Writers in the Storm

Margie Lawson

Surprise! Today’s blog is on wrangling time, not words. But don’t stop reading!

I added examples from an ARC of THE DIRT ON NINTH GRAVE, by NYT Bestseller, and Immersion-Grad, Darynda Jones.

I bet you’ll agree, the examples are super-stellar!

I promise to keep the wrangling time part of the blog short. You’ll get to the fun examples soon!

Power Punch Your 15 Minutes!

Think writing-related.

What could you do in 15 minutes? Here’s a starter list of easy power-punch items:

1. List all character names and nicknames. Check for similarities.  If you read The Lovely Bones, did you notice similarities in three character’s names?  Lindsay Salmon. Grandma Lynn. Len Fenerman.
2. Brainstorm titles.
3. Write one setting.
4. Write one character description.
5. Circle power words in one chapter. Words that carry psychological power.
6. Check for backloaded sentences in one chapter. When possible end sentences with a power word.
7. Check for no-power words, words like it, this, and that. When possible nix, and add specificity.

Want to dig deeper?

8. Do a find on overused facial expressions (i.e., smiles, frowns, smirks, grimaces) and make notes to write them fresh.
9. Find dialogue cues, categorize them (Tone, Inflection, Pitch, Quality, Volume, Rate). Learn your top two dialogue cue categories. Make notes to rewrite any dialogue cues that are clichéd or predictable.
10. Read several pages out loud and take deep edit notes on cadence, echo words, throw away words, dialogue that needs to be differentiated, too much backstory, pacing…
11. Label your rhetorical devices. Check for your go-to RDs, and missed opportunities.

12. Track where you’ve threaded emotion and built up to visceral responses.
13. Put NYT by any phrases, sentences, or paragraphs that are so awesome they’ll boost your toward a contract, bigger sales, or a bestseller list!

Writers who’ve taken my Defeat Self-Defeating Behaviors class posted 30 to 40 writing-related things they could do in 15 minutes. Add to your list.

How to Power Punch Your 15 Minutes!

1. Attitude: Think positively. You can make 15 minutes count. It’s doable.
2. Anticipate: Take a couple of minutes each morning to sharpen your saw for the day.

Where do you have to go?

When will you have 15+ minutes of downtime?

3. Prepare: Print your current scene or chapter, or a previous one, or both. Put them in a folder in your Writer-to-Go Bag.

If you have feedback from critique that you haven’t had a chance to review – put it in your folder too.

           Grab your laptop or iPad.

Where you can Power Punch Your 15 Minutes!

-- In Waiting Areas – doctor, dentist, hair stylist, the tire place, motor vehicle registration. You could write half a book there!

-- In Restaurants – waiting for friends

-- While Running Errands – Give yourself bonus productive time. Sit in your car or a coffee shop.

-- At home – Between household tasks. Before you make a phone call. Before you fix a meal. After you exercise.

The Trick to Power Punching Your 15 Minutes!

Focus. Focus. Focus.

What if you’re mega-stressed?

What if you’re over-whelmed and you absolutely cannot fathom focusing on anything writing-related?

Get your body moving. Stretch or exercise.

You’ll boost your mood and your creativity.

BTW, that last sentence used a rhetorical device called zeugma.

Here’s your reward for reading about wrangling time.

The Dirt on Ninth Grave, by NYT Bestseller, Darynda Jones!

1. I used all my energy to hold back the laughter threatening to burst from my chest like a baby alien, but inside I lay in a fetal position, teary and aching from the spasms racking my body.

---- Holding back laughter, amplified with a fun simile, and showing what’s not happening, amplified four times. Fresh writing. Compelling cadence.

2. She offered a smile made of steel wool.

---- Short and powerful and fresh! Metaphor. Compelling cadence.

3. My emotions did a one-eighty. My chest tightened. I fought the concern edging to the surface. Tamped it down. Ignored it the best that I could.

---- Visceral response, amplified. Power words. Short, punchy sentences. Fresh writing. Compelling cadence.

4. The spinning slowed, and my heart rate decelerated to a normal speed. A normal rhythm.

---- Visceral recovery, two hits. Second one amplified twice, last time with a frag. Compelling cadence.

5. Guilt ate through the lining of my stomach.

---- Short and powerful and fresh! Compelling cadence.

6. Awareness of him hummed through me, pulsed like a living thing, throbbed with a combination of fear and desire.

---- Four amplifications for awareness: hummed, pulsed, throbbed, fear, desire. All are power words. Backloaded. Fresh writing. Compelling cadence. Rhetorical Device: asyndeton.

7. And then he spoke the very first words he’d ever spoken to me. His deep, rich voice dissolved my bones. I almost responded with “Of course I’ll have sex with you before you sacrifice me to your gods.” Then I realized he’d asked me where the restroom was.

---- Used an amplified dialogue cue as a stimulus for a visceral response. Humor hits! Fresh writing. Compelling cadence.

8. His gaze swallowed me a moment longer, his expression almost unreadable if not for the faintest hint of sadness. Or perhaps . . . disappointment?

---- Flicker Face Emotion, amplified multiple times: almost unreadable, sadness, disappointment. Fresh writing. Compelling cadence.

     9.  His expression softened, and his dark gaze flitted over my face with such appreciation, such admiration, my heart ached for him. But there was also a wariness, and I realized he didn’t know what I was thinking. 

---- Expression, amplified twice, used as a stimulus for her reaction, followed by another amplification that carried news-of-a-difference, interpreted. Fresh writing. Compelling cadence.

10. Standing close to him was like standing next to a jaguar. Well, a jaguar made of fire. Every move he made was powerful. Exotic. Hypnotizing. Or I was ovulating. It was a toss-up.

---- Proxemics-based simile, amplified five times. Humor hit! Fresh writing. Compelling cadence.

Books by Darynda Jones always wow me! 

The Dirt on Ninth Grave will be released January 5th.

BLOG GUESTS: Share something related to the blog, or just say Hi. 

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A Lecture Packet from Margie Lawson. You might opt for my lecture packet on Defeat Self-Defeating Behaviors. Over 200 pages of tools for taking charge of your writing life.  

OR

An online course from Lawson Writer’s Academy – worth up to $75!

Check out the courses offered by Lawson Writer's Academy in January:

1. Getting Serious About Writing a Series
2. Power Up Your Setting!
3. Empowering Characters’ Emotions
4. Madness to Method: Using Acting Techniques to Make Each Moment Oscar Worthy 

The drawings will be Tuesday, 9:00 p.m. Mountain Time.

Happy Holidays!

All smiles................Margie

Margie Lawson—editor, international presenter—teaches writers how to use her psychologically-based editing systems and deep editing techniques to create page turners. Margie has presented over ninety full day master classes for writers in the U.S., Canada, Australia, and New Zealand.

To learn about Lawson Writer’s Academy, Margie’s 4-day Immersion Master Classes (in Denver, Washington, D.C., Phoenix, Canyon Lake, Dallas, San Jose, Melbourne, Australia, and more), her full day Master Class presentations, on-line courses, lecture packets, and newsletter, please visit www.MargieLawson.com.

Julie Glover

The hardboiled detective, the spoiled princess, the bad boy with a heart of gold, the diamond-in-the-rough heroine—surely, these sound familiar. We’ve read them, and we may have written them. Call them tropes or archetypes, but they’re recognizable characters who can easily fall flat on the page. And flat characters are about as appealing as over-chewed gum.

Sure, stereotypes hit at something, but they aren’t the whole story—and certainly not an interesting story to read. We want three-dimensional characters that readers care about, characters who feel real.

So how can we writers get readers to care? How can we add flesh and bone? How can we freshen up our characters? Let’s talk about some twists.

Twist the Type. Here’s a tried-and-true trope: the Cinderella story. Cinderella characters go from rags to riches, from neglected to noticed, from loneliness to love. We’ve seen umpteen renditions of this basic tale, so what makes your character fresh?

Well, what if your Cinderella is an outcast because she’s a cyborg, and her “glass slipper” is a robotic foot? That’s Cinder by Marissa Meyer, in which she twists the type to bring Cinderella into a sci-fi world and make her original and engaging.

You might recognize other twists, like Twilight by Stephanie Meyer, who retold Romeo and Juliet, but with vampires and humans instead of Montagues and Capulets. Or Hunger Games by Suzanne Collins, who featured gladiators fighting to the finish, but instead of trained warriors, the contenders are children.

To twist the type, think “What if instead of ___, the character is actually ___?” You can likely come up with some great ways to infuse a familiar type with new perspective.

Twist the Motivation. The beauty of reading a story is seeing not only the outside persona of a character, but also the internal motivation. Even if it looks to others like a stereotype, you can establish a different story beneath the surface.

Let’s take a literary character we all know: Batman. He wears a mask and tights, fights crime, drives a super-cool car, and keeps a bunch of technology in a cave. Okay, that’s intriguing, albeit odd. But it’s his personal, childhood wound of his parents’ murder that makes his choices understandable and compelling. Once he’s a guy who experiences grief like us, he becomes real and worth cheering for. Knowing his motivation deepens the character.

Ask why your billionaire has pursued fortune above all else, why your villain must steal government secrets, why your cheerleader wants to be homecoming queen, why your werewolf must find a mate. Find the wound or reason why your character has chosen their outside persona, and then show the deeper motivation.

Twist the Setting. Once there was a golden age of Westerns, but it seemed to be dying out. Until George Lucas brought us a brand-new western, set in space: Star Wars. We got spaceships instead of horses, lightsabers instead of guns, a saloon of disreputable aliens instead of a saloon of disreputable humans. He even put the villain in a black hat, or helmet – whatever. By changing the setting, he delivered recognizable characters with a new set of adventures, which alters how they react and how we react to them.

I love how Laura Drake did this with her Sweet on a Cowboy series. We’ve read cowboy romances, but the opening of The Sweet Spot let me know I was in for a fresh treat:

The grief counselor told the group to be grateful for what they had left. After lots of considering, Charla Rae decided she was grateful for the bull semen.

Welcome to the world of professional bull riding, a world I sure hadn’t been in before. It’s a fresh setting with distinct challenges and deepens my interest in the characters.

Whether it’s the whole novel or a particular scene, consider other backgrounds or locations that put your characters in a new light, test them more, and bring a brand-new perspective.

How can you use these three quick tips—twist the type, twist the motivation, and twist the setting—to make your characters become more real and engaging?

 

Julie Glover writes young adult fiction, collects boots, practices rampant sarcasm, and advocates for the interrobang. Her YA contemporary novel, SHARING HUNTER, finaled in the 2015 RWA® Golden Heart®. She teaches a YA character course for the online Lawson Academy and is represented by Louise Fury of The Bent Agency.

 Colleen M. Story

You’ve heard the advice “write every day.”

It good advice, especially if you’re serious about having a long-term writing career. But what if you’re doing it—you’re showing up—but you’re not happy with the results?

Maybe you’ve suffered some of the symptoms:

• When you do sit down to write, you stare at the page, unsure where to start.
• You dread sitting down to write, because you feel blocked, or uninspired.
• You actually manage to write, but when you look it over, it just doesn’t look good to you.
• Your story just doesn’t feel “right” no matter how much you work on it.

If you’ve experienced any of these, don’t despair. The solution is pretty simple. Next time, you just need to make sure you’re ready to write when you sit down.

How do you accomplish that?

Successful Writers are Writing All the Time

Most successful writers will say they “write all the time,” even when they’re not at the computer (or notebook or typewriter).

They’re thinking about their stories while in the shower, while driving, and even when watching movies. A writer “in the zone” will take a trip to the grocery store, and see something that gives him an idea for a scene he’s working on in his book. Or she’ll be talking along to her friend about something, and wham, she figures out a sticky plot point.

If this isn’t happening to you—if your story isn’t “living” in your head and popping up at you at various times during the day and night—most likely you’re not ready to sit down and write.

This is a sign that your muse isn’t with you yet. She may be hovering somewhere in the distance, watching, but she’s not an active member in your creative project. Usually, there’s a reason for that.

Somehow, you’re scaring her away.

Three Reasons Why The Muse is Avoiding You

How could this be? You’re sitting down every day, after all, waiting for her. Why won’t she come help you out?

To be truly prepared to write when you sit down, you have to have the muse at your side ready and willing to do her part. Every writer is different, and you may have to do some detective work on your own to figure out what’s going on, but here are three reasons why your muse may be a little apprehensive—and how you can make things more to her liking.

1. You’re too distracted.

Perhaps you have your smart phone nearby and you’re checking your Facebook page too frequently during your writing time, or you’re thinking about your to-do list rather than your characters. Maybe something is going on in your life that’s stressing you out, and try as you might, you can’t “not” think about it.

Focusing on one thing is not an easy task, especially in today’s world where everything competes for our attention. If you’re distracted, though, your muse will know it and she’ll stay away.

To fix it: Turn everything off, including your smart phone, your Internet connection, and of course the television and any other distracting machines. If you’re writing at home, make sure your family knows not to bother you. Do whatever you have to do to create a bubble around you that allows you to concentrate.

If you still find your mind wandering, start writing about how distracted you are. Likely your words will show you why you can’t stay on task. Maybe you need to write about whatever it is that’s stressing you—even if it’s the writing itself. You may not even realize how much it’s bothering you—in which case doing a little freewriting will reveal that to you.

Once you know the reason why your attention keeps wandering, you can solve the problem and get back to writing. The solution may be as simple as writing down the issue, setting it aside, and promising yourself that you’ll attend to it after your writing time is over.

2. You’re in a rut.

Routines can be beneficial, in that they help us maintain the writing habit, but if you’ve been in the same routine too long, it could be that you’ve dulled your creative brain.

And the muse doesn’t like that, at all.

To fix it: It may be time to shake things up. A good way to do that is to spruce up your writing area. Maybe you need a new chair, some new paint on the walls, a different light or some new pictures.

Are you exercising regularly? If not, that will dull you out more quickly than just about anything. Exercise benefits the brain as well as the body, so get back into it, even if it’s just a daily walk before you sit down to write.

Have you done anything new lately? Taken a new route into town? Gone exploring around your home area? Tried a new skill? Signed up for a new class? Find ways to inject novelty into your life, and then sit back and watch the muse come a little closer as your brain fires up again.

3. Your story doesn’t “grab” you.

Sometimes we think we want to write about something, but when we actually sit down to write about it, the magic just isn’t there.

That could be a sign that your topic isn’t the right one. As long as you continue to try to pursue it, the muse will ignore you.

Or it could be that you’re playing it “too safe” with your writing. Is there something you’re holding back?

To fix it: Set the work aside and try something new. Give it at least two weeks. If the original topic is really meant for you, you won’t be able to forget about it, and you’ll eventually go back to it. In the meantime, have some fun with your writing.

This is the time to go a little crazy. Write about something that strikes you as a little far out, a little edgy. Go to the extremes. If the new idea doesn’t get your heart racing a little, you haven’t gone far enough yet.

Maybe you were writing a family drama before. Try a short story involving a murder. Maybe you were writing a romance. Try a love story between two dangerous characters, or make the romance more scandalous than you normally would.

If you were writing a fantasy with wizards and dragons, try an urban setting instead. Throw some drug dealers into the mix—maybe they’re shape-shifting drug dealers. Or make your cops particularly vindictive werewolves.

The point is to get yourself excited about what you’re doing again. Have fun! The muse can tell when your adrenaline kicks up, and she’s attracted to that, so do what you need to do to get your fingers moving faster. In the end, if you go back to your original topic, you will have infused a little life into your process.

Or, you may discover that you were meant to write murder mysteries about shape-shifting drug dealers in love with vindictive werewolf cops all along. Eureka!

Do you have ways of inviting the muse in so you’re ready to write when you sit down? Please share them with our readers.

 

Colleen M. Story writes imaginative fiction and is also a freelance writer specializing in health and wellness. Her first book, Rise of the Sidenah, was recently honored in the North American Book Awards. Her next novel, Loreena’s Gift, is forthcoming from Dzanc Books in April 2016. She is also the founder of Writing and Wellness, a motivational site for writers and other creatives. Find more at her website, or follow her on Twitter.