Writers in the Storm

A blog about writing

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The Best Writing Workshops I've Taken Had These 4 Qualities

by Julie Glover

Having finished Act I of my current work in progress, I stared at the opening of Act II. What should happen now? It’d been a while since I’d written a fresh novel, and my brain felt a little rusty on story structure.

No worries! I popped over to my file cabinet, pulled out the folder titled Writing Classes, and found a workshop handout that covered romance structure well. Soon, I was back on track, excited to dig deeper into my story. Thank goodness for my wonderful writing instructors!

The Learning Curve

Like many writers, I began my first novel not knowing what I didn’t know. Soon, however, I discovered I had plenty to learn. Like the fictional hero on his journey, I went on a quest to gather the know-how I needed to pursue the writing career I wanted.

I read plenty of books and took plenty of classes. From presentations at writing chapters to conference workshops to online courses to writer retreats, my experience ran the gamut. Not only in the type of instruction, but also how useful it proved.

I had a learning curve with writing but also a learning curve about which resources would best help me. In hopes that I can shorten your curve—or remind you of what you already know—here are four features my best learning experiences had in common.

Topic/Information Aligned with Needs and Goals

What stage of your career are you in? What knowledge or skills do you need to develop? Have you figured out your writing process? What would writing success look like to you? What outstanding questions do you have that need answering?

Asking these questions can help you determine whether a resource could be helpful. For example, a newbie might be overwhelmed by an advanced workshop and a multi-published author bored by a beginner workshop. Meanwhile, a presentation about traditional publishing won’t have as much usefulness to a self-pubber, and vice versa. Some “proven” marketing ideas work well for one genre but not another.

Also reflect on how you write. Early on, I took some workshops that urged writers to pen messy first drafts and only go back and edit after reaching the end. That approach did not jive with who I am as a person or a writer (see my post In Defense of Editing as You Go). Thankfully, I figured that out along the way, though sadly, not before wasting valuable time trying to align myself to the information instead of the other way around.

When considering a learning opportunity, ask whether it matches with your current needs and goals. You don’t have to turn down anything that isn’t an exact fit, but most of your learning should be on target for you.

Enlightened and Engaging Teacher

Does the presenter know his/her stuff? Do they have something fresh to offer? Do they present information in a way that grabs and holds your attention? Do you have the opportunity to ask questions and have them answered?

Some teachers stand out as excellent—not merely because you enjoyed the lesson but because you retained what you learned. They had deep knowledge in their field and presented it in a way that excited you. Plus, they seemed eager to help you, and other participants, pursue and achieve success.

Perhaps you could name a few standout instructors. Some of mine have guest posted here at WITS!

But I could also point to workshops that sounded like they’d be great, yet the presenter didn’t keep the audience engaged. Or even someone I thought would have a lot to impart, but not so much. Being an expert or successful author and being a good public speaker don’t automatically go together.

The best way to know if someone presents well is to ask around. Whose classes are worth taking? Which speakers are must-hears? Which retreats or conferences consistently have quality speakers? Prioritize those on your list of future learning experiences.

Opportunity to Put Learning into Practice

Does the lesson involve more than lecture? Does the presenter provide examples or demonstrations? Are you challenged to use the information in some way during the workshop or soon after? Is there accountability for doing your “homework”?

There’s something called the Forgetting Curve, a hypothesis that memory of information declines over time, unless you take steps to remember. First proposed in 1885, the original study’s results were replicated in 2015, giving credence to the theory.

We’ve all experienced this phenomenon of hearing good advice, walking away, and forgetting it. Or perhaps we remember it vaguely, but not enough to really make a difference. What helps us retain what we’ve learned is interaction with the information.

Classes that involve examples or hands-on exercises are more likely to make an impression. And if you can put what you learn into practice in your writing right away, you’re far more likely to continue using the knowledge you’ve gained.

Ways to Follow Up

Did you get a helpful handout to revisit from time to time? Is there a book, course, or coaching that you can seek out later? Will you be able to stay in touch with other participants if you want to spur one another on?

Some workshop materials are so good that I reference them again and again while other presentations whetted my appetite for more. And having a follow-up resource made all the difference.

Another perk of an excellent learning experience is going through it with others who become a support network for your writing craft or business. I even met my co-author, critique partner, and best friend at a writing retreat! But she’s not the only one who’s helped me through the years. The network is real, my friend, and it’s worth connecting to.

A quality instructional experience includes ways to follow up so that you can reinforce what you’ve learned, expand your knowledge, and connect with like-minded writers. Not every class will do all three, but that scene should have an opportunity for a sequel.

In Summary

When deciding how to add to your knowledge or skillset, look for these four qualities in potential workshops or events:

  1. Topic/Information Aligned with Needs and Goals
  2. Enlightened and Engaging Teacher
  3. Opportunity to Put Learning into Practice
  4. Ways to Follow Up

Which of these qualities is most important to you? What else have you found helpful about the best writing workshops or events you’ve attended?

* * * * * *

Want a guarantee that you’ll get all four of these qualities? Cruising Writers brings in the best instructors with interactive workshops and opportunities to connect with the coaches and writers like you.

Our next cruise is focused on self-publishing, with industry pro Mark Leslie Lefebvre and bestselling author Erin Wright on board. You’ll get away to beautiful destinations, deepen your knowledge, and forge lasting friendships.

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About Julie

Julie Glover is an award-winning author of young adult and mystery fiction. Her contemporary YA includes Sharing Hunter, Daring Charlotte, and coming-soon, Pairing Anton, and she has written several YA paranormal stories. She has also co-authored five supernatural suspense novels and two short stories in the mythology-based Muse Island series under her pen name Jules Lynn.

Julie holds a master’s degree in counseling, has taught conference workshops and online courses, and serves as sidekick and sometimes-host for Cruising Writers, an incomparable writers’ retreat at sea. A native of Texas, she now lives in Denton with her hottie husband, her loquacious cat, and her large collection of cowgirl boots.

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Eating Crackers in Bed — Why Relationships Fail

by Laurie Schnebly CampbellWe’ve all heard why someone’s relationship didn’t work out:

“So-and-so ate crackers in bed.”

“They always wanted to plan everything, not just let it happen.”

“I never felt like they really GOT what I was saying.”

Just about every such failure — whether it’s between spouses, friends, business partners, siblings, neighbors, or whoever — can be boiled down to a single statement:

“We don’t see things the same way.”

Our world-view, or how we see things, obviously goes FAR beyond just our view of eating crackers in bed. (Even though that’s an easy-to-blame description of what went wrong.) Instead, the view is more of a big-picture thing.

But it’s a book character’s view which makes this person intriguing to read about...because it’ll help get ‘em into trouble during the story. And that’s true even when their view is one that everybody would agree is pretty good:

  1. They want to make the world better.
  2. They love taking care of others.
  3. They always do a spectacular job.
  4. They’re never afraid of their emotions.
  5. They’re great at figuring stuff out.
  6. They work to keep us safe.
  7. They can make any situation fun.
  8. They know how to get things done.
  9. They’re so easy to get along with.

What’s not to love about that?

At first glance, those ARE all wonderful traits. Until you’ve spent quite a bit of time with this person, and discovered the down-side:

  1. They insist on proving they’re right.
  2. They never give me any space.
  3. It’s always about how they look.
  4. Every day is jam-packed with drama.
  5. It’s all just facts, not feelings.
  6. They’re constantly staying on guard.
  7. You can’t ever count on ‘em to show up.
  8. They always have to be boss.
  9. They never give their opinion.

What accounts for all those failings?

Let’s call it the fatal flaw.

You might’ve heard that term regarding the nine personality types known as enneagrams. And although “fatal flaw” sounds wonderfully dramatic, none of those flaws HAS to be fatal. In fact, in real life, they hardly ever are.

But in fiction?

Oh, boy, dramatic tension! Clashes! Conflict!

Yep, we’ve got conflict. (Even if both parties are the SAME type.) All nine types are called things that identify their best -- and, when taken to extremes, their worst — traits:

  1. Reformer, Perfectionist, Idealist, Advocate
  2. Nurturer, Helper, Giver, Servant, Adviser
  3. Achiever, Performer, Charmer, Succeeder
  4. Individualist, Creator, Romantic, Artist
  5. Observer, Analyzer, Thinker, Investigator
  6. Guardian, Loyal Skeptic, Defender, Cautioner
  7. Adventurer, Enthusiast, Experiencer, Explorer
  8. Leader, Challenger, Controller, Attacker
  9. Peacemaker, Mediator, Comforter, Adapter

So what kind of conflict/s do those lead to?

Here’s where every writer’s mind immediately kicks into action. “Okay, so Jalen and Ling are assigned to work together but they’re driving each other crazy. What types would they be?”

“Michael and Emma thought they’d love each other forever, but their relationship is collapsing. What type is he? And she?”

“The detective knows the villain is hiding this vital clue, taunting him to find it. What does that make their types?”

You already know there’s not gonna be just ONE type that fits the detective, the villain, Michael, Emma, Jalen or Ling. And that’s good, because if these stories would work ONLY with Jalen as a Six and Ling as a Two, the writer doesn’t get to do much creating.

Instead, we get to choose which type we want for a character by asking “What else do I know about Jalen?”

Well, let’s say it’s:

  • Head of the class before joining this group.
  • Traveled the globe as a child and still likes travel.
  • Loves running.
  • Never forgets Grandma’s birthday.
  • Tends to be bossy at work.
  • Has a phobia about — uh, let’s make it lightning.

Do any of those reflect a particular character type?

Well, we’re getting closer. Now we can narrow down the possibilities.

  • Head of the class sounds like a One, Three, Five or Eight.
  • Being fond of travel would characterize a Four, Five, Seven or Nine.
  • Any type could love running.
  • Never forgetting Grandma’s birthday could be a One, Two, Four, Six or Nine.
  • Bossy at work would most likely apply to a One, Five, Six or Eight.
  • Any type could fear lightning.

All right, so let’s look at the most frequent options: One and Five. Which seems more like Jalen? (Here’s where we dig into the enneagram descriptions, which you can see in various places including https://www.enneagraminstitute.com/type-descriptions/ and https://www.mindbodygreen.com/articles/enneagram-types.)

Once we’ve looked at all the flaws a character might show, and what each one’s accompanying strength is — because EVERY type has its good side as well as its bad side — we’ll be able to spot which’ll best suit Jalen’s place in the story.

And what other conflicts it might lead to as we’re building the story.

Not only that, we’ll also be able to discover other good traits that’ll come into play. Those might be qualities Jalen and Ling will come to respect about one another, if we want these two to wind up cooperating.

Or, if we want their mission to fail, we’ll get to develop the qualities that’ll bring THAT about.

Either way, it all comes from knowing their enneagrams. Which leads to our:

Prize Drawing Question

Based on what the types are called (or broader enneagram knowledge if you have it), which of the nine sounds the most like you OR a character you’re currently writing?

Someone who comments will win free registration to Creating Your Hero’s Fatal Flaw, my August 12-23 email class on how to use enneagrams for building plots AND characters. On Monday morning, I’ll have random-dot-org draw a name and post it at the end of the comments — hurray, something to look forward to after the weekend!

Laurie Schnebly Campbell

About Laurie:

After winning Romantic Times’ “Best Special Edition of the Year” over Nora Roberts, Laurie Schnebly Campbell discovered she loved teaching every bit as much as writing...if not more. Since then she’s taught online and live workshops including the one at Creating Your Hero's Fatal Flaw, and keeps a special section of her bookshelves for people who’ve developed that particular novel in her classes. With 50+ titles there so far, she’s always hoping for more.

Top image from Depositphotos.

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Social Media Sells

by Jennifer Windrow

Whether you are traditionally published or self-published, marketing and social media is important to build your brand and sell your book. Even with one of the Big 5 publishers, you will be required to market your own books. And what is the best way to do that?

Social media is very important in our ever-evolving world as an author.

I am sure most of you, if not all, have some kind of internet and social media presence already. But do you have one for your author brand?

Let’s take a look at the different social media platforms and how they work…

Facebook

There are two kinds of Facebook pages, and you need to know the difference. A personal page (also called a profile page) is what you use for yourself. It connects with friends. A fan page (a business page) is what you use as an author. A personal page will have a limit to how many friends you can have. A fan page will not.

If you use your personal page as your fan page, Facebook may—and HAS—shut your page down with no warning. If you're currently using your personal page as your fan page, you need to get that fixed. It will take about 5 minutes to set up your fan page once you have your personal page. There are tools to help get your friends to like your fan page.

If you have no Facebook presence, you'll need to set up your personal page first. Your fan page will by necessity NOT be private. You don't want to lock people out of your fan page. You DO want to make your personal page private. Facebook is almost always in the news related to privacy issues. Set your privacy settings high and watch what you say.

Facebook is great for starting a conversation and learning what your fans are interested in.

X formally known as Twitter

Twitter uses hashtags (starting with #)—sort of short-cut labels—to sort these posts into conversations. For example, a search for #writing will bring up all of the current tweets about writing. You use the @ symbol in front of a person's username to write to or about them. Then if you search for @jennwindrow you will see what I have been up to!

Pinterest

With Pinterest, people "pin" interesting articles and pictures to "boards" based on their interests. Pinterest is one of my favorite social media sites. I use it for my writing career, but also for my other creative endeavors.

Find a topic that does connect with your ideal readers and then begin pinning and connecting there.

Goodreads

This is a book information sharing site, designed for readers and writers. 

Yes, you should be on Goodreads! But what do you do there?

  • Post information about your favorite books. 
  • Review other people's books. 
  • Have an author page where people can find you and talk about your book.
  • Run giveaways through Goodreads and find new readers.

But beware, Goodreads is a place for readers, not authors. The reviewers can and will be brutal and as an author it can crush your spirit to read some of the reviews.

Instagram

Instagram is a photo sharing social media. A lot of authors do very well on Instagram, I am not one of them, but it is also targeted for a younger demographic.

Bookbub

Another book centered social media. You can build your own author page on Bookbub, advertise through them, and review. The great thing about Bookbub, is their auto emails for book releases and sales.

Tik-Tok

Tik-Tok is the newest in social media craze. It’s a place where you make short videos and post them to your profile. There are a lot of authors who are using Tick-tock to advertise their books using the hashtag #booktock and others like that. It is becoming widely popular and, from what I hear, a great platform to get your name out there.

Build a website.

Every author should have a website that showcases your own books and even allows you to sell your own books.

Lisa Norman teaches a wonderful website class called Easy Author Websites, that I would encourage all of you to take if the idea of building a website seems scary.

Create a newsletter list

There are several providers that you can use to send out newsletters. Here is a list of a few that I know of…

  1. Mailchimp
  2. Mailerlite
  3. Mad Mimi
  4. Constant Contact
  5. Go Daddy

Those are the ones I know off the top of my head and some of the most popular. Most of them offer some kind of free service until you hit a specific number of subscribers.

This seems like a lot of work if you already don’t have the basics down, but in the end, having all of this prepared before you release your first book will be a huge help and save you a lot of last-minute work.

Have you already laid the groundwork for social media? Do you have a good presence already, or do you need to work on it?

About Jenn

Sass. Snark. Supernatural Sizzle.

Award-winning author of Urban Fantasy and Paranormal Romance. Vampires, Greek gods, and a bit of Demon Destroyer fun for everyone.Jenn Windrow loves characters who have a pinch of spunk, a dash of attitude, and a large dollop of sex appeal. Top it all off with a huge heaping helping of snark, and you’ve got the ingredients for the kind of fast-paced stories she loves to read and write. Home is a suburb of it’s-so-hot-my-shoes-have-melted-to-the-pavement Phoenix. Where she lives with her husband, two teenagers, and a slew of animals that seem to keep following her home, at least that’s what she claims.

Website: https://jennwindrow.com/

Top photo from Depositphotos.

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