Writers in the Storm

A blog about writing

storm moving across a field
Writer space - Cheaper than a Divorce

By Susan Haught

Have you ever watched a child blow bubbles with a little wand and a bottle of soapy water? Perhaps you’ve taken a turn yourself. If you have, you’ll know there’s something magical about bubbles.

When my son was little, we’d spend Easter with friends, and every year the Easter bunny would leave a bottle of soap bubbles in the kids’ baskets. A dozen or more children would dance around in the warm spring sun and blow wand after wand of bubbles. The air would be filled with giggling kids, barking dogs, and the occasional bout of tears. Bubbles are mesmerizing, and I’d soon find my imagination drifting away and the world around me would disappear. Until someone popped my imaginary bubble.

As writers, I think we all create some sort of “bubble” where our fictional characters live, talk, play, and generally wreak havoc on our sanity, but it’s also a place where we turn off the world around us. Tune out the other humans who share our space. Escape life’s distractions. Retreat into our fictional world. Inside our bubble—however you choose to define it—is the place where the magic happens. And it’s proven once our train of thought is interrupted, it takes several minutes to reconnect, to recreate our imaginary world.

I was lucky. We have a den in our home, hubby was still teaching, and our son was away at college. Hours of quiet. Hours of happy writing. No one to pop my bubble when I sat down to write.

And then hubby decided to retire.

His naturally loud fifth-grade teacher voice was perfect for ten-year-olds, but his inside voice failed to make it home with his last paycheck. Reminding him I needed quiet didn’t work. He took up the grocery shopping chore to help out but called an average of three times for a six-item list. And somewhere between “I’m not signing my contract this year” and “Today’s my first day of retirement”, he forgot how to read the sign on the outside of the den that said Do Not Disturb. The day he tiptoed into the den and said, “Shhh…I don’t want to disturb you…” and proceeded to use the shredder was the day I was done playing nice.

Having a space to write is essential, but it doesn’t have to mean robbing a bank to add a room to your house. It can be as simple as the corner of the sofa at a designated time with a set of headphones and your favorite music. Some pack up their laptops and head to a coffee shop. One author I know cleaned out a closet and made it her writing “cave”. Another told her family if she was in bed with her laptop, she was unavailable-period. And still another fixed up a place in her basement. Reminded me of The Book Thief meets Bates Motel, but it worked—her kids refused to go down there.

Defining your needs is the first step to claiming your own writing space.

Then, decide on a budget and what it will take to make it happen—it can be as inexpensive as a thrift store desk and painting it your favorite color, or as elaborate as turning an extra bedroom into the ultimate escape. Or hey, that treehouse I saw on Pinterest might catch your eye.

When you’re finally able to sit down in your space, it’s a good idea to turn off distractions (who doesn’t get lost on Pinterest or FB?) so you can retreat into your “bubble”. A soap bubble is fragile. Once the pearlescent surface is touched, POOF! it’s gone. And so is your concentration. And in order to stay there, it’s essential you aren’t disturbed. It may take some time, but your favorite humans will get the hint.

Unless you’re married to my human. You remember, the guy with a master’s degree in education who suddenly forgot how to read?

Six months into his retirement I had written very little. Deadlines weren’t met. I was cranky and angry at him for invading my precious time day in and day out. He whooped for the Diamondbacks. Watched rodeo and discussed it loudly with the dog. Whistled. Ran the vacuum. He didn’t get it. He didn’t understand the “bubble” concept. Something had to give.

We brainstormed, even thought about finishing the attic. Adding a room (eeek!) was out of the question. I came up with a solution that fit our budget and my needs, and two months later, I vacated the den. Now my writing space is an 8’ x 12’ She-Shed in the backyard. It’s a Tuff Shed he and our neighbor finished inside, and I decorated in a beach theme. It has heat and AC, a coffee and wine bar, bookshelves galore, and a spacious desk. The best part? He knows I’m not to be disturbed unless the house is on fire or he’s bleeding from an artery. My bubble stays blissfully intact.


When I came up with the idea, it didn’t take a whole lot of convincing that this was the ideal solution. Hubby decided my 96 square foot sanctuary at a cost of $8,000 was cheaper than a divorce. 

What’s your idea of the perfect writing space?

Susan Haught writes emotionally powerful stories of family, friendship, and the healing power of love, with characters in their 30’s, 40’s and beyond. A multi award-winning novelist, Australian black liquorice connoisseur, and hopeless coffee & wine addict, Susan believes Love is Ageless and has the power to change lives--one step, one touch, one kiss at a time.

Susan is the author of the Award-winning Whisper of the Pines series—A Promise of Fireflies, In the Shadow of Fate, A Thousand Butterfly Wishes, The Other Side of Broken, and Outside the Lines.

When Susan isn’t writing, you’ll find her burying the evidence of a notorious brown thumb, teaching her hubby the difference between red leaf and romaine lettuce, or curled up with someone else’s words.

Won’t you join Susan for coffee?

www.susanhaught.com

Facebook

BookBub

Instagram

Read More
Scrivener Split-Screen Magic

By Gwen Hernandez

Many Scrivener users aren’t familiar with the split screen feature, and if they are, they don’t realize its potential.

Introducing Split Screen

The Split Screen feature allows you to, well, split your screen. You can divide the single Editor pane into two panes, either horizontally or vertically.

Here are a few ways to use it:

  • View the end of the previous scene while working on the opening of the next one.
  • View another part of the current document while working on it.
  • Compare two versions of a scene, either in Snapshots (Mac only for now), or if you saved the previous version in a separate document.
  • Copy text from the same or another document without losing your place.
  • Refer to research files or photos while you write.
  • View your manuscript's structure in the Corkboard or Outliner in one pane, while you write in the other.

In my experience, the main source of confusion with Split Screen is that, initially, both panes display the same document (see images below). That can be handy for referring back to an earlier point.

But if you don’t want to view two locations in the same document, you can easily choose to view something else in one of the panes.

Splitting the Editor

To split the Editor, select a document in the Binder, and then do one of the following: Mac: Click the Toggle Split button in the upper right corner of the Editor (see image below). Hold the Option key on your keyboard to switch the split button between horizontal and vertical. Scrivener will remember your most recent orientation choice until you change it again.

Windows: Click either the Horizontal Split or Vertical Split button in the upper right corner of the Editor (see image below).

The Editor splits into two panes with the selected document displayed in both.

NOTE: Each pane can have separate settings, such as Zoom level, ruler display, Page view (Scrivener 3), and Focus (Scrivener 3).

Working with Split Screen

Each pane has its own header (see image below). The active pane’s header is blue. This is the pane that will be affected when you select a document or adjust menu settings. The inactive pane’s header is gray.



Choosing the Active Pane

To designate the active pane, click anywhere in that pane’s editor. If it wasn’t already the active pane, the header will turn blue.

Assigning a Document to the Active Pane

Once you’ve designated the active pane, click any document in the Binder to view it in the active pane.

Viewing a Group in the Active Pane

To view a group of files in the active pane, select the desired folder (or multiple-selection of files). By default, you’ll see the Corkboard view for that folder, as shown below. You can choose the Outliner or Scrivenings (multiple document) view from the toolbar or the View menu.

Adjusting the Split

To adjust the relative split of the panes, drag the bar between them.

Locking the Contents of a Pane

To prevent yourself from accidentally changing what’s viewed in a pane (by clicking something in the Binder while that pane is active), you can lock it. Here’s how:

  1. Mac v3: Right-click the header of the pane you want to lock, or go to Navigate>Editor. Windows, and Mac v2: Click the icon in the header of the pane you want to lock, or go to View>Editor.
  • 2. Choose Lock in Place. The header turns pink/salmon to denote that the pane is locked.

3. Repeat for the other pane, if desired.

4. Unlock by repeating Step 1 for each locked pane.

Exiting Split Screen

Choose No Split button for whichever pane you want to keep viewing.

That’s split screen! Is it more useful than you thought? Can you think of how you might use it? What Scrivener questions do you have for me?

Read More
Courting the Storm: Creating Space for Extraordinary Change

By Tex Thompson

Striving scriveners. Intrepid introverts. Fellow fearless fictioneers. I am so honored to write for Writers in the Storm today. I’ve recently enjoyed a ridiculous near-death experience that I think may help you make a serious, profound change (in your life or in your work) … and funnily enough, it involves actual writers in an actual storm.

The event we call Writers in the Field came from a simple idea: a thirteen-acre, mostly-outdoor annual weekend experience where writers can actually make, use, handle, and DO the things they’re writing about. We shoot bows and arrows, work mock crime scenes, handle horses, study ballistics and poisons, try on period garments and armor – the whole nine yards.

It was fantastically successful during its first year in 2017, and we were so excited to bring out even more experts and hands-on sessions in 2018. We worked hard on it all year long, promoted and planned it for months on end, and… well, you know how announcing your plans is a good way to hear God laugh?

Yeah – He busted a gut all over us. We got over a foot of rain in 24 hours. Rivers of mud. Flooded roads. Just an absolutely Biblical deluge.

Y’all, I was sure we were sunk (especially after the food truck fell in a ditch and blocked the entrance). I was SURE we would have to cancel, refund, and go bankrupt.

And then the most amazing thing happened.

A writer wandered up to the ticket booth and said “is this where we check in?”

And then another two. And then a group of three. A dozen more. A hundred more. They were streaming in, y’all – parking out on the main road and hiking a quarter-mile in the mud and the pouring rain. And they were READY.

We couldn’t believe it. It was the most incredible thing. And even as we frantically cancelled, swapped, postponed, and slapdash-surgeried our Saturday schedule around every new contingency, the writers joyfully took in everything we offered – and started engineering novel experiences of their own.

‘Foot selfies’ became a hot thing. So did full-body mud-shots. And as our grounds crew tamped down straw-and-branch walkways and ditch-witched cars out of the muck, the last thing they expected was an eager note-taking audience.

And then the tornado hit… but that’s another story.

And that’s when the light bulb came on, y’all. That’s when the big idea hit. I realized that my job was never to control or dictate what kind of experience writers would have at our event. My job was to offer them a place where they COULD have a new experience.

I’ve come to all sorts of conclusions since then. About what a joy it is to discover your own resilience, and how deeply our under-brains are stimulated by the raw and natural world, and (paradoxically) how much less fragile we feel whenever we escape the rut of our daily lives. More than anything, though, I believe one of the greatest gifts we can give to ourselves or someone we love is a place where new experiences are possible.

After all, that is literally the core of the Hero’s Journey, isn’t it? Powerful, transformational change only happens once we leave our ordinary world behind… even if only for a few hours. And you don’t need a capital-E event in order to treat yourself to a singular, electrifying, inertia-smashing change of scenery. They’re literally all around us.

Three thoughts, then:

  1. When you need to think new thoughts, put yourself in a new place.
  2. Radical changes in behavior happen with radical changes in environment.
  3. As a storyteller, you are already more powerful and resilient than most. But you will never discover your true strength from comfort and safety of your own cozy hobbit-hole.

That’s the thought I’d like to leave you with. You have already weathered every storm that’s come your way – but even more wonderful things can happen when you willingly venture out to meet them.

Also, grocery bags make surprisingly effective sock-condoms. Don’t ask me how I know.

So What do you think? Have you ever survived an experience to take something very different away from it than you planned?

 

About Tex

 

Arianne "Tex" Thompson was once described as "an explosion of 52 enthusiastic kittens latching onto everything at once." In addition to writing the 'Children of the Drought' epic fantasy Western series, Tex is the founder and 'chief instigator' for WORD - Writers Organizations 'Round Dallas. When she's not leading the charge at home in Dallas, Tex brings her particular brand of 'red-penthusiasm' to conferences, conventions, and workshops all over the country - as an egregiously enthusiastic, endlessly energetic one-woman stampede. Find her online at The Tex Files!

Read More

Subscribe to WITS

Recent Posts

Search

WITS Team

Categories

Archives

Copyright © 2026 Writers In The Storm - All Rights Reserved