Everyone loves your story. Should you make it into a series? Laurie Schnebly Campbell shares the reasons why it may or may not be a good idea.

In the Hero’s Journey characters confront the world. For the Heroine’s Journey they come to understand themselves. Susan Watts shows us how they work together.

A subgenre of flash, a micro, fiction or nonfiction, is usually 400 words or less. The magic lies in what’s left to interpret. Kelli shares her process.

A character’s fatal flaw is the primary obstacle they must overcome to reach their goal. Becca Puglisi shares how to identify and use these flaws.

An author’s core story is the emotional truth behind their work. Here's how to use it intentionally, in a way that keeps readers coming back for more.