Writers in the Storm

A blog about writing

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Can We Talk? Interviewing Your Characters

by Sarah Sally Hamer

We all want to know our characters better, to make them ‘jump off the page’ or be ‘less like cardboard.’ But it’s not as easy as it sounds. After all, our characters ‘talk’ to US. How is it possible they don’t also come alive for our readers?

More than skin deep

Of course, we want to describe the physical appearance of our characters, although that’s a different article. But that’s not the crux of what we writers need to do. We need to make our characters REAL, so that our stories will resonate with the reader.

From the main protagonist all the way to the walk-on server in a restaurant, each of our characters has a story. Just like people, a character isn’t ‘born’ the moment they walk into our books. They have goals and conflicts and motivations and flaws and virtues. Think about some of your favorite books/movies.

Are you interested in the plot? Or are you enamored with the character? Jamie Frasier in Outlander. Or Claire, for that matter. Katniss in The Hunger Games. Frodo in The Lord of the Rings. All of these characters SEEM real, even though they’re not. How did the authors build those characters? By spending time with them, by describing their needs and wants and loves and hates. And by connecting those things to the reader through deep point of view. We feel that we KNOW them, and we want to wrap ourselves in their world as we read the book.

 We can’t put all of their backgrounds into the story or we’d have a horrible, confusing mish-mash, but we need to know a lot about every main character. If you, as the writer, don’t know what your characters want, why they want it and why they can’t have it, neither will the reader.

One of the best ways I know to get your character to talk to you is through a Character Interview. 

How to inverview a character

Character interviews often take place with two people, one pretending to be their character, the other pretending to be a television or newspaper interviewer. The character side will answer all questions with “I” or “me”, only speaking from the character’s viewpoint.

The interviewer ‘talks’ to the character and asks questions based on the character traits you’ve created for your character. Think a TV reporter or Johnny Carson/Jay Leno/Jimmy Kimmel asking questions. Carson became renowned for his ability to go off script and ask questions based on the guest's responses.

There are lots of good websites to find questions to ask—put Character Interview Questions into Google and pick one or two. Or make up your own questions, based on your knowledge of your character. 

It’s also all right to do this without another person present. I turn on my computer and pretend I’m speaking to my character and typing what he or she says. So I might ask my female protagonist why she’s afraid to commit to a relationship. She might ‘tell’ me that her heart was broken when she was in high school and she can’t trust men.

The next question—following that lead—might be why she thinks love and trust mean the same thing. One question leads to another, each answer giving you more information. By delving deeper and deeper into ‘her’ personality, I may actually discover that she’s terrified of making another mistake, because her father left her mother when she was a child.

Keep digging!

Do you see? Of course, this isn’t a perfect example, but the more I ask, the more I dig, the more information I’ll get. Then, I can create that character on the page with a depth of feeling that makes her ‘real.’ One of the best questions that isn't on every list is relatively simple and, if your character will answer honestly, something wonderful can come up: "What are you afraid of?" That often stops a writer in their tracks as they try to figure it out. And the answer to that question can start an entire new conversation. It's great!

Maybe your character cheated on a spouse, which would bring up some interesting questions! Or someone he loved very much died. One of my friends discovered that her heroine’s ‘aunt’ was really her mother, which completely changed the dynamics of her book. She felt amazed and delighted at the same time, and after finishing it, the book sold very quickly.

Another tip is to try to make sure your character answers questions ‘in character.’ If he is an old man, he’s going to speak differently than a young woman will, for instance. 

Remember, we’re really NOT too interested in what these characters LOOK like. We want to know what makes them tick.

Try it! The more you can work with this process, the more I think you’ll find it helps to develop your characters and make them real.

I’d love to hear about your interviews—tell me the secrets your characters tell you!

About Sally

Sarah Sally Hamer

Sarah (Sally) Hamer, B.S., MLA, is a lover of books, a teacher of writers, and a believer in a good story. Most of all, she is eternally fascinated by people and how they 'tick'. She’s passionate about helping people tell their own stories, whether through fiction or through memoir. Writing in many genres - mystery, science fiction, fantasy, romance, medieval history, non-fiction – she has won awards at both local and national levels, including two Golden Heart finals.

A teacher of memoir, beginning and advanced creative fiction writing, and screenwriting at Louisiana State University in Shreveport for over twenty years, she also teaches online for Margie Lawson at www.margielawson.com and hosts symposiums at www.mindpotential.org. Find her at info@mindpotential.org.

Top photo modified in Canva by Writers in the Storm based on a vector from Depositphotos.

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5 Reasons to Write a Short Story

by Ellen Buikema

Finishing a novel-length manuscript is rewarding but, with short stories—since they are less than 8000 words—you can bask in that wonderful feeling of accomplishment much sooner!

Short stories are also a good means for taking risks with writing. Challenge yourself to try out a different point of view or a character that might not carry a novel-length story.

Writing short stories:

  • Enhances writing skills.
  • Augments portfolios.
  • Provides more opportunities for submissions to editors and other professionals in the writing community.
  • Helps in understanding genres and knowing your readers.
  • Assists with name recognition. Get your name ‘in the public domain’ as a published author.

While slogging through the bazillionth draft of your novel, or even if still in the pondering-a-novel stage, consider these five reasons to pause for a bit, and start writing short stories.

1. Short stories enhance your skills.

In a short story, each word matters, especially if you are writing micro-fiction—stories of 300 words or less. Here are some prompts for micro, or flash fiction of you’d like to give this a try.

A short story has all the same elements as a novel—conflict, setting, interesting characters, and narrative—but you need to get to the action without extra words in the way.

Managing voice and pace

Due to an emphasis on keeping just what’s needed, short stories have fast pace and strong voice.

The writer must create scenes, dialogue, and description that move the narrative forward, removing extra prose.

Begin with action

A short story should start right in the middle of an emotional, spiritual, mental, or physical action.

Backstory, setting, relationships and character traits can be interwoven a bit at a time in the first few chapters. Hook the reader from the first line of the first chapter.

Creating multi-dimensional characters

There is no room for info-dumps to describe characters in a short story. Use dialogue, imagery, interactions, and reactions, as well as flashbacks to develop characters while moving through the narrative.

Short story writers also consider their characters’ necessity before committing to them. Each character must always be important to the narrative to be included. Build your story around a small number of well-constructed characters.

Learn to trim the fat

Self-edit like a boss.

A short story is … short. Think about what you really need.

Trimming the fat cuts out extraneous details, neatens the narrative, and stresses relationship details.

2. Short stories grow your portfolio.

A writing portfolio is a collection of polished, published work that a writer uses like a resume when submitting new work, or looking for a writing position. The longer your list of writing credits, the more you will stand out as a skilled writer.

It’s proof that you can deliver a finished product worthy of publication.

Even though writing a short story is challenging, it takes less time than writing a novel and will help your portfolio grow faster.

With the plethora of online and digital publishing available around the world, there are lots of possibilities. Getting a short story published is more accessible now. Here’s a recently updated article from Reedsy with 20 places accepting submissions for short stories.

Chances are good that someone will love your work. The challenge is to keep looking and not give up.

3. Short stories help you expand your prepublication experiences.

Your short story is written, critiqued, self- and beta edited—polished as shiny as possible. Next come submissions, rejections, and editors, oh my.

Submissions

Each publication has its own submission guidelines (absolute rules). You must follow these guidelines. So many publications are submitted that those submissions that do not follow the rules may be tossed. If the publisher or editor requires a PDF, send one, otherwise your wonderful work may not be read. Follow the guidelines, exactly.

Rejections

If you have received a rejection, rejoice! You’ve joined the ranks of many famous writers. Sometimes the agent, publisher, or editor, would love to work with you because they enjoy your writing, but they don’t have need of that particular story at this particular time. Receiving that rejection letter is good news! Your work has been liked and may be passed on to someone else in the publishing world.

Sometimes the writing needs more polishing. Make revisions and try again. Mentally prepare to have more rejections. It is part of the process.

Rejection, as painful as it can be, does not define you or your creative work, in whatever form your art takes. Let rejection make you stronger.

Editors

Publications provide editorial feedback if your short story is chosen for publication.

Editors provide constructive feedback from structural issues to line edits. They are invaluable resources. What you learn in the editing process will carry over into future projects. There is always more to learn. Go at this process with an open-mind. You’ll be able to better self-edit and strengthen your writing.

4. Short stories help you understand genres and know your readers.

Regularly writing and submitting short stories to publications will help with understanding genres, and give you a better feel for which readers want to read your work.

Research publications before you submit anything. Many publications specialize in, specific genres and styles. Submitting 5000 words of horror to a romance e-zine is pretty much a guaranteed rejection.

Reading the work of other writers in specific genres will also increase your skill in categorizing your own work.

In time you’ll write a short story with a particular reader in mind, and a clear idea of the genre. This will help when considering which publishing house is best to pitch your novel.

5. Short stories help get your name out there.

Your professional brand as a writer is developed by publications, your public Personality, and online presence—website, blogs, and articles. The writer brand starts when you begin publishing your work and grows as more of your work is seen in the public domain.

Short stories are a great way to develop your writer presence. Turnaround time is fast, compared to writing a full-length novel, and allows for the flexibility to hop topics, genres, styles. The choice is yours.

Being a writer with an established public presence is great for you and a plus to publishing houses by providing them with a readymade professional platform and a growing fan base.

Have you challenged yourself to write a short story? Did you ever receive a helpful rejection letter? Do you have a favorite author who writes short stories?

* * * * * *

About Ellen

Author, speaker, and former teacher, Ellen L. Buikema has written non-fiction for parents, and The Adventures of Charlie Chameleon chapter book series with stories encouraging the development of empathy—sprinkling humor wherever possible. Her Works in Progress are The Hobo Code, YA historical fiction and The Crystal Key, MG Magical Realism/ Sci-Fi, a glaze of time travel.

Find her at https://ellenbuikema.com or on Amazon.

Top image by Karolina Grabowska from Pixabay

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Judging a Book by its Cover

by Jenn Windrow

In last month’s post we discussed everything having to do with editing. The importance of a well edited project, the different kinds of editing, and how to find an editor. This month we are going to talk about the second most important part of your indie published book…covers.

If a well edited product is the number one thing to spend money on in your self-publishing career, a great cover design is the second. Although some might argue that it is even more important because people DO judge a book by its cover.

Even if you aren’t at the stage to buy a cover or work with a designer, it is never too late to research the covers used in your genre. Most genres have a very specific look and feel to their covers and you don’t want to get too far off base or your book won’t appeal to the readers of that genre.

I write Urban fantasy and I fell in love with a premade book cover before my first UF was published. It DID NOT fit in with the UF genre at all and it affected my book sales. So, even though I loved my covers, I spent part of 2020 reworking my UF covers to be more genre specific. In the end I am happy I made the change, but I am frustrated that it took me so long to do something I knew from the start needed to be done.

Don’t be me.

But if you aren’t ready to buy a cover or get a designer there is something easy you can do. Use Pinterest to find genre-specific covers that appeal to you. I’ve done this, and when my publisher asked me for ideas for my Paranormal Romance series, I literally sent her my already created Pinterest board for her to see what appealed to me.

Here is the link to what I sent her…

https://www.pinterest.com/jennwindrow/book-cover-ideas

It’s a simple and effective way to get your ideas across to a cover designer who is most likely very visual. 

But how about when you’re ready to find a cover designer, how do you go about getting one?

There are several ways to find a good designer.

Word of mouth. Like with a good editor, you can talk to other writers who love working with their cover designers.

Facebook groups. There are so many FB groups devoted to cover designs for all genres. A simple search on FB will get you some amazing results.

Google search. Another easy by effective way of finding great cover designers and even some premade covers.

Etsy. Yes, Etsy. There are tons of designers on Etsy trying to sell their products and time.

FIVRR - Another great place to find cover designers looking for work.

There are also such things as premade book covers. Designers put together covers and put them up for sale. You usually can’t make many changes beyond the title and author name and tagline for the book, but they are also usually priced well, and some are really beautiful. In fact, the new covers for my UF series were a set of premades that I fell in love with by a well-known UF cover designer.

There are a ton of premade book cover sites, like The Book Cover Designer, but if you put in something like Urban Fantasy Premade book covers into a google search, you’ll get a lot of results and covers to choose from. 

In closing, do your research when it comes to a good cover design and find one that you love because you will be looking at it for years to come.

I love to look at pretty things, so let’s play show and tell. Show me some of those beautiful covers in the comment section!!

About Jenn

Sass. Snark. Supernatural Sizzle.

Award winning author of Urban Fantasy and Paranormal Romance. Vampires, Greek gods, and a bit of Demon Destroyer fun for everyone.Jenn Windrow loves characters who have a pinch of spunk, a dash of attitude, and a large dollop of sex appeal. Top it all off with a huge heaping helping of snark, and you’ve got the ingredients for the kind of fast-paced stories she loves to read and write. Home is a suburb of it’s-so-hot-my-shoes-have-melted-to-the-pavement Phoenix. Where she lives with her husband, two teenagers, and a slew of animals that seem to keep following her home, at least that’s what she claims.

Website: https://jennwindrow.com/

Top photo from Depositphotos.

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