Writers in the Storm

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Researching The Historical Novel - Part 2

by Sharla Rae - (Here's a link to Part 1 in this series!)

As we discussed in the last post, for the writer who enjoys history, researching is often the best part of writing a historical novel. The other day, we discussed building the framework. Today we're going to "fill in the rest." Below are a few of my "Lists of 7."

Research Can Swallow Precious Writing Time. Don’t let it.

Here are some of the ways to save time when researching:

1. Start a 3-ring Help Note Book for each new Novel.

Title it with Novel’s title and then Help Note Book. The notebook serves as the author’s quick reference. It is the novel’s book of limitations, or the structure upon which it is built. Use dividers by topic. In the case of the above example, some topic headings might include character description, dialects, ranch glossary, Spanish terms, maps, terms of the law, town history, etc. Below, I discuss ways to save time on research. Specific items that need to be in the help notebook are noted with a star.

2. Don’t take a lot of hand-written or typed notes.

In the library, make use of a copy machine then highlight important facts on your copies. Remember copyright limits the number of pages you can copy, so copy just the facts you need. Be sure to write down the reference titles. Editors do sometimes question references.

In the same manner, information can be printed from the Internet. A word of caution here. Anybody can post almost anything on the Internet. Verify the information with at least two other sources.

If using your own book for a reference, use small post-a-notes like tabs on the pages, writing down one or two words to indicate what important information can be found there. This makes for a quick reference and if you don’t mind marking your books, use a highlighter too.

3. Use historical time lines. They keep you honest.

Historical timelines are often included in the back of history books. Sometimes you may want to combine timelines found in several references. If a time line isn’t available, note prime dates as you research and make your own.

4. Keep a list of terms and definitions that will be useful in your story.

Using the earlier example, if researching Spanish and American ranchers, list ranching terms from both cultures. List names of tools and what they were used for, slang, special clothing items etc.

5. Keep historical area maps handy, lists of important businesses and names of actual people who might have an influence in the novel.

Note: If using an imaginary town, it should resemble other towns of the time and place. It also helps to draw a blueprint of the imaginary town so that you don’t describe a business on A Street one time and then mention that same business on C Street later. The same applies to houses, barns, stores, etc.

6. Keep a list of indigenous plants and animals.

Take into consideration that animals and birds that are now extinct may have inhabited the area at the time of your story.

7. Although not a part of the actual research, put character outlines and descriptions in the Help Note Book.

Giving a character brown hair on one page and red on another is embarrassing.

Valuable Research Resources

  • Library

Public libraries are the logical place to start researching especially for general history. The Internet works too but often tiny details are deleted for space reasons. Sometimes it’s those minute details that a make huge and wonderful difference in the story. Check out children’s books. Their simplicity makes them great for “basic” facts without the superfluous information found in adult books.

  • Specialized, nit-picky information

Often, libraries do not carry the specialized information needed. Consequently, historical writers start their own resource libraries.

  • Museum bookstores are goldmines for specialized information.

Many of their books are authored by local historians and by people who run the museums. Often theses books are not available anywhere else. I have found that curators and museum bookstore owners are usually very willing to help writers.

Since I writestories set in America, most of my personal library pertains to American History.

The following 4 books are personal favorites with basic but important facts:

  • Domestic Technology, by Nell Duvall (A must have for knowledge pertaining to invention dates of certain foods and canned goods, utensils, furnaces, lighting, plumbing, etc.
  • I Hear America Talking, and Listening To America, both by Stuart Berg Flexner (Great for dated Americanisms in speech/euphemisms, commercial usages and inventions.
  • Directory of Historical Organizations in the United States And Canada, by The American Association for State and Local History Nashville, Tennessee. (Very expensive but most libraries have them.)It lists most of the historical museums in the US and is extremely useful in finding specialized books dealing with towns, cities, and states. It even lists museums specializing in things like the logging industry, Indian heritage, railroads etc. The biggest plus, is the phone numbers. Most museums have gift shops/bookstores. You can call and tell them what you’re looking for. I’ve found most of these stores allow you to give them your credit card number and order the books over the phone. New additions of this book of historical organizations are published periodically.
  • A dictionary with dated Etymologies such as Webster’s Ninth New Collegiate Dictionary and Webster’s New Universal Unabridged Dictionary. Do you want a character to use a certain word but you’re not sure if it’s too modern? Look up the etymology of that word.

Other resources:

1. Catalog of Catalogs

The next time you receive a catalog of catalogs in the mail, that is a catalog listing specialty catalogs that can be ordered, glance through it very carefully. Many of the catalogs listed sell historic renovation items or facsimiles. The pictures in these catalogs are often dated, thus making a two or three dollar catalog a cheap and valuable resource.

One catalog I found in a catalog of catalogs was Lark In The Morning Musical Catalog It pictures historical instruments from all over the world, including medieval. In the back there is a listing by country. They now have a website: http://www.larkinam.net/

Another catalog I found is The Antique Hardware Store. It shows Victorian bathtubs, sinks, fixtures, hardware, lighting fixtures, weathervanes and more. Many catalogs have gone digital but sometimes you can still order catalogs from them for just a few dollars.

2. Antique and Collector’s Magazines

Subscribing to this type of magazine often supplies the writer with more information than they’d ever find in any one book.

One of my Favorites is Collector’s Eye. This color magazine always includes lots of history about the items being shown. It shows everything from teapots to toys. There are Internet sites called Collector's Eye but I did not find the magazine. I did find a similar magazine on line called Collector News.

Aother such magazine is Victoriana. It features articles about beautiful historic homes, Victorian holiday celebrations, how to serve a real Victorian tea, Old Victorian fashions for adults and children etc. Note-this magazine went out of business but it is now on the internet. Unfortunately, these types of periodicals often change names or stop publishing.

3. Antique shops

Antique shops often carry free newspaper-like newsletters with pictures and articles of extreme interest. Also, if you need to see first hand how something was constructed and how it worked, many antique shop owners are glad to demonstrate. Take a camera and notebook.

Antique shops are also great sources for antiquarian books at a reasonable price. (Antiquarian bookstores are usually cost prohibitive, but antique shops are not.) The firsthand knowledge in these books is priceless.

4. Living History Farms/Ranches, and Medieval Fairs, Civil War Reenactments

These places are great for viewing firsthand how things were done in the old days. They also have wonderful bookstores with specialty books that can’t be purchased anywhere else.

5. Rock shops

Find books on historical mining sites at rock shops. Sometimes they even have old maps available. Who knew?!

6. The Internet

There are lots of historical research sites. There are also some interesting list serves where a writer can post questions and receive answers. This is especially useful when time is an important factor. One such list that I’ve found extremely helpful is Carmel’s Research Group. Click the link and send an email for instruction in joining this list.

Another impressive yahoo group that deals with weapons and warfare, police tactics etc. is Weapons Info (you can look this up at http://groups.yahoo.com/).

A more recent discovery is a website called HighBeam Research. It’s a subscription service that offers archived periodical articles, newspapers, and more.

Caution: I said this before but it bears repeating. Anybody can post anything on the Internet. Always verify the information. If three sources say the same thing, it’s usually safe to use it.

7. Magazines

State magazines like Arizona Highways and Texas Highways give excellent descriptions of different parts of the state, flora and fauna, and often offer historical information too.

National Geographic Magazine offers descriptions of rain forests, mountains and peoples and places all around the world. It also describes national disasters, animals etc.

There are magazines about foreign countries available for subscription like British Heritage which can be found in large bookstores.

There are also specialty periodicals whose stories offer great historical plot ideas and historical facts. Many offer an interesting history book selection. Examples: Wild West, Old West, True West, American History Illustrated, and Historic Traveler. There are also magazines dedicated to the Civil War.

I hope this series assists you in starting your next research project. HAPPY RESEARCHING!

What sources do you tap when you're getting ready to dive into a book that requires a lot of research? Also, which comes first for you, the research or the story??

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Forcing a Story to Evolve—From First Draft to Finished Draft

Writers In The Storm is delighted to welcome paranormal writer and blogger, Jami Gold! She'll be stopping in over the next few days to answer any comments you have. (Thanks, Jami!)

On my blog last week, I talked about how it’s fascinating to watch a story evolve from a story seed into a full-blown draft.  By the time we type “The End,” we often forget how small the seed started and have a hard time recognizing how the two are even related.

Similarly, stories evolve a great deal from first draft to finished draft—especially when we’re still climbing a steep learning curve.  If we analyze the ways a story can evolve through the editing process, we might know how to focus our revisions.

I’m not talking about the editing we do to make a story prettier, cleaner, or faster paced.  I’m talking about the big picture revisions that change the essence of the story behind the words.

Types of Story Evolution

  • Tone

A story’s tone greatly affects a reader’s experience.  The Sookie Stackhouse books by Charlaine Harris (source material for the True Blood TV show) deal with many dark subjects, but the tone of the books is light and fluffy for the most part, despite the threat of mortal peril.  While revising, we can control the reader’s experience by changing the tone.

  • Voice

Related to the above point, changing the voice of the story will often change the tone.  A chatty or jokey voice tends to make the story less dark and serious.  This doesn’t mean a serious story can’t have comic relief, but maybe the source of the jokes would be from a non-POV character, or maybe the one-liners would be along the lines of gallows humor.

  • Point Of View

If a scene isn’t working, we might be able to fix it by using another character’s POV.  Or we can try to switch a story from first person to third person, or vice versa.  Similarly, making a third person POV into a deep third person POV affects how a story reads.

  • Motivation

Character motivation is like a magic formula for changing the feel of a story.  Think of all the reasons a character could be speeding while driving: impatience, escaping, rescuing, obliviousness, arrogance, etc.  Each of those would lead to different interpretation for the reader.  Same action, different reader reaction.  Then if we take it to the next level and add complex or competing motivations, or subtext, the story changes again.

  • Theme

When we have a strong theme, our story naturally feels deeper and more serious.  During revisions, we can tweak wording or sentences to accentuate the themes.  If you need help bringing out themes in your story, check out my post for ideas or look at Jenny Hansen's post here on Writers In The Storm, Focusing On Your Story's DNA.

  • Depth

This can mean anything from adding subtlety or subtext to going deeper into characters’ emotions.  Real people are complex and act against logic or their own best interests sometimes.  We have competing needs fighting for control over which way we react in a situation.  Adding that element of unpredictability to our stories helps them avoid being cliché or formulaic.  Readers will believe in characters who do something stupid if those motivations are laid out for them to piece together.

Being Deliberate with Our Writing

When we write, everything we type is a choice.  We not only choose between this word and that word, but also how we use the above elements to affect a reader’s experience.  And even though these aspects seem subtle, they make a huge difference in how a story reads.

So when we revise, now that we no longer have to do the drafting work of puzzling over plot, subplot, and tying everything together, we can go back to the drawing board and figure out what type of experience we want our readers to have.  Do we want the story to feel light or serious?  How intimately do we want the reader to experience what the characters go through?

If the story we want isn’t the story we have, but we can’t figure out why, we might be tempted to toss it.  We might even worry that we’re not capable of doing the subject justice.  But maybe it just means that one of these big picture things is off a bit.  In other words, it’s fixable.  *smile*

Which of the above elements have you changed when revising a story?  Were the changes big or small?  What about the results?  How much did the changes affect the readers’ experience, the essence of the story behind the words?

After triggering the vampire/werewolf feud with an errant typo, Jami Gold moved to Arizona and decided to become a writer, where she could put her talent for making up stuff to good use.  Fortunately, her muse, an arrogant male who delights in making her sound as insane as possible, rewards her with unique and rich story ideas.

Fueled by chocolate, Jami writes paranormal romance and urban fantasy tales that range from dark to humorous, but one thing remains the same:  Normal need not apply.  Just ask her family—and zombie cat.

Find Jami at her blog, Twitter, Google+, Facebook, and Goodreads.

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White-Knuckling Your Author Platform: How to Rein in the Social Media Pressure

by Roni Loren

It's no secret that writers are supposed to be building their online platform and brand from the get-go. You can find a bazillion posts on that very thing. Blog! Tweet! Facebook! Tumblr! Get lots of followers! Get lots of comments! Your name must be out there! Blog about writing! Don't blog about writing! Build a niche blog! Be broad! Make everyone love you more than their cat!

And now there's this wicked thing called Klout where you actually get a grade on how influential (read: popular) you are. I even saw a post today on how to increase your Klout score. And I actually found myself thinking--crap is my score of 60 good enough? *headdesk* Are we back in high school again? Because good Lord I never wanted to go back there.

It's no secret that I'm a fan of the social networking thing. I love blogging and Twitter and I have all the other things--the Tumblr, Facebook, Google Plus, Goodreads, etc. However, just like anyone else, I hit my limit sometimes. And the Klout thing was just too much.

I see it all around the web. Each week at least one of my fellow bloggers is posting something about how they don't know how to get more followers to their blog or that they're unsure what to post about when there is so much conflicting advice or that they're getting less comments than they used to. There are apologies about not being able to respond to comments or how they've run out of time to visit everyone who visited their blog.

SO MUCH PRESSURE we put on ourselves.

And you know what all that pressure results in? White-knuckled, desperate social networking. It becomes a job, an albatross around our neck, something we begin to dread. And that ruins the entire beauty and magic of this medium.

The most successful bloggers/networkers I know are the people who tap into the things they are passionate about and who put those things out there in the world. If it's blogging about knitting sweaters for dogs, that's fine. If it's blogging about writing--that's fine,too. I've built a successful blog and presence blogging about craft, so that has been a good move for me.

If you post about things that excite you, it will come across in your writing. People respond to that positivity (okay, Blogger says positivity is not a word, but I bet the New Kids on the Block would disagree so I'm using it anyway.) No one wants to go read a blog where someone is always whining or being negative Nancy. Readers can also tell when you're phoning it in and just blogging or tweeting or whatever because you're supposed to.

If you are not having fun doing it, people won't be having fun reading it.

Now that's not to say you can spend all your time being completely random and navel-gazing. You have to keep your audience in mind. But try to find where the balance is between being uniquely you and also providing something to readers whether that be information, entertainment, a laugh, community, etc. (I talked more about the four types of blogs here and what each provides to the reader.)

And when you find yourself dreading some aspect of social networking, cut it out or streamline it. Only focus on the things that sizzle your bacon. For instance:

    • If you hate blogging, try Tumblr* or some other form of "microblog" or don't blog at all and stick to Twitter or Facebook. 

*Tumblr is like 30 second blogging where you simply reblog things that are interesting to you. Like a web scrapbook. (Here's mine if you'd like an example, but be warned, it's 18+ and sometimes NSFW because well, I am an erotic romance author after all.)

    • If you hate Facebook (like I kinda do), download something like Tweetdeck where you can simply send your tweets from Twitter to copy automatically to your Facebook.

If you hate Twitter and Facebook, you can try Google Plus.

    • Hate all of those "update" style sites like Twitter, FB, and Google+? Then maybe try joining discussion groups on Goodreads, Absolute Write, Yahoo Groups, or Amazon. Talk with others about books and writing if that's all you feel comfortable doing.

I think as long as you have a presence in a place where people (and eventually readers) can have discussion with you, you're going to be okay. So make sure you at least have a home website (either a static one or a blog) and that you're networking on at least one or two platforms.

If you want to expand from there (and are still enjoying it), then go for it. But never do some social networking thing just because you HAVE to, you're wasting your time then because we're all going to be able to *feel* that you're white-knuckling it.

Be genuine, be you, and have fun with it.

Oh, and if any of you have a better Klout score than me, can I sit at your lunch table? I'm hoping to get a prom date with a guy who has at least an 80. :-)

So have you felt the pressure of having to do it all? What social media platforms do you dread or struggle with the most? Which do you love and have fun with? If you could only pick two social networking mediums to be on, which would you choose?


Roni wrote her first romance novel at age fifteen when she discovered writing about boys was way easier than actually talking to them. Since then, her flirting skills haven’t improved, but she likes to think her storytelling ability has.

Her debut romance CRASH INTO YOU will be released January 2012 by Berkley Heat/Penguin. If you want to read more posts like this one or follow her journey to debut authorhood, you can visit her writing blog FictionGroupie or her author blog. She also tweets way too much for her own good.


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