Writers in the Storm

A blog about writing

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For the Love of Books

by James R. Preston

"Do not read, as children do, to amuse yourself, or like the ambitious, for the purpose of instruction. No, read in order to live." - Gustave Flaubert

You love books. If you didn’t love books and stories you wouldn’t be here. 

I love books, too, always have. I think we should take a break from studying the art & craft of writing, c’mon, how about a few minutes spent telling stories of our early experiences with books and reading? Don’t worry— I have a purpose in mind. We’ll get to that. 

My Earliest Books

I started collecting books when I was nine years old, really. Some relative gave me The Hardy Boys: The Tower Treasure and I was hooked. All at once I realized, looking at the fly leaf, that there were other books about Frank and Joe and their pals.

At once I started marking the list on the dust jacket to keep track of the ones I owned. When my birthday arrived with five dollars from my grandmother I begged my mother to take me to the Robinson’s department store so I could hit their book section.

My next round of authors

But it hasn’t always been fun, oh, no!

My cousin introduced me to Ian Fleming and from there I went on to Donald Hamilton and Matt Helm. (If you’ve had the misfortune to sit through any of Dean Martin’s Matt Helm movies please forget them and find the books. A singing spy! Gag me!)

Anyway, the Matt Helm paperbacks were where the trouble started. I went to the drug store in El Segundo, CA where I bought many of my paperbacks and found a new thriller called Murderer’s Row. The cover had a young woman in a party dress wading out of the surf with one strap down over her shoulder.

The old guy behind the counter took one look at her, pushed the book back toward me as if he didn’t like touching it, and said, “Oh, you don’t want that.” I was in junior high so I didn’t understand; I just started going on “This is a new Donald Hamilton and I think he’s as good as Ian Fleming, and the stories are about a spy named Matt Helm and” and on and on. (I didn’t understand that he thought I was buying something like Topless Hotties from Outer Space.)

I wore him down and got the book.

Then I switched library sections

Now the game’s afoot! Sherlock Holmes — wow! I found The Complete Sherlock Holmes in the El Segundo public library, in the Adult section when I was about twelve. I had to enlist parental help to get a card (the librarian told my mother “We have a fine Children’s section” to which my mother replied “Yes. He’s read them.”

I got an Adult card ahead of my time.

Here’s the commercial: support your local library. They need all the help they can get.

I brought the book home around noon, started reading and only looked up because it was getting too dark to see. I’ll never forget it.

Another birthday, another present from Grandmother, and another trip to Robinson’s where I found a hardback Sherlock, except .  .  . 

The lady didn’t want to sell it to me, explaining that I’d be better off with The Boys Sherlock Holmes. This time I could not convince her so I found my mother, who explained that I’d already read the whole thing and now wanted a copy for my collection. 

I got the book. 

I wasn’t always fighting for a book.

There were occasionally unexpected benefits. For example, Frank Herbert’s Dune almost got me a job.

A couple of us were picked out of Trigonometry to interview with Computer Science Corporation for summer jobs. The interviewer asked what I liked to read and I said I was reading and loving Dune serialized in Analog Science Fiction magazine. He was too, and loved it and said if my friend didn’t take the job I could have it.

He was sailing through Trig; I was slogging and was glad when he got the job. But I sure liked talking to an adult about the Harkonnens and the worms. 

“We read to know we are not alone." - C.S. Lewis

I’ve seen film of soldiers waiting in landing craft, waiting to pick up a rifle and wade ashore at D-Day — reading A Tree Grows in Brooklyn. Larry Niven tells the story of an Israeli soldier who carried one of his books through the Six- Day War. My godson carried a copy of Heinlein’s Starship Troopers on his first deployment to the Middle East.

Books, stories, helped them all. 

My father collected westerns.

He assembled a complete set of novels by B. M. Bower, who had to use initials to disguise the fact that she was a woman. He and I used to go book hunting together and on one of those trips I found the book you see above. How traveled it has been!

  • The USS Sitkoh Bay
  • Travis Air Force Base
  • then a library
  • Salvage
  • and then to a used bookstore.

Now I have it. The stories it could tell!

The stories you can tell!

I promised a purpose to this essay and there it is. Books, stories, are important. The line stretches back to the storyteller relating the adventures of Beowulf and his Spear Danes, forward to — you.

So, when you wake up at 2:00 a. m. and think, “Oh, man, I don’t know what happens next,” take heart. You’re in good company. You’re not alone. From campfire to keyboard, you’re not alone.

So — Who? Who? Who wrote the Book of Love? Why, you did, along with the many others who came before us.

And thanks to this award-winning blog you’re really not alone, because now it’s your turn. I know you all have similar tales about stories and what they meant to you. Help your fellow ink-stained wretches and share some. Please. It’s important, just as your work is important. 

To end -- a few words from my favorite band:

“Dear Sir or Madam, will you read my book? It took me years to write, will you take a look?”

With a little help from our friends, we can all be paperback writers. That’s a hint. Not a big enough hint? From Flaubert to Paul McCartney – that’s quite a range, providing room for all of us.

About James

James R. Preston author photo 2025

James R. Preston is the author of the multiple-award-winning Surf City Mysteries. He is currently at work on the sixth, called Remains To Be Seen. His most recent works are Crashpad and Buzzkill, two historical novellas set in the 1960’s at Cal State Long Beach. Kirkus Reviews called Buzzkill “A historical thriller enriched by characters who sparkle and refuse to be forgotten.” His books are collected as part of the California Detective Fiction collection at the University of California Berkeley. 

Find out more about James at his website.

Top photo from Unsplash.

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Staying Sane in the Wild, Wonderful World of Writing

by Sarah "Sally" Hamer

Ah, writing. That glorious pursuit of creativity, passion, and—let's be real—occasional existential despair. We writers open that proverbial vein and drip blood on the page, dress our “babies” in pretty words, and present them for the world to see.

Then comes the criticism and the rejection and the telling us that “our babies are ugly and we dress them funny.” Unbelievable! How can they not think it’s the greatest thing they’ve ever read? How can they not just send us a million dollar check and set up a publicity tour? What’s wrong with them?

Or…

We find out that the editor who actually is thinking about taking us on and has told us how good we are, has quit the business and become a forest ranger. (This actually happened to someone I know. She was worried that the former editor was using her manuscript as a fire starter.) Or, we get the query letter envelope back in the mail with a note scrawled across it: “Wish I liked it but I don’t.” (Also a true story!)

Then comes the sulking. And the crying into our pillow. And even the “I’m never writing again!” statement.

Unfortunately, these things happen. Even non-writing strangers have a say-so and can give you a one-star rating because the book didn’t get there for her mother’s birthday. But it’s okay. Because you’re not writing for her mother anyhow.

So, how do we feel better about this crazy, soul-sucking business?

Here’s a short list:

1. Don’t take it personally

Just because someone doesn’t like your work, it doesn’t mean that everyone won’t like your work. Really, if everyone only liked one kind of book, there’d only be one book. You may have to work a little to find that perfect match between your style and someone who likes that style, but I guarantee someone out there will. Don’t let criticism wear you down.

2. Remember why you write.

If it’s just for the money, then you may need to grow a thicker skin. But if it’s because you can’t NOT write, because writing is in your soul and you can’t imagine not writing, then what others think is not important. Yes, you may not ever sell a book. That happens. But, if you write because you love it, it will bring you pleasure.

Writing is a roller coaster. Period. Some days you’re going to love every minute, no matter what the chaos, and some days are soul-sucking. The sooner you accept that, the better. Embrace the highs, survive the lows, and remind yourself that even bestsellers were first drafts at some point.

3. Perfection is a Myth (and the Enemy)

Editing is essential, but perfectionism? A creativity killer. Some of the greatest stories were written by people who dared to put words on the page, even when they felt imperfect. Be kind to yourself—your first draft is just that: the first. No one’s expecting a masterpiece straight away (except maybe your inner critic, who really needs a vacation).

4. Find Your People

Writing can be lonely, but it doesn't have to be! Connect with other writers, whether online or in person. Surrounding yourself with a supportive community can help you weather rejection, celebrate wins, and share in the collective struggle of "why is writing so hard today?" Because we all have them.

5. Take Breaks—Seriously

Nothing fuels burnout faster than staring at a blank page. Get up out of the chair. Take a walk. Call someone you trust. Sometimes, I take a shower and pretend it’s a warm waterfall to help wash the critical thoughts away. Give your brain space to breathe, and watch your creativity flow again. NOTE: This is not an excuse to procrastinate. Set a time limit and get back to writing. Because it is what we love.

6. Rejection is Part of the Deal

Rejection. Why does it hurt so badly? Even the greats were told "no" at some point. But it helps us to grow into better writers. We learn from rejection, even if it’s only to be okay with ourselves. So, when rejection comes, allow yourself a moment of frustration, then remind yourself: it’s not personal, it’s just the process. Keep going.

7. Remember Why You Started

At the end of the day, writing isn’t just about publication, deadlines, or impressing the internet—it’s about the joy of storytelling. The magic of words. The thrill of creating something that never existed before. Hold onto that magic, and you’ll stay sane amid the chaos.

Writing may be wild, unpredictable, and occasionally maddening, but it's also one of the most rewarding journeys. So, laugh at the messy drafts, be kind to yourself on tough days, and keep going—because the world needs your words.

Now, tell me—what kind of writing adventure are you currently on? Can you think of another way to stay sane? Please share it with us in the comments section!

About Sarah (Sally)

Profile picture of Sarah (Sally) Hamer

Sarah (Sally) Hamer, B.S., MLA, is a lover of books, a teacher of writers, and a believer in a good story. Most of all, she is eternally fascinated by people and how they 'tick'. She’s passionate about helping people tell their own stories and has won awards at both local and national levels, including two Golden Heart finals.

A teacher of memoir, beginning and advanced creative fiction writing, and screenwriting at Louisiana State University in Shreveport for over twenty years, she also teaches online for Margie Lawson at www.margielawson.com and for the No Stress Writing Academy at https://www.worldanvil.com/w/classes-deleyna/a/no-stress-writing-academy.  Sally is a free-lance editor and book coach, with many of her students and clients becoming successful, award-winning authors.

You can find her at info@mindpotential.org

Top photo purchased from Depositphotos.

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The Strategic Author's Guide to Amazon's Kindle Unlimited

by Penny C. Sansevieri

Many authors struggle with the decision of whether to enroll their books in Kindle Unlimited (KU), Amazon's subscription reading program. This choice can significantly impact your book's reach, revenue potential, and marketing effectiveness—but the right answer varies widely depending on your specific circumstances.

During a recent podcast episode, we discussed this topic. Understanding the fundamental differences between Kindle Direct Publishing (KDP) and Kindle Unlimited is the first crucial step.

Kindle Direct Publishing (KDP) vs Kindle Unlimited

One of the most common misconceptions we encounter is authors believing that publishing through KDP automatically enrolls them in Kindle Unlimited. This is absolutely not the case.

 KDP is simply Amazon's publishing portal—the platform through which you upload and sell your books on Amazon. You can use KDP to distribute your book on Amazon without any exclusivity requirements.

Kindle Unlimited, however, is an entirely separate program that demands ebook exclusivity in exchange for inclusion in Amazon's subscription service where readers pay a monthly fee for unlimited reading.

The Exclusivity Requirement

The exclusivity requirement only applies to your ebook—not your print editions or audiobooks. This means you can still sell physical copies of your book everywhere while keeping your ebook exclusive to Amazon.

When enrolled in Kindle Unlimited, authors earn money based on pages read rather than a flat fee per download. The payment rate fluctuates monthly based on the KDP Select Global Fund, typically ranging around half a cent per page, though this can vary.

Genre Considerations

Genre considerations play a significant role in determining whether Kindle Unlimited makes sense for your book. Romance, mystery, thriller, and other genre fiction categories tend to perform exceptionally well in the program. This is largely because readers of these genres are often voracious consumers who read multiple books per month, making Kindle Unlimited's subscription model particularly appealing to them.

Business books and certain non-fiction categories might see less benefit since their readers are typically willing to purchase individual titles and read at a slower pace.

Compelling Reason for Kindle Unlimited

Perhaps the most compelling reason many authors choose Kindle Unlimited is its impact on Amazon advertising effectiveness.

We've consistently observed that Amazon ads perform significantly better for books enrolled in Kindle Unlimited, especially in those genres already well-represented in the program.

This improved ad performance happens because Kindle Unlimited subscribers view these books as "free" within their subscription, removing a significant barrier to trying a new author or title.

One Strategic Approach

One strategic approach many series authors employ is putting only their first book in a series into Kindle Unlimited as a reader acquisition tool. This allows them to capitalize on the increased visibility and lower barrier to entry for new readers, while still selling subsequent books in the series across all platforms.

Some authors also delay enrolling new releases in Kindle Unlimited, focusing first on maximizing direct sales before later transitioning to the subscription model to extend the book's commercial lifespan.

Final Thought

Remember that Kindle Unlimited enrollment runs in 90-day periods.

While you can set it to auto-renew indefinitely, many authors prefer to manually evaluate performance at each renewal opportunity. This gives you the flexibility to adapt your strategy based on actual results rather than committing indefinitely.

Most importantly, don't view Kindle Unlimited as a magic solution for books that aren't selling.

If your book isn't performing well overall, exclusivity alone won't solve fundamental marketing or positioning issues.

Do you have books in Kindle Unlimited? Why or why not? And do you subscribe to KU? Again, why or why not? Feel free to to ask me any questions down in the comments!

About Penny

Author photo of Penny Sansevieri

Penny C. Sansevieri, is a powerhouse in the publishing industry. As the Founder and CEO of Author Marketing Experts, Inc., she has revolutionized book marketing, shaping the careers of authors and guiding them to bestseller status. Penny's influence is undeniable—named one of New York Metropolitan Magazine's Top Influencers of 2019, she's known for her cutting-edge Amazon campaigns and innovative strategies that catapult exceptional books onto bestseller lists. She is also the author of 24 books. To learn more about how Penny can help you amplify your book’s exposure, visit her website at: www.amarketingexpert.com

Tune into her podcast at: www.amarketingexpert.com/podcast

Top featured photo purchased from Depositphotos.

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