Writers in the Storm

A blog about writing

storm moving across a field
What Is The Perceived Value Of A Writer?

by Lisa Norman

“I am a warrior, so that my son may be a merchant, so that his son may be a poet.”

This quote, often attributed to John Quincy Adams, stuck in my brain the first time I heard it. It beautifully captures the idea that being a poet—or any kind of creator—is of the highest value, something generations could strive toward. So why do many authors undervalue their work—and themselves? The challenge is understanding “perceived value.”

What is Perceived Value?

The Cambridge Dictionary defines perceived value as “the value of a product based on how much customers want or need it, rather than on its real price.” This differs from “intrinsic worth” or items that have a specific value.

Another way to look at this is that perceived value does NOT equal the cost of a thing specifically; however, it can influence what an author charges and what a reader is willing to pay. Intrinsic value is what a thing costs. The intrinsic value of an ounce of gold in the moment that I write this is $2500. If you melt that down and turn it into a family heirloom, the perceived value might be higher. Or if it was an ugly thing, you might just give it away!

It is important to understand that both the author and the readers are dealing with the concept of perceived value.

For authors, many factors influence perceived value, including self-worth, feedback from reviewers, and market trends. Not understanding the true value of our work can lead to stress as well as confuse readers.

Pricing Strategies and Perceived Value

Many authors price their books low, hoping to attract more sales. However, as Mark Coker of Smashwords pointed out many years ago, raising the price of an ebook can sometimes enhance its perceived value and lead to better sales.

One author I have worked with for years consistently works to price her books as low as possible. She covers her costs and makes a small profit. Her books sell extremely well for their genre, but the profit is barely above cost. She’s just been happy that so many people want to read her books. Recently, one of her friends published her first book and priced it at over twice the price of my friend’s book. And people bought it. My friend finally questioned her pricing strategy.

Was the first author undervaluing her work or was her friend overvaluing hers?

Impact of Pricing on Self-Worth

Pricing decisions can significantly affect an author’s self-esteem and perceived worth. A friend of mine raised their Substack subscription price from $7 to $10 per month and found that their own sense of self-worth improved. They commented, “Funny, I feel MORE confident now.” And their subscriptions increased. Pricing can influence not just sales, but also personal confidence.

Ethical Considerations

It’s important to mention that price collaboration between publishers—even indie publishers and authors—is illegal. That is price fixing. Don’t do that. Instead, thoughtfully consider the value of your work when setting prices. Get access to statistics on current book sales trends. Talk to your fans and look at what other books in your genre are selling for.

My own experiences with Perceived Value:

Undervaluing Work:

My mother had a natural gift for art, but growing up, she was always told that art wouldn’t pay the bills. Coming from a poor background, she chose a career that would keep her out of poverty. She never took her art seriously, only doodling on the edges of papers and contracts.

Later in life, after battling cancer, she finally had the freedom to study art and discovered just how talented she was. Her friends were amazed by her skill. I often wonder what beauty she could have shared with the world if she had pursued her passion earlier.

Just before she passed away, she lived in an area with many highly respected artists. She saw the value of art firsthand, visiting their mansions and seeing their paintings sell for thousands of dollars. Her regret has fueled my determination to pursue my writing passion.

Overvaluing Work:

My father, on the other hand, had an inflated sense of his own worth as an author. He once sent me a manuscript to critique, and I gave him extensive feedback. He was furious, insisting I had no idea what real writing was. Later, he paid a company to print many copies of the book without making any changes from the draft I’d seen. Those books sat in his garage until he died. One reviewer even called it “the worst book ever written.”

Whenever I seek critiques on my writing, the real question I’m asking is, “Is it actually any good?” Because I’ve seen firsthand how blind someone can be to their own lack of talent.

Just Right:

My father’s brother also wrote a book. After my harsh critique of Dad’s book, he sent me his brother’s draft, hoping for similar feedback. Misery loves company, right? But to my surprise, his brother’s book was well-written and edited, with a clear plot and engaging story. I suggested he try to get it published, and he found a small indie publisher who published it successfully. He learned to value his own worth through positive feedback and successful publication.

Practical Tips for Authors

Assess Your Value: Keep track of market trends, reader feedback, and your own self-worth. Good pricing strategies include researching similar books in the market and setting a price that reflects the quality of the work.

Invest in Yourself: You are worth it! If you find that your writing is lacking in some area, invest in your craft by taking classes, using tools and technology, and collaborating with editors and professional artists. These investments enhance the quality of your work and its perceived value.

Something as simple as treating yourself to a trip to an artsy coffee shop to spend time with a fellow writer can increase your confidence.

Prioritize your emotional well-being.

Recognize the worth of both yourself and your art.

Remember, the value of your work is not just in its price tag but in the impact it has on your readers and yourself.

How do you determine the value of your work, and how has it affected your pricing strategy?

About Lisa

head shot of smiling Lisa Norman

Lisa Norman's passion has been writing since she could hold a pencil. While that is a cliché, she is unique in that her first novel was written on gum wrappers. As a young woman, she learned to program and discovered she has a talent for helping people and computers learn to work together and play nice. When she's not playing with her daughter, writing, or designing for the web, she can be found wandering the local beaches.

Lisa writes as Deleyna Marr and is the owner of Deleyna's Dynamic Designs, a web development company focused on helping writers, and Heart Ally Books, LLC, an indie publishing firm.

Interested in learning more from Lisa? Sign up for her newsletter or check out her school, No Stress Writing Academy, where she teaches social media, organization, technical skills, and marketing for authors!

Top image by Markéta Klimešová from Pixabay

Read More
Going Beyond Those First 50 Pages

by Sarah "Sally" Hamer

For most of my writing career, I have been called the "Fifty-page Wonder" by my critique group because I could come up with a story idea, flesh out the main two or three characters, and pull fifty pages out of my hat with relative ease. I won dozens of writing contests back when the romance genre had lots of contests, and even was nominated twice for in the Golden Heart contests. But, all too often, I lost steam and the fifty pages went under the bed, gathering dust bunnies.

Why? I just didn't know what was going to happen next or after that or after that. My characters just laughed at me when I asked what they wanted or needed or were willing to work for, and I struggled to make those stories come together into a cohesive, believable, and likable tale.

I finally had to learn to edit books to figure it out.

What did editing teach me about writing?

Many many things, but here are the three that made the most difference.

#1 Everyone gets a GMC.

I create a goal, motivation, and conflict for my characters, whether they like it or not. Each "important" character needs one of each to really come alive. All too often, if you don't know what they want, you can't create a place to go. So, as part of that, you also have to…(see next line)

#2 - Know how the book is going to end.

Since your protagonist has a goal, a realistic ending where the original goal (or the new and improved one discovered along the way) comes true. Do you know where the characters will end up? If so, it's mostly about putting plausible obstacles in the way.

#3 - Set up a structure.

We know stories have certain things that happen in certain places throughout the story. The Hero's Journey is, of course, the industry standard but isn't set in concrete. Many writers, especially if they're also strong readers, follow the hero’s journey automatically.

We know there must be an Ordinary World that needs an Inciting Incident to start the story. Then, we need our characters to jump from the Ordinary World into the Extraordinary World to learn the lessons. The largest and most important lesson, of course, is midway through: the Reversal – although it goes by many names. The second half of the book is the unraveling and putting back together of the character's character as the new understanding helps them find the real goal,

Last, but certainly not least, is the buildup to the end. It has many aspects: the hero/ine finding a path to reach the goal, a black moment where it seems unobtainable, a sacrifice when a choice MUST be made, conflict over that choice, finding the answer from within, and, finally, the execution of the plan.

It all sounds simple when I write it. And, ultimately, it is, once we know how to do it. Some writers do this in the first draft, and some do it later.

Final Thought

Give yourself a break. I've pulled more than one of those stories out from under the bed and finished it years later. It's like I needed to let them percolate under there with those dust bunnies until they were finally ready to be finished. And, until I knew exactly how to make that happen.

Do you have "under the bed stories?" Do you finish them? What tools do you use to help you get from idea to finished story? Please share them with use in the comments!

About Sally

Sarah Sally Hamer

Sarah (Sally) Hamer, B.S., MLA, is a lover of books, a teacher of writers, and a believer in a good story. Most of all, she is eternally fascinated by people and how they 'tick'. She’s passionate about helping people tell their own stories and has won awards at both local and national levels, including two Golden Heart finals.

A teacher of memoir, beginning and advanced creative fiction writing, and screenwriting at Louisiana State University in Shreveport for over twenty years, she also teaches online for Margie Lawson at http://www.margielawson.com and the No Stress Writing Academy, teaching "The Triangle of Structure"  and other classes. Sally is a freelance editor and book coach, with many of her students and clients becoming successful, award-winning authors.

You can find her at info@mindpotential.org

Top photo from Depositphotos.

Read More
10 Things Every Author Must Do to Be Successful

by Penny Sansevieri

We hear this a lot, of course – the “things” every author needs to do to be successful. But a lot of times, it varies by genre. Which is understandable, because different readers resonate with different things. But across the board, there are deal breakers and that’s what we’re digging into today.

1. Know Your Reader

Forgive me for starting with the obvious but you’d be amazed at how many times I speak with authors who have no idea who will read their book. Yet this knowledge shapes everything from your book structure, your story if you’re writing fiction and your marketing efforts. Craft a detailed reader profile—age, interests, reading habits, and more—to guide your work and outreach. Writing without an audience in mind makes marketing your book exponentially harder later on.

2. Know your Genre

While this is quite similar to the point above, it’s so important and I see it so often that it deserves it’s own bullet. So many authors I speak to in the course of my business don’t know what their genre is, or they make up a genre (my personal fav). The issue with not knowing your genre is that your book will sit and languish, probably somewhere it shouldn’t be and all of your hopes and dreams of being an successful author are dashed.

The other piece of this is that your cover must appeal to a specific reader and that reader is looking for a book in a specific genre. If your book cover does not meet or exceed those expectations, you likely aren’t selling books.

Pick a genre and own it. Sure, your young adult book may someday appeal to adults (a la Harry Potter) but for right now, your book should sit smartly in a young adult fantasy genre.

Remember this: a scattered approach to a genre means a scattered approach to your marketing and that, in the end, will get you nowhere.

3. Leverage Social Media Strategically

Social media is a powerful tool for connecting with your readers and expanding your reach but a lot of times it can feel like a bit of a black hole. If you’re struggling to get attention on your social media platform (or platforms) – then maybe you need to reconsider either where you’re posting, or what you’re posting.

The thing with social media is that it feels like an albatross if it’s done incorrectly, or if you’re on the wrong platform or posting content that isn’t engaging to your audience. If you’re reading this and nodding your head, then maybe it’s time to take a step back and reconfigure what you’re doing. My suggestion is this: start following other/similar authors in your genre and let that inspire you. Get a sense for what they’re posting, how frequent and what content seems to really resonate with the readers. Don’t copy, but let this fuel some new ideas so you don’t feel like you’re wasting your time.

4. Create a Pre-Launch Marketing Plan

A successful book launch doesn’t begin on release day—it starts months before. Craft a detailed pre-launch marketing plan that includes social media teasers, blog posts, newsletter sign-ups, and collaborations with influencers or bloggers in your genre. Create buzz early, so that by the time your book is out, your audience is eager to buy it.

5. Utilize Email Marketing

I get it, email marketing seems very 1980’s, doesn’t it?  But trust me when I say that your email list is one of the most powerful tools for book promotion. Build and nurture your email list by offering free content, like a reader magnet (e.g., a free novella, exclusive chapter, or bonus content). Email allows you to build a direct line of communication with your most engaged readers, keeping them updated about book releases, sales, and special events.

6. Build an Author Platform

When I teach my author platform class in person, I often see a lot of glazed over faces in the audience, and I get it – the term “author platform” seems both daunting and slightly nebulous. The majority of the time and author will say “I’ve never been published before, how can I possibly have a platform?” And they’re right – you won’t have a platform for your first book, but everything you do builds on everything else and by the time book two comes out, voila, you are now launching your book with an author platform. Yes, if you do the right things, it’s really that easy.

And your author platform doesn’t have to be complicated. At its very basic, it’s your online presence. So your website, maybe you have a blog, too – your social media channel (or channels), it’s your newsletter and maybe it’s your speaking events.

7. Network

The writing world thrives on relationships. Network with fellow authors, bloggers, podcasters, and industry professionals. Collaborations, guest posts, podcast interviews, and book events can open new doors, exposing you to wider audiences and fresh opportunities. And do you know when is the best time to network? When you have nothing to sell. So if you’re reading this and your next book isn’t out – or you are not yet published, now is a great time to do some online networking.

How to start? Start by following some experts in your industry, comment on their posts, like their content. Yes, it’s really that easy.

8. Invest in Professional Covers

I don’t think we need to spend a ton of time on this one, but seriously – put your best foot forward. There’s a book published every 8 seconds in this country. I know, crazy right? And the amount of books launched with terrible covers could likely sink the Titanic – again. Don’t be a statistic. I know it’s tempting to throw some ideas into an AI and let it develop something for you. And look, I’m not knocking AI covers – but unless you have an eye for design, or you are a book designer, it’s a big ask to create a cover that is both professional and resonates with your reader.

Never cut your own hair, and never design your own covers,

9. Understand the Timing of Book Marketing

I get this question a lot: How soon will I start selling books? Legit, I have no idea. I’ve been doing book marketing and publicity for 24 years and I don’t know.

Marketing is a process and it’s an ongoing effort. Create a plan that feels robust, but not daunting. Even if you’re just doing one thing a day.

10. Engage with Indie Bookstores

We just did a podcast on indie bookstores and I love them! Never overlook the power of local indie bookstores. They can be key players in building your audience and selling your books. Build relationships with store owners, offer to host events, and get involved in your community. Indie stores love supporting local authors, but it’s up to you to foster that connection. If you want to dig into this more, tune into our podcast, which you can find here!

Finally, it’s worth remembering that…

Change is a way of life, especially in publishing.

Being willing to change and adapt is one of the top reasons bestselling authors are so successful.

Stay informed about trends and the evolving marketplace. And learn to love learning. Attend workshops (virtual or in-person) whenever you can, it’s a great way not only to learn about something new, but also to network with other authors! Continuous learning and adaptability will help you stay ahead of the curve and increase your long-term success.

Do you have an 11th tip to add? Which tip of these ten resonated the most with you? Please share with us down in the contents!

About Penny

Photo of Penny C Sanserviere with half her face visible  on teh right side of the image. She's looking out the corner of her eye at a bookshelf full of books.

Penny C. Sansevieri, Founder and CEO of Author Marketing Experts, Inc., is a bestselling author and internationally recognized book marketing and media relations expert. She is an Adjunct Professor teaching Self-Publishing for NYU. She was named one of the top influencers of 2019 by New York Metropolitan Magazine.

Her company is one of the leaders in the publishing industry and has developed some of the most innovative Amazon visibility campaigns as well offering national media pitching, online book marketing, author events, and other strategies designed to build the author/book visibility.

She is the author of 18 books, including How to Sell Your Books by the Truckload on Amazon, Revise and Re-Release Your Book, 5-Minute Book Marketing for Authors, and From Book to Bestseller. She also hosts the top ranking podcast Book Marketing Tips and Author Success.

AME has had dozens of books on top bestseller lists, including those of the New York Times, USA Today, and Wall Street Journal.

To learn more about Penny’s books or her promotional services, visit www.amarketingexpert.com

Top photo credit from Depositphotos.

Read More
1 92 93 94 95 96 819

Subscribe to WITS

Recent Posts

Search

WITS Team

Categories

Archives

Copyright © 2026 Writers In The Storm - All Rights Reserved