Writers in the Storm

A blog about writing

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The One Question You Need to Ask to Boost Your Readership

by Colleen M. Story

Have you heard of the Aesop fable titled, “The Peasant and the Apple Tree?”

It goes like this:

“A peasant was cutting down an apple tree despite pleas from animals living in it. He stopped when he found a hive with honey. The Tree is now doing fine!”

All of us are very much like that peasant. When we see something that interests us, we stop and pay attention.

We need to remember this when building our author platforms. I’ve found there’s one question that helps me gain readers perhaps more than any other:

“How can I benefit my readers’ lives?”

When you can answer that question succinctly and clearly, you have the key to a successful author platform that will draw readers your way.

Selling Books is Hard and Only Getting Harder

Marketing remains the most difficult part of the writing life for most writers. The odds are against us. In 2018, Bowker reported that for the first time, more than one million books were self-published, which was an over 40 percent increase from the year before. That’s in just one year. And it doesn’t include the traditionally published books.

Meanwhile, according to a survey by the Pew Research Center, roughly a quarter of U.S. adults (27%) say they haven’t read a book in whole or in part in the past year, whether in print, electronic or audio form.

Supply is far outpacing demand, which means one thing: It’s getting harder to sell books.

Before you get too irritated at these readers who aren’t reading your books, take a look at your own behavior. When you want to do something fun with your leisure time, where do you turn? Most of us have other things we do in addition to reading, and when we do read, we tend to choose books by authors we already know, or by authors our friends have recommended.

Whereas a simple blog or social media presence may have been all you needed in years past, the rules are different today.

Readers have way too much vying for their attention. In addition to all the other books out there, they also have access to more modes of entertainment that may pull them away from books completely.

Pew survey results show that by far the most important source for book recommendations is family members, friends, or co-workers. Only 28% of respondents—just over a quarter—said they get recommendations from online bookstores or other websites.

In a smaller survey by copywriter Gigi Griffis, results showed that when buying a new book, a whopping 82% bought a book by an author they already knew and loved.

So how are we, as hard-working writers, to gain new readers? We have to give them a reason to pay attention. We have to be the honey in the tree.

The “What’s In It for Me?” Rule

My first job as a writer was as an “associate copywriter” working for a large corporation. I had been writing on my own for three years before that and had gotten a few stories published, but to say I was a newbie when it came to writing marketing copy was to make a huge understatement.

Fortunately, the company had a copy of The Copywriter’s Handbook: A Step-by-Step Guide to Writing Copy that Sells. It was a godsend, as it gave me all the tools I needed to begin building a successful writing career.

The biggest takeaway? Whenever you’re creating a piece of copy, you have to keep one question firmly in mind: “What’s in it for me?” (WIIFM for short).

Asking that question from the reader’s point of view helped me create copy that increased sales for the company, and continues to help me in all my freelance writing work to this day.

What many book writers don’t realize is they need to incorporate this same question into their marketing practices.

“If you work in the field of marketing,” says writer and musician Dave Clark, “or are selling virtually anything on Earth, the acronym WIIFM should be top of mind in every activity in which you..partake.”

You’ve seen the difference yourself when shopping for products and services. You can tell immediately which companies are there for you and which ones are too focused on themselves.

Writes Raaf Sundquist, former Senior Strategist at design agency Telepathy:

“I see it all the time: ‘We drive the competition crazy!’ or ‘The best thing about shopping here is having us by your side.’ And so on and so forth. These are the types of phrases that make the companies who express them feel pretty darn good about… themselves. But what about their customers?”

Way too often I read writer’s blogs and social media posts and find they’re focused in the wrong direction—on the writer instead of on the reader. Writers post about their personal lives, their writing challenges, and their accomplishments, but rarely do they turn the spotlight around on their readers. 

Of course, there’s nothing wrong with sharing something personal now and then. It can even help us connect with our readership at times. But if we don’t have something else to offer—that honey in the tree—the reader will lose interest and move on.

Think about what causes you to pause and read a blog post or a social media post. Now and then you may enjoy a personal story, but often you’re looking for something that’s going to help you in your life. It’s what we’re all looking for. So if you as the writer/marketer aren’t offering that, why should a reader stop and see what you’re all about? She’ll be on to the next thing before she even gets past your headline.

How Can You Contribute to Your Readers’ Lives?

I spent many years floundering around my author platform before I remembered the question I needed to ask: How can I contribute to my readers’ lives? (Or “what’s in it for the reader?”)

When I finally took some time to answer that question, it made all the difference. How can you do that? There are many ways, but I’ve found one method that worked or me and seems to work for other writers too.

First, consider what you’re good at, then combine that with one of your key areas of interest, and you can come up with the perfect way to contribute to your readers’ lives.

Try writing down two lists:

  1. Your best skills. What are you good at?
    Include non-writing-related skills. Maybe you’re a great cook, the perfect matchmaker,
    or a finance whiz.
  2. Your top five interests/passions. What
    are you so interested in that you could learn about it for years to come? Maybe
    it’s marine life, romantic relationships, or travel.

Once you have your answers down, let your creative brain go to work. How might you combine these to create an author platform that both inspires you and helps your readers?

Here are some examples:

  1. Combine cooking
    with romantic relationships, and create a platform helping readers win over
    their loved ones with unique recipes.
  2. Combine
    matchmaking with marine life, and create a platform informing readers all about
    the love stories of the deep, perhaps between whales, sharks, and even
    seahorses (who are monogamous, by the way).
  3. Combine finance
    with travel and help people find ways to afford a variety of adventurous
    vacations no matter their budget.

Can you tie these types of platforms into your books? Use your imagination. The first example would be perfect for romance writers, but even sci-fi authors could insert a romantic cooking scene into their next story, or ask readers to submit recipes they might use for an alien character.

Too often writers hold themselves back, worried about whether their books match perfectly with their platforms, but it’s not as important as you might think.

What matters is giving your reader that honey so she’ll stick around long enough to find out what else you have to offer. After she sees you as a source of help—in whatever form of help that may take—she’s much more likely to be interested in the books you write, as well.

Create an Author Platform You Enjoy

Give it a try and see what you come up with. As for me, I had spent years as a health and wellness writer and I knew I was passionate about creativity. I tried combining the two and came up with Writing and Wellness, my motivational site. Once that site was up and running, I started getting new readers for one reason: I was helping them.

If you can find a way to do the same, you’ll discover you can increase your readership and enjoy building your platform at the same time.

What’s your author platform superpower? Click on Colleen’s FREE worksheet and see if you were right!

About Colleen:

Colleen M. Story inspires writers to overcome modern-day challenges and find creative fulfillment in their work. Her latest release, Writer Get Noticed!, was a gold-medal winner in the 2019 Reader’s Favorite Book Awards for writing and publishing, and a recent 1st-place winner in the Reader Views Literary Awards. Colleen frequently serves as a workshop leader and motivational speaker, where she helps attendees remove mental and emotional blocks and tap into their unique creative powers. Find more at her motivational site, Writing and Wellness, and on her author website, or connect with her on Twitter.

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The 8 C’s of Character Development

by Jenny Hansen

Every writer strives to create characters who leap off the page as unique, compelling, fully-formed people. We spend hours, days, and sometimes years to make them believable.

Recently, I attended a day job webinar that gave me new tools and perspectives for fiction. (I love it when that happens.)

The course detailed the eight characteristics every person needs to successfully navigate this “adulting” thing and realize their full potential. Here are my thoughts about tweaking these traits to help our own heroes and heroines as they journey through our stories.

Meet the “8 Cs”

We want our characters to be whole by the end of the story, or at least whole enough to fight another day. The list below, shared by a long-time social worker, contains the qualities people need to be fully actualized [aka happy], and some exercises that will help them “get there.”

The conundrum of happy characters often lies inside the artist. Most creative spirits are forged from adversity. As Richard M. Nixon said, “The finest steel has to go through the hottest fire.”

We want to put our characters through these hot fires of hell. We need to hold them to the flames to keep readers reading. But most writers also want their characters to find happiness by the time they write The End. It's especially difficult to keep our eye on the happy prize when the world around us is chaotic.

How do you mess with a character’s happily-ever-after under these circumstances?

Meet the 8 Cs:

  1. Curiosity
  2. Clarity
  3. Confidence
  4. Creativity
  5. Calm
  6. Courage
  7. Compassion
  8. Connectedness

How can we use these character traits?

Below are quotes, questions and affirmations for each quality that may spark ideas for your own characters. The smart writer will pick a few traits and ensure that their character is terrible at them.

Note: Angela Ackerman a post for us about a character’s unmet need, which is a great counterpart to this post. A character’s "lacking" qualities or their unmet need is the stuff of a great hero’s journey.

1. Curiosity

“Curiosity is one of the great secrets of happiness.” – Bryant McGill

An enquiring mind is a wonderful thing. People with highly developed curiosity are often healthier and happier. People with a well-developed sense of curiosity are often more mindful of their world, and more accepting of themselves.

Some questions:

  • How do I feel about this, and why?
  • What if I were more present right now?
  • What do I need the most right now?
  • What inner strengths have I discovered in this
    situation?

2. Clarity

“Out of crisis, comes clarity.” – Randolph O’Toole

The actual definition of clarity is “the quality of transparency or purity.” It means to have clearness, wisdom, an understanding of your world or situation.

In fiction, if you have a mentor in your book, they likely have clarity. How would this look on the page? What might this mentor say to your main character?

  • Breathe.
  • Find your refuge.
  • Respond, don’t react.
  • Dig deep.

3. Confidence

“It is confidence in our bodies, minds, and spirits that allows us to keep looking for new adventures.” – Oprah Winfrey

Character affirmations to help underscore your character's confidence:

  • Celebrate victories.
  • Do your best. It will be good enough.
  • Be congruent.
  • I am me, and I am okay.

4. Creativity

“The creative adult is the child who survived.” – Ursula Le Guin

Mantras or sayings for a character brimming with creativity:

  • Has anything/anyone inspired you lately?
  • Everything in my life inspires me to create.
  • Express your thoughts and feelings your way.
  • I gift the world through my creative expression.

5. Calm

“Feelings are just visitors, let them come and go.” – Thich Nhat Hanh

Everyone has a friend or family member who goes from zero to everything when it comes to their emotions. Calm is the opposite of that. Calm takes a moment to assess. Calm looks inward before it looks outward.

Does your character have calm? How do they use to progress your plot? Perhaps they lack calm. How does that hurt them?

If they have this superpower, here are their mantras.

  • Differentiate between fear, anger, and
    helplessness. Then lean in.
  • Don’t get hijacked by your feelings.
  • “Rest and digest”. Try not to just react.

6. Courage

“Always remember you are braver than you believe, stronger than you seem, and than you think.” – Christopher Robin

Courage is what every great hero is made of. It's about willingness, effort and potential failure. It is about finding a way where there is no way.

How would a courageous character look?

  • They’d engage in authentic communication with others.
  • According to Brené Brown, they would allow themselves to be vulnerable.
  • They'd possess a willingness to be uncomfortable.
  • Also, an optimism that failure is not the end.

William Faulkner said, “You cannot swim for new horizons until you have courage to lose sight of the shore.”

7. Compassion

“If I am not first for myself, then who will be for me? If I am not for others, what am I? And if not now, when?” – Rabbi Hillel

Love and compassion for others starts with love and compassion for one’s self. It is the hardest thing to remember for many of us and the easiest thing to forget in times of stress.

Characters who have compassion as their superpower should know the following:

  • Self-compassion is fundamental.
  • Find acceptance, not judgment.
  • Bring compassion to your pain.

“If your compassion does not include yourself, it is incomplete.” – Jack Kornfield

8. Connectedness

“Only through our connectedness to others can we really know and enhance the self.” – Harriet Lerner


Do you have a character with a strong community or one who keeps to themselves? Do they want to be connected, but don't know what that looks like? Perhaps they build a community for others but don’t feel they deserve one of their own.

How does your character connect? What is their love language? Is it their time…gifts…actions?

Here are some philosophies the connected character might live by:

  • Nurture your inner strengths. Then share them.
  • Expand your generosity. Then share it.
  • Open your heart and your mind, as well as your arms.

Now it's your turn...

What is your main character's superpower trait? What are they terrible at? What other traits would you add to the list? Share your thoughts down in the comments!

About Jenny

By day, Jenny provides corporate communications and LinkedIn advice for professional services firms. By night she writes humor, memoir, women’s fiction, and short stories. After 18 years as a corporate trainer, she’s delighted to sit down while she works.

When she’s not at her personal blog, More Cowbell, Jenny can be found on Facebook at JennyHansenAuthor or at Writers In The Storm.

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Visualize Your Novel Through Storyboarding

by James Preston

Writers deal in words, but often those words need to paint a picture in the mind of our reader; they need to see what’s happening. Let’s talk about why that’s important and then about a different way for you to accomplish that visualization in your novel, through Storyboarding.

I remember driving to Mammoth Mountain for a ski trip with my friend Steve, who had brought a book on tape (ok, actually a CD). It was a Tom Clancy novel, one that I’d read before so I knew what was happening and it should have been just fine.

Instead. I nearly drove off the road. Highway 395 vanished and I could see the interior of that atomic submarine, the periscope, the dials and switches and the result was I learned that I can’t drive and listen to a story.

In my newest story I almost got to the end, writing a big action scene on the roof of a building, and the nasty thing got out of hand. Where were my characters standing? What could each one see? This is a first-person story, so what could my hero see and how did that change when he moved?

It seems like there are two issues here. Seeing in your mind what’s happening, and translating that vision into words. Issue Number Two — translating your vision into words — is the subject of other excellent essays here on Writers in the Storm. Issue Number One is what we want to talk about today.

If anybody had asked if I knew what was going on up on that roof, I would have said, “Why, sure. I’ve had it in mind for weeks.” Then I had to really figure it out and I  discovered I wasn’t as clear as I needed to be. One answer is storyboarding. 

What is storyboarding?

The term comes from Hollywood. Storyboards are sketches that allow directors to see the scene and to communicate what they want to the cinematographer. I would suggest that some form of it, simplified of course, can be of value to novelists. 

Some of us can draw, some can’t, and then there’s me. With a lot of practice I have hopes of working my way up to “pitiful.” Technology to the rescue! There are at least five drawing apps for the iPad that are free. I checked out one called Autodesk while I was working on this essay, and it’s excellent, with way more features than I’ll ever use.

Side note: if you decide to try it, do go through the tutorial! There are things to learn.

Technology to the rescue part 2: the camera on your cell phone. Remember film? I do. In my first photo class on Day 1 the instructor said to think before you shot “because film and developing were expensive.”

Those days are gone! Want to write about a crowd scene at a farmers’ market with booths selling everything from avocados to zucchini? Find one, snap as many pictures as you want. The new rule is: when in doubt take the shot.

Back at your desk delete the ones that you don’t want and use the others to visualize your scene. Trapped inside because of the lockdown? Not close to the kind of scene you have in mind? Just Google it. More scenery than you can ever use. Of course, you’ll have to imagine the young woman showing her seven-foot, tattooed, alien warrior boyfriend around, but, hey, that’s your job.

Steps to Storyboarding

1.  Create blank boxes. Think of a comic strip before any of the frames are filled in. For free ways to get started check out sampletemplates.com.

2.  Beneath each box add a brief description of what’s happening, specifically what you want the reader to see. If you are working in first-person your job is a bit easier because the reader is behind the hero’s eyes.

3.  Sketch. Who’s standing where? What’s in — and not in — their field of vision?

That’s it. Three steps. Keep it simple so it doesn’t eat your time like the dreaded social media.

Maps and Building Plans

Closely related to storyboarding is drawing a building plan. I created several for my most recent story because a lot of it is set in a hospital that’s attached to a much older structure and it was easy to lose track of where various rooms were and how everything connected. I did top-down and side views, sketching on graph paper, and, while none of the results are worth framing, they helped me.

F. Paul Wilson has a series of supernatural thrillers called the Repairman Jack novels. I’ll never forget reading one that’s set in part on Maui. Now that island is one of my favorite places; there’s nothing not to like about it. Over the years we’ve been there many times, so I know what it’s like, right? Wrong! Wilson saw the landscape better than I did, and his descriptions made me see it the way he did. His description of the red dirt of Maui made me see it forming hills and cultivated fields.

As writers, we need to see, then we need to put what we see into words. Storyboarding can help. Pencil and paper or tablet application, the act of drawing what your characters see will help you see it. Trust me on this: it doesn’t have to be art you want to hang on your wall; mine is suitable for lining a cat box but it’s the act of creating it that’s important.

How many scenes out of the eighty or hundred that make up a novel should you storyboard? IMHO as few as possible. Yeah, I know, here I am writing about how cool storyboarding is and now I’m saying do it as little as possible. The problem is the obvious one: while you’re creating that sketch you’re not typing dialogue. I suggest using it to get a scene straight in your head, like I did with my characters on the roof. What I learned when I did that exercise was that things were getting crowded and my hero would not be able to see everything.

Exceptions

You knew this would come up, didn’t you? I don’t know if these exceptions prove the rule or not, but it’s important to understand that they’re out there. Some stories do not lend themselves to sketches of who’s standing where. Two that come to mind are epistolary novels and dialog-driven stories.

Epistolary novels bring a special set of problems. Look at Stoker’s Dracula. Sure, you can have descriptions but not only are they through the eyes of the protagonist— they’re also how Jonathan Harker would write them down In his diary or in a letter to Mina. Does storyboarding apply? Maybe, but remember the scene description is at arm’s length.

Dialogue-driven stories.  The best example I can think of is the Fletch books by Gregory Macdonald. Skip 90% of what anything looks like just and get on with the story. Man, I wish I could do that because it cranks up the pacing to escape velocity. No storyboards necessary.

And in the End

In a very funny western called Cat Ballou the Lee Marvin character shows up drunk and his friend says, “Your eyes! They’re all bloodshot!” Marvin responds, “You should see ‘em from this side.” That’s the point of this essay — you need to see through your character’s eyes and then get it down on paper.

We deal in words. We’re the gunslingers of the keyboard. And when you finally get it, when you lock in and that scene reveals itself to you and you can’t get the words out fast enough, well, there’s nothing else like it. Nothing on earth.

Now it’s your turn. Take a scene from your current WIP and sketch it out. Paper & pencil, software, it doesn’t matter. Just give it a shot and see what you think. Did it help?

About James

James Preston writes the multiple-award-winning Surf City Mysteries. His most recent work, however, is not part of that series. It’s a novella called Buzzkill, a historical thriller that Kirkus Review said is “enriched by characters who sparkle and refuse to be forgotten.” His work is collected by the UC Berkeley University library as part of their special collection, “California Detective Fiction.” Remains To Be Seen, James' newest Surf City Mystery, will be launched in the fall.

For more about the stories, check out his web page, www.jamesrpreston.com. He can be reached at james@jamesrpreston.com.

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