Writers in the Storm

A blog about writing

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What I've Learned Disrupting Book Marketing Venue by Venue

On December 18, 2024, I published Disrupting Book Marketing One Venue at a Time. It’s about my journey in learning to how to market my books, my discovery of a prompt that allowed me to use an AI tool to define my market, and how that clarified what I needed to do. Six months later, I’ve been doing consignment shops and in-person events with all that in mind. Now I’m going to share what worked for me at the in-person events I was at, what improvements I’ve made and ideas for the future.

That seems like a lot. But it’s entirely doable if you have clarity on your brand, and what image you want to project to your customers. By that, I don’t mean to be fake. Think about what you want a stranger to say to a friend about meeting you and how you can earn that.

You can stand out in a lot of different ways. 

Costumes

Some people stand out by wearing message t-shirts or striking costumes similar to what their characters wear. I wear comfortable clothing and statement jewelry (stuff I already love and feel comfortable wearing).

Accentuate What’s Unique

The books I’m selling have scenes set in real U.S. cities and if I’m in one of those, I have signage featuring pictures of those places that appear in my books and am happy to talk about how I researched those sites.

Shine a Light on It

There are dozens of chargeable lights appropriate for book tables available online. I bought two small “spot lights” but discovered that when pointed at my books, those lights effectively blinded me. A clip on, overhead light worked much better. String lights worked well for some vendors.

Must Haves

There are some universal must-haves when you are selling your books at events. This does not include things that are unique to your health or comfort. Always, take care of you over the arbitrary lists someone else devises.

A Cash Drawer

The number of people who use cash is far less than it once was. However, I’ve had at least one customer who paid cash at every event. Carry the amount and type of change you expect to need for the prices of your books. 

Software for Credit and Debit Card Purchases. 

This is how most people pay for their purchases, so it helps to have this. Practice using it. A slow and awkward attempt to use it will leave a less favorable impression on your customers.

Venue Specific City and State Sales Tax Rates

How do you know when you must pay taxes? An internet search or call to that city and state government will give you all the information you need. Plan ahead. Some states require a “certificate” that shows you’ve registered with the state. Applications are usually easy but apply early so you don't have to fret over paperwork not yet received.

I calculated my prices to include the highest local city tax. That covers my costs and builds a little cushion for unexpected changes in tax rates. Most of my customers expressed gratitude that the price they saw was the price they paid.

A Backup Power Source

You’ll need it if you’re running a lot of sales on your smart phone or tablet or to keep your display lights on, particularly if the event lasts more than a few hours. I started out with a hand-held power brick and ended up buying a portable power station capable of running or charging all my electronics.

The WiFi Password AND Alternate Access to the Internet

Most venues provide free wifi. Ideally, the organizers will inform you of the password at check-in. You may have to ask for it. However, you may find that the service provided isn't reliable or is much slower than that of your personal Hotspot.

Comfort Measures

Wear comfortable shoes and bring an anti-fatigue mat or two to stand on. I started off with comfortable shoes but without an anti-fatigue mat. It made an enormous difference for me at the next event.

A fan and a sweater or light jacket. Event spaces are too hot or too cold. A handheld fan may be just the thing you need to be comfortable. If you expect to have electricity or you have a backup power source, bring an electric or USB fan.

Newsletter Sign-Up

A simple sign-up sheet will work, but you can also have an electronic tablet for customers to use. Some customers prefer to use a QR code. I have both available at my table.

There are plenty of sites that allow you to create a QR code for free. If you want tracking ability or a special design, you may have to pay a small amount to get those features.

Photograph of Lynette M. Burrows standing behind her table with a 5 row wire book rack, lighted sign of the trilogy on one end of the table and books on the table as well as on easels and a sign showing various local locations that serve as settings in the books.

I can’t tell you how many authors I observed slapping together a table display at the very last minute at the event. Sadly, their displays did not show their books to their advantage. Did that affect their sales? I don’t know, but I think putting thought into your display before you get there can’t hurt.

Personally, I did a lot of research about how other authors set up their tables and what kinds of products I could use for displays. Then I “played” with those things. I got a table of the same size I’d be using at the event and tried several distinct set-ups until I found one that was stable, clear, and was pleasing to me. 

Why stable? Whether the event has a vast crowd or is scarcely attended, someone will bump into your table. Sometimes, many people bump into your table. You don’t want displays that will fall over or worse, fall to the ground and create a commotion. That’s the wrong attention for you and your books.

You can attract the eye of potential customers by displaying your books in varying heights, with lights, and by using color. It’s funny how people behave. You might have a fantastic display stand, but some people will hesitate to pick up a book from a display stand and instead pick up the one laying flat on the table. Others will do the opposite. I have had many attendees mention my attractive book covers and the colored scarves I use on my table. (Most people use black table cloths as they are practical in not showing dirt and don’t clash with other colors.) 

Don’t count on people reading your signs. I’ve had people seeming to stare at my signs, then ask a question that was answered on the sign. Realize that a book fair event can be overwhelming for the customer. Just smile and answer their question.

One early mistake I made was I set up my table in a way that hid short little old me if one followed the general flow of traffic. Now, I check out the direction of traffic and try to set up my table in a way that favors traffic flow.

I’ve been to several events where I sold my books at the location on someone else’s table. Sales there varied widely. Sometimes it was only one book, a couple times it was several books. Where I appeared as a speaker, I sold more than a dozen books. Are these great sales? Depends on what your goal was. I defined my goal ahead of time and met it.

When I am selling my books, I treat every potential customer like they are the most important person in the room. I want them to enjoy interacting with me, talking about books, or about my books. When a new customer passes, I find something I like about them—their smile, the shirt they’re wearing, the book they’re carrying, etc. and I watch their body language. If they pause or make eye contact with me, I’ll give them a friendly hello and give them that compliment. If I don’t feel I can make a genuine compliment, I start with a question I’ve prepared ahead of time. 

Possible questions:

  • What are you reading?
  • What do you look for in books you want to read?
  • Are you from this area?

Some people ask what genre the potential customer reads. I’ve found most people will answer “everything,” which is a conversation killer. So I’ve started asking questions like "what do you look for in books you’d like to read?" Or "what are you reading now (or last read)"?

And I have responses ready for potential answers — "Oh, you like strong female characters? My book has a female character who starts out spoiled and kind of weak, but she grows into a strong young warrior who fights for freedom for herself and others." (This kind of response must be the truth.)

Be a good customer to the event organizer. Supply the organizer with any requested materials (bio, photos, book covers, etc) promptly. Share the event on social media. And when the event is over, send a thank you note. It takes a lot of time, energy, and money to put on even a small event. Let them know you appreciated the work they put in.

Checked for Competing Holidays or Events

Events on holiday weekends can be very good if they’re tied into the holiday and terrible on some holidays. One event I took part in took place on Mother’s Day weekend. Very few people came to shop for books.

Checked Locations Before I Paid for a Table

The old saying, “location, location, location,” is especially true for events. Knowing the location can help you plan the number of books you bring, manage your expectations, and assess whether the event is worth your time and money. Yes, I paid for a venue that was more out of the way than I'd guessed and attendance was low.

Understood How Much Space I'd Have

I’m a word person. I am not a visual person. So when I read a table space five foot by five foot, I thought that’s enough. But you need space for you and possibly an assistant, the table, and any supplies you bring in (unless you want to take boxes back to the car.) If there's not enough space for you and your assistant to be comfortable, it will show to your customers. (Don't ask me how I know this.)

Had a System for Packing & Unpacking

Both set up and take down can be chaotic. My first event I had packed books by title. Unfortunately, that meant every time I sold out of a different title, I had to drag out a different box.

I thought I packed well for that first show, but to set up that table, I had to open almost every box I brought with me all at the same time.

I changed how I pack my supplies and books so now I open the fewest boxes I can at the show. For me, that means designating one box my “set-up” and one is my “working” box (cash, receipts, snacks, etc). And as I said earlier, I pack a few of each title in every box of books. This plan allowed me to be more efficient at later events than I was at my first few.

Had a Plan for Snacks During an Event

I packed a small cooler with a sandwich and chips and plenty of water. The sandwich worked okay, but after talking for a couple of hours, my dry throat made eating more difficult than it needed to be. The salty-greasy chips meant a lot of hand sanitizer. And eating a full-size lunch made for at least one awkward moment when a customer came to my table. In the future, I will try bite-sized, individually wrapped items. 

Had an Itemized Inventory

For my first sale, I inventoried my books several months ahead of time, ordered books, and got them in plenty of time. What I didn’t do was make a list of all the display items I took with me.

That would have helped me pack in a more efficient way both pre- and post-sale. 

With no list to double check, I couldn’t be 100% sure that I’d packed everything (I did) or that no one walked away with something. I was lucky and did not have any shoplifters. I’ve not experienced a lot of shoplifters at book sales, but general sales events where there’s a mix of products for sale are a different story. Keep your eyes on your products, your customers, and keep your money/credit card sales devices out of sight and reach of customers.

Post-Event Evaluation

Writing up an evaluation of each event immediately after it will help you plan for the future. Of course, this evaluation will include your gross sales and net income, but you also want to not what worked well for you and what didn’t. Make note of who the organizers were, how easy or difficult they made your job. Include notes about the location, who you met, what you need to followup and anything else you’d want to know in the future. Your future self can use that information to make decisions about which events to attend next.

Several events I attended were first or second time events by the organizers. That means there were things done or not done that affected how smoothly the event ran for vendors. Some events were very professional and helpful to the vendor. Some had a few problems.

General Information

When recruiting vendors, give enough information that the vendors can make an informed decision. Location, number of spaces, the history of this event in this location, and the crowd numbers (estimates are fine) from previous years help us make informed decisions.

Send basic information to the vendors a month in advance with visuals the vendor can share on social media. Height restrictions, any restrictions on covers or genres of books, etc. Where to unload and where to park one's vehicle are vital to everyone selling at or attending the event.

Allow Reasonable Space Per Vendor.

I understand organizers need to squeeze the maximum number of paying vendors in the space as possible, but from now on I will favor vendors who plan their rental fees and space, so it is comfortable for everyone.

Have a Check-in for Vendors.

A check-in process allows organizers to help the vendors and themselves.

ID tags. 

Those ID tags help everyone, even potential customers. Without the tags, you or your customers may spend frustrating minutes searching for help or information. So please, have tags that indicate who are vendors and event staff.

A Map of the Layout. 

At check-in, organizers should hand each vendor a current map that tells them where their station is, where the bathrooms are, and any other logistic information such as the customer entry point, fire exits, etc. A digital map is great, but there’s always someone (me) who has devices that don’t share email or they forget the printout they did at home. Providing a map helps reduce the chaos of vendors finding the wrong space or hunting down organizers to ask “where am I supposed to be?”

Label Spaces and Tables that Correspond to the Map.

Having to track down the organizers and ask where your table is can take a lot of time and lead to frustration for both the organizers and the vendor. One event I attended had taped off all vendor's spaces with painters tape.

Clear labels also keep vendor disputes to a minimum.

Changing tables and spaces on the fly just before the event can lead to some unhappy vendors. At one event I attended, my neighboring table had an assistant who set up her eight foot tall banner in a manner that blocked my table from oncoming traffic. Fortunately, when she arrived, she noticed and moved the banner behind her table.

A Post-Event Satisfaction Survey for Vendors. 

You can’t know all the things that went right or went wrong in an event. And you can’t fix or repeat those things if you don’t know. Ask for feedback. If your organizer doesn’t ask for feedback, suggest that they do. If they are resistant or refuse, consider an event by a different organizer for your next engagement.

Minimize Noise.

Many event spaces are loud and have echoes. Music at a noisy event like a book fair isn’t a good mix. (Don’t ask me how I know.) Vendors already push their voices to the edge, competing with the general noise level of a couple dozen vendors in the same large space. Adding piped or live music in the same room isn’t fair to the musician, the vendors, or the customers.

Arrive Late. 

Sometimes unexpected reasons delay you. But late arrivals create chaos for the late person and any vendors and customers around the late person’s table.

Plan to be there with plenty of time to set up prior to the opening of the event. Offer to help your neighbor vendors when possible. Offer to help the organizers set up.

Don’t Poach Customers. 

Pay attention to the customer—is that person talking to someone at another table? Shouting for their attention and insisting they come see you is “poaching.” Shouting at customers may also drive the customer away from your table and any table near you. Just don't.

Don’t Assume.

Often event spaces charge extra for tables, electricity, internet service, or for labor (helping you, setting up the space beforehand, etc.). If the organizer has not sent you specific information about those things, ask. Assumptions will likely cause you distress on the day of the event.

It shouldn’t need said, but don’t light candles or other sources of flame (use electric ones if they fit your brand). And don't create so much sound or light that it's disruptive or painful for other vendors around you.

Don’t be a Smarmy Salesperson. 

Shouting your tagline at passing potential customers may draw customers to your table, but they won’t be your customer unless they were already interested. And you’ll likely anger your neighboring authors. Be polite. Be genuine. If you don’t easily strike up a conversation with strangers, prepare a list of potential topics before you come to the event.

Don’t Ignore Your Neighbors.

Introduce yourself. Ask what their books are about. If appropriate, give them a compliment. Offer to take pictures or cover their table while they run to the bathroom.

Don’t Leave Litter. 

Be prepared to clean up your area. I take a trash bag with me and am prepared to take it home if the venue doesn’t have enough trash receptacles.

If you are able, offer to help clean up after the event. 

Don’t Sit and Stare at Your Phone. 

Don’t cross your arms over your chest. That’s a very closed position that most people will avoid. 

Stand. Smile. Have an approachable manner and posture (pleasant, comfortable, open). But also don’t intimidate potential customers with a stare down.

Don’t Complain About the Event.

If the organizers ask you for feedback, give them constructive feedback in a polite and helpful way. You don’t want to burn bridges with an organizer who wants to learn and do better.

If you ask if any of the events were profitable, I’d have to say no. However, while I didn’t break even at the event, the long tail of sales on Amazon after each event got me over or close to over. For each event, I compare it to my ROI from Amazon Ads. In each case, I spent no more per in-person sale than I did for each Amazon sale…and in several cases I had a much better ROI at in-person events.

I learned which tagline intrigued people the most, what topics interested people more, and which approaches worked best for me.

Watching people read my book blurbs was good for my writer's soul. *smile*

Looking at other vendor’s table set ups and listening to their pitches helped me refine mine. A couple gave me some superb ideas. (A tv tray behind the table for your cash drawer and drink or food was brilliant!)

Know your goal(s) before you go. I’m at the beginning of my journey, so for me, my goal was to get more readers. And that I did.

I also made connections at each event. Once was with a podcast. One was with a bookstore owner. I also connected with other authors, other event organizers, and a couple of customers asked if I would speak at their school or organization. Of course, I said yes.

My goal of finding more readers is happening and I’ve gained a lot more. I’m playing the long game on a small budget, and I can say yes, for me, it has been worth it. And I’ll keep changing my goals and playing that long game, disrupting book marketing one venue at a time.

Have you done in-person sales events or plan to? Please share your tips and questions.

About Lynette

Headshot of author Lynette

Lynette M. Burrows is an author, blogger, writing coach, and Yorkie wrangler. She survived moving seventeen times between kindergarten and her high school graduation. Her stories weave her experiences into speculative fiction stories that balance character growth with thrilling action and social themes. 

My Soul to Keep is book one of an alternate history dystopian trilogy about a young woman of privilege who in her desperation to avoid her pre-planned life, escapes and ends up in a no-win situation. She faces a choice: return to suffocate under the rules of her society or fight for her country and her life. Book One, My Soul to Keep, and Book Two, If I Should Die, are available at your favorite online book seller. Book Three, And When I Wake, will be published in late 2025.

When Lynette’s not writing she avoids housework and plays with her two yorkies. They live in Dorothy’s home state of Kansas. You can follow Lynette on her website or her Facebook page or Sign up for her newsletter.

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How to Prepare Your Manuscript for a Developmental Edit

by Jenn Windrow

You’ve finished your draft. Poured your heart into your characters, built entire worlds, and untangled plots that kept you up at night. Now it’s time to send your baby to a professional developmental editor to ensure your hard work is ready for publication.

But wait—before you hit “send” and hand your manuscript over to a developmental editor, a little preparation can make a huge difference. The better shape your draft is in, the more meaningful and actionable your feedback will be.

Here’s how to set yourself—and your story—up for success.

1. Understand What a Developmental Edit Really Is

A developmental edit focuses on the big picture. This includes:

  • Plot structure and pacing
  • Character development and arcs
  • World-building consistency
  • Themes and narrative cohesion
  • Point of view, tone, and voice

This is not the stage for fixing typos or comma splices. (That’s for copyediting or proofreading.) The goal here is to refine the foundation of your story.

2. Finish Your Draft (Really Finish It)

Don’t send a half-finished manuscript or one where the final chapters are still “in your head.” Editors need to see the full arc to provide meaningful insights on structure and resolution. So, don’t hit send until you have a fully finished, fleshed out manuscript.

Your editor will thank you!

3. Revise Before You Submit

This isn’t about perfection—it’s about effort.

Run through your manuscript at least once with your own critical eye. Tighten obvious plot holes, trim scenes that drag, and flag anything that doesn’t feel “right.” A developmental editor can help fix bigger issues, but your work will benefit if you’ve already done some heavy lifting.

Ask yourself:

  • Does every scene move the story forward?
  • Are my character motivations clear and believable?
  • Are there any subplots that fizzle out?

Also, mark places where you know something is off or doesn’t feel right, so your editor knows you really need help in those areas.

4. Prepare a Brief Synopsis

It doesn’t have to be beautiful, but give your editor a 1–2 page summary of the main plot, subplots, and character arcs. This helps them see your intent, which is crucial when recommending changes.

Let your editor know what genre you plan to publish in. This step helps the editor make sure you are hitting all the marks needed to make a book stand out in the market.

5. Include a Note About Your Goals

Are you planning to query agents? Self-publish? Do you want this story to be a series starter? Let your editor know. They’ll tailor their feedback accordingly.

You can also mention:

  • What you’re most concerned about (e.g., pacing, character likability, opening hook)
  • What kind of feedback isn’t helpful for you (e.g., grammar nitpicks)
  • Your ideal reader (age, genre expectations, etc.)

6. Format It for Readability

Make your manuscript easy on the eyes:

  •  Double-spaced
  •  12 pt. font (Times New Roman or similar)
  •  One-inch margins
  •  Page numbers included
  •  A title page with your name and contact info

I have had clients send me manuscripts in some odd formats that are not really conducive with tracking changes and leaving decent comments, I almost always ask for a word document or end up importing it into word myself.

7. Be Emotionally Prepared

This might be the hardest part.

A developmental edit is in-depth, honest, and sometimes brutal. But it’s not personal. Your editor wants your story to succeed, and the best feedback will challenge you to rethink, revise, and reimagine.

Approach it with curiosity, not defensiveness.

Conclusion

A developmental edit can transform your manuscript from “almost there” to “absolutely unputdownable.” With the right prep, you’ll make the most of the process—and come out of it a stronger writer with a sharper story.

Your editor is your ally. So show up ready to work—and ready to grow.

Do you have any questions about developmental editing that you would like to ask an editor? If so, leave them in the comments, and I will answer them all!

About Jenn

Jenn Windrow Author

Jenn Windrow is an Award winning author, developmental editor, and illustrator.

She loves characters who have a pinch of spunk, a dash of attitude, and a large dollop of sex appeal. Top it all off with a huge heaping helping of snark, and you’ve got the ingredients for the kind of fast-paced stories she loves to read and write. Home is a suburb of it’s-so-hot-my-shoes-have-melted-to-the-pavement Phoenix. Where she lives with her husband, two teenagers, and a slew of animals that seem to keep following her home, at least that’s what she claims.

Website: https://jennwindrow.com/

Photo credit - Hannah Grace - Unsplash

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Why I Dropped WordPress for PayHip

By Kris Maze

Let’s Talk Author Websites

If you're like me and chasing the indie-author dream of selling your work online and watching the dollars roll in, you may have noticed your writing time has been replaced with website woes. Things you never planned for like broken pages, clunky checkout processes, and costly plugins just to keep the site functional, wear away at creativity.

WordPress worries began sucking up my time, my money, and my mojo.

Every aspect of the WordPress universe started eating up a ton of my writing minutes. For example, my sales process (which is necessary) required research, installation, and testing before running it live for my audience. In recent months, when I'd commit to a version of my website, it was a gamble whether it would work. I found myself trying to squeeze in sales after installing new plugins and before the next big update hit.

My marketing strategies felt like an ongoing series of "throwing something in front of my audience and hoping for the best." Hoping they had the patience to stick with me through a business model that never seemed to stabilize.

This was not the way I wanted to run a business.

Taking a Risk

So, I made a switch, from the accepted norm and online author WordPress standard, and I moved my entire author site to Payhip. There is an entire section on Payhip below, I promise. But here are the differences that made me switch:

  • This platform is different in that it has a cost structure I can grow into as my sales expand. This makes it easy to keep costs within my margins.
  • It's a store-forward platform, ideal for selling digital books and physical items.
  • The process for building the new site was easy.
  • The flexibility to modify their templates to fit my branding worked well for me.
  • It offers the ability for authors to build courses.
  • All of the above is included with their regular fees.

Not only did I reclaim hours of writing time each week, but I also simplified how I connect with readers and sell my books.

The risk of moving my site was also lessened when I backed up my WordPress files. If I need or want to, I can reconstruct my old site again.

Whether you’re an indie author or just toying with the idea, this post walks through why I made the switch, my experience so far, and why you might want to, too.

What was my WordPress setup?

For clarity, it’s important to understand my experience with WordPress. As a blogging host with Writers in the Storm Blog for many years, I consider myself proficient behind the scenes on the platform.

My own site was hosted by Bluehost, and I stayed longer than I should have because of a great multi-year “deal.” This led to many frustrations while planning book launches. I suffered through poor customer service and irregular ghost problems that caused chunks of my website to randomly disappear. I followed that up with a year of the much-more-stable Site Ground.

Bottom line: Everything was costly and took up way too much of my creative energy to run. So, I started to look into other options.

There were several considerations I needed to address to move my site to a different type of platform.
  • I have a designated domain and emails, which I worried would disappear.
  • I have an active blog with years of archives.
  • My presence and footprint in the analytics. I was concerned that if I switched to a new website, I'd lose all that hard work of driving traffic to my site.

The Problem with WordPress for Solo Author-Entrepreneurs

Let’s be real for a second here. WordPress is powerful. But for many authors, it’s overkill.

Here’s what I struggled with:

Plugin overload

If you’ve played with WordPress, you understand the layers of plugins you need. It quickly becomes a daisy chain of technology—one for blogging, one for security, several to make the checkout process work, especially for taxes and shipping. And others to keep everything compliant with changing rules and laws.

Security fears

Having a WordPress site is like owning a piece of internet real estate. And if your digital storefront isn’t protected properly, your site is vulnerable to hackers and overwhelming levels of spam. One missed update and your site is wide open to a whole host of problems.

Hidden costs

Hosting, themes, plugins, and developer help add up quickly. There was a time when free versions were viable options, but as WordPress evolved, so did the costs for each plugin. Many are now yearly subscriptions, adding up to hundreds of dollars more.
Other essential costs, like having an email service to deliver your blog and ads, and paying for domain names and emails each year, also contribute to the rising cost of owning your own website.

Distraction from writing

Ultimately, I spent more time fine-tuning the store than creating. Content creation for marketing and incentives for my audience took over my creative writing time. This eroded my energy, and my manuscript word count suffered.

The final straw...

During a launch week, one plugin conflict broke my cart system entirely. That’s when I knew I needed out.

What is PayHip? (And Why I Tried It)

PayHip is an online platform that lets you sell digital or physical products directly to customers with no monthly fee. There are many platforms available now, and many have tiered pay structures. Here is why PayHip made sense for my author website switch.

Easy-to-use Storefront Templates

My store setup was easy. I chose one of their templates and added my brand kit to it. It was fairly stress-free. I was able to set up my payments, products, and email service within a weekend.

No Monthly Cost

The monthly fees are simple. For a 0.5% transaction fee, I can use all of their features, with unlimited products and unlimited revenue. There is also a monthly fee option of $29.00 if I want to have a 0.2% transaction fee in the future. This pay-as-I-go and grow model offers me the flexibility to maintain a lower overhead for my business.

Automatic EU/UK VAT Handling

This feature is a relief, knowing that I don’t have to research the legalities of selling to European countries. The stress of keeping up with ever-changing tax rules can take a lot of an indie author’s energy.

Built-in Checkout and Delivery

The selling process is seamless, and my test products were delivered smoothly. This platform accommodates selling physical products as well. I have had no issues with payments.

Integration with Email Marketing Platforms

The system easily integrated with my email program. It offers integration with most commonly used platforms including MailerLite and ConvertKit. I am using SendFox and have had no problems with email delivery.

It’s like having Shopify or Gumroad and a basic website in one dashboard, but more affordable and tailored for creatives. My writing has become the focus again.

Want to see my storefront? Take a look around HERE.

What I Gave Up (And Why It Was Worth It)

Of course, no tool is perfect. Here’s what I gave up:

  • Deep customization – PayHip has a limited number of themes and layout blocks.
  • Advanced SEO tools – No Yoast or keyword analysis dashboards.
  • Traditional blogging features – You can post updates, but PayHip isn’t a blog-first platform.

But I gained peace of mind and writing time. And honestly? That was the trade I needed to make.

How I Made the Switch (in One Weekend)

It’s easier than you think. Here’s what my transition looked like:

  1. Backed up my WordPress site and exported my email list.
  2. Chose what to keep (ebooks, about page, newsletter opt-in).
  3. Created my free PayHip account and selected a storefront template.
  4. Added my brand kit and modified the site for my brand.
  5. Uploaded my products with descriptions, covers, and pricing.
  6. Set up my domain (you can use PayHip’s free subdomain or your own).
  7. Redirected key links from my old site to my new store.

Need help? PayHip has step-by-step guides for everything. I reached out to customer service and got a human response in both chat and email. The response time was less than 24 hours for each question.

SEO, Email, and Branding

I was worried about visibility, but PayHip plays surprisingly well with:

  • Email platforms – Easy newsletter signup buttons and delivery for lead magnets
  • Search engines – Custom meta titles and SEO slugs for each product
  • Consistent branding – Upload your logo, custom banner, button colors, and fonts

And since I now share links from social media and my newsletter, most of my traffic lands exactly where it should: on the product page, not lost in blog archives.

One disclosure: Unpairing my emails was a little more complicated than I wanted to try on my own. I used the services of our in-house technology maven, Lisa Norman. She offers one-on-one time, custom built websites, and many classes like this one on website basics. 

Final Thoughts: Less Tech, More Time to Write

As authors, our job is to write, connect, and create, not to wrestle with broken pages and plugin updates.

PayHip gave me back creative control, without the stress of website management. And for the first time in a long time, I feel like my website is working for me, not the other way around.

If you’ve been itching to simplify, don’t wait for a meltdown. Explore PayHip. You might find, like I did, that it’s more than enough.

What has your experience been with your author website? Share one recommendation or writer-beware moment for our readers in the comments below.

About Kris

Kris Maze

Kris Maze a speculative fiction author who writes at the intersection of science fiction, psychological horror, and emotional realism. She’s a longtime classroom educator and contributor to Writers in the Storm Blog, where she helps fellow authors elevate their craft. Her work leans into dark wit and layered characters navigating extraordinary situations with flawed, human hearts. To see her book collections (also under the pen name Krissy Knoxx) visit her website.

And sometimes, she babysits her daughter’s kitties.

tabby cat in the sun
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