Writers in the Storm

A blog about writing

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June 23, 2025

The 3 Components that Keep Your Story in Balance

KEEP GOING writing on a text sign on a running track. Motivation concept.

by Jenny Hansen

My husband and his knee inspired this post when what we thought would be a knee replacement turned out to be eight weeks of physical therapy (PT) to get him back in balance. My bloggy-self always perks up at the mention of words like "balance" and "maximum potential," so I peppered the Hubs with some questions.

It turns out that walking great and writing well have several things in common.

Their Goal For Him

They wanted to strengthen the weaker muscles in his leg to balance with the stronger muscles and keep his kneecap aligned. His pain was from his kneecap (patella) literally being pulled toward one side of his knee.

That's not the intriguing part. The cool part was that what they did to achieve this balance sounds a heck of a lot like what we do as writers.

3 Components That Keep Your Body in Balance

These are your big three things that keep your body in balance. (Plus, it explained to me why, when I had vertigo, they used my eyes to retrain my ear.)

  • Your inner ear
  • Your vision
  • Your musculoskeletal control

Their example:

When you hold your arm out in front of you, there's more happening than you just looking at your arm. You remain upright through the balance of your inner ear (which is the only aspect of this that is really out of your control). You sense your arm through nerve impulses transmitted from the core strength of your muscles which attach to your bones. The three together allow you to keep that arm held out straight and still for much longer than you might think you could.

Try it. . .the act of staring at your hand makes a huge difference in the amount of effort you need to expend for this exercise. If you don't stare it, your arm gets heavier faster. The difference was somewhat astonishing.

If ANY of these three components are out of whack, the arm (or the leg, or even your entire body) will no longer be able to stay upright. Focusing all three components on the task is what makes it work.

How do we relate this to writing?

Let’s change the order around a bit and dig a little deeper.

Part 1 – Your Inner Ear

Think of your inner ear as your writing voice. Voice is the cadence that is essentially you. It’s what makes your work stand out as unique.

The best description I've ever heard of "voice"

Imagine you are sitting in a café, telling your friend a story. The way you tell a story is quintessentially you. You don’t stop to think about how the story sounds when you’re talking to your friend, you just tell it. The visual and verbal cues you get back are what help you time the rhythm of your story and play certain parts of it up or down.

The best part, and the hardest part, about writing is that we do it alone. There is no one across the café table, or computer screen, to tell you what’s “just right” and what is falling flat. We learn to recognize what works on our own (through Craft) or we find a great critique group.

Part 2 – Musculoskeletal Control

Techie Definition: Musculoskeletal control is essential in our balance and vital to our ability to walk normally. The mechanics of human ambulation, or walking on two legs, is quite unique in nature. It has been described as consisting of a cycle of "controlled falls," which highlights the complexity of distinguishing between a fall or stumble and normal, controlled walking.

This definition immediately made me think of a blog Kristen Lamb wrote on the importance of learning to fall.

For the writer, “musculoskeletal control” is Craft.

The more you exercise your writing muscles, the more balanced and resilient they become. It took me ages to recognize (and accept) that it doesn’t matter whether you can lift a five pound weight or a fifty pound weight, what matters is that you can do it a lot and do it smoothly. Patience is not my virtue, so I'm always wondering why I can't curl 25 pounds like a badass, instead of being impressed with how smoothly I can curl 5 pounds.

In writer-speak: a good writer with the courage to approach the page every day is going to be published long before a great writer that approaches the page sporadically.

Just like targeted physical therapy can turn a weak knee into a strong one, regular writing practice can turn a good writer into a wonderful, well-disciplined one.

Writing Craft must be practiced and honed with regular writing.

All the greats say this – Anne Lamott, Natalie Goldberg, Julia Cameron – and it has always been the thing that made me groan the loudest.

Who has the time? I can’t! I don’t wanna!  My inner Lazy Ass has said all that and more on various occasions.

The reality behind these complaints was: I’m scared. What if I fail? Won’t that make my writing so important I will want to die if I fail? (Feel free to insert your own special fear here.)

We all have these fears, just like we all have that dastardly inner critic. The fact is, no one said it would be easy. Writers are a tough breed and my money will always be on us. We just hitch up our version of titanium panties and settle down to get our work done.

Some great Craft posts:

Part 3 -- Your Vision

Your visual strength is what you rely on after you’ve gotten the words on the page. "Your vision" translates into editing.

I know wonderful writers who have lyrical prose and the ability to create fantastic worlds with engaging characters. Yet they are still fighting to be published. Why?

Most of these writer friends tell me it’s actually because their editing or proofing is not strong enough yet. Practice makes perfect and we’ll all get there if we keep at it and build a powerful writing team to provide help when we need it.

There is a reason why Oscars are given for film editing – it is the art of separating out the unnecessary footage to keep the viewers hooked. It works the same with books.

There is a famous quote by Elmore Leonard that frustrates the hell out of most new writers: “I try to leave out the parts that people skip.” The structure of a story is a lot harder than it looks because we have to learn what parts people will skip and why.

Some fantastic posts I’ve found on editing:

Final Thoughts

Wherever you are on your writing journey, DON’T STOP. The best is always yet to come because we keep improving the more we do it. What you hear with your inner ear and see with your writer’s eyes will eventually be translated by the “musculoskeletal” strength of your Craft.

True Story

I heard Linda Howard speak at a writer’s conference in San Diego some years back and I’ve never forgotten her words. They meant so much to "baby writer me."

“Everybody dreams,” she said. “But writers are special because they write down their dreams. As writers, we can do anything and be anyone. You can be astronauts or spies or time travelers. Writers can go to amazing places and build imaginary worlds for others to visit.

“But the sad fact is that no matter how hard you try, the music and the magic of your dreams will never be equaled by the words you put on a page.

“Do it anyway.”

Every writer in that room started crying because it IS so hard to translate the grand scope of our imaginations into words on the page. The words never seem quite big enough or important enough to express the magic that lives inside our minds.

My hope is that, even on those days when you feel that all is lost, when you wonder why you ever believed that YOUR words were important, you keep at it.

Do it because you have to. Do it because you need to. Do it because the act of sharing those words is more than most people will ever attempt.

And finally, do it because no one else will have the inner ear to hear the words exactly as you do, the strength to birth them onto the page, or the vision to translate those words into the perfect story that floats from your heart to ours.

Do it anyway. You won't be truly happy unless you try.

What part of writing do you struggle with the most? Voice, craft or editing? I have the hardest time with structure and editing myself, and conflict and…Oh, sorry. Enough about me. What’s your writing albatross? Please share it with us down in the comments!

* * * * * *

About Jenny

By day, Jenny Hansen provides brand storytelling, LinkedIn coaching, and copywriting for accountants and financial services firms. By night, she writes humor, memoir, women’s fiction, and short stories. After 20+ years as a corporate trainer, she’s delighted to sit down while she works.

Find Jenny here at Writers In the Storm, or online on Facebook or Instagram.

Featured photo purchased from Depositphotos. Branded in Canva.

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20 comments on “The 3 Components that Keep Your Story in Balance”

  1. This post is ideal to share with the seniors at our local senior writing group. Our core group is pretty confident in their abilities to capture their stories, but 1) tips like those in this post remind them that they are unique, and 2) there are always "newbies" coming in to "test our waters," so we are very mindful to make them welcome.

    1. Nice! Yes, everyone starts somewhere far down the experience ladder, and it takes time and doing before they get happy with their stories.

  2. Jenny, I love this post so much! Being writer and a former nurse, I definitely can see the parallels. And practice is what we all drag our metaphorical feet at, but it's what we all need--constantly. Even for someone who's "more experienced" or "more published." Practice (ie: daily exercise) keeps our writing minds and our work strong.

    1. I come from a nurse, Lynette! And I absolutely see the physical and mental correlations.

      Why do we expect to have to work to make our bodies strong, but not our minds? And we ALL struggle with the concept to some degree.

      P.S. Nurses ROCK.

  3. Interesting analogy, which reinforces the idea that writing for publication is a process (walking and strengthening, i.e. creating and revising) and a physical thing (bone, muscle, ligaments, nerves, i.e. voice, craft, practice, and vision).

    1. I agree 100%, Selene. It takes practice and patience and effort and discipline. And no one gets it all...which is why I believe writers NEED other writers.

  4. Wonderful post, Jenny, my vertigo agrees with you. I have physical health limitations, so I know what it is to work hard at achieving balance, which I do when I hike.

    From a writing standpoint, the most difficult is editing. My visual learning clashed with how I was taught English in school, and so I floundered—until high school when I applied what I'd seen, but didn't realize I knew. Suddenly, I went from being a struggling student to Honors English. Yet, I still couldn't share rules if asked.

    On the other hand, I adore structure. It's a diagram, and those I understand—and can see in my mind. We should always strive to achieve balance, but also pay attention to our bodies, taking the path to balance that works best for us.

    1. Isn't vertigo the WORST? I hated that so much, but vestibular therapy worked wonders. As I mentioned, they used my eyes to retrain my ear to get back in the game. It was amazing.

      My structure has gotten better over the years, but I'm still not so happy during the editing phase. It just seems to take forever, and you don't see the progress in such a dramatic way.

      I'm also really guilty of not being mean enough to my characters. I always have to add more obstacles and angst during the edits.

  5. I love how you broke down the idea of a writers voice being like them telling a story, it really is a great way of explaining it.

    1. Thanks, Jenn! That's a great compliment, coming from you. Voice is SO Important, and I see people ignore or force it all the time, instead of just letting it naturally flow.

  6. I struggle most with time. I freelance, so I am often writing or editing something that's not my something. The muscles don't atrophy. I can often pick right up about where I left off based on notes. But I'm a mimic, so I have to make sure I don't go in with any other voices. (It's a great skill for freelancing, but not so much for your own fiction.)

    I also have to watch out for fear, and not just fear of failure. Change is hard for me and success can bring change whereas failure allows for the status quo. I keep telling myself to take the steps slowly so change is incremental. Next up (that I can control) has to be school visits, but there are many steps before that happens. Next up that I can only sort of control is having a work of my own in book form.

    1. Time is always the hardest rub, for sure. And I know how hard it is to do something for yourself that you have to do all the time for work. I feel that way about social media. Do it in my job takes all the fun out of it when I'm on my own time.

      I applaud you for knowing your fears. That's the #1 most important piece of overcoming them.

      I sure do hope you get that book finished and lovely, so you can moved on to those school visits soon!

  7. Editing, definitely. Instead of muscular skeletal, think kitchens, plan A being to rip out everything, plan B, deciding to work with what we have, which is exactly what my physiotherapist set out to do. The parallels are intriguing -ancient house, thick stone walls, stone floors too - and Listed.

    Torn meniscus, torn cruciate ligaments, cue complex surgery ?

    Instead , incredible physio...' This will hurt and this will work'

    Like editing, I hope. - Hurting stage in progress....

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