by Laurie Schnebly Campbell
There’s nothing kids love more than knowing their birthday is coming up soon:
- People will sing Happy Birthday just for them!
- They’re gonna have CANDLES on their cake!!
- They’ll be the star of the whole day!!!
We all know that feeling of looking forward to a Big Day. Even after we’ve outgrown the thrill of counting candles on our cake, we still feel it before some special event... like, say, a writing conference:
- I’ll be able to chat with fellow writers!
- I’ll meet other creative people and discuss what we do!!
- I’ll get all kinds of free stuff!!!
Regardless of our age or event, anticipation is something EVERYONE loves. It makes our blood sparkle. We actively enjoy picturing some experience we know will be a treat, contemplating the pleasure ahead while sitting at a stoplight, doing a mundane chore, or anything else that can be brightened with a bit of excitement.
What gives YOU that feeling of anticipation?
You might have quite a few things, but it’s likely that one you especially enjoy is (drum roll) opening the cover of a long-awaited new book.
How will it start? Who’ll appear on the first page? What will they be doing, or thinking about, or talking about?
Will the story surprise you? Will it be what you’ve come to expect from this author? Will it make you feel challenged? Dreamy? Thrilled? Thoughtful? Scared? Entertained?
You’re probably going there in with some idea of what to expect, just from the book cover or title or author. But even so, no matter whose story you’re picking up, two crucial things determine how your expectations will be rewarded:
1. Boffo Beginnings
Ideally, the first 25 words will show whether your feeling of anticipation was justified. Maybe you’re instantly grabbed and engaged.
Maybe you’re not 100% consumed by those words, but you’re interested enough to keep reading the next 25. The next 100. The next 500. That’s a slower payoff, but it still leaves you aware that “yep, I want to know more!”
What openings have left you feeling that way?
For me, one that jumped out was from Ken Follett’s The Key to Rebecca: “The last camel collapsed at noon.” Huh? What? What’s this ABOUT?!
A friend’s recommendation of how Martha Wells opened All Systems Red turned me into a Murderbot series fan:
“I could have become a mass murderer after I hacked my governor module, but then I realized I could access the combined feed of entertainment channels carried on the company satellites. It had been well over 35,000 hours or so since then, with still not much murdering, but probably, I don’t know, a little under 35,000 hours of movies, serials, books, plays, and music consumed. As a heartless killing machine, I was a terrible failure.” Okay, I’m hooked—I’ve gotta read more!
(And you’re already thinking of openings that have done that for YOU, right?)
But you also know that the closing is every bit as important as the opening. Which takes us into the next crucial element:
2. Fab Finales
The thing about great beginnings and/or great closings: neither one is especially useful without the other. As it happens, both those books whose openings I loved ALSO delivered highly satisfying conclusions.
But sometimes, readers can get so moved or exhilarated or heartbroken or renewed by the closing of a book that—even if they couldn’t quote you the opening line—they’re definitely gonna order this author’s next title as soon as it comes out.
Remember these exceptional closings?
- “Yes,” I said. “Isn’t it pretty to think so?”
- Reader, I married him.
- “And, oh, Aunt Em! I’m so glad to be at home again!”
- So we beat on, boats against the current, borne back ceaselessly into the past.
- He loved Big Brother.
- “After all, tomorrow is another day.”
I probably don’t even have to identify those books (although I should give the authors credit, so thanks to Ernest Hemingway for The Sun Also Rises, Charlotte Bronte for Jane Eyre, L. Frank Baum for The Wizard of Oz, F. Scott Fitzgerald for The Great Gatsby, George Orwell for 1984 and Margaret Mitchell for Gone With the Wind).
But did you notice how all these stories could be considered classics? Endings that resonate like the ones above tend to keep a book front-of-mind when recommending Great Reads, and everyone loves telling friends about their fabulous discovery.
So for writers, the trick is to have both a boffo beginning AND a fab finale, which involves quite a few techniques. Just as no two expert painters would give the exact same advice on how they create their best art, the same is true for book openings and closings...but feedback on options is always useful!
And speaking of options, you can choose whether to send in a comment for this:
Prize-Drawing Question
What’s a book you’ve loved because of (at least in part) its opening, closing or both?
Someone who answers will win free registration to Boffo Beginnings & Fab Finales, my November 3-14 email class on that very thing. This weekend I’ll have random-org draw a name and post it at the end of the comments, so check back Sunday when you'll still have a week to alert me "yes, I'll take it" at the email on my website below.

About Laurie:
After winning Romantic Times’ “Best Special Edition of the Year” over Nora Roberts, Laurie Schnebly Campbell discovered she loved teaching every bit as much as writing... if not more. Since then she’s taught in-person and online workshops including the upcoming Boffo Beginnings & Fab Finales, and keeps a special section of her bookshelves for people who’ve developed that particular novel in her classes. With 50+ titles there so far, she’s always hoping for more.









