Writers in the Storm

A blog about writing

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Becoming a “Real” Writer

Kathryn Craft

I love to go hear other authors speak. What a kick that Pulitzer Prize winner Elizabeth Strout sounds like my favorite quirky aunt, or that bestselling author Margot Livesey’s lush prose begins with characters who, like mine, nod and shrug their way through her first drafts.

I’ve walked away from dozens of such interactions thinking, “She was just so real.”

Now, isn’t that a funny thing to say about someone who makes things up for a living?

Or perhaps writing engaging fiction is one of the most emotionally truthful pursuits in which we will ever engage. A novelist can spend years crafting a story that will illustrate an emotional truth. Why? Because the point she is making is vital to her worldview. That’s pretty darned personal—it’s laid bare.

Fear of such exposure is why reaching for emotional honesty can be a significant source of writer’s block. Accomplished writers grow in authenticity the same way we all must: one step at a time.

Pair of feet going up stairs

Speaking your truth

Because my family of origin did not create a safe place for being real, my first stabs at raw emotional honestly didn’t occur until I was 34, on the pages of my journal. Even that writing felt dangerous, at first. But in time, the explorations on those pages stoked the fire of who I am and what I believe.

Once I was honest with myself there, the next step felt more doable: I spoke my truth aloud. To only one person, true, but considering I was married to him, an important one. And when over time he continued to express no interest in my little personal growth project, I grew even bolder and told him our marriage was over. The courage I’d gained from speaking my truth was a crucial foundation when, a month later, I had to find a way past his suicide.

A year and a half later, my first public statement of what I believe changed my life.

I was meeting with a small support group of people whose marriages had recently ended. The discussion leader said, “If you were to start a new relationship, what is the most important lesson from the first that you would carry forward?”

The first guy set the tone. He complained that after his wife had gone back for a master’s degree, he wasn’t good enough anymore. Next time, he’d want someone who didn’t want to change, since “I’m the same man I was in the 1960s.” Which was clear enough, since he was wearing a leisure suit.

Group of people in a circle talking

We continued around the circle, with closely guarded participants deflecting with one ridiculous answer after another. Seriously, I could write a sit-com.

But as my turn to answer grew closer, I recognized an opportunity to speak my truth. And I thought, why not? If I couldn’t do this in a room of strangers, when would I ever? Plus, that first fellow had me incensed. I will enthusiastically defend anyone’s right to self-actualize. I felt a moral imperative to be real.

I sat on my hands, to stop the shaking, and began.

“It seems that by the time you’re my age, you’ve given some thought as to the meaning of your life. That will lead you to think about your relationship to a larger creative force—God, the Universe, a Higher Power—and how you are being called to use your life to offer something to the world. Figuring this out should be our first priority. The second priority should be our relationship to self, through nurturing all other aspects of health.”

My heart was beating so loudly I wondered if anyone could hear my words. But what the hell, I’d gotten this far.

“My first husband put me on a pedestal. I never want to be anyone’s number one again. In my next relationship, I want my partner to think of his relationship to God first, and himself second. I never want to be more than a solid third.”

There was some eye-rolling, I’ll admit. But I had spoken my truth and lived! I could take it.

That was reward enough. But, unknown to me, my words had shifted fate. A couple weeks later, the discussion leader, who’d been with the group four years, called to say he thought I was someone he could talk to. After several months of lunches and casual dates, he felt it was time to share a piece of paper with me—his personal mission statement, written after taking a Stephen Covey class years earlier at work.

I don’t think I breathed while I was reading. The words were almost the same as those I had shared in that support group. I looked up, the yellowing onion skin paper shaking in my hand, knowing we had truly seen each other.

We’ve now been married for 17 years.

There is such power in speaking your truth. It released me from an ineffective marriage, drew to me my second husband, and unlocked the stories that are my chosen way of sharing that truth. The emotional resonance in my work is why I got published and what brings my readers back for more. Now, after I speak in public venues, people say online, “She’s just so real.”

Speak your truth on the pages of your journal. Speak it out loud to a friend. Infuse your stories with it. Then repeat, repeat, repeat. Your bold acts will be rewarded.

This is our emotional preparation for becoming “real.” Your readers will thank you.

Has journaling helped you as a writer? How? What do you believe? If you want to practice stating it in a safe place, share it in the comments.

Have you written a story about that? If not, what’s stopping you?

About Kathryn

Kathryn Craft  is the award-winning author of two novels from Sourcebooks, The Art of Falling and The Far End of Happy, and a developmental editor at Writing-Partner.com, specializing in storytelling structure and writing craft. Her chapter “A Drop of Imitation: Learn from the Masters” was included in the writing guide Author in Progress, from Writers Digest Books. Janice Gable Bashman’s interview with her, “How Structure Supports Meaning,” originally published in the 2017 Novel & Short Story Writer’s Market, has been reprinted in The Complete Handbook of Novel Writingboth from Writer’s Digest Books.

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Why Writers Should Head Into the Woods

Cathy Lamb

When I was about eight, my parents took my sisters, my brother, and me on a six week camping trip in a tent.

Yes, I said six weeks.

No, my parents had not lost their ever lovin’ minds. My father had a sabbatical, they were sick of the city, and they wanted out.

We all piled into our long black Ford. The Ford had an uncanny and somewhat creepy resemblance to a hearse, but we ignored that part.

We tossed in our dogs, Frisky and Alphy. Frisky bit people, Alphy bit dogs. They were both bad, odd dogs. The Ford, immediately, was in total chaos.

We left Huntington Beach, California and camped up and down California and Oregon in a big, sagging blue tent which we later learned was not waterproof, as advertised.

My mother got a scary case of hypothermia, all three of my siblings threw their guts up because they drank the lake water in Lake of the Woods, the dogs got sick in the middle of the night, and we constantly had to drop by local hospitals so I could get my regular allergy shots so I wouldn’t start wheezing like a freight train.

A lantern dropped on my sister’s head, and she had to be rushed to the hospital for a bunch of stitches. Two days later she fell head first into a pond and soaked the stitches. My father had to dive into a river in Jedediah Smith State Park to rescue my brother who would have drowned had my father not been so quick.

Alphy tried to get in fights with other dogs, and Frisky tried to bite people.

The chaos continued. We persevered.

The result? Overall, we had a fantastic time camping in that saggy blue tent. It was a pivotal moment in my life as I saw the value, and beauty, of nature.

We saw mountain ranges and beaches. Elk and raccoons. Campfires and bears. Sparkling lakes and rushing rivers. For city kids, it started a lifelong love of nature for all of us.

All we had to do was go and play outside.

If I could offer you one piece of writing advice for 2018, I would tell you to go and play outside.

I wish my advice was more profound. I wish it sounded wiser, more knowledgeable. I wish it was more craft or skill oriented.

It isn’t.

Friends, head into the woods.

Trail through a forest

Camp. Hike. Stick your toes in the sand, run in the ocean. Go sledding. Grab time for yourself under the trees. Do not get hypothermia, and don’t drink lake water or bring bad dogs with you.

Be quiet. Be still. Listen. Notice colors and the weather, birds and ducks, the wind and the silence.

Bring chocolate chip cookies. Everyone knows that they’re nutritious and help brain power. Or wine. Wine will do.

I know your life is busy and traipsing into nature can be hard to do. I so get it, but try.

It’s on your hikes in a state park that you’ll find the theme of your story.

It’s in those serene moments beside a waterfall that a tricky sub plot or a mischievous character or a slippery storyline will germinate or solve itself.

It’s in your sleeping bag listening to crickets that you’ll know exactly what your next writing project should be.

Nature gives your soul time to relax. If you want to write well, you must relax and relieve and replenish your soul. Nature, and solitude, also forces us to be honest with ourselves, about our lives, our relationships, and our writing. If for nothing else, go play outside for the honesty.

In 2018 I am wishing you time by a trickling stream, time to lay on your back and admire the stars, time to get up early to catch a sunrise, and time to stand on a mountain and admire a snowy, blue view that goes on forever and ever.

Cheers and happy writing.

Have you ever gotten an idea for a book, while out in nature? Has the break helped your writing?

About Cathy

Book Cover of No Place I'd Rather Be
Photo of Cathy Lamb

Cathy Lamb recently finished her twelfth novel. She is tired and is headed out to walk through the woods.

Website: http://cathylamb.org

Facebook: https://www.facebook.com/cathy.lamb.9

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Putting Wow on the Page!

Margie Lawson

We at WITS are so happy to have Margie back with us, after a too-long hiatus!  Wisdom ahead!

Ready for two treats?

First Treat: This blog is loaded with examples of power, power, power. The kind of power that boosts your writing toward contracts and awards and bestseller lists.

Second Treat: I’ll deep edit analyze some of the examples. You’ll see how the author created that power.

We’ll start with a paragraph about silence. The silence that happens when a parent enters the room.

Amazing Grace, Elaine Fraser, 3-time Immersion-Grad

Silence—the sort of silence that sucked movement, breath, life, out of a room—descended. A presence behind her sent out a chill. It wriggled down her spine and she shivered. Mum stilled three teenage boys, a man, and a girl, just by entering a room. Her brothers were named after superheroes, but her mother owned the power.

Wow. Stellar writing.

Elaine Fraser lives in Australia. Hence, mum.

Deep Edit Analysis

Rhetorical Devices:

Amplification – amplified silence

Alliteration – silence, sort, silence, sucked, sent, spine, she, shivered, stilled

Asyndeton (No And) – movement, breath, life

Structural Parallelism –  last sentence

Power Words –  silence, silence, sucked, breath, life, chill, spine, shivered, stilled, superheroes, owned, power

Visceral Responses: chill wriggled down her spine, shivered

Power Internalization – last sentence

Three more examples from Amazing Grace by Elaine Fraser, 3-time Immersion-Grad.

  1. His grin was as relaxed as a worn pair of blue jeans.
  2. Emily gave a sigh that stretched as long as her legs.
  3. Britt laughed the way you did when you told embarrassing stories about your younger self.

 All is Bright, Andrea Grigg, Immersion-Grad 

  1. I let five seconds slide into eternity before I speak. “So-o-o-o-o what happened?”
  2. I’m tired, I’m emotional, I’m stressed. And in the context of who we’re talking about, my sense of humor has put on a tutu and pirouetted onto centre stage at a totally inappropriate time.
  3. I buckle up with laughter and Josh joins in, but not for long and certainly not as hysterically. I hiccup my way to a stop, and remember Tess, my darling sister Tess, and guilt rolls over me and in me and through me like a toxic fog.

Wow. Hear the BOOM? Powerful writing. 

Deep Edit Analysis – for the third example 

Power Words – joins, hysterically, stop, darling, guilt, toxic, fog

Rhetorical Devices:

Polysyndeton (Many Ands) – …guilt rolls over me and in me and through me.

Amplified Simile – like a toxic fog

Read the last example again. Notice how Andrea Grigg shifted the POV character’s emotional set. The girl went from silly to sad, and so did the reader. 

I Wish You Happy, Kerry Anne King, Cruising Writers Grad, International Bestseller 

You need to know -- Bernie is the POV character’s therapist. 

  1. But even my breathing feels sharp and wrong, and I open my eyes again and lock on to Bernie. My lifeline, my savior. My paid friend.
  2. I’ve been steadfastly stuck now for five years, the weight of my determined inertia too much for even a force of nature like Bernie to budge.
  3. Bernie lets the silence grow until it is cosmic, then sighs, sinks back, and lets her hands fall to her lap. The gesture does me in, it’s so full of futility. Even Bernie doesn’t know what to do with me.

Love the way Kerry Anne King shares the POV character’s emotions. Her internalizations about the therapist run deep and true. Readers will nod. They’ll feel her despair.

Wild Women and the Blues, Denny Bryce, 4-time Immersion-Grad, Golden Heart Winner 

  1. The small room with its dropped ceiling stoked my claustrophobia. No windows. No air. No natural light. Just stark-white walls out of focus like cheesecloth over a camera lens.

Deep Edit Analysis

Rhetorical Devices:

Anaphora (Triple Beginnings) – No windows. No air. No natural light.

Themed Description of Walls – out of focus. The POV character is in film production.

Themed Simile – like cheesecloth over a camera lens.

  1. Her expression was like the pages of the screenplay I never wrote. Blank with a heavy shot of I don’t care.

Wow. That’s a fresh and empowered way to write a blank face. 

Plus, Denny Bryce themed the facial expression to the POV character’s career. And she amplified, deepened characterization, in that second sentence too. Smart, smart, smart. 

The Tycoon’s Marriage Deal, Melanie Milburne, 4-Time Immersion-Grad 

The name rang a bell. Not a drawing room bell. A Big Ben type of bell.

Love that humor hit shared in a rhetorical device. Epistrophe. Triple endings.

The Most Scandalous Ravensdale, Melanie Milburne, 4-Time Immersion-Grad 

  1. His words were like a nail gun firing into a slab of timber.
  2. His smile was slow. Slow and deliberate. Amusement laced with mockery and a garnish of got-you.

Deep Edit Analysis

Power Words – smile, slow, slow, deliberate, amusement, mockery, got-you

Rhetorical Devices:

Anadiplosis – … slow. Slow…

Five Amplifications of that smile – Powerful writing!

A Season to Love, Nicole Deese, Immersion-Grad, ACFW Carol Winner 

  1. “You know I want to be more than your friend.” The raw quality in his voice was like the snap of a rubber band against wet skin.
  2. My gaze locked with Patrick’s and in that moment, my fear hardened into something firm and fierce and fiery. Something that whooshed in my eardrums and marched in my chest. Something that wouldn’t allow me to walk away.

Wow. Wow. Wow!

Deep Edit Analysis – for the third example

Power Words – locked, fear, hardened, firm, fierce, fiery, marched, wouldn’t allow, walk away

Rhetorical Devices:

Polysyndeton (No And) and Alliteration – firm and fierce and fiery

Onomatopoeia – whooshed

Anaphora (Triple Beginnings) – something, something, something

Structural Parallelism – whooshed in my eardrums and marched in my chest 

Mad About the Marquess, Elizabeth Essex, 2-time Immersion-Grad

  1. Strathcairn smiled at her in that lethal, tomcat way.
  2. She kissed as she was—agile and acrobatic, curious and capricious, delightful and determined. She was light and air and sunshine in the velvet dark of the empty room. She tasted of danger, dark and bittersweet like morning chocolate, and after one kiss, already deeply addictive. 

Deep Edit Analysis

Rhetorical Devices:

Triple Alliteration in the first sentence – A’s and C’s and D’s

Alliteration in the last sentence – danger, dark, deeply

Polysyndeton (Many Ands) – light and air and sunshine

Simile – like morning chocolate 

Wow! Fresh visceral response. Stellar writing. 

Thank you for clicking in and reading my blog. I love teaching writers how to add the right amount of power in the right places on their pages.

Kudos to all the Margie-Grads I cited here. Brilliant writers. They deep edited their writing, and it shows. They put Wow on their pages.

A BIG THANK YOU to all the wonderful WITS gals for inviting me to be their guest today. I always love hanging out with them — cyberly, and in person.

Please post a comment or share 'Hi Margie!'

If you post something, you have two chances to be a winner!

You could win a Lecture Packet from me or an online class from Lawson Writer’s Academy.

Lawson Writer's Academy – February Courses

  1. Write Better Faster
  2. Creating Compelling Characters
  3. The Sizzling, Scintillating Synopsis
  4. Five-Week First Draft
  5. Editing Magic: Work with a Professional Editor
  6. Crazy-Easy, Awesome Websites!

I’ll draw names for the two winners Thursday night, at 9PM Mountain Time, and post them on the blog.

Post a comment. Let me know you’re here.

And -- I’d love it if you’d give the blog a social media boost. Thank you.

Margie Lawson Photo

Margie Lawson—editor and international presenter—teaches writers how to use her psychologically-based editing systems and deep editing techniques to create page turners.

She’s presented over 120 full day master classes in the U.S., Canada, Australia, New Zealand, and France, as well as taught multi-day intensives on cruises in the Caribbean.

To learn about Margie’s 5-day Immersion Master Classes (in 2018, in Phoenix, Denver, Dallas, Sacramento, Los Angeles, Richmond, Calgary, Atlanta, and in Sydney, Melbourne, Brisbane, and Perth, Australia), full day and weekend workshops, keynote speeches, online courses through Lawson Writer’s Academy, lecture packets, and newsletter, please visit www.margielawson.com. 

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