Writers in the Storm

A blog about writing

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December 16, 2015

Three Reasons to Believe in Your Work

James R. Preston"Disneyland! That's the answer." (Fiction 101 -- Drop your reader into the action immediately.)

My wife and I went to Disneyland recently. The trip was fun, of course, but it was also a revelation. Suddenly, Nancy turned to me and said, "The essay you are working on for Writers in the Storm! This is it! Disneyland!" It was winter; the heat couldn't have addled her brain, so I said, "Yes, of course. Um, go with that thought, darling." (Marriage 101).

She had me look around. The streets are spotless. The cast is uniformly courteous and friendly. People who work there care about the park. Everybody takes what they do seriously. She's right. So should you.

I want to tell you a story, the story of the very first time I was invited to speak to a women's book club. I walked in -- not sure what to expect, just hoping they'd read the books -- and the very first question was (spoiler alert) "What would T. R. Macdonald have done about his girlfriend Kandi if his wife Diana had still been available?"

Of all the things I might have been asked, this was one I hadn't expected. My temptation was to say, "Ladies, these are characters, constructs that are in the book because I put them there. They have no life outside of the pages you read."

I didn't say that and I'm glad, because they deserved a better answer. And because I would have been wrong.

That was my first lesson in how important what we do is and why we need to take it seriously.

We'll come back to the Mac-Kandi-Diana love triangle later, I promise, but for now I want to talk about why you need to believe, why you need to invest the effort.

One: Your fictional characters deserve it. 

I think I was in the fourth grade when I wrote my first story, about a little boy who rescues a stray puppy that has become trapped in a drainpipe just as a rainstorm begins. I cared about that puppy; I wanted to know if he survived. In modern terms I invested emotional capital in him.

I write genre fiction, like most of you, but it's about something, people and relations, always. That book club didn't care about the details of sinking a supertanker off the Orange County coast; they cared about the people.

Two: Your readers deserve it.

At Disneyland you will never see trash littering the ground. Disney felt that his guests deserved a clean place. You are asking readers for several hours of their lives as they find out who did it or if true love will conquer all. They deserve your best shot.

Three: You deserve it.         

This is the flip side of reason number one. When you are finally done, you have invested a lot of time in your work. Not quitting, going the distance, is good for you after its done. To remove any doubts, watch the opening of "Romancing the Stone" as the Kathleen Turner character finished her novel. You will be happier, and more likely to step up to the plate for the next work, if you have given it your all. Okay, okay, I hear you out there and you are right. I have never looked at any of my stories in print without thinking that I could have done something better. That doesn't mean I haven't given it my all.

So, there are at least three reasons why, like any cast member at Disneyland, you never walk past a piece of trash, why you give every piece of work your best effort.

-- your characters deserve it

-- your readers deserve it

-- you deserve it

I want to close with examples from two different art forms, and from extreme ends in terms of popularity or fame. First, one most of you know -- the Thomas Harris novel Red Dragon. If you haven't read it, do so. Just don't read it late at night by yourself. Heh heh. This is from the Introduction to the electronic edition of Red Dragon. And if you want to see how a really, really good writer goes about this craft, read it.

Harris talks about working on the novel late at night in a remote farmhouse, alone, except for one of his creations, or maybe not. I'll let him tell it:

I was enjoying my usual immunity while working, my invisibility to Chilton and Graham and the staff, but I was not comfortable in the presence of Dr. Lecter, not sure at all that the doctor could not see me.

-- Thomas Harris, Red Dragon

 Harris has made Hannibal Lecter real to million of readers; this makes it clear that the good doctor was real to Harris as well, God help him. Harris invested in learning about the man; and it shows in the work.

And from the other end of the spectrum, we have "The Hideous Sun Demon." It's a 1950's b&w movie about a scientist who is exposed to a lethal dose of radiation. He survives but the bad news is when he goes out in the sun he turns into a lizard creature and kills people. I think it's a documentary. In the essay that comes with the DVD the director talks about wearing a wetsuit and how hot and uncomfortable it was. There is a still picture of the actor wearing the Sun Demon costume where so much sweat has run down into his pants that he says it looks like he uh, had an accident. Again, he put out the effort.

Both of these people -- one a famous author creating a novel with a lock on the NY Times bestseller list, the other a little-known actor making a movie to fill a drive-in screen while teenagers drank beer and necked, cared about their work, and it shows. You should, too. Never be afraid to, like Rocky Balboa, "Go the distance."

Oh, my book club appearance. Well, like Hannibal Lecter watched Harris, T. R. Macdonald and Kandi, and yes, Diana, were watching me and whispering in my ear, and they allowed me to explain what probably would have happened.

A couple of weeks ago I went to a dinner with high school classmates. One of the women who organizes these things told me she had heard from one of us who is living out of state. In his email he said he was sorry he couldn't attend. He also said he was reading my first novel, the one the book club read, and that it meant a lot to him.

He lost his wife not so long ago.

I almost didn't include that. It's personal, cuts close to the bone.

So I am writing this to say if you are at a rough spot in your WIP, take heart. Invest the effort.  You're in good company.

Now, please tell us how you have invested in your work, and how it has paid off. I need to hear it, and so does everybody else.

*  *  *  *  *  *

About James

 Sailor Home from Sea coverJames R. Preston is the author of the award-winning Surf City Mysteries. His books have been selected for inclusion in the California Detective Fiction Collection at the Bancroft Library, one of the libraries at UC Berkeley. James’ novella, Crashpad, will be published soon by Stark Raving Group. See bookxy.com for more information.

James recently appeared at Men of Mystery in November at the Irvine Marriot.

The newest Surf City Mystery is Sailor Home From Sea.

James R. Preston's Surf City Mysteries Series


15 comments on “Three Reasons to Believe in Your Work”

  1. Loved this post. This is something that every writer needs to know and take heart in, especially when they're at their lowest moments writing-wise. I know I could use that reminder once in a while.

    Will share this post at my earliest opportunity.

    1. Sometimes writing is easy, or so they tell me. Most of the time it's a challenge, which is a good thing. When I wrote the post I needed to hear it, too. Thanks for the kind words. Now go pound some keys!

  2. This is a stunning post, James. Really. I too feel a deep connection to my characters and their circumstances, and it's nice to hear there are advantages to this bond.

    I am often found saying, "My character's speak to me. They mumble, fight, punch holes in the walls, and don't let me sleep. I love them all."

    Thanks for the great post, James.

    Dee Willson
    Author of A Keeper's Truth and GOT

    1. I agree about the connection, Dee. But I wonder -- do you find it hard to hurt your characters? I do but that is what makes a good story. Yeah, sometimes my characters mumble and I'm going, "What? Say that again." And I guess that's one reason we do it, because we are interested in our characters. I get the creeps every time I read the Harris essay where he talks about writing the first book about Hannibal Lecter, and he thinks Lecter can see him. Yow!

  3. Thanks, "Day Away"! My suggestion is -- don't fret. Your MC will talk to you if you let them. No guarantee you will like what they say, however. I find a mechanical task like sweeping the floor or taking out trash provides an opportunity for the characters to speak up.

  4. Thank you so much. Sometimes it seems I'm afraid of investing more emotion in my characters because I don't want them to take over... or something else. Probably something else. Think I need to spend more time with them, go for coffee or a beer with them. A very timely post as I wrestle with revisions. Cheers.

  5. Bad news, Celia -- resistance is futile. Your characters will take over. It's only after they do weird stuff that bears no relation to the story that you an bring them under control. But that makes it interesting. At least, that's what I tell myself. Maybe it's even true. I do have a favorite character that speaks to me before I make a public appearance. She's very comforting. Boy, that last sounds weird. Oh, well, the readers of this blog will understand; other folks might say,"Bring out the net." Thanks for the kind words.

  6. Two quick points: first, I just looked at Ms Willson's site and it's a good one. Check it out. Second: what about characters that speak to us, and they are not very nice? I have one who is a stone killer, but he does speak up now and then. I kind of like it. Not that I'd want to have coffee with him . . .

  7. Interesting. It's always good to know I'm not the only crazy person out there. Yes, my characters speak to me. And yes, I do find it hard to hurt them. But, I must and therefore have taken much painstaking time in doing so. I am also writing stories that revolve around the SoCal coast with my first book taking place in HB and the greater OC area, though not a mystery.

    Thank you James!


  8. As I work on my first novel aimed for publication, reading your thoughts here, have been inspirational. Fear about my capabilities to share a story that's not "anonymous" has kept me from reaching for and attaining this major goal of mine. I will be writing fiction, but my characters come from my dreams, my nightmares and they will carry a part of me with them. While I'm writing, I get angry when their angry and I cry when they cry. I don't want there to be one moment in one of my stories, that the reader doesn't believe, respond or feel some type of attachment to these individuals that are so eager to be known.

    I've heard so many different opinions about growing too attached to the story we write, but I finally said, "Tough! I'm following my gut and writing my way". Thank you, for sharing your views and thanks to those who have shared their comments. Honestly, you all have given me a little gift, though I probably don't make a lick of sense sharing that. 🙂

    1. You certainly did make sense, Rochelle. And that's a big part of why we started this community - so that writers could weather the publishing storm with support.

      Keep writing!

  9. Hi, Rochelle -- What a great, thoughtful, comment! I have heard Harlan Ellison say, "Writing is easy -- you just cut out part of yourself and leave it on the page." Never be afraid of revealing too much. What we do is serious, it's keepsakes marbles and to do it well you need to care about your work. Just like you do. I think you're in the right track. Keep it up; keep reading the blog; keep caring about the people you create in your stories. There is a Robert A. Heinlein novel in which that is literal truth. There really is a Land of Oz and a flesh-and-metal Tin Man. Thanks for commenting!

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