

By Angela Ackerman
Character tropes—familiar character ‘types’ used often in stories—are sometimes condemned as being cliché and something to avoid. And it’s true that in the wrong hands, tropes can lead to flat characters and stereotypes. But used skillfully, tropes accomplish a ton of things at once, including:
Characters feel hollow when they are reduced to something – a trope, stereotype, mental health condition, set of circumstances, etc. Rather than having depth and complexity, they get labelled – the washed-up detective with a drinking problem or the aloof teen with dead parents. When it comes to important characters, these labels let readers down. They want depth, not cliff notes. Unless a character has a walk-on part, we still have much work to do.
Breakout characters and showstopping stories rely on trading generic characters for those who fascinate. Here’s how to write a character who will transcend their trope.
To develop a character further, understand what shaped them in the first place: What past events led here and what pain do they carry? How did they succeed and fail in life? What experiences, caregivers (or detractors), and challenges nudged them to align with this trope?
The past influences the present, so dive into their backstory. Not only will you feel closer to them, but you’ll also be able to write their actions and choices with greater authority.
After thinking about their past circumstances and experiences, turn to other pieces of their identity. Questions like these will help you:
By answering these, you’ll gain the knowledge you need to elevate a trope into an individual, a character who feels human, true, and easy for readers to and relate to.
As you’re building out who your character is, take care to not repeat overdone aspects of a trope. For example, if your jock is the star quarterback, has great hair, a cheerleader girlfriend, and is a total jerk…yikes. A carbon copy is boring and flat, and readers deserve better.
Readers love to be surprised, and tropes are a great opportunity to make this happen. When someone recognizes a type of character, they make assumptions: The protagonist is a starving artist! I bet he’s talented, misunderstood, and trying to break through a glass ceiling in his field. Look how excited he is over this latest piece! Someone needs to take a chance on him because he probably works a dead-end job to pay the bills, and his family harps on him for being a hopeless dreamer.
Readers love to feel like participants in a story, and tropes make them feel like story masterminds. With the first piece—a basic understanding of a character’s layer—they start forecasting what the problems will be, where the story will go, and what will need to happen for a protagonist to reach their goal.
When using a trope, readers should let some predictions land but subvert others in meaningful ways. Maybe the artist’s family is supportive, but the character doesn’t believe in themselves. Or the excitement over their latest work isn’t a sign that it will be their breakout piece, it’s the euphoria of knowing the cottage they’re painting belongs to someone they’ve decided to kill. Thinking outside the trope offers big rewards. Here are more ideas for twisting a trope.
Tropes work well on minor characters, helping readers see how their role or function fits within the bigger story. When a main character fits a trope, though, these characterizing details shouldn’t be window dressing, they should tie to their internal arc. For example, an Adrenaline Junkie heroine shouldn’t chase thrills ‘just because.’ Maybe for her it’s an escape mechanism, a way to avoid life’s painful moments. And, in her story, a difficult blow--her twin’s terminal diagnosis—shows her how she needs to step up in the moment rather than try to skydive away from it.
Tropes are excellent tools, but like anything else, should be used strategically and masterfully. If you’d like to browse a wide range of archetypes and tropes and learn how to write them into your story, check out One Stop for Writers’ Character Type and Trope Database.
Is there a character trope or archetype you love to see in stories?
Let me know in the comments!
Angela Ackerman is a story coach, international speaker, and co-author of the bestselling book, The Emotion Thesaurus: A Writer’s Guide to Character Expression, and its many sequels. Available in ten languages, her guides are sourced by US universities, recommended by agents and editors, and are used by novelists, screenwriters, and psychologists around the world. To date, this book collection has sold over 1.3 million copies.
Angela is also the co-founder of the popular site Writers Helping Writers®, as well as One Stop for Writers®, a portal to game-changing tools and resources that enable writers to craft powerful fiction. Find her on Facebook, Twitter, and Instagram.
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These are some good things to keep in mind for sure! It can be tricky to write compelling characters without sticking them into boxes.
Glad you found some nuggets here, Journey!
The misunderstood Antagonist
That's a good one. It forces the writer to go deeper into the motivations of the antagonist and be sure to show these to the readers, while showing the assumptions of the characters.
Good reminders. I need to discover the 'whys' for my character because so far, he's boring and wandering.
Sounds like you're still getting to know him, and that's okay. Think about what his goal is and the fear that he has that's keeping him from achieving it, or a secret that he doesn't want anyone to know. Those are two ways to potentially get access to his inner layers. Good luck!
Reading your short list of tropes sparked some ideas for turning each one on its ear.
A rebel who takes care of his mom.
A cowboy who hates being outdoors.
A monster hunter who's afraid of the dark.
A bad boy who runs a soup kitchen.
Yes, twisting tropes can be a lot of fun, and readers like the familiar-yet-freshness of them 🙂 Love these!
Michelle, these are awesome twists on tropes. Awesome!
Ha ha! This reminds me of one of the characters on the TV show "Svengoolie" on Saturday nights. Svengoolie runs cheesy old horror films. In the two years, three supporting characters have joined his show - Svengirlie (an Elvira vamp type), IMP (a devil of slight stature), and (my favorite) Nostalgiaferatoo (a Nosferatu vampire of most cheerful disposition). Nostalgiaferatoo definitely twists the trope!
I've not heard of this show - I will have to see if I can find it online.
Even those walk on characters should be coming from someplace and going to someplace. I like to ask myself the why for them too. Everyone hopes to get something out of every interaction they have.
Buying something at the store: you want the checkout to be quick and painless. The person at the counter may or may not want that too. Their real goal is a repeat customer. But maybe no one has been in for an hour, so their need is human connection for a few minutes. This will inform their dialog and may create tension for the character doing the buying who just wants to get out of there.
Every character is the protagonist of their own story.
Yes, agree, any walk-on needs purpose! The big question to ask is why is this character necessary and what do they reveal about the protagonist (or other main characters)? When characters act, there should be something that is being shown. Even if they have a small role, what they do/how/what they ask/say/etc. should have meaning, not just add depth to the setting.
"Every character is the protagonist of their own story."
I love this perspective! So obvious, but most of us rarely think this way.
It's true! We do need to remind ourselves of it. We tend to fixate on the protagonist and shape the story to fit them.
Hi Angela,
Knowing a character's background info really helps!
I love your suggestions, especially the trope twist. Great fun!
Thanks, Ellen!
great points
Glad this was helpful, Denise!
In my second novel, the main male character is intensely handsome, but he views this feature as a kind of handicap, for it attracts too much attention from women who just want him to bed them. As a result, he keeps women at a distance and distrusts himself when finally he is drawn to the main female character. That attraction does not end as readers might expect. (And this is not a romance.)
Sounds interesting, especially as it's not a romance. I like that it's the man who feels this way, because that's a nice twist!
Thanks for an interesting and helpful article! I know you have a Character Type & Trope Thesaurus, but have you ever thought of creating other kinds of trope thesauri? One about settings, for example, or plot events, or one focused on different kinds of tropes for individual genres. That would be really fun and useful!