Writers in the Storm

A blog about writing

storm moving across a field
Write the Good Fight

Piper Bayard
of Bayard & Holmes

Everyone loves a good fight, and a good fight scene is arguably the heart of every thriller. But as NYT Bestseller James Rollins says, in fiction, never use the same killing method twice in the same book. As a result, fiction writers are always looking for a new twist on a fight scene.

 

Note the bottles in their hands. They are armed.

 

Since my writing partner, Jay Holmes, is a forty-year veteran of the military and intelligence communities, we are often asked what weapons we prefer for fights. As Holmes says, “My favorite weapon is my radio. I use it to call in air strikes.” However, in lieu of having the US Air Force in our backpacks, we writers can “punch up” our fight scenes by using common objects as weapons.

I could give you a list of common objects that can be used as weapons, but that would actually limit you, and I don’t want to do that. That’s because with the right attitude, virtually anything can be used as a weapon. Which brings me to attitude—the first ingredient to surviving a fight.

My husband (not Holmes) literally has to teach karate black belts self-defense because skill with punches, kicks, and weapons are irrelevant if a person doesn’t understand the kill-or-die mindset that is so often necessary to survive a battle outside of a refereed ring. In other words, the most important weapons a character brings to a fight are their heart and their mind. They must be determined to do whatever it takes to keep themselves safe and disable or kill their opponent. Once they see the world in those terms, potential weapons are everywhere.

Before I continue, the recovering attorney in me demands that I make it clear that this post is not meant to be formal instruction in self-defense.

In truth, Holmes and I both advocate firearms training for the best self-defense, but shooting too many people in books tends to make for boring books. So we’re going to explore a bit more about common objects as weapons—strictly for the purposes of writing fictional fight scenes.

If we can stab with it, it’s a weapon. If we can jab with it, it’s a weapon.  If we can use it to hit someone, it’s a weapon. If we can throw it, it’s a weapon.

When we think that way, and almost everything in our environment is a weapon. Holmes and I have literally killed off people in our books with cactus, knitting needles, and sheep. To be fair, the sheep was an active participant, but you get the idea.

Let’s do an exercise right now.  I’ll do it with you. Let’s look around our immediate environment and ask ourselves these questions:

  1. Can I stab with it?

The pens and pencils here on my desk can stab out an eye or puncture a jugular vein.

  1. Can I jab with it?

These handy thought facilitators, a.k.a. desk toys, could jab an eye, throat, or a groin to give me a fighting advantage. This newspaper can be rolled up tight and jabbed into a groin, a kidney, or an eye.

 

My actual jabbing weapons.

 

  1. Can I hit with it?

The pottery lamp could double as a bat, or my computer could be the extra weight and reach I need to land a blow. . . . I know what you’re thinking. Yes. My computer really is old enough to be a heavy weapon. I’m going to use it as a brick in a custom design in my house someday.

  1. Can I throw it?

Books! And look . . . My first manuscript. No one has survived that one. This glass elephant or the heavy glass pencil cup should be good for a concussion, or at least a distraction so that I can grab the lamp. . . . And there’s a cup of hot tea!

We’re going to pause a moment to consider hot beverages. Hot beverages are the versatile paydirt of social interactions, including a good fight. Since one “picture” is worth a thousand words . . .

One of my acquaintances—a seriously badass retired French Foreign Legion guy who we’ll call “T”—owns a bar in Texas. One night, a couple of men were causing trouble with the clientele, so he booted them out. When he closed down the bar, he armed himself in case the two undesirables were hanging out for another round of unpleasantries. He poured two cups of coffee.

Wait! Coffee? . . . Wouldn’t this badass grab something more impressive like nunchakus, a knife, or a gun?

Nope. Just coffee. Sure enough, the idiots tried to jump T between the building and his car. T threw the steaming coffee in their eyes and took out their knees with a couple of kicks while they screamed. . . . The lesson? Never underestimate the power of a hot beverage.

The hot beverage container can also be an effective weapon. My husband carries his metal mug with him everywhere he goes. It can be used to block a knife or strike an opponent . . . Coffee. Never get in a fight without it.

 

Innocent romantic beverages,
or opening salvo of a lethal attack?
You decide.

 

Extra Credit Challenge: As you go through your day, look around each space you enter, study your environment, and repeat the above questions to yourself. You’ll be amazed to be surrounded by so many weapons.

Now that we have a weapon, where do we strike?

Anywhere we can. It’s all well and good to imagine a nice Hollywood fight where we grab a kitchen knife and slide it perfectly between the ribs and into the heart of a bad guy who is holding still for the stab. In real life, attackers aren’t usually so accommodating. It’s much more effective to keep in mind some sensitive body parts and go for whatever openings present themselves in that split second.

Eyes are at the top of the list of sensitive parts. Some bleach, salt, coffee, sand, or anything else that can be painful and blinding in the eyes is always a good move.

We might ask why the groin is not at the top of the list. The groin is a great target. However, people, particularly men, are quite adept at protecting their tender bits, so the groin shot might not be the easiest blow to land.

Other key body parts that can distract or disable if impacted are the ankles, the shins, the knees, kidneys, solar plexus, and the throat. And of course, there’s a good old-fashioned blow to the temple, which can be lethal. Keep in mind that any blow that is hard enough to cause the head to turn is more likely to produce a concussion or even death than a blow that does not spin the head.

Now that we’re actually in the struggle, I’ll reiterate that the most important weapons are the heart and mind.

Don’t be set on any one move. Instead, go with the fight and take the shots that present themselves. Be aware that one jab won’t be enough. Follow through, and don’t stop just because they fall—they won’t necessarily stay down. Our characters must be willing to stay on the opponent until they are clearly dead or disabled, and recovery isn’t an option.

Bottom Line: A fight for survival can be the most creative part of a book. Just remember to stab, jab, whack, or throw, and don’t stop until the opponent is clearly dead or at least down for the count.

What common objects did you find that could be used as weapons? Do your characters have any particular "weapons" they prefer?

*   *   *   *   *   *   *   *   *   *   *   *   *

Piper Bayard is an author and a recovering attorney. Jay Holmes is a forty-year veteran of the military and intelligence communities. Together, Bayard & Holmes write espionage fiction and nonfiction. Their upcoming nonfiction release, SPYCRAFT: Essentials for Writers, covers everything from what the main intelligence agencies do and where they operate to honey pots, sleeper agents, enhanced interrogations, and more. Now on pre-sale at Amazon.

Read More
Are You Sick and Tired of Editing Your Book?

I'm currently working on yet another edit of my young adult book that managed to eke out an RWA Golden Heart final in 2015. You'd think this baby would be in pretty good shape.

When I entered my novel into that contest, it was hardly a first draft. More like Draft #72.

I think I'm up to about Draft #105.

Or maybe that's just how many whine sessions I've had about having to revise the manuscript in some way, shape, or form.

Didn't I hear how Stephen King only goes through three times? How about Ray Bradbury who wrote the short story from which Fahrenheit 451 came in a single draft? Am I simply destined to be a pen-wielding Sisyphus pushing the bolder of my book up the hill again and again, never quite reaching the final destination before it falls down on me yet again?

Hang in here, because I promise this isn't just my personal bitch session. I do have a point. Three points, in fact.

Editing is necessary to turn out your best book.

As much as I'd love to write a fabulous first draft, send it to a publisher, and have them yank out their big, fat checkbook and write me an advance big enough to send my kid to college, that's really not how this gig works.

It can be shocking to discover how much time you'll spend editing versus writing. But those who dig deep and revise their manuscripts with chainsaws, Ginsu knives, and scalpels — as needed — find the result is well worth the effort.

Collection of knives in various sizes
Writer's Actual Editing Tools

Every time I make changes and read it again, I get really excited about the result. While I haven't actually counted how many revisions my book has been through, I can confidently state that the first draft was knee-deep cow-patty compared to how it reads now. Frustrating as the process can be a times, I'm convinced that deep-dive editing is a necessary process for turning out the best story I can write.

Editing improves your writing.

This particular book had a lot of issues in early drafts, with me choosing the wrong point of view, starting in the wrong place, and misfiring with the climax.

But after having to edit the book to deal with each of these issues, I'm far less likely to make the same mistakes again. Indeed, the next book in the series — written, edited, but not quite polished — is in way better shape at this point than this one was at a similar point in time.

Having to edit your mistakes or amp up your emotion or strengthen your story structure — or deal with whatever other weakness you have — forces you to improve your writing chops. Then when you write the next book, you have those shiny skills in your toolbox. You'll write to the know-how you've gained, because the process of editing that other book taught you what to do...as well as what not to do.

Editing happens to the best of us.

Whenever I'm frustrated with some aspect of writing, I go check with the experts to see what wisdom they have. Actually, they say that rewriting, revising, editing, and more editing are par for the course.

Take Ernest Hemingway, for example, who rewrote the last page of Farewell to Arms 39 times. When asked what had stumped him, he answered, "Getting the words right." Vladimir Nabokov, author of Lolita (a genuinely chilling novel), said, "I have rewritten — often several times — every word I have ever published. My pencils outlast their erasers." Truman Capote once remarked, "I believe more in the scissors than I do in the pencil."

And more recently, John Green, bestselling author of The Fault in Our Stars, said, "Books are made in revision. For all three of my novels, I have deleted more than 90% of the first draft. And everything that people like about my books emerges in later drafts." You can hear it for yourself here:

https://youtu.be/PCTO91aBFXk?t=1m22s

I don't know about you, but this makes me feel a little better. Like maybe it's okay for your best writing to come out in Draft #5 or #12 or #67.

And by the time your book goes out to readers, they only know the amazing, kick-butt story you put into their hands.

That's what drives me to keep editing my book until it's the best story I can put out — because I want my novel in the hands of readers. I want them to love my characters, my story, my "baby" as much as I do.

Yep, I'm a bit sick and tired of editing. But when it's all over, I'll beam with pride.

When you're done editing, I'll beam with pride for you. Because your baby's pretty awesome too.

Source: The Atlantic – 'My Pencils Outlast Their Erasers': Great Writers on the Art of Revision

ABOUT JULIE

Julie Glover writes cozy mysteries and young adult fiction. Her YA contemporary novel, SHARING HUNTER, finaled in the 2015 RWA® Golden Heart®. When not writing, she collects boots, practices rampant sarcasm, and advocates for good grammar and the addition of the interrobang as a much-needed punctuation mark.

Julie is represented by Louise Fury of The Bent Agency. You can visit her website here and also follow her on TwitterFacebook, and Instagram.

Read More
It's a New Year: Writing Challenges and Rewards in 2018

Before I begin this post, I have to share that my book cover for P.R.I.S.M. took second place in the Young Adult category of the JABBIC Contest, sponsored by our own Julie Glover's RWA Houston Bay Area chapter!

At the beginning of every year, as the resident science and science fiction geek here at WITS, I share what my friends in the know, in particular Jeanine Just, have to say. I was going to skip this post this year, but there was just too much good news not to share it with you. Here are links to some of my previous posts: 2017, 2016, 2014.

Happy Chinese New Year! It's now officially the Year of the Dog, which brings energy for loyalty, justice, and self-sacrifice. Hard work, competent decision-making, and devotion are the watch words for your writing career in this special year of the Earth Dog. This is good news if you tend to have anxieties and phobias surrounding your writing, because this "double earth" year balances out those problems. This year is a chance for us all to be realistic, practical, methodical and detailed as we build our successful careers. Staying alert, watchful and perceptive, you can pick the right time to make your mark.

Do you know anyone who was sorry to see 2017 end? Me, neither. Thanks goodness 2018 is already shaping up to be a different kind of year. It's important to remember not to personalize what happens to you this year. Instead, honor your own rhythms to promote right brain/left brain alignment. This connection between your analyzing, patterning brain and your creative brain will enhance your writing. There are possibilities for great projects for all of us this year.

This is not a year to be a hermit, locking yourself in your writing space, looking for word count. Conscious connections with like-minded writers and people are important to grow your craft—and your humanity—for amazing adventure and opportunities in 2018.

Last year was a year to begin new projects, new cycles, new thoughts, which necessitated giving up old ways. The change that was forced upon many people was very difficult. This year, reaching out to others to develop interdependence will make changes easier. That's why family, biological or by choice, will be important to support choices of union and synergy over being alienated, lonely and depressed as we move forward with those changes. Understanding the lives of those around you and the "lives" of your characters will be easier through integration of information. Take a class, read a book, attend writer group meetings. Attend events that restore your faith in the good things going on in the world. It will show in your writing.

Support someone else. This could be another writer or a non-writer in your community. You might be pleasantly surprised at how helping someone can help actualize your potential. Ask the right questions. If your plans take an unexpected path, it may be time to move into a different future. Maybe it's time to try dance, yoga, Tai Chi, visualization or meditation. Maybe it's time to fall in love with yourself.

As for the physical:

  • Eat life-enhancing foods that nourish your brain and nervous system.
  • Get more sleep to promote valuable insights and clarity.
  • Lessen mental conflict, racing thoughts, and muscular tension, all of which negatively impact the immune and lymphatic systems.
  • Spend more time in nature to renew your spirit.
  • Experiment with different rhythms and timing. Perhaps you'll find a change that encourages better health.

TO DO's for 2018:

  • Be mindful of your need to "give back."
  • Be authentic. Say what you mean and mean what you say.
  • Don't rob anyone of their responsibilities. It's important to hold others accountable.
  • Welcome everything! Without judgment.
  • Don't put energy into anything your don't want to experience.
  • Graciously allow others to give to you.
  • Commit to making all interactions kind, compassionate and memorable.

This year you can expect to make new friends and relationships that support your writing. Have a great 2018!

 

Have you already noticed a change this year? What are you looking forward to in 2018?

 *     *     *     *     *

ABOUT FAE:

Fae Rowen discovered the romance genre after years as a science fiction freak. Writing futuristics and medieval paranormals, she jokes  that she can live anywhere but the present. As a mathematician, she knows life’s a lot more fun when you get to define your world and its rules.

Punished, oh-no, that’s published as a co-author of a math textbook, she yearns to hear personal stories about finding love from those who read her books, rather than the horrors of calculus lessons gone wrong.  She is grateful for good friends who remind her to do the practical things in life like grocery shop, show up at the airport for a flight and pay bills.

A “hard” scientist who avoided writing classes like the plague, she now shares her brain with characters who demand that their stories be told.  Amazing, gifted critique partners keep her on the straight and narrow. Feedback from readers keeps her fingers on the keyboard.

P.R.I.S.M., a young adult science fiction romance story of survival, betrayal, resolve, deceit, lies, and love is available in trade paperback and e-book form at Amazon and Barnes and Noble.

When she’s not hanging out at Writers in the Storm, you can visit Fae at http://faerowen.com  or www.facebook.com/fae.rowen

Read More

Subscribe to WITS

Recent Posts

Search

WITS Team

Categories

Archives

Copyright © 2026 Writers In The Storm - All Rights Reserved