Writers in the Storm

A blog about writing

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6 Ways to Increase Productivity as a Writer Without Burning Out

Jennifer Louden

Just about every day I read an article about a writer who’s written 988 books in the last three months under seventeen pen names while maintaining an active presence on every social media platform.

It’s enough to send me to bed with Netflix and a whole lot of dark chocolate.

But after a good binge, you and I still have to face the fact: it’s a crazy world we authors inhabit. And staying sane and productive without burning out is a skill we must cultivate, right up there with establishing a compelling voice and a thriving platform.

I’ve spent a big part of my career studying how writers can work with more ease and consistency, mostly because writing has always been a struggle for me (8 books with a million copies in print aren’t proof writing is easy for me, only that I’m stubborn). I hope the following suggestions for sane productivity will help you like they have me and the writers I coach.

1: Set specific writing goals that help you experience "enoughness."

If you believe that writing enough, promoting enough, being talented enough, lives out there in someone else's standard that, once you meet it, means you will… be a good writer, be successful and/or be loved, then I can promise you will always feel haunted and less than as a writer. And you may well quit before you meet your goals.

It took me getting on Oprah to realize I’d been waiting for her to tell me I was good enough. Which, obviously, she could’t do.

To experience “enoughness” as writer set and meet clear and specific goals that are dependent only on you on an average day. For example, I can write for one hour without interruption - that’s mine to decide and do. But I cannot write beautiful prose all day every day that everybody on earth will love.

When you make vague or lofty promises about your writing, you start to feel like a loser, both because you can’t control the outcome of any creative career and because if you don’t give yourself the experience of clear “wins” along the way, it won’t matter how much you get done or what accolades you win, you will always feel behind and less than. And what an awful way to live.

TAKE AWAY: Set writing goals that you can keep no matter what (no matter if the car breaks down, the kids get the flu and throw up on your computer, your last story comes back with coffee stains and a form rejection letter). Keep them reasonable and very clear.

2: When writing more or writing challenging material, give yourself extra self-care.

I’m a runner and I love / hate pushing myself on race day and on long runs. It’s exhilarating, but it also takes a lot out of me. I have to take excellent care of my body, or I’m going to get injured and not be able to run at all.

The same is true for you as a writer. When you’re pushing yourself to write more or write faster or write about personally daunting subjects - to stretch in any way out of your comfort zone - you need a measure of extra healthy self-care. Not as a reward, but as a way to soothe your nervous system and bulk up your courage.

Without this extra self-care - whether that’s getting a massage, hiking on your favorite trail, or staring out the window - you may find yourself procrastinating or straying into "shadow comforts”, a term I use for the things we do that don’t nourish us but only numb us out.

Note: this self-care doesn’t have to take a long time. It only needs to be something that delights you and you give yourself permission to luxuriate it in.

TAKE AWAY: If your writing or your deadlines are extra challenging, instead of skipping the hike or the dinner with friends, skip the laundry, the email, the vacuuming, the volunteering.

3: Resist revising as you write.

I love to revise as I write. It’s so difficult for me to leave the typos, the clunky transitions, the fluctuations between tenses. But when we fiddle with our writing as we go, we lose the flow of our thinking.

Your brain work best if you write down what you’re thinking and then, if it isn’t quite right, leave it and keep going, writing the next more accurate description or idea. When you erase first, your train of thought is interrupted. What you want to say is lost in the tidying up.

The more you do this, the more stilted your writing may become and, perversely, the less likely you are to tear things apart or start over because you spent so much time making it pretty.

Instead, try timed writing where you write without stopping. Writing teacher Peter Elbow states "can’t write a lot unless we get some pleasure from it, and pleasure is unavailable if we wince at everything bad that comes out and stop and try to fix it.” If you write something that doesn’t feel quite right leave it and keep going keep trying keep fumbling leave a trail of your words and thoughts (that was an example!) and clean it up later.

TAKE AWAY: Less fussing, more generating. Making your writing pretty is doing the right thing at the wrong time.

4: Set yourself up for your next writing session before you break for the day

This is so so helpful to help you write faster. When I teach writing retreats I call it “leaving yourself bread crumbs.” Take a moment at the end of every writing session to make a few notes to yourself about what you will write next. Write yourself a note in your document “Start with mom’s slapping me” or “Do a free write about what my panic attacks felt like.”

If your habit is to start every writing session by going back and editing, try this: copy the last two or three sentences ointo a new document along with your “bread crumb” notes and have that waiting for you on your computer screen when you start again. Do not look back at the other document, just start!

One more prepping suggestion: give yourself some daydreaming time before you jump into a new scene or section. When you’re running errands or making dinner, bring to mind what you want to write next. Visualize your characters, puzzle over your thesis. Ask your unconscious to do the prep work for you instead of expecting yourself to sit down and start writing cold.

TAKE AWAY: Prep before every writing session and see your productivity zoom with a whole lot less stress.

5: Don’t let your creative tank go bone dry.

You may think it’s a great idea to “leave it all on the field” every writing session. You may, like me, love those romantic stories of writers writing all night or forgetting to eat for days, living on air and cigarettes. But the truth is: slow, steady and healthy works much better for most of us.

Try to quit writing each day while you still have more to say, while you still want to write.

You might also consider another creative outlet that you do just for fun, completely unrelated to performing, being judged, or selling. I like to make collages. I love the tactile feeling of smushing oil pastels into paper, ripping paper, mixing colors. “Plastic” arts like painting, knitting or pottery get you out of head and allow you to play.

TAKE AWAY: Leave some desire to write in your body and heart and give yourself time and space for creative play - consider it cross training.

6: Declare “writing free zones” clearly and stick to them.

For me, when I try to write everyday or just expect myself to, I rebel. Soon I start fudging on how much time I’m putting in on my book, and writing projects like this one and teaching are allowed to encroach.

When I was a young struggling screenwriter living in LA, I worked at a big talent agency and wrote on the weekends and at night. I would almost never let myself go have fun. I’d say to all my friends, “Nope, I have to write.” I became seriously depressed and stopped writing for almost a year. I also developed a wee drinking problem. All work and no fun makes Jack a dull boy.

TAKE AWAY: Declare zones of time - whatever works for you - that you let yourself completely off the hook from writing. Perhaps nothing drains your productivity faster than demanding that you are constantly working or beating yourself for not working.

I hope you’ll try out a couple of these suggestions and make them your own. And most of all, I hope something you read here helps you thrive as a writer in all ways.

Do you already include one or more of Jennifer's suggestions in your writing routine? If you don't, is there one you'd be willing to try?

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Jennifer Louden is an author, teacher and retreat leader who’s committed to helping women bring more peace and gentleness into their lives so they can follow their heart’s desire and get their scary sh*t done while living a human-scaled life. When it comes to her human-scaled writing projects, she’s on a mission to help writers find their voice so they can stand out, attract the just-right readers, and avoid burnout. If you’re looking to find your voice, learn more here.

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Why Writing Can’t Be Easy

Tasha Seegmiller

Have you ever tried to quit writing? Promised everyone near and far that you were no longer going to keep being the schmuck who pounds the keyboard, willingly and knowingly sending out queries and synopses and manuscripts to those who will, for the most part, reject them?

How long did you last?

I’ve never been able to quit for more than six hours. This doesn’t mean that I’m writing every six hours – I don’t even know what that would look like. It does mean though, that my attempts to quit are usually stifled by that tickle of an idea in the back of my mind of how I can improve what I’ve written, of a character I could craft, of the way I’d describe a setting. And then – BAM! – I’m writing again, even if it isn’t producing words.

Why do I keep doing this to myself? (Not a rhetorical question)

It’s not because I’m crazy. (I mean, I AM, a little bit, but everyone is, right? RIGHT?!?)

It’s not because I don’t have anything else to do. (I work full-time, have a husband & three kids. I’m never bored)

It’s not because I’m such a success at everything in my life that I can’t help but stretch to find one little thing that will allow me to be humble. (Life has provided ample opportunities for humility, thank you very much)  

Turns out the reason I keep trying to do this is because it is what I LIKE to do. No, really.

In Flow by Mihaly Csikszentmihalyi, he states

“Contrary to what we usually believe, moments like these, the best moments in our lives, are not the passive, receptive, relaxing times—although such experiences can also be enjoyable, if we have worked hard to attain them. The best moments usually occur when a person’s body or mind is stretched to its limits in a voluntary effort to accomplish something difficult and worthwhile.”

This means that we enjoy struggling, that we embrace complicated things, that our ability to negotiate difficult things FEELS GOOD.

Do you know what this means?

This means that if you ever do figure out how to write books like the wind, have characters that manifest themselves to you the first time you imagine them, have plots that have perfect pacing and everything else your critique partners, readers, agents and editors point out every single time you are writing, YOU’LL BE UNHAPPY.

What’s a writer to do?

Well, you have two choices. Write what will make you miserable or feel miserable (off and on) while writing.

Hopefully you didn’t just quit again. If so come back and read the rest in a few hours.

If you’re stubborn like me, here’s what you do.

You show up. EVERY. BLEEPIN’. DAY.

I don’t always like to show up. Sometimes I want to sit on my couch and binge watch New Girl or Madam Secretary and eat crap and pretend I’m happy. But I get restless, this urging to create great work, and the speed with which I can put away OREO Thins is not great work.

The last time I almost quit was a few weeks ago. I was rewriting a chapter and it was painful work that I trudged through and slogged through, slowly typing a measly article then a noun, and debating over entirely too many verbs. Netflix was looking really REALLY good.

But then I remembered my favorite TED talk. It is Elizabeth Gilbert sharing her thoughts and feelings on being the person who wrote Eat, Pray, Love and had it accidentally become an international bestseller. In Your Elusive Creative Genius, Liz shares the process of several people, the way they didn’t lose their mind in pursuit of creative greatness, and how we too can create work that is fulfilling and satisfying, despite the struggle.

I remembered that there were times in my process when I have laughed and cried and clapped and threw my arms in the air when I had completed a difficult scene, finally figured out the voice of the characters, finished whatever version of a manuscript I have been working on. I have reflected on the struggle, felt a little flicker of pride for what I’ve been able to get done. If you are reading this, chances are pretty high you’ve felt this too, even a little. Everything that you’ve trudged through, the times when you pull your hair, put it up, take it down, remove glasses, rub eyes finally comes together and you have a little victory dance.

And then, in that moment, you feel

HAPPY.

 

How do you work through the struggle of writing? What do you do to celebrate even the smallest of victories?

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About Tasha

Tasha Seegmiller

Tasha Seegmiller is a mom to three kids and coordinator of the project-based learning center (EDGE) at Southern Utah University. She writes contemporary women’s fiction with a hint of magic, and thrives on Diet Coke, chocolate and cinnamon bears.

She is a co-founder and the managing editor for the Thinking Through Our Fingers blog as well as the Women's Fiction Writers Association quarterly magazine (Write On!), where she also serves as a board member. Tasha is represented by Annelise Robey of the Jane Rotrosen Agency.

Facebook | Twitter | Instagram | Goodreads

 

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How Change Changes Our Stories

Kathryn Craft

Turning Whine Into Gold

Imagine looking in the mirror one morning and finding that you had shrunk to half of your height. Whoa. That would be jarring.

Frankly, all sudden change is jarring. This is why so many readers turn to story—to examine the way extreme pressures usher a fictional protagonist to the brink of change and then kick her right into its chasm. That protagonist is the avatar for us as readers, and we want to know what she does next—from the comfort of our armchairs, of course, because we’d much rather learn from her pain than endure more of our own.

But of course witnessing pain isn’t the entire point, is it. What truly inspires readers is witnessing that final climactic fight. It takes an entire book to set it up. By this point in the story we know why our protagonist’s struggle matters so much—to her, her family, her community, perhaps her world. We sat with her through each torturous decision as she struggled to achieve her desire. We stood by, helpless, as she suffered what seemed to be the opposite of success, and now understand full well the stakes should she not achieve the goal that unexpected change has pressed her into pursuing.

We are about to find out what our protagonist is truly made of. Who is she, and how will her story be important?

Now for the Real Story

Now imagine that you are a young person waking up in the United States of America the morning after the 2016 election. You look in the mirror glad to see you are still the same height, even though your country has gone mad due to an unforeseen plot twist. Your friends are fighting each other and some of them may suffer the loss of the rights you grew up thinking were inalienable. What stories will we writers leave behind for these young people?

No matter who you voted for, new pressures have been brought to bear on America’s belief systems—pressures that, ready or not, are rocking this country to the point of extreme change. We authors must ask ourselves anew:

Who am I now, and how will I function within my society?

Really? You might ask. I’m just writing stories. It’s entertainment.

If that’s the way you think, I urge you to think again.

As a writer, your response to change has been shaping you your whole life. Pick your era: Martin Luther King’s assassination. The Challenger disaster. The events of 9/11/2001. The death of someone you loved. A devastating diagnosis. If any of these events rocked your world, you no doubt went through a time of existential questioning that may have felt a lot like depression but was in effect your struggle to redefine who you were and how you would function within your world, post-personal apocalypse.

This is how we use our experiences to grow. Like it or not, the election has given us another opportunity to evolve. So writers, dust off those existential questions, because it’s time to revisit them.

I’m not suggesting we all need to go out and write political novels. I’m saying we can’t write inside a bubble. When the world changes, its literature must change. Whether you think it was for worse or for better, a tsunami of change has hit our country, and it will seep right into what readers hope to take away from your women’s fiction and your romance and your fantasy. If you want your story to matter, ignore this at your peril. Our stories carry forward the key to our emotional survival as both individuals and a nation, and readers will be looking for the inherent power of such stories now more than ever.

Writers have a special ability to allow our readers to walk a mile in someone else’s shoes. Whose shoes will you choose, and why? Your answer will affect you on every single level, from the stories you pursue to whether they will sell to how you will conduct yourself on the public platform your writing bestows.

I, for one, am re-evaluating my women’s fiction-in-progress. It no longer feels important enough. How can I sink the stakes for this family’s survival deeper into the community? How can I make the story feel more relevant? More necessary? You can bet that the agents and publishers who will ultimately decide our work’s salability will be asking these things. If you need ideas about how to start, check out Kate Moretti’s recent WITS post on that topic.

Politics aside (seriously—the endless ugliness of the campaign was bad enough, let’s not pull each other down any further!), I ask you as fellow humans and writers: do you give much thought as to how writing fiction can make a difference? Are you rethinking aspects of your current WIP, given your new awareness of our country’s deep divide?

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About Kathryn

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Kathryn Craft is the award-winning author of two novels from Sourcebooks: The Art of Falling, and The Far End of Happy. Her chapter “A Drop of Imitation: Learn from the Masters” will appear in the forthcoming guide from Writers Digest Books, Author in Progress, available now for pre-order.

Her work as a developmental editor at Writing-Partner.com, specializing in storytelling structure and writing craft, follows a nineteen-year career as a dance critic. Long a leader in the southeastern Pennsylvania writing scene, she leads workshops and speaks often about writing.

Twitter: @kcraftwriter
FB: KathrynCraftAuthor

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