facebook at JennyHansenAuthor or at Writers In The Storm.

Top Image by Pexels from Pixabay

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Why Your Book Matters

You never know the difference your book might make in someone’s life …

By Barbara Linn Probst

When we publish a book, we want it to be read. Obviously. But what else do we want?

At the most obvious level, we want our book to be bought, liked, shared, and reviewed. We want to see it on lists; we want lots of reviews (and stars) on Goodreads and Amazon. But we want something else, too—that connection with specific human beings who have been touched and changed by what we wrote.

When I published Queen of the Owls, I wanted all of those things—and I got a lot of them. The book earned awards, made it onto several “best of” lists. And yet, the most important results are things I never could have foreseen.

I’d like to share two of these “results” with you today. One has to do with a wonderful and unexpected connection with a photographer whose work took the experience of my fictitious protagonist to a whole new level. The other has to do with how Queen of the Owls saved someone’s life. Literally.

The first experience came from photographer Angelika Buettner, who saw my article in Ms. Magazine entitled Naked: Being Seen is Terrifying but Liberating .  In the article, I personalized a central theme of the novel, which is about the power of “choosing to be seen”— the deep longing to reveal and embrace one’s whole self. 

The article attracted Angelika’s attention because she had recently published a book called I Am: Celebrating the Perfect Imperfect

Through a gallery of 121 nude photos and testimonials that reveal the “inner and outer beauty” of women ages 40 to 99, Angelika’s goal is to empower women (and girls) by portraying the “aging and ageless” beauty of our perfectly-imperfect selves. As she told me in our first conversation: “I invited women to wear nothing but what they are feeling inside. Those women stepped out of their comfort zone and gave me the permission to portray their naked souls. I photographed a feeling they had lost—of loving oneself.”

When Angelika saw the article in Ms. Magazine, she immediately reached out to me, and from there to my novel. She read Queen of the Owls nonstop because, to her, it was exactly what she had been trying to convey in her portraits. “The protagonist is expressing the feeling my ladies have, and she finds why it so important to be seen, the real me, by myself. In the end those images are for ourselves.” We discovered that we were offering the same message—for me, through story; for her, through photographs.

From there, a collaboration began. We’ve been meeting on Zoom to talk about ways to work together, joined by a third woman, Lilianne Milgrom, a painter-turned-novelist whose work also addresses the theme of female embodiment. Our dream is a cross-disciplinary presentation about the female body in painting, photography, and story. A shared message, delivered more powerfully through complementary channels.

Who knows if we’ll be successful? But it’s the journey as well as the destination—the gift of an incredibly rich dialogue and friendship among the three of us that I never would have anticipated when I wrote my novel.

My second story is about a woman named Delia Rayburn (a pseudonym, at her request), who won a copy of Queen of the Owls in an Facebook giveaway. In Queen of the Owls, the “bookworm” protagonist reveals, sees, and comes to claim her body through studying—and re-enacting—the nude photos that Stieglitz took of artist Georgia O’Keeffe. 

I’ve received many messages from people who found the book to be deeply liberating, but Delia’s was the most important. She wrote: “My connection to your novel is so surprising and totally unexpected ... I'm uncomfortable looking at nude photos of women and reading descriptions of them. Nevertheless, I did quickly look up the photos of Georgia O’Keeffe that you mentioned in the book. The bigger deal is the book prompted me to do a breast examination of myself, which I know I'm supposed to do monthly, but don't usually do. I found a small bluish-purple discoloration and a slight indentation. I called and had the physician’s assistant check me last week. She said it was not my imagination and scheduled me for a mammogram. They will also do a biopsy, if necessary. I am extremely grateful that I won a copy of your book and it prompted me to do this.”

Indeed, the doctors found a lump, and Delia was able to receive early treatment. She wrote to tell me she would never have had this early detection if she hadn’t read my book and been open to what it offered her.

Her story brought me to tears, reminding me that what we do through our writing has far more important consequences than how many stars, awards, reviews, or copies our books might achieve. There are purposes we serve, as authors. Delia’s is a story I learned about. There may be other stories that I’ll never hear.

Our work as writers really matters. It might even save someone’s life.

What about you?

If you’re an author, was there an unexpected gift you received from a reader?  If you’re a reader, was there an unexpected gift you received from a book?

About Barbara

Barbara Linn Probst is a writer and researcher living on a historic dirt road in New York’s Hudson Valley. Her novel (Queen of the Owls, April 2020, and forthcoming novel The Sound of One Hand, October 2020) tell of the search for authenticity, wholeness, and connection. In both novels, art helps the protagonist to become more fully herself. Queen of the Owls has been chosen as a 2020 Pulpwood Queens Book Club selection.

Author of the groundbreaking book on nurturing out-of-the-box children, When the Labels Don’t Fit (Random House, 2008), Barbara holds a PhD in clinical social work and is a frequent guest essayist on major online sites for fiction writers. To learn more about Barbara and her work, please see http://www.barbaralinnprobst.com/.

Top Image by Jill Wellington from Pixabay

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