by Julie Glover

Why is it so $#%*! hard to write the opening of a novel?

Maybe you stare at the blank page wondering where to begin, how to best introduce your characters, or what will make the best hook to keep readers turning pages.

Or maybe you’re not concerned with any of that in the first draft. Maybe, like me, you revel in the fresh start, putting down words at first that seem to flow like water. But by draft number two, or sixteen, you’re dreading the deep changes you need to make to that opening to bring the whole story into focus.

Whatever your process, the first pages of a book tend to receive the most attention from an author. Why? There are several very good reasons.

So. Much. Info.

What should be included in the first few pages of a novel rivals Santa’s Nice-or-Naughty List in length and breadth. Here’s a list of what you’re expected to introduce right away:

• Main character(s)
• His/her age, vocation, and other important details
• Something that makes the reader care about or relate to the MC
• His/her everyday world
• His/her primary desire / external goal
• His/her internal wound / myths believed
• Theme
• Setting (where, when, etc.)
• Genre and subgenre
• Mood and tone
• Conflict
• Stakes
• Author’s unique voice
• End-of-first-scene or chapter hook

And not only do you need to include these things but make it appear seamless, like "of course, this is how stories are told." No, no, dear reader, that isn’t blood, sweat, and tears you see, just another delightful day in the life of an author. Yeah, right.

It’s a Catch-22.

You need to know your characters and story well enough to nail those first few pages, but you don’t know them well enough yet because you haven’t written the story. That is, unless you’re a plotter extraordinaire and have already spent many hours with your characters before writing the first line.

But for many writers, those first few pages set the tone for the rest of what they write, and they need to pen a great opening to push forward. The beginning is where you plunge yourself into your characters, what they want, what they need, and how to get them there.

So, the Catch-22 is that you need to know your characters better to write the first pages well, but you need to write the first pages well to get to know your characters better.

By the way, has anyone actually read the Catch-22 novel by Joseph Heller, or do we simply reference the phrase like I just did? Oh well, I digress.

Where to Begin…

You might have intriguing characters, gorgeous prose, and a beautiful hook that pulls readers in, but you may have started in the wrong place. Many writers have received feedback that comes down to: “Nice writing, but throw out the first few pages and start on chapter two.” Ouch.

It’s hard to know when your story should begin. Some stories dump the reader right in the action, and others require a slower build-up. And while genre conventions can help you know which way to go, they don’t illuminate the path perfectly. You have to find the sweet spot for your particular story.

You might have to poke around for a while before you come upon that sweet spot.

Are You a Perfectionist?

Too many writers don’t move forward from those first few pages until they’re shinier than a buffed diamond. They write and rewrite, edit and edit, polish and polish until they can’t see the whole anymore.

Their words are trees, and the sense of a whole forest has been lost. Lost in the woods, they no longer know if what they wrote is any good. It’s analysis paralysis at its best. Worst? Yeah, worst.

Today’s Readers Are Impatient

Once upon a time, I gave any and every book I started a full 50 pages to hook me. Now, an author gets 10–20 pages to convince me to keep reading. Many readers allow for far less than that. They may download a sample or simply read the first page or two before deciding whether to buy.

That puts a lot of pressure on the author to give those first pages magnetic appeal. Or perhaps hypnotic: you must keep reading you must keep reading you must keep reading. We feel the gravity of that opening, which can create the kind of stress that makes it more difficult to write. Or to know if what we’re writing works for others.

Summary: Writing first pages can be a pain in the patootie.

How Do You Get It Right?

First of all, just write. It’s a-okay for your first draft to include stuff that you’ll need to ditch later. You may discover that the best opening for your novel occurs halfway through your first draft of chapter one. And that’s okay. Deleting words (and paragraphs) can be just as important as adding them.

Second, introduce your main character in relationship to others. With rare exceptions, your primary character shouldn’t start with a lot of time alone, internal dialogue, a dream, etc. We need to know who this person is in the context of their relationships. That’s also where we’ll likely figure out what their goals and desires are—whether it’s a longing to be with someone, avoid someone, or even destroy someone. Take us away from others, and our stories become far less intriguing (Castaway, excepted).

Third, hit the highlights. Remember that list above? Check back with it after you’ve drafted your initial scene and see if you covered the elements a reader would be looking for. If you didn’t, no worries—layer them in as you edit.

Fourth, grab a critique partner or group. With first chapters especially, we writers can lose perspective. It helps to have another writer, beta reader, or full group let you know if they were hooked or needed more to feel invested in your characters.

Fifth, let it go. It’s okay to let that first scene or chapter rest up as it is and to plow forward with the rest of the book. Writing the rest of the story may give you the clarity needed to return to the first scene/chapter with the fresh eyes and make sure it reflects the theme and goals of your whole novel.

Openings Can Be Magical

Fortunate. That’s how I feel about the many wonderful novel openings I’ve read through the years. From Daphne Du Maurier’s “Last night I dreamt I went to Manderley again” to Christina Delay’s “Every good story starts with a lie,” I’ve been yanked into story after story by beautiful first lines and chapters that make me want to turn page after page.

But none of that happened with draft number one. Indeed, what looks like magic requires numerous hours of trial and error, practice, and skill. It can come with some pain, but in the Nike slogan way of “no pain, no gain.”

Work for it, and you’ll be happy with the results.

Do your own first lines just show up in the first draft, or do they arrive in the later drafts? What first lines have stayed with you years later? Do you have advice about openings to add here? Please share it down in the comments!

Opportunity

And for another great opportunity to perfect your first pages, check out the next Cruising Writers retreat! We sail the Caribbean February 22-March 1, 2025, with special guests Mark Leslie and Erin Wright and a First Pages workshop in which you get professional feedback for your writing. Check out the amazing benefits and full itinerary HERE.

About Julie

Julie Glover is an award-winning author of young adult and mystery fiction. Her debut Sharing Hunter placed in several contests, including the much-touted RWA® Golden Heart® YA. Her follow-up, Daring Charlotte, was released last year, and Pairing Anton is coming soon! She has also co-authored five supernatural suspense novels and two short stories in the Muse Island series under her pen name Jules Lynn.

Julie has taught conference workshops and online courses, served as a host of the Writers in the Storm blog, and is a sometimes-host for Cruising Writers, an incomparable writers’ retreat at sea.

Learn more about Julie and her books at her website: julieglover.com.

by Susan Watts

Writing in public places, such as coffee shops and libraries, offers a unique blend of inspiration and potential challenges. As both a martial artist and author, the combination of creativity and personal safety comes naturally. However, for others, safety may not be a major consideration. Drawing from my experience as a black belt and self-defense seminar instructor, I offer these tips for writers to balance safety and creativity.

The Art of Location Selection: Choose Well-Lit and Crowded Spots

Just as a martial artist assesses their environment for safety, writers should be discerning about their chosen writing spaces. Select well-lit and populated areas where the flow of people ensures a reasonable level of security. Avoid secluded corners or dimly lit spots that might pose safety risks. Your writing sanctuary should inspire creativity without compromising your well-being.

Strategic Positioning: Sit Facing Entrances for Enhanced Awareness

In martial arts, practitioners learn the significance of positioning themselves for optimal defense. Similarly, when writing in public places, sit facing entrances and exits. This strategic placement not only allows for a clear view of your surroundings, but also enhances situational awareness. Observing who enters and exits establishes a mental map of the immediate environment, helping you to focus on your writing without neglecting your safety.

Engage and Disengage: Knowing When to Look Up

Immersing yourself in your writing is crucial, but so is periodically disengaging to assess your surroundings. Establish a rhythm—write for a set period, then take a moment to look up and scan your environment. It's a dance between creativity and vigilance, ensuring you remain connected to both your work and the world around you. Designate breaks in your writing session to focus solely on your surroundings. Use these moments to reorient yourself and ensure your safety protocols are intact.

Make a habit of being mindful of those around you and any unusual behavior. Trust your instincts—if something feels off, it probably is. Being mindful of your surroundings helps protect your creative flow from unexpected disruptions.

Guarding the Arsenal: Keep Valuables Secure

Martial artists safeguard their weapons, and for writers, the laptop or tablet is a formidable tool. Be mindful of your belongings—keep your laptop, bags, and personal items within reach. Avoid leaving them unattended, as distraction can provide an opportunity for opportunistic individuals. By maintaining control over your possessions, you safeguard both your creative work and personal safety.

Digital Fortifications: Use Lock Screen Features and VPNs

Just as martial artists fortify their defenses, writers should fortify their digital presence. Enable lock screen features on your devices to protect your work and personal information. Use strong passwords or biometric authentication for an added layer of security. When working on public Wi-Fi, avoid accessing sensitive financial or personal information. Consider using a virtual private network (VPN) for added security, ensuring that your digital activities remain shielded from potential threats.

Strategic Alliances: The Buddy System for Writers

In martial arts, strength often lies in alliances. Likewise, writers can benefit from the buddy system. If possible, work with a writing partner or a friend when venturing into public spaces. Having someone by your side not only deters potential threats but also provides a safety net, allowing you to immerse yourself in your writing without undue worry.

Emergency Preparedness: Establishing Plans and Contacts

Martial artists rehearse emergency scenarios, and writers should do the same. Familiarize yourself with the location's emergency exits and procedures. Ensure someone knows your whereabouts and can contact you in case of an emergency. Share your location or schedule with a trusted friend or family member, establishing a safety net for unforeseen circumstances.

Trust Your Intuition: The Writer's Sixth Sense

Just as martial artists trust their instincts, writers must trust their intuition. If something doesn't feel right, don't dismiss it. Whether it's a subtle discomfort or a gut feeling, your intuition is a valuable tool for detecting potential threats. Trust it and take appropriate action to protect your safety.

Safe Transitions: Traveling to and from Public Places

When traveling to and from public places, use reputable transportation services and inform someone about your itinerary. Ensuring a safe transition to and from your writing sessions adds an extra layer of security to your overall experience. If you are traveling by car, remember these important safety tips:

1. Always lock your car when you leave it.
2. Leave your car in the safest place possible. Park as close as you can to your destination, and park under lights.
3. When you return to the car, have your key ready to get in.
4. Before getting in, make sure no one has tampered with it. Look under the car, and in the back seat, while approaching your car.
5. Avoid leaving valuables in the car.
6. Always know where you left your car.
7. When walking to your car, avoid walking close to parked cars or other places where people might hide.
8. Once inside, lock the doors. Crank up and drive away.

Remember the BAIL System

B = Buddy System - make sure somebody knows where you are.

A = Awareness - be aware of your surroundings. Be observant and critical, identifying potentially dangerous areas and opportunities.

I = instincts (trust them!).

L = leave - if you feel uncomfortable. If something just doesn’t feel right, get out of there!

Writing in public places can be a liberating and inspiring experience, but prioritizing safety is essential. By incorporating these tips, you can immerse yourself in the creative atmosphere while remaining vigilant about your well-being. Choose your writing locations wisely, practice situational awareness, and fortify your digital and physical defenses. With a mindful approach, you can navigate public spaces confidently, crafting your words with both creativity and security in mind.

Do you ever write in public places? What are your favorite venues? What do you do to ensure your personal safety?

About Susan

Since her earliest recollections, Susan Watts has been crafting stories. As a child, she loved nothing more than opening a blank notebook and embarking on a new adventure through writing. While she enjoyed reading, creating her own stories brought her even greater joy. Under the pen name Michelle Allums, she authored a young adult urban fantasy titled, The Jade Amulet and is currently writing the sequel. Her short stories are also included in the anthologies Christmas Roses and Forever and Always. She will be a presenter in the upcoming writer’s symposium “Polishing Your Mirror: Self-Care for Writers” on March 23-24, 2024. 

Susan has dedicated over four decades to training in multiple martial arts styles and holds the impressive title of a five-time US Karate Alliance world black belt fighting grand champion. Through her karate school, she is able to impart martial arts and life skills. Susan also incorporates her martial arts knowledge into her writing. An avid triathlete, she keeps in shape by running, biking, and swimming. She lives in the country with her husband, where they raise animals and enjoy being outdoors. Susan also has three grown children and numerous grandchildren. In addition, she is a CPA and VP of finance for a company in her hometown. 

Image by StockSnap from Pixabay

by Holly Lasky

In writing this blog, I was struck by the title of this group, which is “Writers in the Storm.”  In the “about” section of this blog, it states, “Along the way, we’ve discovered that there’s more to life than writing, and sometimes life can be the richest story of all… Every writer must weather the storm within: self-doubt, rejection, deadlines and balancing our writing passion with everyday life. Not to mention the storm raging outside — the paradigm shift in the publishing industry.”

Speed bumps on the writing journey.

It is exciting to consider, in the ups and downs of the storms of life, that our creativity can be an expression of the journey.

• How can we bring “The richest story of all” into our writing?
• What happens when those ups and downs don't feel very manageable or we're in crisis mode and all of a sudden, our best intentions go sideways?
• What do we do when our carefully, meticulously plotted schedule takes a left turn, and we find ourselves at the end of a very busy day and still haven't accomplished any of the things we wanted to accomplish?
• Instead of being tossed around in the storm, what would happen if we could ride the waves and be empowered instead of drowning?

It's easy to feel frustrated and beat ourselves up thinking there’s something wrong with:

• Our ability to focus.
• Our ability to organize.
• Being able to do what we love in our creative expressions, be it writing or anything else.

Andy Andrews said, “If you're not in a crisis right now, you've just come out of one or you're about to be in one.”

This idea of crisis, or ups and downs as a way of life, can take on new meaning for us. It's important as we navigate these times to have tools and strategies so when we are in moments of:

• Overwhelm.
• Crisis.
• Middle of those days that just go completely wrong.

there are ways to:

• Create momentum.
• Spark our creativity.
• Encourage ourselves.
• Be empowered in the choices we're making.

BREATHE!

The first tool is one that sounds really simple, which is simply breathe. We underestimate how valuable this particular tool actually is. When you have that moment where things are going wrong, stop and take a few moments to mindfully breathe.

Breathe in through your nose and out through your mouth. Find your own pace with the breathing. Check in with your body and scan your body. Just let the moment be.

One of the things that naturally happens when we do this kind of breathing is a reset in our physical body and in our system overall. It naturally creates a flow state. This kind of breathing creates all the happy chemicals in our brain that we're missing - dopamine, serotonin, endorphins, and oxytocin.

Breathe in through your nose and forcefully out through your mouth. Just breathing and having those few moments of quietness and introspection can work miracles as you naturally reset.

Getting out of overwhelm.

Being overwhelmed happens to all of us. Like having a huge list, and even though we keep crossing things off, other to dos add on. So, when we get to the end of the day, it doesn't look like we did anything, even though we've been busy all day long.

Maybe you have a big project or an approaching deadline and the mere idea of even beginning is unthinkable.

There's two different ways to approach getting out of overwhelm.

One way is to categorize and create lists or buckets of different activities, whether it's professional, personal, household, bigger projects, so you're categorizing the different things you want to accomplish.

A way to begin to use the buckets is to have the details of something. Some people need the big picture. So, if you're a big picture person, you would ask yourself,

• What's important to me about this project?
• What's important to me about this task?
• How does this support the bigger vision of my life?

Then when you've reminded yourself of the big picture, then ask yourself,

• What's my next best step, right now, today?

If you're a person who needs details and you've got a whole list of steps to do, you would look at the list of things, breathe and ask yourself,

• What's my next best step, right now, today?

Your unconscious mind will automatically give you the next best step. Whatever pops up first is the next thing to do.

This question is important because no matter how you organize or look at the world around you and the goals and visions you have for your life, breaking it down to what's my next best step will always create momentum—forward motion to get us out of the overwhelm.

Eat That Frog for 90 minutes a day.

A technique that's become very popular because so many people struggle with focus (whether you have the symptomology of ADHD or not} is “Eat That Frog.” So often when we have a project, task, or something we need to get done. It's easy to start scrolling on social media, or watch the end of that episode on Netflix, or get really busy organizing that stack of papers on your desk that has nothing to do with what you actually need to be doing in that moment.

A great book to read is, Eat That Frog! by Brian Tracy. “The Frog” is whatever you’re procrastinating on doing. Start the momentum of eating the frog by setting your timer and for five minutes do that thing, whatever that thing is. Starting the timer creates forward momentum and we're able to keep going and do more.

Another variation of this idea is something that Darren Hardy, author and speaker in the personal and business development field, recommends. Mr. Hardy made a practice of studying success and productivity in many contexts.

If we spend 90 minutes a day of uninterrupted time doing what we need to do, we'll have more focused time than most CEOs of Fortune 500 companies. When you structure your day so you have a 90-minute sprint in the morning as part of your morning routine, and perhaps do a second 90-day sprint later in the day, then you've already doubled your productivity.

You are now twice as productive as most CEOs of Fortune 500 companies.

Final Thoughts.

The idea of optimizing creativity when things are not going well in life is a priority. Often, in those moments, it seems like time has slowed or stopped. Maybe you’re dealing with a loss, illness, or the car broke down and you're stuck by the side of the road. Whatever it is that causes your day, week, or month not to be what you expected, we can get unstuck by taking small steps every day. The small daily decisions compound into massive growth, change, and progress in our life.

What do you do to optimize your creativity? How do you keep from being overwhelmed?

* * * * * *

About Holly

Holly is an Internationally Certified Master Coach, Professional Musician, Writer, International Speaker, Encourager & Founder of Aligned Optimum Vitality Coaching. Holly coaches Executives, Entrepreneurs, Coaches, High Performers & Creatives in eliminating blocks and trauma in the areas of life they most need & then create  intuitive, congruent goals. Holly helps her Clients achieve repeatable, optimum results without rah-rah motivational & accountability coaching, toxic positivity, unnecessary & unproductive busywork & years of therapy. 

You didn’t come this far to only come this far!

Click this link to learn more and to connect: https://linktr.ee/HollyLasky

Let’s chat and get clarity on what’s blocking you. Interested in one-on-one coaching or our new group coaching program? Click the link above to reserve time on my calendar.

BONUS

Go to https://linktr.ee/HollyLasky and click on "WITS Special Invitation". 

Submit your info and receive an email with a link to a custom meditation created especially for WITS to help build trust with and learn from your creative self.

Top Image by Tung Huynh from Pixabay