Writers in the Storm

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The Power of Instagram – Marketing Tips for Indie Authors
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Penny Sansevieri

Instagram has seen staggering growth since Facebook purchased it. And every day, more authors are beginning to use it, with great success, to engage their readers, build their fan base, and sell books. And here’s why:

First, it’s simple to use. Second, it’s not nearly as ad-driven (yet) as Facebook, despite being owned by them. Third, Instagram is visually-driven, so it’s much easier to engage someone than it is on Facebook. Plus, it drives far high per-follower engagement than Facebook or Twitter, 58 times and 120 times more respectively.

Anyone can create an Instagram account, and there’s lots of information available on how to do so. So I’m going to go beyond the obvious tips like adding a good profile picture, and remembering to add your bio and your site URL. This is certainly important, but it’s not going to drive goal conversion (namely building followers and selling books) to the level that most indie authors prefer. So I’ve pulled together some tips on how to develop innovative Instagram marketing for whatever it is you’re promoting.

Creating an Instagram Theme

Again, anyone can create an Instagram account. But, lots of people post anything that comes to mind. What happens when you do that, is that your posts tend to be all over the place instead of following a marketing-driven plan. It makes it confusing for users to follow and people may not be as engaged.

So before you even set up your account, consider what kind of theme you want to utilize as you post. A theme can be anything – from variations on core messaging, posts with a particular color or look and feel. Whatever you decide, let users know right up front what they can expect, and then follow through on it by posting clear, consistent content.

Examples of Instagram Themes

Discussing themes on a high level can be overwhelming so I’ve drilled down to a few examples for how you might determine your theme.

If you’re promoting a book in the historical fiction genre – you might want your theme to have a vintage look and feel. There are a number of routes to achieve this – whether by using Instagram’s image filters or posting pictures that correspond with your book, like settings, clothing, food, quotes, etc. Another idea is to post images in blocks – one week you could include images from a specific category, and the next another. Or you can choose seven categories and feature a different category each day of the week.

For authors of business or non-fiction books, quotes perform really well. You can select quotes you love as well as those from your book. Or, if you’ve got some early reviews rolling in, incorporate them into images.

Who Are You?

Although it may be tempting to feature your standard bio, it’s a good idea to get creative here. Consider updating your bio to help drive attention to your book, website, service, whatever you’re promoting. For this reason, I recommend that you change up the URL in your bio as well and invite followers to click on the link in your bio.

A Few Notes on Linking

Include your link in every post, whether as a link in the description of each photo as you post it, as a watermark on your photos (which is a good idea to do regardless), or by adding a comment to the photo after you’ve posted it. Commenting is a great way to build your marketing efforts. You can use it to add additional hashtags or drive traffic to your URL, so it’s a great way to boost visibility of your posts, and get people to visit your website. (Note: Instagram users are almost exclusively mobile, so any websites/web pages you send to people should be mobile-optimized to get maximal engagement. )

Using a Posting Strategy to Grow Instagram Fans

After you’ve got a great theme and bio planned, the next step is creating a posting strategy. Since the average person gets distracted in 8 seconds, it’ll be important to use images that are eye-catching, but that don’t require a lot of thought. Meaning you want them to be interesting, inviting, and completely lacking in complexity. In part this relates to the fact that most of your fans will be mobile, meaning that small screens have some limitations.

Most interactions will happen within about 30 minutes after you post – so to build engagement, be sure to have your Instagram at close hand so that you can interact with anyone who comments on your post! And, the more you post, the more quickly your Instagram fan base will build. At minimum, you should post once a day, but the most popular accounts post every 2 hours or so (or about 4 to 10 times each day).

If you’re stuck on what to post, take a look at what the trending posts are, and then use those hashtags to take part in conversations!

Using @Mentions to Boost your Engagement

By tagging other Instagram users in your post, you can get up to 56% more engagement (Simply Measured)! To do this, use @ + their username. You can also tag them in the comments if you like. Instagram is cracking down on the over use of this feature, so it’s a good idea to use this technique sparingly instead of tagging anyone and everyone. Instead, if someone is authentically connected to whatever it is you’re posting, or has mentioned interest in a specific topic, then it’s definitely a great idea.

Make the Most of Hashtags

Hashtags are basically a requirement if you’re going to build your Instagram audience. Posts with at least one hashtag see 12.6% more engagement according to Simply Measured. And, what’s more, since you don’t face post length limitations like you do on Twitter, you can add lots of hash tags – as many as 30! The sweet spot seems to be 11 hashtags, and if you feel that including them in the photo caption is too much, you can also add them to the comments.

If your posts are going to become a series: develop a single hashtag to utilize the entire series. A series can be anything you deem it to be – some ideas might be quotes from your book, character info, or rare/important information, but you’re not limited to that at all. As an example of a series, when I post in my How to Sell Books by the Truckload on Amazon series, #truckload or #Amazonbestseller are hashtags I could use. That hashtag is part of each post I make for that series. People who are interested can use that hashtag to go down the rabbit hole and see other posts that include the same hashtag.

Hashtags are fun, and there really aren’t any hard and fast rules. So be creative and play around with them and see what works best for your Instagram account.

Add a Location

We’ve talked about hashtags and @mentions, but have you ever shared your location as you post? If not, think about turning this feature on and making the most of it. The simple act of adding a location can boost engagement by as much as 79%.

Finding Instagram Accounts You Love

To keep your account fresh, instead of reusing the same memes, keep finding new accounts that you love! You can search hashtags or trending topics you love, or you can use the activity/notifications area of the app. Here you can see who likes your posts, who has tagged you (and where), and what your followers are liking.

Tune Into Your Followers

Instagram is currently chronological, so as people you follow post new content, it posts to the top and pushes the older posts further and further down. (Incidentally, Instagram is planning to move to a feed that’s based on what’s popular.) If there are some people whose posts you don’t want to miss, you can turn on notifications by clicking the three-dot icon on their profile. Now you get an alert whenever they add new content, and if you follow Kim Kardashian, you’ll never miss a butt shot (she has the third most-popular Instagram account).

If you’re looking to market anything, definitely consider adding Instagram to your marketing plan! You can grow your audience and even move into new demographics. And with so much room for creative license, it’s a fun marketing endeavor that can drive some powerful conversions if you use it in a meaningful way. So definitely, give Instagram a shot - and see what it can do for your marketing efforts.

Okay, Writers in the Storm readers, what Instagram tips do you have to share with us?

About Penny

Author Markketing

Penny C. Sansevieri, CEO and founder of Author Marketing Experts, Inc., is a best-selling author and internationally recognized book marketing and media relations expert and an Adjunct Professor with NYU. Her company is one of the leaders in the publishing industry and has developed some of the most cutting-edge book marketing campaigns. She is the author of fourteen books, including How to Sell Books by the Truckload. AME is the first marketing and publicity firm to use Internet promotion to its full impact through online promotion and their signature program called: The Virtual Author Tour™

To learn more about Penny’s books or her promotional services, you can visit her web site at http://www.amarketingexpert.com. To subscribe to her free newsletter, send a blank email to: mailto:subscribe@amarketingexpert.com

Copyright @2016 Penny C. Sansevieri

Top photo credit: MariaGodfrida – Pixabay

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Margie’s Rule #16:  Adding Subtext with Dialogue Cues  

Margie Lawson

When people talk, subtext happens.

Every time.

You can’t say one word without sharing subtext.

Subtext for dialogue: The psychological message behind the words.

When the words and the subtext are incongruent, the truth is in the subtext.

In the real world, we factor in subtext all the time.

On the page, we need subtext to make scenes rich and credible.

If you’re writing a scene with strong emotional content, you need to include plenty of subtext.

This blog focuses on subtext for dialogue. Not the we've-read-it-too-often ways to describe how the character said the words. Those overused descriptors are predictable. Skimmable.

I’m referring to what I call dialogue cues.

Dialogue Cues – My term. Here’s how dialogue cues fit in ways to tag dialogue.

Margie’s Five Categories for Tagging Dialogue:

  1. Basic Attributions:  Said and asked
  2. Action Tags:  Tags dialogue with action. Doesn’t share anything about the voice
  3. Body Language Tags:  Tags dialogue with facial expressions or body language
  4. Dialogue Tags:  Shares something about the voice, but these are often overused, like murmured, boomed, resonated, said harshly, said with a razor-sharp edge.
  5. Dialogue Cues: Describe how the words are delivered. They inform the reader how to interpret the message behind the words, the psychological nuances.

Digging deeper into dialogue cues.

They’re fresh. They carry interest.

They often deepen characterization. They may add a hit of humor.

Let’s dive in and analyze some dialogue cues.

Note:  Power Words – Words that carry psychological power.

Kennedy Ryan, Loving You Always, Immersion-grad

Loving You Always

1. “Walsh!” Meredith’s voice snapped a warning, like twigs underfoot.

Deep Edit Analysis: 

  • Power Words: snapped, warning
  • Simile
  • Compelling Cadence

2. His voice was a dull-edged knife slicing clumsily through her heart, fiber by bloody fiber. Dull and slow and imprecise and drawn out. She would have preferred a quick cut, but he just kept talking.

Deep Edit Analysis: 

  • Power Words: knife, slicing, heart bloody, dull, slow, imprecise, drawn out, quick cut
  • Amplification
  • Fresh Writing
  • Sentence Frag: Dull and slow and imprecise and drawn out.
  • Deepens relationship
  • Rhetorical Device: polysyndeton -- Dull and slow and imprecise and drawn out.
  • Compelling Cadence

Kimberly Belle, The Ones We Trust, 4-time Immersion-grad

The Ones We Trust

He’s taking care to keep his tone flippant, but I can hear something darker pushing up from under the words, something much more honest and true, as if maybe he’s testing the waters, checking how I will respond.

Deep Edit Analysis: 

  • Power Words: care, flippant, darker, pushing, honest, true, testing, checking
  • Fresh Writing
  • Deepens relationship
  • Compelling Cadence
  • Amplified Five Times
  1. something darker
  2. pushing up from under the words
  3. something much more honest and true
  4. as if maybe he’s testing the waters
  5. checking how I will respond

The Marriage Lie, by 4-time Immersion-Grad Kimberly Belle

The Marriage Lie

The Marriage Lie will be released in December.

1. “Don’t you want to get that?” Claire’s voice is high and girlish, and it slices through the silence like a serrated knife.

Deep Edit Analysis: 

  • Power Words: girlish, slices, silence, knife
  • Backloaded with Power Word: knife
  • Fresh Writing
  • Compelling Cadence – Read the dialogue cue sentence OUT LOUD:

Claire’s voice is high and girlish, and it slices through the silence like a serrated knife.

Now read it OUT LOUD without the word serrated:

Claire’s voice is high and girlish, and it slices through the silence like a knife.

Hear the missing beats before knife?

The sentence with serrated has a much stronger cadence.

2. I scream back, the words fueled by fury and frustration.

Deep Edit Analysis: 

  • Power Words: scream, fueled, fury, frustration
  • Rhetorical Device – alliteration
  • Compelling cadence
  • Backloaded with Power Word -- frustration

3. “True, but my guilty conscience and I wanted you to hear it here first. To make sure you understood the implications.”

"I try to take his emotional pulse, but his eyes are hidden behind dark wraparound sunglasses, his tone and expression guarded. "

Deep Edit Analysis: 

  • Power Words: emotional, pulse, hidden, guarded Rhetorical Device – alliteration
  • Backloaded with Power Word: guarded

4. Her speech is slow and syrupy, and I'm pretty sure she's stoned.

Deep Edit Analysis:

  • Power Word: Stoned
  • Rhetorical Device – alliteration – speech, slow, syrupy, sure, she’s, stoned
  • Backloaded with Power Word: Stoned.
  • Compelling Cadence

5. "Iris, if you need any help, I'm happy to--"

"I'm fine." I grimace and pump an I-got-this confidence into my tone. "Thanks, Evan, but don't worry. I'll figure something out."

Deep Edit Analysis: 

  • Dialogue Cue for POV character describing how she’ll imbue fake confidence in her next sentence.
  • Hyphenated-Run-On: I-got-this
  • Power Words: grimace, pump, confidence, worry

6. "Look, I don't know where the money is. I didn’t even know about it until a few days ago."

"Of course, you have no idea." His words agree, but not his tone. His tone says that I know where the money is, and he'll make good on his threat if he has to.

Deep Edit Analysis: 

  • Tells incongruence between words and tone
  • Tone is interpreted, amplified
  • Power Words: agree, money, make good, threat

6.  There's pity in her voice now, and I can't listen to it for another second.

Deep Edit Analysis:

  • Power Words: pity, can’t listen
  • Shares how dialogue cue impacts POV character
  • Compelling Cadence.

Like Father Not Son, Kristin Meachem, 3-time Immersion-Grad

Like Father Not Son is not yet published, but I trust it will be.

1. “I didn’t see your mother at the church.” Jen’s words are sharp enough to cut and disembowel.

Deep Edit Analysis: 

  • Power Words: sharp, cut, disembowel
  • Backloaded with Power Word: disembowel
  • Compelling Cadence

2.“What do we do now?” Tom’s voice teeters on the edge of tough and frail, unsure which way to fall.

Deep Edit Analysis: 

  • Power Words: teeters, tough, frail, unsure, fall
  • Backloaded with Power Word: fall
  • Deepens characterization
  • Deepens relationship
  • Compelling Cadence

3. “Good to know. You’re fine.” There’s as much concern in my voice as a nurse finishing a twelve-hour shift.

Deep Edit Analysis: 

  • Shares incongruence between dialogue and subtext
  • Power Words: concern, twelve-hour shift
  • Shares sarcasm without using the word sarcasm or sarcastic.
  • Humor Hit

4. Liz’s voice is soothing, like a soul singer encouraging you to enjoy the rhythm and the ride.

Deep Edit Analysis: 

  • Power Words: soothing, soul, rhythm, ride
  • Double Alliteration: soothing, soul singer; rhythm, ride
  • Compelling Cadence

5. "Good for you." Her words give me a standing ovation, but her tone says I'm a full-sized prick.

Deep Edit Analysis: 

  • Shares incongruence between dialogue and subtext
  • Power Words: standing ovation, prick
  • Backloaded with Power Word: prick
  • Compelling Cadence
  • Deepens relationship
  • Humor Hit

6. “This isn’t about permission. This is about Tom’s happiness.” She coiled her tongue around the last ss’ and spit them out with the aggression of a cornered snake.

Deep Edit Analysis: 

  • Shares incongruence between dialogue and subtext
  • Power Words: coiled, spit, aggression, cornered, snake
  • Backloaded with Power Word: snake
  • Rhetorical Device: simile
  • Compelling Cadence

Carry Me Home, Dorothy Adamek, 4-time Immersion-Grad

Carry Me Home

1.Clipped and cool, his words hardly matched his mission.

Deep Edit Analysis: 

  • Rhetorical Device: Double Alliteration: clipped, cool; matched, mission
  • Shared incongruence between words and subtext
  • Compelling Cadence

2.  Her voice trembled and her words sounded less confident than she’d intended.

Deep Edit Analysis: 

  • Power Words: trembled, less confident
  • Shares POV character’s emotional state

3. His voice remained low, but the look in his eyes curdled her blood faster than any scream.

Deep Edit Analysis: 

  • Power Words: curdled, blood, scream
  • Backloaded with Power Word: scream
  • Compelling Cadence

4. This example is two paragraphs.

“Don’t be so sure of what you can’t see, Miss Mayfield. Some battles are fought against unseen tethers.” His voice remained low, but soft. Soft enough to creep through the shadows and deep into her.

He’d loosened the end of a coil she’d pressed to her ribs since the day they’d met. Not enough for the coil to unravel. But just enough to start the damage.

Deep Edit Analysis – for the two sentences that carry the dialogue cues.

  • Power Words: creep, shadows, deep into her
  • Amplification
  • Rhetorical Device: Anadiplosis …soft. Soft…

I included the second paragraph to show how Dorothy Adamek used a dialogue cue to show the relationship intensifying.

Blog Guests -- Now you have some ideas about adding power with dialogue cues.

Kudos to mega-talented Immersion grads Kimberly Belle, Kennedy Ryan, Kristin Meachem, and Dorothy Adamek. Impressive writing.

Thank you for taking the time to drop by WITS blog today.

Post a comment, and you have TWO CHANCES to WIN! 

1. Lecture Packet from Margie Lawson

2. An online course from Lawson Writer’s Academy – worth up to $75!

If the avalanche of comments on this blog WOW me, I’ll double the winners!

The drawings will be Sunday, 9:00 p.m. Mountain Time.

Check out the courses offered by Lawson Writer's Academy in September:

1. Story Structure Safari, Instructor: Lisa Miller

2. Developmental Edits, Instructor: Rhay Christou

3. Revision Boot Camp, Instructor: Suzanne Purvis

4. 30 Days to a Stronger Novel, Instructor: Lisa Wells

5. "No One Gets Me!" - Writing Believable YA Characters, Instructor: Julie Glover

6. Five-Week First Draft , Sept. 26 to Oct. 31st -- Instructor: Koreen Myers

*  *  *  *  *  *

About Margie

Margie Lawson Head shot

Margie Lawson—editor, international presenter—teaches writers how to use her psychologically-based editing systems and deep editing techniques to create page turners. Margie has presented over a hundred  full day master classes for writers in the U.S., Canada, Australia, New Zealand, and on cruises in the Caribbean.

To learn about Lawson Writer’s Academy, Margie’s 4-day Immersion Master Classes (in Denver, Washington, D.C., Phoenix, Canyon Lake, Dallas, San Jose, Albuquerque, Australia, and more), her full day Master Class presentations, on-line courses, lecture packets, and newsletter, please visit www.margielawson.com.

 

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Golden Lines from RWA 2016

Years ago, an instructor at the UCI Writing Project taught me how to identify the "golden lines" in a lesson, article, or book. Golden lines are the phrases, the ideas, the "takeaway" from whatever you're learning in life. Since then, after I attend a class or workshop, I review my notes and handouts, marking the golden lines. With a yellow highlighter, of course.

My golden lines usually end up as stickies around the edge of my computer monitor. Or on my calendar. And yes, on my refrigerator door, if I want to be sure to see them several times a day. Once I've lived with a golden line long enough to internalize it, the sticky is discarded. When there are no stickies in the house, I know it's time to find a class or conference.

Today I'm sharing my golden lines from RWA 2016 in San Diego last month. I learned a boatload of good stuff, but as Margie Lawson says, "I'm offering you a plate of cookies. Take what you want and leave the rest."

I hope you enjoy these "cookies."

"You need to know what your character is trying to hide." Patty Blount

"You can cut off a character's dialogue, but let the reader know what the character is thinking." Julia Quinn

"Internal Branding includes the type of characters you write, the pacing of your stories, your plotting structure, heat level, writing style, POV, voice and word count. Make sure you're consistent." Elisabeth Naughton

"End actions at the end of your book, encourage your reader to rate, review, or purchase the next book." Daniel Slater, Amazon

On "Building an Audience:

  • Establish reader infrastructure early (Facebook group page or other social media)
  • Write a series. Write more than one series.
  • Let your readers apply to your, "ARC team". In return for an honest review, they receive special information from you, like deleted scenes, as well as the chance to read your books first.
  • Cross promote with authors who write in your genre " Cristin Harber and Zoe York

"Write your newsletter in first person. Be sure there's a double opt-in or you'll get spam e-mails and angry readers." Deanna Chase

"Write smart. Write to the market, but write what you love. And write a series." Roxanne Sinclair

"Focus on your readers, not the sales." Steena Holmes

"Four elements that form the basic structure of any story: character, desire, conflict, and change (transformation)." Michael Hauge

"Emotion grows out of conflict, not desire. Obstacles create and increase emotional buy in." Michael Hauge

"Create empathy before you reveal the flaws of the character." Michael Hauge

"Why advertise on Facebook? 1.5 billion users worldwide. 76% are female. Remember that the image in your ad needs to convey emotion. It doesn't have to be your book cover." Carolyn Jewel and Jessica Scott

"For serialized content, publish your work as it is written. Use your author blog, newsletter, WattPad, Goodreads." Brenna Aubrey

"Other regular extra content for your long-term subscribers: epilogues, private access on your website, free holiday themed short stories, playlists, character bios, dream casting for a movie, Pinterest boards with permission to add." Brenna Aubrey

"Get your readers talking to each other!" Cristin Harber and Brenna Aubrey

And the best golden line:

"Send me the full."

Do you have some golden lines from RWA 2016, another conference, a class or a workshop you'd like to share?

About Fae:

Fae Rowen

Fae Rowen discovered the romance genre after years as a science fiction freak. Writing futuristics and medieval paranormals, she jokes  that she can live anywhere but the present.  As a mathematician, she knows life’s a lot more fun when you get to define your world and its rules.

Punished, oh-no, that’s published as a co-author of a math textbook, she yearns to hear personal stories about finding love from those who read her books, rather than the horrors of calculus lessons gone wrong.  She is grateful for good friends who remind her to do the practical things in life like grocery shop, show up at the airport for a flight, and pay bills.

A “hard” scientist who avoided writing classes like the plague, she now shares her brain with characters who demand their stories be told.  Amazing, gifted critique partners keep her on the straight and narrow. Feedback from readers keeps her fingers on the keyboard.

When she’s not hanging out at Writers in the Storm, you can visit Fae at http://faerowen.com  or www.facebook.com/fae.rowen.

 

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