Writers in the Storm

A blog about writing

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Make Your Writer's Bookshelf Work For You

by Jenny Hansen

What do you do when you need help with your writing?

I don’t mean when you can’t find the right word or phrase…my critique partner, Sharla Rae, did an excellent job of solving that issue in her "Writing Antifreeze" post a few weeks back.

No, what I’m talking about is the books that:

  • Teach you how to create great characters and riveting scenes
  • Give you the deepest dose of Craft
  • Break down the info into concepts that writers of all abilities understand
  • Provide inspiration when you just want to quit this writing gig, lay down your pen and go work at Kinko’s

Below are the special books that I’ve found – the ones I refer to all the time, the ones I re-read every year or so and the ones that are on my bookshelf to be read as soon as I have time.

Note: I know that in this economy, you might blanch at some of these prices – remember I’ve had years to accumulate these books and most of them are available via eReader or at the library.

Books To Inspire

The first book I ever read on writing was Natalie Goldberg’s Writing Down the Bones. Though Wild Mind is also great, it was Writing Down the Bones that made me believe, for the first time, that I could actually be a writer. Goldberg believes that “trusting your own mind is essential for writing as words come out of the mind.”

Anne Lamott’s Bird by Bird is another classic must-read. I’ve loved every non-fiction book she’s ever written and, when I saw she was speaking at UCLA with Elizabeth Gilbert a few years back, I made the trip up there. She's what I’d call a writer’s writer – funny, informative, vulnerable and nurturing.

Not only does Lamott give you “permission to write crap,” she also gives stellar brainstorming advice such as:

  • “Keep a one inch picture frame on your desk to remind yourself that for each moment, you only have to write as much as you can see through a one-inch picture frame.”
  • In other words, when a whole project is overwhelming, break it into little pieces or as she says, “don’t try to eat the elephant in one sitting.”

Especially if you are in that dark place, where you fear ever being able to write again, please pick up anything by Julia Cameron. Even though she puts you on a reading moratorium in The Artist’s Way, Cameron coaxes you gently out of any creative slump. Somehow she infuses the ailing artist with the courage to open that notebook or computer file that has them paralyzed. Her book, The Sound of Paper, is the reason why I dedicated 2011 to Showing Up For My Writing. She's given me (and thousands of other writers) the nerve to create again.

Pen On Fire by Barbara DeMarco-Barrett is a very helpful book for any writer who is short on time. I’ve also had the pleasure of hearing her speak in person and here are some things she said that stayed with me:

  1. No one is born published
  2. People don’t start out as writers
  3. It only takes one 'yes' to get you started
  4. Start wherever you can.

Last but not least on the inspiration front, Ray Bradbury’s Zen in the Art of Writing is a lovely read. Whenever I need to read great writing, I pick up any book by Hemingway or Bradbury and read a sentence or two. It helps set the tone that I need to sit my butt down,  straighten up, and stop being lazy for that session at the desk. These two are brilliant.

Informative Books on the Writing Life

There are two writers who never fail to inspire me about the brass tacks business of writing. They give real insight about how to set your expectations as you push your stories (which we love like our children) out into the big, bad world.

Who are these brilliant sages? Stephen King andDavid Morrell.

If you haven’t read King’s On Writing or Morrell’s Lessons From a Lifetime of Writing, I highly recommend that you at least check them out from the library or get them on a Kindle loan. It will be an informative experience for you, whether you love them like I do or not.

Writing Craft

For sink-your-teeth-into concepts on how to get a story moving, it's hard to do better than:

My final MUST-read recommendation in this category is Building Fiction by Jesse Lee Kercheval. I’ve been surprised by how little I hear her name bandied about on the OMG-you-gotta-read-this list.

Building Fiction was the first book I read that really explained internal vs. external conflict to me in a way that was easy to understand. Bob Mayer rocks this subject in his workshops but if he’s not coming to your neck of the woods with this topic anytime soon, go get some Kercheval. Short story writers should build a shrine to this lady (she's that good)!

Story Help

When I’m in a story and I’m having a hard time getting the dialog going, I’ve found the following books to be helpful in the idea department:

When I have an idea and need some help in fleshing out what things are called, I refer to the three books below. They are older but I use them all the time.

I have a really, really difficult time writing sex and I find myself begging Sharla Rae to do it (Seriously...did you SEE that Sensual Word List?? Hubba-hubba...). When she turns me down -- and she always does -- I refer to the following books when I edit a first draft with steamy scenes:

Finally, my To Be Read shelf!

My reading has slowed up since I had a baby. (Stop laughing, moms!) I used to average 250-300 books a year, but now I’m lucky to finish a book in a few weeks. (Thank goodness that baby is cute!)

Save The Cat! by Blake Snyder has been on my list for more than a year now. He came to speak to our chapter and was wonderful. We were appalled to hear that he passed away so young, but what a legacy he left! His Save the Cat books are just the tip of it and the first one is next up on my reading list.

Right now, I’m reading Christopher Vogler’s The Writer’s Journey, which has been waiting patiently on my writing bookshelf for a few years. I was lucky enough to attend an event with Mr. Vogler a few years back. He gave us so much in that one day seminar that it has taken me these 3-4 years to digest it. Finally, now, I’m ready to rock the The Writer’s Journey. I'm soooo excited about it.

Do you have a writer’s bookshelf? If so, what are some of your favorites? What books have made the biggest impact on you, as a writer or a reader?

CONTEST ALERT: Speaking of being a writer...Have you entered the Going To The Chapel Contest? You use one of our 'processional lines' to write the first scene of a fictional wedding. How fun is that for wedding season??!

The finalists get bragging rights on this blog and are listed in all their glory on our site. Writers in the Storm bloggers will then choose a single finalist whose entry will be revered on the contest page for a month AND receive at least three critiques by our WITS posse.

Last but not least, there is a Comment Contest this week to win a copy of Lyn Horner's Darlin' Druid. All you have to do is comment on the latest post in her amazing Druid series. You've got to get over there and see the gorgeous artwork from The Book of Kells!!

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Druids Part 2: Druids and Celtic Culture

By Lyn Horner
Click here for Part 1 or Part 3 of the four-part Druid series.

NOTE: Don't forget to comment by Midnight Friday June 17th so you can be entered in a drawing for a free copy of my book, Darlin' Druid!

Before delving into Druid beliefs and practices, it’s important to know a little about the Celtic culture. 

Unfortunately, knowledge about the Celts who first settled in the British Isles is sketchy. Some of it comes from classical authors and from ancient Irish literature. Little firsthand information exists.

“The Celtic settlement of Britain and Ireland is deduced mainly from archaeological and linguistic considerations. The only direct historical source for the identification of an insular people with the Celts is Caesar's report of the migration of Belgic tribes to Britain, but the inhabitants of both islands were regarded by the Romans as closely related to the Gauls (Celts of France).” --  ̴quoted from the International World History Project.

Since my research has dealt mainly with Irish Druids and Celtic Ireland, I won’t be discussing the Druids of Britain. Suffice it to say that they and their Celtic brethren were invaded and brought under Roman rule during the time of Julius Caesar. Except, that is, for the tribes in Scotland and Wales.

According to a 1996 article in British Archaeology, written by Richard Warner, there is archaeological evidence of a Roman presence in Ireland. However, that doesn’t mean Hibernia – the Latin name for Ireland – was actually conquered byRome. Rather, the “invaders” apparently assimilated into Ireland’s Celtic culture.

Information about early Irish society comes from legendary sagas, annals, genealogies and ancient law-tracts. The law-tracts are invaluable because they are unique in the existing history of western Europe. The customs of law they preserve open a window into the distant Celtic past.

According to one source, there were two politically powerful groups in old Ireland. One group, the tuathas (tribes) were warriors. It appears from ancient tales such as the epic Táin Bó Cúailnge (The Cattle Raid of Cooley) that both men and women served as warriors. They raided cattle and fought to defend their land.

The second group, the Aes Dana  (men of art) wielded power through magic and art. Magic, real or pretense, exerts power over believers, while art influences many people. The Aes Dana belonged to no tribes. They included bards (wandering poets/musicians), filí (household poets and historians), druids (druí in old Irish) and various artisans. Their positions may have been hereditary, but in some cases they could move into a higher ranking role. Children of druids were not necessarily druids.

As members of the Aes Dana, the druids of Ireland were given special privileges. Along with the filí, the druids were often supported by aristocrats and chieftains who required their service. For this reason many druids and filí lived in one place, unlike the wandering bards.

The social hierarchy within a tuath (tribe) consisted of a king, warrior aristocracy, and freemen farmers. Druids were recruited from the warrior class but ranked higher. Celtic families were patriarchal. Most engaged in mixed farming, living on single family farms. In areas of rough terrain or poor climate, cattle raising became more important than crop farming. During times of strife, families might seek refuge in hill forts, but warfare often consisted of single challenges and combat, rather than massed battles.

The Irish tradition of storytelling reveals a link to their Celtic past. The Celts greatly valued music, poetry and oral recitation of ancient heroic tales. They are also well known for their La Tène art. Dating from around 500 B.C., the La Tène period was distinguished by beautiful, intricate designs and knot patterns.

One of the finest examples of La Tène art is the Book of Kells. Created by Irish monks circa 800, this illuminated manuscript, containing the four Gospels of the New Testament, is lavishly decorated with human figures, animals, mythic beasts and Christian symbols, intertwined by Celtic knot designs. It is considered to be Ireland’s greatest national treasure.

 

Book Sources:

Web sites:

Are you a history buff? How has your interest in history influenced your storytelling? On the Druid/Celtic front, have you run across links and books that you'd like to share?

REMINDER: The deadline for the Going To The Chapel contest is in less than two weeks! Have you submitted your entry yet? It's fun, it's FREE, and the winner gets at least three critiques from Writers in the Storm bloggers! Visit our contest page for all the details.

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Sensual Word Menu

By Sharla Rae

When I was supposed be writing my blog for today I was catching up on new favorite TV series, Game of Thrones. I thoroughly enjoyed the chopping off of heads, sex, creepy zombies of the North, sex, war, slaughtering of animal, and did I mention steamy sex?

There’s just one problem. Afterward, I ran to my computer to write a blog and came up empty. I stared at the blank screen waiting for inspiration. Visions of chopped heads, sex creepy zombies, and more sex danced through my head.

So while I NEVER share my word menus with anyone but my crit partners, I was inspired to do so now. Enjoy my Sensual Word Menu.

Verbs or words that may work as verbs in some form are starred *

What do you do to ramp up the sexy in your writing? Do you have songs you listen to, books you read, words you refer to?

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