By Chuck Sambuchino One of the most common reasons why agents and editors stop reading sample pages is simply that the story starts too slow. Gone are the days when a book could “get good on page 12.” We also can no longer compare our writing to classic works or even books written 30 years […]

By Chuck Sambuchino Ah, platform. It’s that dirty word writers hate. It appeared several years ago like a bad dream — a word publishing bigwigs used to describe a writer’s ability to sell their own work through a writer’s social media, networking and visibility. The bigwigs made it clear: Writers would not only have to […]

by Chuck Samuchino One of the most common recurring work blog items I get complimented on is my “New Literary Agent Alerts,” a series where I spotlight new/newer literary agents who are open to queries and looking for clients. At writers conferences, a frequent question I get is “Is it OK to sign with a […]

Hey, all just a quick update: The person who won an LWA online class is ——- Selena Fulton  CONGRATULATIONS !!!! Please email Margie::::: address is:  margie (at) margielawson(dot) com Sorry to step in, Susan - go for it! by Susan Spann Last month’s #PubLaw guest post on WITS asked the question “Do you Need a Literary Executor?” […]

by Erika Marks First draft. Talk about two words that manage to strike both excitement and fear in the hearts of all of us who write, yes? After having published three books and now deep in the middle of my fourth, I’d like to think I’ve got this whole first draft thing sewed up. Except, […]