Writers in the Storm

A blog about writing

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The Good, The Bad, The Ugly - Truths About Writing

By Sharla Rae

Okay, be honest, at times, you’ve thought of hanging up your writer’s shoes. It’s not just the sledge hammers that everyday life keeps throwing at you, it’s the stress of the ever-changing industry and that little voice in your head that keeps telling you to get a life away from the computer, away from the imaginary stories in your head, away from the hopelessness of ever seeing your work in print.

Agents, editors and fellow authors all preach the same sermon, “Learn the craft, write a book from your heart, and you’ll get published.” It’s easy to get fed up with these speeches and they begin to feel like a puppy-dog pat on the head – atta girl; you can do it; you know you can! Is your backside wiggling with excitement, yet? Is your tongue hanging out with eagerness?

Okay, we all need a few pats on the head once in a while. In fact, writers do all kinds of things to keep themselves jazzed, like attending conferences and chapter meetings. And what’s the good message we hear? Atta girl; you can do it; you know you can! But beneath it all, we also hear whispers of the bad and the ugly. Over the years, I have attended numerous conferences both national and local and at every single one, predictions for the industry are bleak.

Who are we supposed to believe, the nay-sayers or the ones who pass out the puppy-dog pats? Well, so far, publishers still exist so I choose optimism  . . . with a very savvy and jaundiced eye. And there’s the rub. I’m a storyteller. I don’t want to deal with the rapid-fire industry shifts. It puts this happy puppy off her feed.

Let me share a bit of my publishing history. After publishing three historical romances and about the time I offered my fourth proposal to my editor, distributors started gobbling up each other. Publishers jumped on the bandwagon and both found themselves with large inventories while inheriting whole stables of authors. Midlisters and new authors (that would be me) were suddenly redundant, and many fell through the cracks of the unwanted.   

Talk about depressing! My rejections read something like, “Love the book, love your style, but we have too many of these stories right now.”

I didn’t give up. I’m a steadfast Capricorn of Scotch Irish decent. I’d done it three time already so I could d*@# well do it again. Atta girl!

Then another shift occurred and it felt very personal. This time, my rejections read, “Love your style, love your humor and characters, but we’re not buying American-set historicals. Write a Regency.” Anybody who writes Regencies knows that those English blokes have a special lingo and a history of their own. Being a perfectionist, I knew I’d study for at least a year before I wrote another word if I went that route.

Stubborn to the core, I believed those preachy articles that repeatedly told me to write what I know, and write from my heart. I refused to change because a few strangers in New York told me I must. Was I wrong?

Yes and no. I was writing what I loved, but there was little to no market for it. Had my name been better known, perhaps I’d have continued selling. But I was still a mostly-unknown author and soon found myself editing my husband’s scientific reports for work. I wrote and improved my fiction writing, but it was in the background. When I happened to attend a PAN meeting or two at local chapters, the other published authors looked at me as if they wondered how I managed to crash their meeting. Talk about humiliating and discouraging!

So, what woke me up? Resentment? Yes. Self-pity? Yes. And those two ugly emotions fired up my Capricorn nature. I like to be boss, and I never quite a job until it’s done and done well. And this Cappy was far from done!  

I finished my current historical – I never quit a job mid project -- that’s just me – and I started researching and plotting a paranormal/futuristic romance, another genre I love. I also dug my CEO hat out of the closet. It itches a little but it fits just as well as it did back in the day. I now spend non-writing time on the business of writing.

And then . . . 

In walks e-books, another game changer. For the less tech savvy, the how-tos are daunting, but nobody can ignore the wowing possibilities. I’ve decided I can do nothing but embrace it. My characters need a home, be it on a printed page or a virtual one.

Dump the good, the bad, the ugly into a blender and what do you get?  

Tough love. There is no good time to write and there is no bad time either. That’s life. If you toss your computer out the window, who cares? Thousands of writers are aching to replace you. Conversely, nobody cares if you hop 0nto the roller coaster of a writing career and hang on for the thrill of the ride. The question is, Do You Care? For me the answer is YES!

Will you be still tempted to quit? Yes, every single day.

Will I ever give up? Absolutely.

I will give up . . . when it stops being fun; when I run out of words, when the stories dry up, when my skeletal fingers crumble at the keyboard and my skull falls off. Whether or not I ever publish again, I’m a storyteller. It’s what I do.

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The Contest And Crit Chat

By Sharla Rae

This week our critique group met at our favorite Greek restaurant. Besides the good food, we had major business to take care, namely, deciding the top five finalists in our Piece of the Sky Contest.

We all brought our top picks with us, and it was immediately apparent, there’d be no blood-letting. Surprisingly, our choices were pretty much the same. Funny how that works sometimes, but hey, we’re readers too. We know what appeals to us just like everyone else.  

At first, I was a bit leery about running a contest, but I have to admit, that it was fun. In fact, we enjoyed it so much that we decided to hold another one. The idea we came up with is out of the norm and will be hugely fun for all the participants. The prize is cool too! And no, I’m not going to tell you about it. You’ll have to check our blog for the official posting.

After choosing the five finalists, we shared a few personal tales. My favs were a real-life shark encounter and a story about a navy admiral putting the moves on one of my critique partners.

Next we shared some industry talk, and then we got down to the nitty-gritty part, critiquing our work. Each week we e-mail a chapter to each other so it can be read and critiqued before critique meetings. We critique using Track Changes in Word so that we can hand over or e-mail the critiques to each other. Sometimes we all contribute, sometimes only one or two us turns in work. This week we had one synopsis and one chapter. As usual, everyone took a turn suggesting changes, and asking questions.

Meeting in person allows us to brainstorm more effectively. We can be very vehement with ideas and opinions flying like machine gun bullets. We get mad, we get glad, and we laugh a lot. It’s never dull!   

No matter how heated the discussion or how touchy we might become over opinions of our stuff, we all know, deep down, that our partners really care about each other’s writing. Having them withhold their honest opinions and consequently having a novel be repeatedly rejected would be far worse than singed feelings. Not that we’re mean. We aren’t. We “all” give respectful, constructive criticism only and we’re mindful of the fact that when all is said and done, it’s the author’s story and only she gets to choose the final words.

Good news or bad, I leave the meeting with a new sense of purpose and the urge to go straight to my computer and start editing and writing. I love my storm-writer sisters. They are my best buds, great critics, and the best support group any writer could ever have. With us, one partner’s success is considered a win for the entire group.

Okay, I’ll step away from the podium now.

I’m revved for next week, when we’ll choose and announce the final winner to our Piece of the Sky Contest. And um, I have to rewrite the 1st chapter of my new WIP and let them have at it . . . again.

Can’t wait!

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On My Way Back?

By Denise Domning

When my first book came out in February of 1994 my youngest son, who has Asperger’s Syndrome Autism, was in the middle of his very violent teen years.  Then, two months later on April 28, 1994 my older son, Adam, was murdered. 

I state that so you’ll know where I was as I launched my writing career.  Instead of loving the wonderful things that were happening to me—my first book was purchased by the second publisher to look at it and it went on to win an RT award for Best First Medieval—I used my deadlines to escape the violence in my home and my grief. 

Suffice it to say, it was not a good time for me.  I don’t know if it showed in my writing, but it definitely took a toll on me.  Before my seventh book was published I’d had a complete immune system collapse and was living in a virtual bubble.  By the time Harper bought Avon and I ended up on the “to be let go” list, I was more than ready to quit writing.

For myself. 

From the moment I stopped signing a contract with a publishing house, I started signing contracts with individuals for projects that wouldn’t have my name on them.  You know what’s really strange about that?  Although I was still working at the computer, generating content for some book, I told everyone I wasn’t writing.  How was it that I could think writing for someone else wasn’t really writing? 

Whatever.  What’s important to note here is that . . . it didn’t work.  I am not a good ghost writer.  If my name isn’t on the cover, I’m not invested in the project.  I discovered this about two years ago in the middle of Monica Sarli’s memoir, after working on the book for three years.  I gave up and gave her her money back only to wake up the next morning overflowing with ideas for how I could make her memoir work.  But only if I became her co-writer.

She was thrilled.  She just wanted her story told.  It didn’t matter to her that our names would share the cover. 

The words flowed.   We signed with the Don Congdon Agency last year, working extensively with Katie Kotchman to turn the project into what Katie calls a “genre buster”.  Two weeks ago she started submitting.  We’re out to more than a dozen publishing houses as I write this and have gotten our first rejection, albeit a really nice one.  

It’s all so very exciting.  I can’t believe I’m working toward being published again.  This time, I’m ready for it.  I know what will be expected of me and what to expect of the house that eventually buys her story. 

Even better, ideas for new projects, projects I’ll write all by myself, are starting to stir.  I wonder?  Do you think maybe I’m back?

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