Lisa Hall-Wilson shows us 4 ways movement can help or hinder deep POV. Dig into how your character would observe and absorb their world.

By Sharla Rae Let’s face it, mining for the best expression of emotions whether it’s body language, gut reactions, internalization or dialogue can be like panning for gold. A lot of useless grit is sloshed around before you hit pay dirt. Picture this: You’re sitting at your computer; the sun is shining through the window […]