Writers in the Storm

A blog about writing

storm moving across a field
10 Self-Editing Tips

By Ellen Buikema

I often feel that my first drafts are like the first cooked pancake in a batch, otherwise known in my family as the doggy-pancake—tasty but with issues.

Although it is said that Shakespeare never crossed out a line, most published books have very different first drafts. Good writing takes time, along with some wailing and gnashing of teeth.

At my author visits in school libraries, I’d ask the students to take a quick glance at all the books on the shelves. Then I told them, “When the authors began writing those books they made all kinds of mistakes. So don’t worry. Get your thoughts on the page and worry about fixing the errors later. Everyone makes mistakes.”

These ten self-editing tips can help shape your next manuscript.

1. Read out loud

Using text-to-speech programs, reading aloud to yourself, or listening to someone else read helps you find errors in grammar, sentence structure, and flow. When those lines don’t look quite right, hearing them is a quick way to zero in on needed edits.

2. Search for empty words and gestures

Sometimes we use empty gestures as a pause to separate dialogue, like a scene where two people are chatting in the kitchen over coffee. Someone says something and takes a sip, pausing before the next line of dialogue. This is an empty gesture because it doesn’t advance the scene.

My editor told me about a late night rant on an agent’s blog, listing words and gestures that she hoped never to see submitted again. The list went something like this:

  • One
  • Smile
  • Laugh
  • Nod ( I am guilty of using this one—big time)
  • Look
  • Frown
  • Walk

These words are on the list because they don’t show attitude, character, or further the scene—which is what actions and reactions should do.

3. Find verbs that give attitude, set the mood, or add to the character

Take a good look at your verbs and decide if you can use a more vivid one. The words, saw, looked, walked lack spark. Rather than saw use eyed, studied, peered, glared at. And rather than looked at, use a visual: The clouds formed a dark silhouette against the fiery sunset.

4. Use an active voice

In an active sentence, the subject ‘does’ the action. Writing in the active voice is clear, concise, and direct. In passive sentence construction, the object is the subject of the sentence.

Examples:

The chicken crossed the road. (active)

The road was crossed by the chicken. (passive)

There is a place for passive sentence construction in writing, but more for stylistic purposes. This choice should be intentional.

When writing blogs in WordPress, one of the notices given for Search Engine Optimization (SEO) is the percentage of active versus passive sentences. The more active constructions you compose, the better.

5. Edit line by line—backward

Line editing is painstaking work, but will help you find typographical and grammar errors. I tend to edit by chapter, line by line. Editing from the last sentence in a chapter to the first one fine tunes the focus to the individual sentence and keeps you from being carried by the stream of content. It’s easier to catch errors going backward.

6. Have a break

To do your best work you must take breaks. The ability to attend to a task drops if you’re at it for too long. Short breaks help you keep focused and productive. When the brain is in a relaxed or daydreaming state, the mind solves problems with less effort. Sitting in front of the laptop, forcing yourself to figure out the next scene creates stress—the killer of creativity.

7. Re-read

You will need multiple read-throughs to find errors in spelling, punctuation, and grammar.

8. Create Mood

When an ample mood is created--place, atmosphere, sensory images--the characters respond to those details.

Effective mood words create magic in a scene.

When a character stalks instead of walks, the reader’s attention is piqued.

Characters’ dialogue can enhance the mood in scenes. Are there interruptions? Moments when someone whispers in anothers ear? Situations where the world goes mad?

The pace of your sentences and their construction affect mood. Varying the length of sentences and paragraphs increases the pace and tension. A paragraph may be a single line.

When the action is fast, use partial sentences. “Had to reach the roof.”

9. Reduce Prepositions

Because prepositions need many buddies--they can’t stand alone--they make sentences unnecessarily lengthy. Instead, try possessives. Use my neighbor’s house, rather than the house of my neighbor.

10. Choose a style guide

Style guides have a set of standards for writing and designing content. They help to maintain a consistent voice, style, and tone across your writing. The guidelines give information, such as comma placement, which words need to be italicized, and how to format quotes.

Here are several style guides:

  • The AP Stylebook (Associated Press) is used by newspapers, magazines, and public relations firms.
  • The MLA Handbook  Modern Language Association of America (MLA style) offers some style and usage recommendations, but is most often used for documentation and citation. It is great for academic writing.

Editing is an essential part of the writing process. There will be many, many drafts, but editing is a worthwhile endeavor. It brings out the very best in your story.

What are your experiences with editing? Which experience was the biggest challenge during the editing process?

* * * * * *

About Ellen

Author, speaker, and former teacher, Ellen L. Buikema has written non-fiction for parents and a series of chapter books for children with stories encouraging the development of empathy—sprinkling humor wherever possible. Her Works In Progress are, The Hobo Code, YA historical fiction and Crystal Memories, YA fantasy.

Find her at http://ellenbuikema.com or on Amazon.

Top Image by Alan Levine - Flickr

Read More
Book Cover 101: Covering A Cross-Genre Novel

by Melinda VanLone

Here on Writers In The Storm we’ve talked about putting the promise of your genre on the cover and how vital it is for selling your novel. As I've said before, a good cover is a contract with the reader that this story fits in the genre they’re looking for.

Note: For more information see Book Covers 101: Your Cover Sells Your Book.

But what if you’ve written a cross-genre story? 

Here’s the short answer: it’s almost impossible to do both at once. You have to lean one way or another, or you’ll miss both sides.

Let's say, for example, you've written a sci-fi/romance novel. Think carefully about the main story elements. Is the romance really front and center? Or is it more interstellar shenanigans with strong romantic elements?

My latest series, Raegan Reid, is a blend of urban fantasy and sci-fi. When I look at it objectively I see that it’s heavier on the urban fantasy elements. If I put a typical urban fantasy cover, a badass female protagonist standing in a sinister city landscape, and then tried to insert a futuristic element into the background, I would end up with a confused cover and no one would buy my book. It would leave both urban fantasy and science fiction readers scratching their heads, and their main thought would be: “I don’t know what that is, but I’m pretty sure it’s not for me.”

You do not want that reaction for your book.

Steps to a successful cross-genre cover.

1. Take a step back and analyze the major story elements in your novel.

  • What genre do they belong to?
  • Which reader is it going to appeal to more?

Typically, you’ll find you’ve got more elements of one genre than the other.  

For instance, I did not lean into the science elements hard enough in my story to market it to science fiction readers. If your cover incorrectly promises your genre, you’ll end up with angry readers, bad reviews, and a mental cross beside your name when it’s seen on future books.

As a side note, some genres are more accepting of experimentation, while other genres are more purist. If you’ve read within the genres you’re publishing in—as you should have—you’ll know which is which.

2. If your story is truly evenly balanced and you can tip either way, consider which genre has the biggest audience. You are seeking the largest pool of potential readers, because a bigger pool means more potential customers.

For instance, if your sci-romance is equal parts science fiction and romance, I’d lean romance. Biggest. Genre. Ever.

If you're still not sure, take a look at the covers from your comp authors, and see which genre they've chosen to highlight. If they've been selling well...it's a smart move to mimic their approach.

3. Once you’ve picked the genre you think is the primary focus of your story, cover your book accordingly (see previous Book 101 posts for more advice on what graphics go with which genre).

Keep in mind, if your book isn’t selling you can always change your cover to lean into the other genre. Maybe you got the dominant genre wrong. Maybe the smaller genre is hungrier and more willing to try a new type of story. 

Remember, the two basic mottos of indie publishing are: if at first you don’t succeed, try again, and don’t be afraid to change your approach. The power is in your hands.

Have you seen a cross-genre book with a great cover? Share it with us in the comments!

About Melinda

Melinda VanLone writes urban fantasy, freelances as a graphic designer, and dabbles in photography. She currently lives in Florida with her husband and furbabies.

When she's not playing with her imaginary friends, you can find Melinda playing World of Warcraft, wandering aimlessly through the streets taking photos, or hovered over coffee in Starbucks.

Her elementary fantasy series, House of Xannon, begins with Stronger Than Magic. For more information on covers, visit BookCoverCorner.com.

Read More
Congratulations, Dear Writer. YOU Are a Badass.

by Jenny Hansen

In case no one ever told you this... You are a writer, and you are also a badass. Yes, you. The hard-working, dream-chasing reader of this writing blog.

You have a dream, and you care enough about that dream to chase it down. Enough to get up early or stay up late to write, to put your butt in that chair day after day. Enough to take the time to learn what you need to know to write the best stories you can.

You are the brave soul who is mastering the writing equation:

Dream Chasing + Hard Work = Writer + Badass

The Writing Equation in Action

These last few years, I've entered the NYC Midnight Short Story Competition. Partly for the usual reasons -- it's fun, it makes me stretch as a wrier, etc. -- and partly because it makes me feel like a badass.

Here's how the contest works:

  • Each round, you receive a genre, a story element and a character
  • The word count and timeframe are set
  • The title and 1-2 sentence synopsis aren't included in the wordcount
  • Only 5 people from each "heat" move on.
  • Round 1: 8 days to write 2,500 words

This round, I was assigned the following story elements:

  • Genre - SciFi
  • Story element - a career
  • Character - a tracker

Every year it is a slap-dash careening ride to The End but the big-picture story requirements are familiar.

  • You must follow the genre rules.
  • It must be an engaging read.
  • The majority of loose ends must be tied up.
  • You have to finish.

Every year when I do this competition, I think of what Neil Gaiman says about writing.

(Gaiman urges you to think of your writing like dandelion seeds.)

"Dozens will go out into the world, but for every five failures that float on the wind, perhaps one will find some success. The more you send out, the more success you will have. The more types of things you try, the greater the chance of finding that success."

I think of the NYC contest as a way of floating my dandelion seeds and expanding my craft, all at the same time. Plus, even if I don't win the money, I have the work.

Every year when I see the thousands of writers who show up for this competition, I'm amazed at their fortitude, and I wouldn't want to be anywhere else. A bunch of badasses hang out in those forums.

Public domain photo - Pixabay

How To Get Through the Maze of Your Story

Plotter, pantser, plantser, story quilter, or outliner...none of that really matters as long as you get a story done. I am a firm believer that even though no two writers have the same process, we all have the power to get to The End.

There are four qualities possessed by almost every writer that are, in my humble opinion, more important than good writing craft.

  1. Hope
  2. Courage
  3. Perseverance
  4. Blind faith

The Big Four

It's nearly impossible to be a successful writer without the qualities above. Let's break them down...

1. Hope

We hope our story comes out great.
We hope someone will buy it.
We hope readers will like it.

The writing craft and our own discipline to get the story down are the only things we can control in this crazy writing life. Everything except the work is beyond our control.

And yet we sit down to write. We submit our writing to agents and editors who often reject us. We keep going in the face of rejection.

Hope is hard. Hope is brave. Writers who hang onto their hope long enough to achieve their dreams are badasses.

I encourage you to stockpile your stores of hope, so you have plenty available when you need it.

2. Courage

“Courage is the power to let go of the familiar.”

— Raymond Lindquist

Every writer must have the courage to embrace the unknown. Story after story, we jump in and stumble our way through the maze of a story. We meet new characters, try new genres, embark on a whole new research journey.

That's a lot of unknowns we face. Some of my writer friends see that quality as insanity or stupidity. I see it as flat out guts and courage.

We face the blank page, the unknown, and the fear that we suck. Then we send our work to others for honest feedback.

We are astonishing.

3. Perseverance

“Courage doesn’t always roar. Sometimes courage is the quiet voice at the end of the day saying, ‘I will try again tomorrow.’”

— Mary Anne Radmacher

Call of the Wild author, Jack London, received 950 rejections before someone bought the book. Our own Laura Drake has 400+ rejections under her belt. Bestselling author Debbie Macomber had an agent stand in front of her, tap the manuscript Debbie had submitted for her to critique and advise that she "throw it away."

These are three writers that we've heard of because they didn't give up in the face of adversity. Plus they did the work, and learned how to write a great story.

I always try to remember: it only takes one 'yes' to open the door to opportunity wide enough for me to squeeze on through.

4. Blind Faith

This last one is the real reason I think writers are the bravest superheroes on the planet. The sheer courage of diving into the unknown with every new story, and persevering until that story is told? Of believing that story will be told? That takes a massive amount of hope, discipline, and blind faith.

Especially for the pantsers. They sit down knowing a character or two, possibly a setting or a few plot points. Then they spin a story, line by line and chapter by chapter. At least the plotters get the chance to mentally immerse themselves in their story before they get started.

Final Thoughts

If you haven't congratulated yourself for your badassery lately, I hope you take a moment now.

You. Rock.

Seriously, y'all. I've said it before, the sheer act of taking that leap of blind faith and showing up for your writing, day after day, year after year, is an incredible act of courage and will.

These four qualities that save us -- hope, courage, perseverance and blind faith -- are also often a heavy burden to bear. To me, this is why writing stories is so damn exciting, and so damn scary. You just never know how long it's going to take or how it's going to turn out...and you do it anyway.

You wonderful badass, you.

Do you agree or disagree? What part of the writing scares you the most, or requires more blind faith. Please share with us down in the comments!

About Jenny

By day, Jenny provides corporate communications and LinkedIn advice for professional services firms. By night she writes humor, memoir, women’s fiction, and short stories. After 18 years as a corporate trainer, she’s delighted to sit down while she works.

When she’s not at her personal blog, More Cowbell, Jenny can be found on Facebook at JennyHansenAuthor or at Writers In The Storm.

Read More

Subscribe to WITS

Recent Posts

Search

WITS Team

Categories

Archives

Copyright © 2026 Writers In The Storm - All Rights Reserved