Let’s face it, the characters you write about are often more familiar to you than your own family and friends. After all, they’re with you 24-7.
Fixing dinner for your family: “So, yeah, hey, you know I think I’m actually allergic to goat cheese which means you really need to scrub that entire amazing scene at the goat.”
3 am: “Hey, hey, did I tell you about my great-great grandmother who had this fear of bread and that’s what motivated me to become a baker? Yeah, I think that’s a thread that needs to be explored.”
Date night: “You know, this is all romantic and sweet but I think we need to discuss that last scene in chapter 32. It doesn’t work. The problem starts in chapter 4 though. So here’s what you need to do …”
You know everything about these characters, of course you do, you created them. You talk about them to friends and family and perfect strangers like they’re living, breathing people. To you, they are.
Then you finish the book. You pack those characters up and send them on their way to agents or to your editor. But even though you’re getting cozy with a new cast of characters, you’re sure, as sure as you are that coffee is a gift from the gods, that these characters will forever be in your head.
Then publishing happens.
It’s been a year (maybe more) since you submitted the manuscript. A year (probably more) of working on other books, living with other characters day in and day out. Or maybe it’s your dust bunny book that has been released from its dark cave after cough-number of years.
And suddenly you realize something terrifying … those characters you knew every single intimate detail about, the ones who never left you alone, they’ve become strangers. All of a sudden you can’t remember the name of the best friend, the color of the husband’s eyes, the last name of the favorite secondary character.
Yup, those people you knew, just KNEW would always be at the ready in your brain are off on an exotic vacation without you.
I know, I know … you guys are shaking your head thinking, “that’ll never happen to me because I have character sheets and I plot and I write details down.” Yeah, yeah.
Guess what? I do too. I have notebooks and notecards and timelines for each book. I write down all sorts of things I know I need to keep straight. And yet, here I am, revising a book that I started working on back in 2012 and there are details that are totally and completely baffling me.
At the same time, I’m working on promotional pieces for my debut that comes out in May. Other than reading page proofs last summer, I haven’t spent much time with these characters. Imagine my horror when I sat down to write a blog post and couldn’t remember a key detail about one of the characters.
So, what’s the trick to avoiding stranger danger with characters you yourself created? Notes.
You’re laughing, right?
I know you’re laughing.
We just agreed that we all already take notes and yet, I’m still in stranger danger panic.
Okay, let me rephrase … take different notes.
More than “just the facts”
Yes, you need to remember details such as eye color, hair color, what year someone was born, etc. But it’s the small details about a person that actually make the person and will make it so much easier to remember them when the time comes.
For example …
All of the above help bring the characters and story back to life and will make talking or writing about the book so much easier.
And, of course, write down every detail because your brain may think it’ll remember the hair color of the main character’s mom or how tall that best friend is but, if your brain is anything like mine, you’ll find yourself reinventing the wheel and then having to uninvent three-quarters of the way through the book.
Oh, and all the notes you’re taking … consolidate, consolidate, consolidate. For this second book, I have a notebook (I stopped taking notes in here about half way through the first draft), I have the notecards I plotted the revisions with (these made perfect sense at the time, not so much now), and I have various pieces of paper from brainstorming sessions with my critique partner and my editor.
That was my big lesson learned. For someone who loves to plan and organize, I was amazed at how unorganized I was with my thoughts/research for my stories. Book 3 has a lovely notebook with tabs and calendar pages and lots and lots of paper. It goes with me everywhere!
How do you avoid stranger panic with your characters? What tips and tricks have worked for you?
Orly Konig is an escapee from the corporate world, where she spent roughly sixteen (cough) years working in the space industry. Now she spends her days chatting up imaginary friends, drinking entirely too much coffee, and negotiating writing space around two over-fed cats. She is a co-founder and past president of the Women’s Fiction Writers Association, and a member of the Tall Poppy Writers. She is rep’d by Marlene Stringer, Stringer Literary Agency LLC.
Orly’s debut, The Distance Home, will be released by Forge on May 2, 2017.
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