Writers in the Storm

A blog about writing

storm moving across a field
Drive On, Writers - Reasons to Keep Plugging

James Preston
I want to tell you a story. No, not one I wrote, one I lived. This story is an illustration of a lifetime of reading, and a story that I bet you read and say, “Why, yes, I remember a book like that.” This story illustrates the seismic changes that we have witnessed. And at the end, there are two messages of hope, one that you may not have thought of.

I want to tell you the story of this shirt. Guaranteed, if you follow this tale you will come out with hope for your chances of finding an audience.

When I was between the 6th and 7th grades my parents moved from Fullerton to El Segundo, CA. For those of you who are non-California readers, that’s right next door to LAX. It could have been an awful summer — shy kid who knows nobody, no school to provide classmates — but it was saved by the El Segundo Public Library, a city institution that was then and is now nothing less than wonderful. I devoured the YA (Children’s back then) science fiction (and I have to give a shout out to the librarian who did that book selection — Heinlein, Asimov, Alice May Norton writing as Andre Norton, all great stories). Anyway, after that was done one of the librarians said, “Here, try this. You might like it,” and handed me Hot Rod by Henry Gregor Felsen. I loved it and it started a lifelong love of hot cars. And parts of it stuck with me.

Fast forward to 1981.

I was reading Stephen King’s masterpiece It. In the part of the story set in the 1950’s, during a summer vacation, one of the kids who is new in town goes to the library in Derry, Maine. One of the librarians says, “Here, try this, you might like it,” and hands him Hot Rod by Henry Gregor Felsen. While reading King’s novel, absorbed in the story, it didn't click at first, but a couple of pages later a chill ran up my spine and it hit me. Hot Rod?!? I flipped back and, yeah, same title. Could it be the same book? Now, for you younger readers the Internet was only a gleam in DARPA’s eye, so there was no easy way to check, so I basically forgot it until . . .

Fast forward to 1984.

In an interview King tells the story and, yeah, it's the same book. When I read the interview I thought “That’s interesting,” which, while true, certainly misses the larger implications. 

One more fast forward, this time all the way.

The Internet has burst upon an unsuspecting world.

And the Net changes everything. As a bona fide car guy I’m on email lists and one day there it is, Hot Rod, by Henry Gregor Felsen. I show my wife, saying, “I remember this book!” And on my birthday, the book and the shirt show up. She went to the web site and ordered them for me. Hot Rod was reborn because publishing no longer requires a 100,000-copy press run and a huge advertising budget, and because Felsen’s daughter loved the book and is a talented artist who gave it a new cover.

So what does this mean to you? You who may be struggling with a novel that you sweated over but cannot find a home for. You who are thinking about a novel but wonder if it will sell.

It means two things, one that you probably know, and one that may not have occurred to you.

First, you can get your book published. It may be a very small, electronic-only press, but it can be done.

It’s possible to publish a book with a small budget. The gatekeepers of the Big Six publishing houses are not gone, but like Bud Crayne in Hot Rod, you can skip them, speed past on the highway. You pays your money and you take your chances. That’s the cliché of modern publishing.

Okay, that’s common knowledge but here’s the other part, which I think is at least equally important and which may not have occurred to you.

Your book never goes away. Once that electronic edition is done it can live on the cloud, on servers, on tablets, and on smartphones forever.

In case the importance of that hasn't sunk in, I did some research on just how bookstores handle paperback originals by unknown writers. For starters, keep in mind that shelf space is like gold, so unknowns won’t get face-out so people can see the cover. And depending on sales, after a few weeks, the unsold books are stripped and the covers returned to the publisher. I clearly remember visiting the San Francisco Mystery Bookstore and seeing a large trash can full of paperbacks, all without covers, sitting outside. In the rain. I still feel the horror, the horror.

So here’s the other message. That won’t happen to your Kindle edition. 

It should be a message of hope. It's not easy, but if you work at it you will find an audience. Felsen’s daughter correctly believed in Hot Rod and with its new, improved cover it found a new generation of readers. And the shirt helped promote the book.

Along with everything else, the digital revolution has changed publishing. It is possible to do it yourself or with a very small organization, and find an audience. And once it's out there, your book will live, almost certainly longer than it would on the shelves of a bookstore.

“Okay, okay, I get it. There’s a path, there’s hope, my electronic edition will live forever. But what do I do next?”

Well, for starters you’re on the right track reading this blog. Part of this seismic change is the development of communities of folks with common interests, like writing fiction. You’re in the right place.

Look up Robert A. Heinlein’s Five Rules for Writing. They are as true now as they were in 1947.

Want to read more thoughts on libraries? See the Writers In the Storm entry, For Love of a Library by Ella Joy Olsen.

For detailed tips on dealing with this changed landscape, see 7 Things Authors Must Do Differently in 2017, by Penny Sansevieri also in this blog. (And while you’re at it, stop a moment and marvel at just how effortless it is to find those sources.)

And . . . Write. That’s all there is to it.

As the hero of Hot Rod, Bud Crayne says, “Forget your brakes. The way out of almost any tight spot is power.” Just write.

And that shy kid who read Hot Rod? Why, his Surf City Mysteries are on the shelves of the same library.

I wanted to tell you a story. Now it's your turn. 

We all have books that were important to us when we were starting this writing adventure, stories that we read that made us say, “I want to do that.” For Stephen King, Felsen’s tale of teenage speed influenced him. What was it for you? There’s somebody out there who will read what you say and go find the book and, just like Hot Rod, it will live.

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About James

Sailor Home from Sea

 James R. Preston is the author of the award-winning Surf City Mysteries. The most recent is Sailor Home From Sea. He is finishing the second of a projected trilogy of novellas set at Cal State Long Beach in the 1960s. The next Surf City Mystery is called Remains To Be Seen and will be available in 2017. His work has been selected for the UC Berkeley Special Collection, California Detective Fiction. And when he needs inspiration for a great opening, he looks at a Jayne Ann Krentz.

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#WITS1000 Millenium Celebration at Writers In The Storm!

We have a surprise for you today - our 1000th post happened this week and we're celebrating big time. That means we're celebrating you, our amazing readers. We're more than a little bit misty over this, as we never expected to get this far when we started our little blog back in 2010.

Thank you, Amazing Readers!
Thank you, Wonderful Contributors!

We appreciate all of you who have taken this journey with us, even when we were a mostly-unknown pixel on the map of  the blogosphere. We hope y'all keep bringing new friends to visit so we can continue to grow.

Click on our Resources page to see who helps keep this blog running.

*drum roll, please*

Let's move on to the giveaways!!

There's a Rafflecopter you'll want to enter for the most chances to win. Winners, except for those detailed at the end of this post will be announced on our Facebook page.  If you haven't Liked us on Facebook yet, click here or just complete the Rafflecopter at the bottom of this post.

The giveaways will start in the morning (Eastern Time)
and go all day on our Facebook page.

Read on for some of today's giveaways, and please share on social media with the hashtag #WITS1000. We'll be combing the internet for cool tweets and updates and share them on for you.

Laura and Orly are giving away copies of their books.

 

 

We're a crafty bunch, so you'll get fun in between all the useful, just like you do with all our posts.

Orly's Crochet Horse - The Distance Home (Giveaway horse will be different colors/size but still snuggly cute)

 

Fae Rowen makes handmade cards

 

Jenny knits hats during reading & TV time

 

Laura has opted to give away several of her most useful craft books (gently used), along with several new copies of her own wonderful works.

 

Additionally, Laura has offered up two query letter critiques. Considering she teaches entire classes on query letters, that's a stellar prize!

There are some research books coming to you from Jenny and Fae, and a few fun favorites as well.

 

All of the above will be given away on our Facebook page, but the prizes below will ONLY go to one of our readers who comment on this blog.

(We lo-o-o-ove to spoil y'all.) 

$20 Amazon Card

#WITS1000

 

A Craft Book from Janice Hardy at Fiction University.

Janice Hardy

 

Winners choice of one e-book from Angela Ackerman's Thesaurus series.

Giveaway caveat: If it can be emailed (i.e. gift card codes or e-books), we will send it to you wherever you live. If it must be shipped, we ship to U.S. residents only.

To visit our homes away from WITS, click the links below. We'd love to see you at our other sites too!

Fae Rowen - Website
Jenny Hansen - More Cowbell (blog), Pinterest
Laura Drake - Website, Mailing List, Pinterest
Orly Konig - Website, Mailing List

a Rafflecopter giveaway

Come chat with us in the comments! Tell us what you like most here at Writers In the Storm, and what you'd like to see more of in the future.

~ Fae, Jenny, Laura and Orly

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Have Courage, Writers! Use the "Theory of the Duck"

Tasha Seegmiller

If you are like me, when you started this writing journey, you probably didn’t realize how much it would force you out of your personal box of comfort. You might have imagined sitting in a comfortable room that is almost too small for anything but you, your computer, a comfy chair, a desk of your choice, and bookshelves.

And there, you and your words and your ideas would embark on a synergistic journey of creative importance, you would have had poignant moments of learning about yourself and your characters, and then people would read your book and it’d be lovely and you’d repeat the process, mingling in times when you would meet with the people who you’d inspired and hear how your words impacted their life.

Then it happened. You went to send your words into the world only to hear about “agents” and “pitches” and “queries” and “conferences”. Networking and platform building may have bleeped across your radar and suddenly, all the work that you did to create the thing of beauty would be stuck unless you did one of three very scary things:

  1. Keep your writing to yourself.
  2. Publish the book yourself and persuade people to buy it.
  3. Try to entice an agent to love your book as much as you do so they can persuade someone to buy it.

Whichever option you may have selected, it’s scary. Not boogie man scary – this is more terrifying. This scary is putting yourself out there. This scary is putting your work out there. This scary is hoping with all hope that people will like your work. This is the kind of scary that, regardless of the path you choose, requires you to ask people to spend money on your work, to spend money on you.

Brené Brown said, “You can choose courage or you can choose comfort, but you cannot choose both.”

And if you are reading this blog, I bet you’ve had some conversations with yourself. These are certain to be deeply personal, and they probably involve a bit of self-arguing. But if you are reading this blog, I’m guessing that you are exploring either option two or option three. And you might be working really hard to convince yourself that you are good enough, that you are brave enough, that you are deserving enough to have your work go out into the world.

When these kinds of situations occur in my life, I like to reference what I call The Theory of the Duck. It came to me a few years ago when I was helping high school students (and my own kids) try something they wanted to do, but found their want and their doubt were equally matched.

The theory of the duck is this: imagine a duck swimming across a pond. From far away to up close, the ducks motions are calm, smooth, seemingly intentional. But if you look under the water? The pace of the feet moving the duck across the water are going much faster that you’d assume looking on the surface.

When you are facing a thing that is challenging all your courage, the words you write, the pitches or queries that you send need to convey calm, certain, unflappable. If you are to engage in a scary conversation live? Your face is the duck, it is what you are conveying to the world around you. But under the surface? You can absolutely be freaking out, having your mind race through scenarios, anticipate reactions, or whatever you and your mind like to do in your own time. No one is going to see that part.

Some say that this is just “fake it till you make it”, and that may be true, but I see it more as the chance to allow you to learn to believe in yourself through seeing how others believe in you.

Because even the most accomplished people still have moments of imposter syndrome, but they have developed the habit of courage, have allowed it to stand in front of comfort as a means to advance through the struggles of a creative pursuit and to embrace a more fulfilled life.

How have you negotiated situations when your courage and your comfort are not in agreement? Have you struggled with imposter syndrome?

*  *  *  *  *  *

About Tasha

Tasha Seegmiller is a mom to three kids and coordinator of the project-based learning center (EDGE) at Southern Utah University. She writes contemporary women’s fiction with a hint of magic, and thrives on Diet Coke, chocolate and cinnamon bears. She is a co-founder and the managing editor for the Thinking Through Our Fingers blog as well as the Women's Fiction Writers Association quarterly magazine, where she also serves as a board member. Tasha is represented by Annelise Robey of the Jane Rotrosen Agency.

 

She can be found on Facebook, Twitter, Pinterest and Instagram @TashaSeegmiller

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