Writers in the Storm

A blog about writing

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Forward Momentum For Your Writing Career

Amy Sue Nathan

I blame it on a lunch date. Or maybe I should say I owe it to a lunch date. Yes, my entire writing career is predicated on the fact that I met someone for lunch whom I’d never met before. I don’t remember his name, or what he looked like. I never saw him again.

Good thing you don’t pay royalties on inspiration.

During our pleasant midday conversation in an Irish pub, the first conversation since exchanging a few emails, my lunch companion mentioned that my email voice was “very well-suited to blogging.”

I thanked him.

Then, I went home and Yahoo-searched “blogging.” This was 2005, after all, and I unceremoniously entered the blogosphere.

After a few months of fervent blog reading and following and commenting, I started my own blog in early 2006. It had a polka-dot background and nary a reader. In my first-ever blog post I thanked Lunch Date Guy for setting me on a journey whose destination was unknown, and noted how that didn’t matter. What mattered was that I’d begun. I couldn’t have imagined where it would lead. Had someone told me, they’d have gotten a head slap.

I am big believer in momentum, that going downhill means you’re picking up speed and getting stronger, readying you for the climb.

My early blog where I wrote anonymously about being a single mom, dating, and life (like the main character in THE GOOD NEIGHBOR--coincidence?), led me to writing essays for photocopied ezines, and then for newspapers and online publications. My essays led me to attempt a memoir (because whose life isn’t worthy of 300 pages?), which led me to try fiction, which led to a book deal. Which led me to start a new blog about the kind of fiction I loved and was writing.

My full circle has a point.

It doesn’t matter where or how you start. It doesn’t even matter WHERE you go. It just matters THAT you go, that you keep moving, that the momentum in your writing life mimic the momentum you admire or strive for.

Even as a brand new blogger in 2006, I always wrote, rewrote, and edited my blog posts. They became writing exercises, stretching muscles I’d not used in years. I read many blogs daily in those days before quick life updates on Facebook and Twitter, and dreamed about having comments on my posts. And I got them eventually, and a solid following of bloggers and blog-readers. Some of whom now read my novels.

I learned from my lunch date that we don’t find our inspiration, we choose it.

We choose to look up blogging and take a chance on something new. We choose to use our observations about the blue sky to write an essay or a poem. We choose to tell a story that makes us laugh because we want others to laugh. We choose to spend a year, or two, or six, writing a book.  Maybe writers are compelled to write, but we choose to do it.

How many people have you met who say they want to write a book? My answer is always the same. “You should.” And I mean it. If you want to write a book, you should write it. Without a degree, without classes, without feedback. You have to start going if you want to go somewhere, anywhere. (I’m not suggesting that this is a good idea forever, that craft isn’t important, that knowledge isn’t king (or queen)).

I don’t mean you can always decide what you want to write about but you can choose to embrace the inspiration that is presented to you, to cultivate the ideas that rattle around in your head, to embrace curiosity without hesitation, and to move forward despite uncertainty and fear.

And if you get lunch out of it, all the better.

Can you point to the moment when you chose to be a writer? What inspires you to keep going?

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Amy's latest book, The Good Neighbor, just released yesterday.

The Good Neighbor

Izzy Lane never thought of herself as a liar. In fact, she's always played by the rules. She's an excellent mother, has loyal friends, and a rich career as a school counselor. Fresh from a new divorce, however, Izzy feels like she needs a little fun. So when, on a whim, she starts a blog it seems like a rather benign indulgence. But as her online quips begin to gain traction, Izzy makes a slip. Somehow a new boyfriend winds his way into the picture. The problem? Izzy makes him up.

What, at first, feels like a harmless fib quickly spins out of control and Izzy must figure out how to balance fantasy and reality. Keeping up appearances while managing an absent ex-husband, two very nosy friends, a toddler son, and full-time job soon prove impossible, and Izzy feels utterly lost. It's only when her long-time neighbor and surrogate mother, Mrs. Feldman, re-enters her life that Izzy begins to see the mess she's made. And it's with Mrs. Feldman's guidance that Izzy learns to face reality, find comfort in new norms, and open herself up to the possibility of real love.

About Amy

Amy Sue Nathan

Amy Sue Nathan is the author of The Good Neighbor and The Glass Wives, both published by St. Martin's Griffin. She is a freelance writer and editor, and the founder of the Women's Fiction Writers blog, named one of Writer's Digest's 101 Best Websites for Writers 2015. Follow Amy on Twitter @AmySueNathan.

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Margie’s Rule #9:  Cliché Play

Margie Lawson

I am uber-impressed with the WITS blog and the WITS bloggers. I’m always honored to be a guest. Thank you! 

Most writers know to avoid clichés. Every basic how-to book for writers includes a section on avoiding clichés. Those experts refer to clichés as lazy writing.

So do I.

Clichés represent weak writing. They’re easy to throw on the page. No thinking required.

Clichés don’t share the specificity and emotion as the phrase or sentence you could write.

No power words. No power.

What are power words? In my world, power words are the words that carry psychological power.

What’s wrong with using clichés?
  1. They’re predictable.
  2. They’re annoying.
  3. They invite the reader to skim, and tune-out.
  4. They don’t add specificity.
  5. They don’t deepen characterization or draw the reader deeper into the scene.

There are times when using clichés or cliché twists works well.

  1. When they are so rich, so perfect, they make you smile.
  2. When they are so twisted, they make you laugh.

Dennis Lehane, Moonlight Mile

Dennis Lehane uses two clichés in the passage below from Moonlight Mile. The one in the last line works well. It’s a perfect fit.

Set Up:  The POV character is angry with Helene, the scuzzy mother of the teenage girl who is missing. Here’s how he characterized Helene earlier: “If it smelled of stupid, Helene just had to be somewhere nearby.”

After the silence went on a bit too long, Helene said, “What’re you thinking?”

“I’m thinking how I’ve never had the impulse to hit a woman in my life, but you get me in an Ike Turner frame of mind.”

She flicked her cigarette into the parking lot. “Like I haven’t heard that before.”

“Where. Is. She.”

“We. Don’t. Know.” Helene bulged her eyes at me like a pissy twelve-year-old, which, in terms of emotional development, wasn’t far off the mark.

I’m sharing my deep editing analysis of that passage for fun, and to share the learning opportunities. After my analysis, you’ll find more examples of cliché twists. Enjoy!

Deep Editing Analysis:

Cadence – Read it out loud. You’ll hear the cadence driving the reader through every sentence. No stalling.

Allusion – Rhetorical Device – the reference to his Ike Turner frame of mind.

Clichés

  1. Like I haven’t heard that before.

In this scene, that overused line carried power, strengthened characterization, and made me laugh. I approve using this cliché here.

  1. . . . wasn’t far off the mark.

It works. It’s tight. I like the cadence. And I can’t think of a better way to end that sentence.

Period. Infused. Sentences. My way of describing when the author morphs what would have been a normal sentence into sequential single word sentences. Like. This.

“Where. Is. She.”

Lehane shared what I call a Dialogue Cue. He didn’t add a sentence describing how the words were delivered. He showed it structurally. The punctuation indicates that each word is clipped, and that the character speaking is big-time irritated.

He also did something I haven’t seen on the page before, but I’ve heard it in real life. He had one character speak in that clipped style, and had another character respond the same way.

“Where. Is. She.”

“We. Don’t. Know.”

The reader knows the second character is mocking the first. But Lehane doesn’t TELL us. He SHOWS us. Smart. And smart alecky too.  :-)

Facial Expression, Amplified:

Helene bulged her eyes at me like a pissy twelve-year-old, which, in terms of emotional development, wasn’t far off the mark.

Lehane could have stopped with:  Helene bulged her eyes at me.

Lehane could have stopped with: Helene bulged her eyes at me like a twelve-year-old.

Lehane could have stopped with: Helene bulged her eyes at me like a pissy twelve-year-old.

Ah! Adding the word, pissy, adds psychological power. It taps a universal emotion in readers.

Most adults have dealt with a pissy twelve-year-old, a child, niece, nephew, neighbor. Adding pissy elicits an internal nod. It ratchets up the tension and tightens the emotional hook.

But Lehane didn’t stop with that strong sentence. He amplified the line and empowered the emotion. Here’s his sentence again:

Helene bulged her eyes at me like a pissy twelve-year-old, which, in terms of emotional development, wasn’t far off the mark.

Back to Clichés!

Writers often write body language, dialogue cues, and visceral responses in clichéd ways.

  • She arched an eyebrow.
  • His face was as red as a beet.
  • She had butterflies in her stomach.
  • Her legs turned to jelly.

Avoid them. Write fresh.

Clichés are sneaky devils. You may not catch them until a 7th or 11th or 27th read-through. Or you may not catch them at all.

According to Donald Maass, clichés sprout up everywhere. Donald Maass has a sensitive cliché-meter. So do other agents.

Some people are cliché blind. They don’t recognize them. Working with a critique group, critique partner, the clichéd phrases and sentences they miss may be caught.

REMEMBER -- Compelling Cadence:

Every sentence should have a compelling cadence. Read these examples out loud. You’ll train your cadence ear.

Cliché Play from a few Immersion-grads:

Megan Menard, Pursued

Before:  It’s all fun and games until someone gets hurt.

After:  It’s all fun and games until the river wins.

Before:  “I’m done with Little League, Ketterman. Time to knock this one out of the park.”

After:  “I’m done with Little League, Ketterman. Home runs can be caught. We’re going for the grand slam of escape. Set off the alarm and run all the way home.”

Before:  “Forget it. You’re slower than molasses.”

After:  “Forget it. You’re slower than dial up internet.”

Set Up: Seniors in the retirement home are playing poker.

Before:  …winner takes all

After:  Those scoundrels cheated and rigged the deck to beat Esther Scott’s full house with four of a kind, leaving her as the loser-takes-all new owner of Tank, the meanest cat in God’s creation.

 

Suzanne Purvis, Fused

Before:  My heart jackhammers.

After:  My jackhammering heart pounds get-down, get-down, get-down.

Before:  Matt throws another rock and barely misses Avis’s ear.

After:  Matt throws another rock and misses Avis’s ear by a flea’s foot.

Before: The last sentence was:  Each time, setting me up as his fall guy.

After:  He started the fire behind the Friendship Hall, the fire at the Chamber of Commerce, the fire at the library. Each time, setting me up as his fire guy.

 

Lori Freeland, The Accidental Boyfriend

  1. I’m selfie-conscious.
  2. This girl’s kick-boxing my ego’s ass.
  3. I didn't sign on to be his bud-with-benefits.
  4. Tension's strumming off me like a badly played guitar riff.
  5. I try not overthink the whole commando-thing while I’m putting on Gabe’s pants without Victoria to cover my secrets.

BLOG GUESTS:  IT’S YOUR TURN!  

Click in and say Hi. Or share one of your cliché twists. You’ll be in the drawing to win an online course from Lawson Writer’s Academy!

Check out the courses offered by Lawson Writer's Academy in November:

  1. Writing Dialogue with a Psychological Punch
  2. Virtues, Vices, and Plots
  3. Diving Deep Into Deep POV
  4. 50 Ways to Build Your Author Brand
  5. Madness to Method: Using Acting Techniques to Make Each Moment Oscar Worthy
  6. Crafting 3D Worlds on 2D Pages 

The drawing will be Wednesday, 8:00 PM Mountain Time.

See you in the comments!

All smiles................Margie

Do you need MORE wisdom from Margie? Click here for all her WITS posts.

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Don't forget to visit the Write Up a Storm event
happening TODAY from 4 am to midnight!

About Margie

Margie Lawson

Margie Lawson—editor, international presenter—teaches writers how to use her psychologically-based editing systems and deep editing techniques to create page turners. Margie has presented over ninety full day master classes for writers in the U.S., Canada, Australia, and New Zealand.

To learn about Lawson Writer’s Academy, Margie’s 4-day Immersion Master Classes (in Denver, Washington, D.C., Phoenix, Canyon Lake, Dallas, San Jose, Melbourne, Australia, and more), her full day Master Class presentations, on-line courses, lecture packets, and newsletter, please visit www.MargieLawson.com.

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Write Up a Storm TOMORROW!

Please join us for Write Up a Storm II tomorrow (October 12th)!

We're writing up a storm from 4:00 a.m. to midnight PDT. 

Twenty hours (almost) of opportunities to connect with others, meet goals, and get your words "on paper." If you haven't signed up, do it now! Just click any link in this post or the graphic above.

We'll be writing from the top of every hour for fifty minutes. In the interest of health, we've planned a ten minute break at the end of every hour for walking around and other physical necessities. (If you need to work on a different schedule, say around breaks and lunch at work, that's fine. Keep track of your progress and, when you get a chance, let us know how you're doing.)

During that ten-minute break, you're welcome to post your word or page counts and anything else in the comment section here at the blog or on our Facebook Event page. We'll tally numbers and post them as often as we're able. End of the day tally will be here by Tuesday.

We're hoping for at least a novel's worth of combined word count.

You can commit to hours or only a fifteen minute block of writing time. Just follow through on your goal. That's how you finish a book. And today is a chance to make headway on finishing your book. As Laura Drake says, "You can't sell a book if you haven't finished one."

Here's your dance card:

Laura Drake will start the party from 4-8 am. The coffee will be flowing.

Orly Konig-Lopez will be onboard from 8 am to noon. (And yes, more coffee!)

Jenny Hansen will be playing Eighties flashback videos at the top of each hour from 12-4 pm.

Fae Rowen is taking the evening drive time from 4-9 pm.

Jenny Hansen is running the Night Owl party from 9 pm to midnight.

So let's support each other and make this fun. Writing is, by nature, a solitary endeavor. That doesn't mean you have to feel alone. Join us. Tomorrow's the day. 

Write Up A Storm. (click to sign up)

We're looking forward to hearing about your experiences in the comments!

~ Fae, Jenny, Laura and Orly

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