Writers in the Storm

A blog about writing

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Sticky Note Thoughts for Plotters and Pantsers

by Leigh Cheak

As a writer, your ideas are all in your head, and the job is to wrangle them out and get them onto the page for other people to read and experience. But all writers know that it’s not that simple.

Sometimes, you have to hook those ideas and pull hard. Sometimes, they come out like the slow drip from a faucet. And sometimes, they roar on out with the force of a waterfall. It’s tangled and messy, and first drafts are usually awful. (“Shitty”, according to Anne Lamott.) And sometimes, we need to get out of the muck and see our work from a different perspective.

I like a road map to help with arranging my writing. I like to see where I’m going and plot my course. So I grab a pad of sticky notes. Whether you’ve got ideas but don’t know where to start, you’re waist-deep in a story and can’t figure out where to go from there, or you’re at the end but it’s just not adding up, the answer (at least for me) is sticky notes.

I believe sticky notes can save your writing at any point in the process.

Let me explain.

  1. They’re small, so you can only write main points/details. This forces you to summarize and only write the important stuff.
  2. They’re sticky. You place them down somewhere, and they stay put. No wind or animal tail sweeping it off your workspace.
  3. They keep their sticky pretty well, so you can move them around and stick them elsewhere.
  4. They’re colorful. If you’re a color-coding champ, you can use different colors for main points, specific details, certain characters… your imagination (or ability to organize) is your limit.

Why bother with sticky notes?

When you’re in the story or an essay, it’s easy to get lost and not know where you’re going. Using sticky notes helps to pull that focus out and see things from a macroscopic viewpoint. From there, you can see the progression of events/ideas and decide how to best arrange them. And the wonderful thing about this organizational method is that you can use it to start writing, while you’re in the writing, or after as an editing tool. By pulling out and viewing the progression from an aerial perspective, you can make more informed decisions about where the writing is going and what makes the most sense to go where. You can see potential holes, or disconnected ideas, and figure out how to patch them in or circumvent them. You can also decide which darlings need murdering.

Because they’re small and sticky, it’s easy to manipulate them into new configurations to try new things. Feel free to play! You can easily undo anything that doesn’t work out. It’s not so easy to do that with Word or written pages.

And the sticky means that you can plot your storyline, leave it be, and then come back to it in the same arrangement (unless little goblins mess with it while your back is turned). You can even use wall space to organize your notes because gravity has less jurisdiction with the sticky. Space-saving and writing-saving—sticky notes really are unsung heroes!

When in doubt, use stickies

Stickies can help you decide if you want your story to be linear, or if it’s best to jump around in time and/or perspectives. And if you have a new idea, slap it on a new sticky and find a place for it. The size of your sticky web is limited to you and how many pads you have.

Need to get somewhere, but there’s no clear transition? Lost sight of the conflict? Boom. Sticky. Write your ideas down. Crumple up the ones that don’t work. Or maybe just move it elsewhere and come back to it. I like to keep a sticky graveyard for ideas, just in case one happens to have good resurrection material. Especially if it’s a long piece that I’m working on over a lengthy amount of time.

When I use stickies, I feel like I’m assembling the pieces of a puzzle and then making them fit. I enjoy the tactile pieces and moving them around to see what makes sense where. It’s a fun way to manipulate your story without being trapped by the blank page.

Two Camps: Plotters and Pantsers

I totally stole these two terms from my dear friend, Justine Bylo, who’s also written for WITS. We both identify as Plotters, and we like to use sticky notes from the get-go. We’re also type-A perfectionists (surprise!). When it comes to writing, we like to know where things are going and make logical moves from point to point until we get to the end. I know many other writers are the same, and like to have things thought-out and organized while writing. It’s comforting to have an outline and know that we’re writing towards the next pit-stop instead of the very end of the journey. Using sticky notes help us to line up our plots and chart the course. We make small steps of progression until the end.

Our opposites are Pantsers: writers who fly by the seat of their pants. These writers often have no idea where a story is going, but trust that they’ll get where they’re meant to be. I sort of envy these people, because they can have some wild adventures along the way. They’ll find sticky notes helpful in the middle or end of the writing, when they’re stuck and need direction, or when they’re looking at a tangle of words they need to make accessible for readers.

For Pantsers, sticky notes can get them out of the thick of things so they can see the map and that can guide them to streamline things to make the most sense. They might not need help getting started—they know they’re in for something amazing—but they might need some help with putting the ideas in the most logical order, or finding the holes that can trip up readers.

So whether you’re a control-freak plotter or a free-writing pantser, sticky notes can help you anywhere in the process.

Final Thoughts

I recommend you use the KISS method with your stickies: Keep It Simple Silly. Make sure each sticky only has one point/idea. You want to be able to move the separate parts around. And remember, just because it makes sense in your head does not mean that it will make sense to your reader. Arrangement is key. If a reader can’t follow you through the journey they’ll likely give up, no matter how awesome your dialogue, action, or description.

Are you a Plotter or a Pantser and what stage of writing would you find using sticky notes most useful? Have you done something similar to help with your writing? What’s the most challenging part of writing for you? Let me know down in the comments!

About Leigh

Leigh Pierce née Cheak is a poet/writer and editor living just outside of Nashville, TN with her new husband and her two fur-babies, Mila and Misha. She obtained her MFA in Creative Writing at Western Kentucky University. Her poems have appeared in The Poetry Gymnasium, 2nd Ed.; Wildflower Press’ Anthology: Wild Voices, Vol. 2; The Windhover; The McNeese Review; and Beecher’s Magazine, among others.


Top Image by RitaE from Pixabay.

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Book Covers 101: Updating Your Cover

by Melinda VanLone

Book covers are a lot like fashion, except the expectations change over the course of years instead of seasons. Everyone’s seen the cover of their favorite book change over the years, whether it’s traditionally published or indie. You might even be thinking about how nice it would be to change your own book cover to something more exciting or more “now”, but something is holding you back.

If you spent a lot of money on your current cover, it’s hard to swallow that it might need updating.  After all, that’s even more money and time you’ll have to invest. But there’s a time and place for everything, which means there’s a time when changing your cover is the right move.

Some Reasons to Change Your Cover

1. Trends Change

As with most things in life, nothing lasts forever. That trend of only showing a bare-chested torso today could indicate that your book is out of touch with modern times tomorrow. It’s a smart business practice to keep up with the current trends and adjust when needed. Your book is a product, after all, and it needs the best packaging for the market.

2. Genres Change

New book genres and sub-genres crop up almost every week. When they do, they tend to come with new expectations for cover art. A steamy romance today, for instance, needs more flesh showing on the cover to indicate the heat level of the story. If you’ve written a book that has slipped into a new category…remember when New Adult wasn’t a thing?…you might need to change the art to reflect that in order to reach more readers.

3.   Authors Change…Their Minds

You’ve probably learned a lot since your first book cover was commissioned. The world is a very different place than it was a few months or years ago. What worked then maybe just doesn’t work now.

Perhaps It Is Timing

Analyzing the market, target readership expectations, and overall shelf life can provide compelling clues as to when it would be worth the plunge into new art. For example:

1. Sales have fallen off the charts

Whatever your high point was on sales, if they’ve taken a nosedive even with pumped up ad spends and good click-through rates, along with other marketing efforts, the first thing to tinker with is the cover art. Often that one change can bring readers back.

2. Plans Have Changed

If you started out thinking you were writing a stand-alone, but then it turned into a trilogy…which kept going…your series and brand might need a refresh to bring cohesion. Readers love to know that books in a series belong together and the easiest way to show them that is with the cover art. So if the brand is looking scattered or dated, a refresh can breathe new life and bring new readers to your backlist.

3. The Brand Feels Dated

When I first launched my House of Xannon series, I studied the market and current trends and positioned the book within the New Adult category. Back then it was a new niche, barely defined, and had little expectations. Trying to bridge the gap between Young Adult and plain old Adult wasn’t easy for the art world.

Back then, it was fairly common in New Adult Fantasy to see magical symbols as the main focus, and no actual people. A lot of big names were taking this approach, so I did too.

But here we are years later and now that cover feels out of date, stiff, I hate the font, and it doesn’t attract the reader I’m seeking. It was time for a change, so recently I took the plunge and re-branded all five of the Xannon covers to update them to the current genre expectations. The new look attracted more readers and made my ad spends more effective.

If you are traditionally published, getting the cover art changed might not be something you can control. That doesn’t mean you shouldn’t ask about it, and point out the reasons why you think a change would help market the book better. If you’re an indie author, then the decision is all yours. One of the things I love most about being indie is the ability to pivot. Indie authors can be nimble and flexible when something isn’t working.

While it costs money and time to re-do a cover, in the end, it might result in new readers and more sales...and how could that not be worth the effort?

Do you have book covers you need or want to update? What are some covers you've seen that you love? Melinda is open for questions down in the comments!

About Melinda

Melinda VanLone writes urban fantasy, freelances as a graphic designer, and dabbles in photography. She currently lives in Florida with her husband and furbabies.

When she's not playing with her imaginary friends, you can find Melinda playing World of Warcraft, wandering aimlessly through the streets taking photos, or hovered over coffee in Starbucks.

Her elementary fantasy series, House of Xannon, begins with Stronger Than Magic. For more information on covers, visit BookCoverCorner.com.

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No-Nonsense Writing Tips From Nora Roberts

by Jenny Hansen

It's been a while since I posted a "Top Writing Success Tips" post here at WITS. Previously I've offered tips from the likes of Neil Gaiman, Stephen King and Maya Angelou. Since I don't think any of us can ever have too much writing wisdom, I've gathered a few stellar tips from a writer I respect a hell of a lot -- Nora Roberts.

Even if you don't read romance, mysteries, or YA (she writes all three), she has tons of wisdom to offer. She is an "Every Damn Day" writer who has earned her place on the bestseller charts with a diligent work ethic that boggles the mind.

Nora Roberts' Top Bits of Writing Wisdom

In an article last spring, titled Here's How I Work, La Nora distilled her writing advice down to these three things (language alert):

Stop making excuses and write.
Stop whining and write.
Stop fucking around and write.

She ended this section with: "I take my own advice." Here are some of my thoughts on her advice.

1. Stop Making Excuses

I am the champ at excuses when it comes to writing, so believe me I am not pointing fingers here. I love that a New York Times bestselling author has such a refreshingly no-nonsense point of view.

We own this. Our writing, our dreams, our stories. We don't always own our time -- we have families and jobs and bills. But we can own our writing. We can give our writing dreams top billing.

Sometimes we simply aren't able to do as much as we'd like. We have kids and parents and jobs that need our focus. Heck, last year every bit of my life force was focused on surviving to this year's January 1. To put it in perspective -- as bad as this pandemic has sucked, it hasn't been as excruciatingly difficult for me as 2019.

This time last year, I told my BFF: "Some years you are the dog, and some years you are the fire hydrant." (Whichever one you are right now, it passes. I promise.)

Last year I didn't write much, by choice. I couldn't bear for the most joyful thing in my life to be tainted by drudgery and depression. This year, my energy (and therefore my writing desire) is back, and I've eased back into the joyful end of the writing pool.

Whether you are the dog or the fire hydrant, whether you are writing scads of pages or none...our writing is a gift and a choice. Own it. Do as much as you are able, without excuses.

2. Stop whining and write.

Nora Roberts works for 6-8 hours on the writing and works out for 90 minutes every day. Although she's more disciplined than the half the writers I meet, there's a lot to be said for routine. Routine can pull a writer through some hard times. Nora prizes her routine but she also credits the Catholic nuns she was schooled by - she says they taught her to just put her head down and do the work.

Our own Laura Drake is similar. Up at the butt-crack of dawn to write, a few hours on Facebook, more time for the online classes she teaches, time with her hubby and early to bed to do it all again.

Setting a routine, and putting your head down to do the work, is a winning combination to finishing books. It also gets you past the scenes when the writing is hard (aka when you want to whine).

As you might know from reading my Bikini Wax Theory of Writing, writing is not always a Disney frolic through the pages for me. I tend to write humorous books with really tough story themes. Tough themes equal tough writing. But those are the stories that come to me, so those are the stories I write.

3. Stop effing around and write.

Many writers are easily distractable. *raises hand* They get caught up on social media, the internet, the laundry pile. There's a lot to be said for just getting your writing done and out of the way first thing in the day.

If your elusive quiet time doesn't happen until the end of the day, you might have to wait until then to get your writing done. I knew one writer who was a full-time newspaper reporter, who finished her entire first book at the lunch table in the courtyard outside her offices.

Let's revisit the "make a routine" advice up above. No matter what time of day your brain clicks into high gear, building a routine around that time. Steven Kotler calls this state "Flow" and defines it as an “optimal state of consciousness where we feel our best and perform our best.”

Figure out your "flow" time, stop dinking around, and write. That linked Kotler article offers many examples of what "flow" looks like, and how to get that state of creativity.

Further Reading

Here are a few more posts I came across in my research:

Which tip resonated with you? What no-nonsense tip keeps you going in your own writing life? Tell us all about it down in the comments!

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About Jenny

By day, Jenny provides corporate communications and LinkedIn advice for professional services firms. By night she writes humor, memoir, women’s fiction, and short stories. After 18 years as a corporate trainer, she’s delighted to sit down while she works.

When she’s not at her personal blog, More Cowbell, Jenny can be found on Facebook at JennyHansenAuthor or at Writers In The Storm.

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